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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150 115 194 it is the complementary color RGB 105 140 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150 115 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150 115 194 shade: RGB 155 115 189, RGB 172 133 208, RGB 189 151 227, RGB 206 169 246 and RGB 223 187 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150 115 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150 115 194 shade: RGB 150 115 194, RGB 133 97 175, RGB 116 79 156, RGB 99 61 137 and RGB 82 43 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150 115 194 shade: RGB 151 117 194, RGB 172 117 194, RGB 193 117 194, RGB 194 117 175 and RGB 194 117 154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150 115 194 shade: RGB 151 117 194, RGB 130 117 194 and RGB 117 117 194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150 115 194 shade matches the following richer shades: RGB 151 117 194, RGB 149 101 210, RGB 147 85 227 and RGB 146 68 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150 115 194 shade: RGB 151 117 194, RGB 153 133 178, RGB 155 149 162, RGB 157 165 146 and RGB 158 181 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150 115 194 shade: RGB 117 125 194, RGB 130 117 194, RGB 150 117 194, RGB 171 117 194 and RGB 192 117 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150 115 194 shade: RGB 109 70 159, RGB 130 88 182, RGB 151 117 194, RGB 173 145 207 and RGB 194 174 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150 115 194 shade: RGB 150 115 194, RGB 194 117 145 and RGB 117 194 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150 115 194 shade: RGB 150 115 194, RGB 194 150 117 and RGB 117 194 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150 115 194 shade: RGB 150 115 194, RGB 194 117 145, RGB 161 194 117 and RGB 117 194 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150 115 194 shade: RGB 150 115 194, RGB 194 117 122, RGB 161 194 117 and RGB 117 194 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 41 / 0 / 24

HEX #9673C2

RGB 150 115 194

HSL 266.58, 0.39%, 0.61%

LAB 54.7, 29.71, -36.32

 

Complementary color

CMYK 25 / 0 / 56 / 45

HEX #698C3D

RGB 105 140 61

HSL 86.58, 0.39%, 0.39%

LAB 54.13, -25.94, 37.73

 

CMYK 18 / 39 / 0 / 26

HEX #9B73BD

RGB 155 115 189

HSL 272.43, 0.36%, 0.6%

LAB 54.97, 30.04, -33

 

CMYK 17 / 36 / 0 / 18

HEX #AC85D0

RGB 172 133 208

HSL 271.2, 0.44%, 0.67%

LAB 61.74, 29.29, -33.1

 

CMYK 17 / 33 / 0 / 11

HEX #BD97E3

RGB 189 151 227

HSL 270, 0.58%, 0.74%

LAB 68.39, 28.6, -33.22

 

CMYK 16 / 31 / 0 / 4

HEX #CEA9F6

RGB 206 169 246

HSL 268.83, 0.81%, 0.81%

LAB 74.92, 27.96, -33.35

 

CMYK 13 / 27 / 0 / 0

HEX #DFBBFF

RGB 223 187 255

HSL 271.76, 1%, 0.87%

LAB 80.99, 25.28, -28.73

 

CMYK 23 / 41 / 0 / 24

HEX #9673C2

RGB 150 115 194

HSL 266.58, 0.39%, 0.61%

LAB 54.7, 29.71, -36.32

 

CMYK 24 / 45 / 0 / 31

HEX #8561AF

RGB 133 97 175

HSL 267.69, 0.33%, 0.53%

LAB 47.79, 30.56, -36.32

 

CMYK 26 / 49 / 0 / 39

HEX #744F9C

RGB 116 79 156

HSL 268.83, 0.33%, 0.46%

LAB 40.74, 31.49, -36.33

 

CMYK 28 / 55 / 0 / 46

HEX #633D89

RGB 99 61 137

HSL 270, 0.38%, 0.39%

LAB 33.55, 32.47, -36.33

 

CMYK 31 / 64 / 0 / 54

HEX #522B76

RGB 82 43 118

HSL 271.2, 0.47%, 0.32%

LAB 26.24, 33.45, -36.26

 

