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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 150.3 180.4 174 it is the complementary color RGB 104.7 74.6 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 150.3 180.4 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 150.3 180.4 174 shade: RGB 155.3 180.4 169, RGB 172.3 198.4 188, RGB 189.3 216.4 207, RGB 206.3 234.4 226 and RGB 223.3 252.4 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 150.3 180.4 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 150.3 180.4 174 shade: RGB 150.3 180.4 174, RGB 133.3 162.4 155, RGB 116.3 144.4 136, RGB 99.3 126.4 117 and RGB 82.3 108.4 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 150.3 180.4 174 shade: RGB 151 181 174, RGB 151 181 166, RGB 151 181 158, RGB 151 181 151 and RGB 159 181 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 150.3 180.4 174 shade: RGB 151 181 174, RGB 151 179 181, RGB 151 171 181, RGB 151 163 181 and RGB 151 155 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 150.3 180.4 174 shade matches the following richer shades: RGB 151 181 174, RGB 136 195 183, RGB 122 210 191, RGB 107 224 199 and RGB 93 239 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 150.3 180.4 174 shade: RGB 151 181 174, RGB 165 166 166, RGB 179 152 158, RGB 194 138 150 and RGB 208 123 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 150.3 180.4 174 shade: RGB 151 181 158, RGB 151 181 166, RGB 151 181 174, RGB 151 179 181 and RGB 151 171 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 150.3 180.4 174 shade: RGB 103 146 137, RGB 126 164 156, RGB 151 181 174, RGB 175 198 193 and RGB 199 215 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 150.3 180.4 174 shade: RGB 150.3 180.4 174, RGB 151 151 181 and RGB 181 162 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 150.3 180.4 174 shade: RGB 150.3 180.4 174, RGB 174 151 181 and RGB 181 174 151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 150.3 180.4 174 shade: RGB 150.3 180.4 174, RGB 151 151 181, RGB 181 151 157 and RGB 181 180 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 150.3 180.4 174 shade: RGB 150.3 180.4 174, RGB 159 151 181, RGB 181 151 157 and RGB 172 181 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 4 / 29

HEX #96B4AE

RGB 150.3 180.4 174

HSL 167.24, 0.17%, 0.65%

LAB 71.13, -11.54, -0.17

 

Complementary color

CMYK 0 / 29 / 23 / 59

HEX #684A51

RGB 104.7 74.6 81

HSL 347.24, 0.17%, 0.35%

LAB 35.12, 13.84, 1.27

 

CMYK 14 / 0 / 6 / 29

HEX #9BB4A9

RGB 155.3 180.4 169

HSL 152.75, 0.14%, 0.66%

LAB 71.33, -10.88, 2.91

 

CMYK 13 / 0 / 5 / 22

HEX #ACC6BC

RGB 172.3 198.4 188

HSL 156.09, 0.19%, 0.73%

LAB 77.88, -10.83, 2.23

 

CMYK 13 / 0 / 4 / 15

HEX #BDD8CF

RGB 189.3 216.4 207

HSL 159.19, 0.26%, 0.8%

LAB 84.32, -10.8, 1.58

 

CMYK 12 / 0 / 4 / 8

HEX #CEEAE2

RGB 206.3 234.4 226

HSL 162.06, 0.41%, 0.86%

LAB 90.66, -10.78, 0.95

 

CMYK 12 / 0 / 3 / 1

HEX #DFFCF5

RGB 223.3 252.4 245

HSL 164.74, 0.85%, 0.93%

LAB 96.9, -10.77, 0.34

 

CMYK 17 / 0 / 4 / 29

HEX #96B4AE

RGB 150.3 180.4 174

HSL 167.24, 0.17%, 0.65%

LAB 71.13, -11.54, -0.17

 

CMYK 18 / 0 / 5 / 36

HEX #85A29B

RGB 133.3 162.4 155

HSL 164.74, 0.14%, 0.58%

LAB 64.45, -11.61, 0.49

 

CMYK 19 / 0 / 6 / 43

HEX #749088

RGB 116.3 144.4 136

HSL 162.06, 0.11%, 0.51%

LAB 57.64, -11.71, 1.18

 

CMYK 21 / 0 / 7 / 50

HEX #637E75

RGB 99.3 126.4 117

HSL 159.19, 0.12%, 0.44%

LAB 50.66, -11.83, 1.9

 

