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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150.3 180.4 178 it is the complementary color RGB 104.7 74.6 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150.3 180.4 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150.3 180.4 178 shade: RGB 155.3 180.4 173, RGB 172.3 198.4 192, RGB 189.3 216.4 211, RGB 206.3 234.4 230 and RGB 223.3 252.4 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150.3 180.4 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150.3 180.4 178 shade: RGB 150.3 180.4 178, RGB 133.3 162.4 159, RGB 116.3 144.4 140, RGB 99.3 126.4 121 and RGB 82.3 108.4 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150.3 180.4 178 shade: RGB 151 181 179, RGB 151 181 170, RGB 151 181 162, RGB 151 181 154 and RGB 155 181 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150.3 180.4 178 shade: RGB 151 181 179, RGB 151 175 181, RGB 151 167 181, RGB 151 159 181 and RGB 151 151 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150.3 180.4 178 shade matches the following richer shades: RGB 151 181 179, RGB 136 195 191, RGB 122 210 203, RGB 107 224 215 and RGB 93 239 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150.3 180.4 178 shade: RGB 151 181 179, RGB 165 166 166, RGB 179 152 154, RGB 194 138 142 and RGB 208 123 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150.3 180.4 178 shade: RGB 151 181 162, RGB 151 181 170, RGB 151 181 178, RGB 151 175 181 and RGB 151 167 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150.3 180.4 178 shade: RGB 103 146 142, RGB 126 164 161, RGB 151 181 179, RGB 175 198 196 and RGB 199 215 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150.3 180.4 178 shade: RGB 150.3 180.4 178, RGB 154 151 181 and RGB 181 166 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150.3 180.4 178 shade: RGB 150.3 180.4 178, RGB 178 151 181 and RGB 181 178 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150.3 180.4 178 shade: RGB 150.3 180.4 178, RGB 154 151 181, RGB 181 151 153 and RGB 177 181 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150.3 180.4 178 shade: RGB 150.3 180.4 178, RGB 163 151 181, RGB 181 151 153 and RGB 168 181 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 1 / 29

HEX #96B4B2

RGB 150.3 180.4 178

HSL 175.22, 0.17%, 0.65%

LAB 71.24, -10.7, -2.2

 

Complementary color

CMYK 0 / 29 / 26 / 59

HEX #684A4D

RGB 104.7 74.6 77

HSL 355.22, 0.17%, 0.35%

LAB 35, 13.17, 3.63

 

CMYK 14 / 0 / 4 / 29

HEX #9BB4AD

RGB 155.3 180.4 173

HSL 162.31, 0.14%, 0.66%

LAB 71.43, -10.08, 0.87

 

CMYK 13 / 0 / 3 / 22

HEX #ACC6C0

RGB 172.3 198.4 192

HSL 165.29, 0.19%, 0.73%

LAB 77.98, -10.05, 0.23

 

CMYK 13 / 0 / 2 / 15

HEX #BDD8D3

RGB 189.3 216.4 211

HSL 168.04, 0.26%, 0.8%

LAB 84.42, -10.03, -0.39

 

CMYK 12 / 0 / 2 / 8

HEX #CEEAE6

RGB 206.3 234.4 230

HSL 170.6, 0.41%, 0.86%

LAB 90.76, -10.02, -0.99

 

CMYK 12 / 0 / 1 / 1

HEX #DFFCF9

RGB 223.3 252.4 249

HSL 172.99, 0.85%, 0.93%

LAB 97, -10.02, -1.57

 

CMYK 17 / 0 / 1 / 29

HEX #96B4B2

RGB 150.3 180.4 178

HSL 175.22, 0.17%, 0.65%

LAB 71.24, -10.7, -2.2

 

CMYK 18 / 0 / 2 / 36

HEX #85A29F

RGB 133.3 162.4 159

HSL 172.99, 0.14%, 0.58%

LAB 64.56, -10.76, -1.59

 

CMYK 19 / 0 / 3 / 43

HEX #74908C

RGB 116.3 144.4 140

HSL 170.6, 0.11%, 0.51%

LAB 57.75, -10.83, -0.95

 

CMYK 21 / 0 / 4 / 50

HEX #637E79

RGB 99.3 126.4 121

HSL 168.04, 0.12%, 0.44%

LAB 50.77, -10.93, -0.28

 

CMYK 24 / 0 / 6 / 57

HEX #526C66

RGB 82.3 108.4 102

HSL 165.29, 0.14%, 0.37%

LAB 43.62, -11.06, 0.44

 