CMYK 22 / 40 / 0 / 24

HEX #9775C2

RGB 151 117 194

HSL 266.49, 0.39%, 0.61%

LAB 55.27, 28.85, -35.42

 

CMYK 11 / 40 / 0 / 24

HEX #AC75C2

RGB 172 117 194

HSL 282.86, 0.39%, 0.61%

LAB 57.45, 35.22, -31.86

 

CMYK 1 / 40 / 0 / 24

HEX #C175C2

RGB 193 117 194

HSL 299.22, 0.39%, 0.61%

LAB 59.85, 41.71, -27.95

 

CMYK 0 / 40 / 10 / 24

HEX #C275AF

RGB 194 117 175

HSL 314.81, 0.39%, 0.61%

LAB 59.24, 38.62, -18.04

 

CMYK 0 / 40 / 21 / 24

HEX #C2759A

RGB 194 117 154

HSL 331.17, 0.39%, 0.61%

LAB 58.53, 35.21, -7.02

 

CMYK 22 / 40 / 0 / 24

HEX #9775C2

RGB 151 117 194

HSL 266.49, 0.39%, 0.61%

LAB 55.27, 28.85, -35.42

 

CMYK 33 / 40 / 0 / 24

HEX #8275C2

RGB 130 117 194

HSL 250.13, 0.39%, 0.61%

LAB 53.34, 22.76, -38.58

 

CMYK 40 / 40 / 0 / 24

HEX #7575C2

RGB 117 117 194

HSL 240, 0.39%, 0.61%

LAB 52.29, 19.19, -40.32

 

CMYK 22 / 40 / 0 / 24

HEX #9775C2

RGB 151 117 194

HSL 266.49, 0.39%, 0.61%

LAB 55.27, 28.85, -35.42

 

CMYK 29 / 52 / 0 / 18

HEX #9565D2

RGB 149 101 210

HSL 266.42, 0.55%, 0.61%

LAB 52.23, 41.27, -49.36

 

CMYK 35 / 63 / 0 / 11

HEX #9355E3

RGB 147 85 227

HSL 266.2, 0.72%, 0.61%

LAB 49.79, 53.58, -62.92

 

CMYK 40 / 72 / 0 / 5

HEX #9244F3

RGB 146 68 243

HSL 266.74, 0.88%, 0.61%

LAB 47.9, 65.37, -75.01

 

CMYK 22 / 40 / 0 / 24

HEX #9775C2

RGB 151 117 194

HSL 266.49, 0.39%, 0.61%

LAB 55.27, 28.85, -35.42

 

CMYK 14 / 25 / 0 / 30

HEX #9985B2

RGB 153 133 178

HSL 266.67, 0.23%, 0.61%

LAB 58.75, 16.55, -20.89

 

CMYK 4 / 8 / 0 / 36

HEX #9B95A2

RGB 155 149 162

HSL 267.69, 0.07%, 0.61%

LAB 62.57, 4.73, -6.03

 

CMYK 5 / 0 / 12 / 35

HEX #9DA592

RGB 157 165 146

HSL 85.26, 0.1%, 0.61%

LAB 66.64, -6.38, 8.88

 

CMYK 13 / 0 / 28 / 29

HEX #9EB582

RGB 158 181 130

HSL 87.06, 0.26%, 0.61%

LAB 70.82, -17.03, 23.45

 

CMYK 40 / 36 / 0 / 24

HEX #757DC2

RGB 117 125 194

HSL 233.77, 0.39%, 0.61%

LAB 54.39, 14.4, -37.01

 

CMYK 33 / 40 / 0 / 24

HEX #8275C2

RGB 130 117 194

HSL 250.13, 0.39%, 0.61%

LAB 53.34, 22.76, -38.58

 

CMYK 23 / 40 / 0 / 24

HEX #9675C2

RGB 150 117 194

HSL 265.71, 0.39%, 0.61%

LAB 55.18, 28.55, -35.58

 

CMYK 12 / 40 / 0 / 24

HEX #AB75C2

RGB 171 117 194

HSL 282.08, 0.39%, 0.61%

LAB 57.34, 34.91, -32.04

 