CMYK 24 / 0 / 10 / 57

HEX #526C62

RGB 82.3 108.4 98

HSL 156.09, 0.14%, 0.37%

LAB 43.51, -11.98, 2.68

 

CMYK 17 / 0 / 4 / 29

HEX #97B5AE

RGB 151 181 174

HSL 166, 0.17%, 0.65%

LAB 71.34, -11.62, 0.15

 

CMYK 17 / 0 / 8 / 29

HEX #97B5A6

RGB 151 181 166

HSL 150, 0.17%, 0.65%

LAB 71.13, -13.24, 4.24

 

CMYK 17 / 0 / 13 / 29

HEX #97B59E

RGB 151 181 158

HSL 134, 0.17%, 0.65%

LAB 70.94, -14.79, 8.34

 

CMYK 17 / 0 / 17 / 29

HEX #97B597

RGB 151 181 151

HSL 120, 0.17%, 0.65%

LAB 70.78, -16.09, 11.93

 

CMYK 12 / 0 / 17 / 29

HEX #9FB597

RGB 159 181 151

HSL 104, 0.17%, 0.65%

LAB 71.32, -13.25, 12.78

 

CMYK 17 / 0 / 4 / 29

HEX #97B5AE

RGB 151 181 174

HSL 166, 0.17%, 0.65%

LAB 71.34, -11.62, 0.15

 

CMYK 17 / 1 / 0 / 29

HEX #97B3B5

RGB 151 179 181

HSL 184, 0.17%, 0.65%

LAB 70.98, -9.09, -4.23

 

CMYK 17 / 6 / 0 / 29

HEX #97ABB5

RGB 151 171 181

HSL 200, 0.17%, 0.65%

LAB 68.78, -4.8, -7.48

 

CMYK 17 / 10 / 0 / 29

HEX #97A3B5

RGB 151 163 181

HSL 216, 0.17%, 0.65%

LAB 66.6, -0.42, -10.72

 

CMYK 17 / 14 / 0 / 29

HEX #979BB5

RGB 151 155 181

HSL 232, 0.17%, 0.65%

LAB 64.45, 4.03, -13.96

 

CMYK 17 / 0 / 4 / 29

HEX #97B5AE

RGB 151 181 174

HSL 166, 0.17%, 0.65%

LAB 71.34, -11.62, 0.15

 

CMYK 30 / 0 / 6 / 24

HEX #88C3B7

RGB 136 195 183

HSL 167.8, 0.33%, 0.65%

LAB 74.62, -21.59, -0.07

 

CMYK 42 / 0 / 9 / 18

HEX #7AD2BF

RGB 122 210 191

HSL 167.05, 0.49%, 0.65%

LAB 78.46, -30.97, 1.13

 

CMYK 52 / 0 / 11 / 12

HEX #6BE0C7

RGB 107 224 199

HSL 167.18, 0.65%, 0.65%

LAB 82.14, -39.11, 2.15

 

CMYK 61 / 0 / 13 / 6

HEX #5DEFD0

RGB 93 239 208

HSL 167.26, 0.82%, 0.65%

LAB 86.31, -46.27, 3.42

 

CMYK 17 / 0 / 4 / 29

HEX #97B5AE

RGB 151 181 174

HSL 166, 0.17%, 0.65%

LAB 71.34, -11.62, 0.15

 

CMYK 1 / 0 / 0 / 35

HEX #A5A6A6

RGB 165 166 166

HSL 180, 0.01%, 0.65%

LAB 68.04, -0.35, -0.13

 

CMYK 0 / 15 / 12 / 30

HEX #B3989E

RGB 179 152 158

HSL 346.67, 0.15%, 0.65%

LAB 65.36, 11.02, 0.58

 

CMYK 0 / 29 / 23 / 24

HEX #C28A96

RGB 194 138 150

HSL 347.14, 0.31%, 0.65%

LAB 63.22, 23.11, 2.16

 

CMYK 0 / 41 / 32 / 18

HEX #D07B8D

RGB 208 123 141

HSL 347.29, 0.47%, 0.65%

LAB 61.22, 35.19, 4.61

 

CMYK 17 / 0 / 13 / 29

HEX #97B59E

RGB 151 181 158

HSL 134, 0.17%, 0.65%

LAB 70.94, -14.79, 8.34

 

CMYK 17 / 0 / 8 / 29

HEX #97B5A6

RGB 151 181 166

HSL 150, 0.17%, 0.65%

LAB 71.13, -13.24, 4.24

 