CMYK 17 / 0 / 1 / 29

HEX #97B5B3

RGB 151 181 179

HSL 176, 0.17%, 0.65%

LAB 71.47, -10.58, -2.4

 

CMYK 17 / 0 / 6 / 29

HEX #97B5AA

RGB 151 181 170

HSL 158, 0.17%, 0.65%

LAB 71.23, -12.44, 2.19

 

CMYK 17 / 0 / 10 / 29

HEX #97B5A2

RGB 151 181 162

HSL 142, 0.17%, 0.65%

LAB 71.03, -14.02, 6.29

 

CMYK 17 / 0 / 15 / 29

HEX #97B59A

RGB 151 181 154

HSL 126, 0.17%, 0.65%

LAB 70.84, -15.54, 10.39

 

CMYK 14 / 0 / 17 / 29

HEX #9BB597

RGB 155 181 151

HSL 112, 0.17%, 0.65%

LAB 71.04, -14.68, 12.35

 

CMYK 17 / 0 / 1 / 29

HEX #97B5B3

RGB 151 181 179

HSL 176, 0.17%, 0.65%

LAB 71.47, -10.58, -2.4

 

CMYK 17 / 3 / 0 / 29

HEX #97AFB5

RGB 151 175 181

HSL 192, 0.17%, 0.65%

LAB 69.88, -6.95, -5.85

 

CMYK 17 / 8 / 0 / 29

HEX #97A7B5

RGB 151 167 181

HSL 208, 0.17%, 0.65%

LAB 67.69, -2.62, -9.1

 

CMYK 17 / 12 / 0 / 29

HEX #979FB5

RGB 151 159 181

HSL 224, 0.17%, 0.65%

LAB 65.52, 1.8, -12.34

 

CMYK 17 / 17 / 0 / 29

HEX #9797B5

RGB 151 151 181

HSL 240, 0.17%, 0.65%

LAB 63.38, 6.28, -15.57

 

CMYK 17 / 0 / 1 / 29

HEX #97B5B3

RGB 151 181 179

HSL 176, 0.17%, 0.65%

LAB 71.47, -10.58, -2.4

 

CMYK 30 / 0 / 2 / 24

HEX #88C3BF

RGB 136 195 191

HSL 175.93, 0.33%, 0.65%

LAB 74.84, -19.78, -4.09

 

CMYK 42 / 0 / 3 / 18

HEX #7AD2CB

RGB 122 210 203

HSL 175.23, 0.49%, 0.65%

LAB 78.78, -28.13, -4.84

 

CMYK 52 / 0 / 4 / 12

HEX #6BE0D7

RGB 107 224 215

HSL 175.38, 0.65%, 0.65%

LAB 82.56, -35.19, -5.71

 

CMYK 61 / 0 / 5 / 6

HEX #5DEFE3

RGB 93 239 227

HSL 175.07, 0.82%, 0.65%

LAB 86.8, -41.53, -5.83

 

CMYK 17 / 0 / 1 / 29

HEX #97B5B3

RGB 151 181 179

HSL 176, 0.17%, 0.65%

LAB 71.47, -10.58, -2.4

 

CMYK 1 / 0 / 0 / 35

HEX #A5A6A6

RGB 165 166 166

HSL 180, 0.01%, 0.65%

LAB 68.04, -0.35, -0.13

 

CMYK 0 / 15 / 14 / 30

HEX #B3989A

RGB 179 152 154

HSL 355.56, 0.15%, 0.65%

LAB 65.26, 10.34, 2.67

 

CMYK 0 / 29 / 27 / 24

HEX #C28A8E

RGB 194 138 142

HSL 355.71, 0.31%, 0.65%

LAB 63.01, 21.93, 6.4

 

CMYK 0 / 41 / 38 / 18

HEX #D07B82

RGB 208 123 130

HSL 355.06, 0.47%, 0.65%

LAB 60.95, 33.82, 10.53

 

CMYK 17 / 0 / 10 / 29

HEX #97B5A2

RGB 151 181 162

HSL 142, 0.17%, 0.65%

LAB 71.03, -14.02, 6.29

 

CMYK 17 / 0 / 6 / 29

HEX #97B5AA

RGB 151 181 170

HSL 158, 0.17%, 0.65%

LAB 71.23, -12.44, 2.19

 