CMYK 1 / 40 / 0 / 24

HEX #C075C2

RGB 192 117 194

HSL 298.44, 0.39%, 0.61%

LAB 59.73, 41.4, -28.15

 

CMYK 31 / 56 / 0 / 38

HEX #6D469F

RGB 109 70 159

HSL 266.29, 0.39%, 0.45%

LAB 38.08, 35.6, -42.41

 

CMYK 29 / 52 / 0 / 29

HEX #8258B6

RGB 130 88 182

HSL 266.81, 0.39%, 0.53%

LAB 45.77, 36.67, -43.62

 

CMYK 22 / 40 / 0 / 24

HEX #9775C2

RGB 151 117 194

HSL 266.49, 0.39%, 0.61%

LAB 55.27, 28.85, -35.42

 

CMYK 16 / 30 / 0 / 19

HEX #AD91CF

RGB 173 145 207

HSL 267.1, 0.39%, 0.69%

LAB 64.68, 22.6, -27.99

 

CMYK 12 / 21 / 0 / 14

HEX #C2AEDC

RGB 194 174 220

HSL 266.09, 0.4%, 0.77%

LAB 74.13, 15.94, -20.53

 

CMYK 23 / 41 / 0 / 24

HEX #9673C2

RGB 150 115 194

HSL 266.58, 0.39%, 0.61%

LAB 54.7, 29.71, -36.32

 

CMYK 0 / 40 / 25 / 24

HEX #C27591

RGB 194 117 145

HSL 338.18, 0.39%, 0.61%

LAB 58.26, 33.87, -2.21

 

CMYK 40 / 0 / 39 / 24

HEX #75C277

RGB 117 194 119

HSL 121.56, 0.39%, 0.61%

LAB 72.03, -39.15, 30.44

 

CMYK 23 / 41 / 0 / 24

HEX #9673C2

RGB 150 115 194

HSL 266.58, 0.39%, 0.61%

LAB 54.7, 29.71, -36.32

 

CMYK 0 / 23 / 40 / 24

HEX #C29675

RGB 194 150 117

HSL 25.71, 0.39%, 0.61%

LAB 65.41, 12.08, 23.74

 

CMYK 40 / 0 / 23 / 24

HEX #75C296

RGB 117 194 150

HSL 145.71, 0.39%, 0.61%

LAB 72.61, -33.61, 14.78

 

CMYK 23 / 41 / 0 / 24

HEX #9673C2

RGB 150 115 194

HSL 266.58, 0.39%, 0.61%

LAB 54.7, 29.71, -36.32

 

CMYK 0 / 40 / 25 / 24

HEX #C27591

RGB 194 117 145

HSL 338.18, 0.39%, 0.61%

LAB 58.26, 33.87, -2.21

 

CMYK 17 / 0 / 40 / 24

HEX #A1C275

RGB 161 194 117

HSL 85.71, 0.39%, 0.61%

LAB 74.47, -24.23, 35.13

 

CMYK 40 / 0 / 14 / 24

HEX #75C2A6

RGB 117 194 166

HSL 158.18, 0.39%, 0.61%

LAB 72.97, -30.27, 6.64

 

CMYK 23 / 41 / 0 / 24

HEX #9673C2

RGB 150 115 194

HSL 266.58, 0.39%, 0.61%

LAB 54.7, 29.71, -36.32

 

CMYK 0 / 40 / 37 / 24

HEX #C2757A

RGB 194 117 122

HSL 356.1, 0.39%, 0.61%

LAB 57.65, 30.81, 10.24

 

CMYK 17 / 0 / 40 / 24

HEX #A1C275

RGB 161 194 117

HSL 85.71, 0.39%, 0.61%

LAB 74.47, -24.23, 35.13

 

CMYK 40 / 0 / 3 / 24

HEX #75C2BD

RGB 117 194 189

HSL 176.1, 0.39%, 0.61%

LAB 73.57, -24.95, -4.99

 

Description

Color code: RGB 150 115 194 | qconv.com Color code: RGB 150 115 194 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 115 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 115 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 41 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 41% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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