CMYK 17 / 0 / 4 / 29

HEX #97B5AE

RGB 151 181 174

HSL 166, 0.17%, 0.65%

LAB 71.34, -11.62, 0.15

 

CMYK 17 / 1 / 0 / 29

HEX #97B3B5

RGB 151 179 181

HSL 184, 0.17%, 0.65%

LAB 70.98, -9.09, -4.23

 

CMYK 17 / 6 / 0 / 29

HEX #97ABB5

RGB 151 171 181

HSL 200, 0.17%, 0.65%

LAB 68.78, -4.8, -7.48

 

CMYK 29 / 0 / 6 / 43

HEX #679289

RGB 103 146 137

HSL 167.44, 0.17%, 0.49%

LAB 57.32, -16.71, 0.04

 

CMYK 23 / 0 / 5 / 36

HEX #7EA49C

RGB 126 164 156

HSL 167.37, 0.17%, 0.57%

LAB 64.47, -14.65, -0.1

 

CMYK 17 / 0 / 4 / 29

HEX #97B5AE

RGB 151 181 174

HSL 166, 0.17%, 0.65%

LAB 71.34, -11.62, 0.15

 

CMYK 12 / 0 / 3 / 22

HEX #AFC6C1

RGB 175 198 193

HSL 166.96, 0.17%, 0.73%

LAB 78.08, -8.75, -0.14

 

CMYK 7 / 0 / 1 / 16

HEX #C7D7D4

RGB 199 215 212

HSL 168.75, 0.17%, 0.81%

LAB 84.74, -5.93, -0.38

 

CMYK 17 / 0 / 4 / 29

HEX #96B4AE

RGB 150.3 180.4 174

HSL 167.24, 0.17%, 0.65%

LAB 71.13, -11.54, -0.17

 

CMYK 17 / 17 / 0 / 29

HEX #9797B5

RGB 151 151 181

HSL 240, 0.17%, 0.65%

LAB 63.38, 6.28, -15.57

 

CMYK 0 / 10 / 17 / 29

HEX #B5A297

RGB 181 162 151

HSL 22, 0.17%, 0.65%

LAB 67.95, 5.09, 8.24

 

CMYK 17 / 0 / 4 / 29

HEX #96B4AE

RGB 150.3 180.4 174

HSL 167.24, 0.17%, 0.65%

LAB 71.13, -11.54, -0.17

 

CMYK 4 / 17 / 0 / 29

HEX #AE97B5

RGB 174 151 181

HSL 286, 0.17%, 0.65%

LAB 65.33, 14.06, -12.44

 

CMYK 0 / 4 / 17 / 29

HEX #B5AE97

RGB 181 174 151

HSL 46, 0.17%, 0.65%

LAB 71.1, -1.42, 12.71

 

CMYK 17 / 0 / 4 / 29

HEX #96B4AE

RGB 150.3 180.4 174

HSL 167.24, 0.17%, 0.65%

LAB 71.13, -11.54, -0.17

 

CMYK 17 / 17 / 0 / 29

HEX #9797B5

RGB 151 151 181

HSL 240, 0.17%, 0.65%

LAB 63.38, 6.28, -15.57

 

CMYK 0 / 17 / 13 / 29

HEX #B5979D

RGB 181 151 157

HSL 348, 0.17%, 0.65%

LAB 65.27, 12.15, 1.03

 

CMYK 0 / 1 / 17 / 29

HEX #B5B497

RGB 181 180 151

HSL 58, 0.17%, 0.65%

LAB 72.69, -4.62, 14.95

 

CMYK 17 / 0 / 4 / 29

HEX #96B4AE

RGB 150.3 180.4 174

HSL 167.24, 0.17%, 0.65%

LAB 71.13, -11.54, -0.17

 

CMYK 12 / 17 / 0 / 29

HEX #9F97B5

RGB 159 151 181

HSL 256, 0.17%, 0.65%

LAB 64.03, 8.94, -14.52

 

CMYK 0 / 17 / 13 / 29

HEX #B5979D

RGB 181 151 157

HSL 348, 0.17%, 0.65%

LAB 65.27, 12.15, 1.03

 

CMYK 5 / 0 / 17 / 29

HEX #ACB597

RGB 172 181 151

HSL 78, 0.17%, 0.65%

LAB 72.26, -8.51, 14.24

 

Description

Color code: RGB 150.3 180.4 174 | qconv.com Color code: RGB 150.3 180.4 174 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150.3 red, 180.4 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150.3 180.4 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 4 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 4% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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