CMYK 17 / 0 / 2 / 29

HEX #97B5B2

RGB 151 181 178

HSL 174, 0.17%, 0.65%

LAB 71.45, -10.79, -1.89

 

CMYK 17 / 3 / 0 / 29

HEX #97AFB5

RGB 151 175 181

HSL 192, 0.17%, 0.65%

LAB 69.88, -6.95, -5.85

 

CMYK 17 / 8 / 0 / 29

HEX #97A7B5

RGB 151 167 181

HSL 208, 0.17%, 0.65%

LAB 67.69, -2.62, -9.1

 

CMYK 29 / 0 / 3 / 43

HEX #67928E

RGB 103 146 142

HSL 174.42, 0.17%, 0.49%

LAB 57.46, -15.54, -2.62

 

CMYK 23 / 0 / 2 / 36

HEX #7EA4A1

RGB 126 164 161

HSL 175.26, 0.17%, 0.57%

LAB 64.61, -13.54, -2.69

 

CMYK 17 / 0 / 1 / 29

HEX #97B5B3

RGB 151 181 179

HSL 176, 0.17%, 0.65%

LAB 71.47, -10.58, -2.4

 

CMYK 12 / 0 / 1 / 22

HEX #AFC6C4

RGB 175 198 196

HSL 174.78, 0.17%, 0.73%

LAB 78.16, -8.15, -1.65

 

CMYK 7 / 0 / 0 / 16

HEX #C7D7D6

RGB 199 215 214

HSL 176.25, 0.17%, 0.81%

LAB 84.79, -5.55, -1.36

 

CMYK 17 / 0 / 1 / 29

HEX #96B4B2

RGB 150.3 180.4 178

HSL 175.22, 0.17%, 0.65%

LAB 71.24, -10.7, -2.2

 

CMYK 15 / 17 / 0 / 29

HEX #9A97B5

RGB 154 151 181

HSL 246, 0.17%, 0.65%

LAB 63.62, 7.27, -15.18

 

CMYK 0 / 8 / 17 / 29

HEX #B5A697

RGB 181 166 151

HSL 30, 0.17%, 0.65%

LAB 68.99, 2.9, 9.72

 

CMYK 17 / 0 / 1 / 29

HEX #96B4B2

RGB 150.3 180.4 178

HSL 175.22, 0.17%, 0.65%

LAB 71.24, -10.7, -2.2

 

CMYK 2 / 17 / 0 / 29

HEX #B297B5

RGB 178 151 181

HSL 294, 0.17%, 0.65%

LAB 65.7, 15.44, -11.85

 

CMYK 0 / 2 / 17 / 29

HEX #B5B297

RGB 181 178 151

HSL 54, 0.17%, 0.65%

LAB 72.16, -3.56, 14.2

 

CMYK 17 / 0 / 1 / 29

HEX #96B4B2

RGB 150.3 180.4 178

HSL 175.22, 0.17%, 0.65%

LAB 71.24, -10.7, -2.2

 

CMYK 15 / 17 / 0 / 29

HEX #9A97B5

RGB 154 151 181

HSL 246, 0.17%, 0.65%

LAB 63.62, 7.27, -15.18

 

CMYK 0 / 17 / 15 / 29

HEX #B59799

RGB 181 151 153

HSL 356, 0.17%, 0.65%

LAB 65.17, 11.48, 3.12

 

CMYK 2 / 0 / 17 / 29

HEX #B1B597

RGB 177 181 151

HSL 68, 0.17%, 0.65%

LAB 72.65, -6.65, 14.84

 

CMYK 17 / 0 / 1 / 29

HEX #96B4B2

RGB 150.3 180.4 178

HSL 175.22, 0.17%, 0.65%

LAB 71.24, -10.7, -2.2

 

CMYK 10 / 17 / 0 / 29

HEX #A397B5

RGB 163 151 181

HSL 264, 0.17%, 0.65%

LAB 64.37, 10.29, -13.98

 

CMYK 0 / 17 / 15 / 29

HEX #B59799

RGB 181 151 153

HSL 356, 0.17%, 0.65%

LAB 65.17, 11.48, 3.12

 

CMYK 7 / 0 / 17 / 29

HEX #A8B597

RGB 168 181 151

HSL 86, 0.17%, 0.65%

LAB 71.96, -9.98, 13.78

 

Description

Color code: RGB 150.3 180.4 178 | qconv.com Color code: RGB 150.3 180.4 178 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150.3 red, 180.4 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150.3 180.4 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 1 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 1% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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