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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15.7 128.6 131 it is the complementary color RGB 239.3 126.4 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15.7 128.6 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 15.7 128.6 131 shade: RGB 20.7 128.6 126, RGB 37.7 146.6 145, RGB 54.7 164.6 164, RGB 71.7 182.6 183 and RGB 88.7 200.6 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15.7 128.6 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 15.7 128.6 131 shade: RGB 15.7 128.6 131, RGB 0 110.6 112, RGB 0 92.6 93, RGB 0 74.6 74 and RGB 0 56.6 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 15.7 128.6 131 shade: RGB 16 130 132, RGB 16 98 132, RGB 16 67 132, RGB 16 35 132 and RGB 27 16 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 15.7 128.6 131 shade: RGB 16 130 132, RGB 16 98 132, RGB 16 67 132, RGB 16 35 132 and RGB 16 16 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 15.7 128.6 131 shade matches the following richer shades: RGB 16 130 132 and RGB 4 141 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 15.7 128.6 131 shade: RGB 16 130 132, RGB 27 118 120, RGB 39 107 108, RGB 51 96 96 and RGB 63 84 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 15.7 128.6 131 shade: RGB 16 132 72, RGB 16 132 103, RGB 16 130 132, RGB 16 99 132 and RGB 16 68 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 15.7 128.6 131 shade: RGB 7 57 59, RGB 11 94 95, RGB 16 130 132, RGB 20 166 169 and RGB 24 202 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 15.7 128.6 131 shade: RGB 15.7 128.6 131, RGB 41 16 132 and RGB 132 88 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 15.7 128.6 131 shade: RGB 15.7 128.6 131, RGB 132 16 130 and RGB 130 132 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 15.7 128.6 131 shade: RGB 15.7 128.6 131, RGB 41 16 132, RGB 132 17 16 and RGB 107 132 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 15.7 128.6 131 shade: RGB 15.7 128.6 131, RGB 76 16 132, RGB 132 17 16 and RGB 72 132 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 2 / 0 / 49

HEX #0F8083

RGB 15.7 128.6 131

HSL 181.25, 0.79%, 0.29%

LAB 48.69, -27.28, -9.59

 

Complementary color

CMYK 0 / 47 / 48 / 6

HEX #EF7E7C

RGB 239.3 126.4 124

HSL 1.25, 0.79%, 0.71%

LAB 65.66, 42.99, 21.11

 

CMYK 84 / 0 / 2 / 50

HEX #14807E

RGB 20.7 128.6 126

HSL 178.55, 0.72%, 0.29%

LAB 48.58, -28.48, -6.79

 

CMYK 74 / 0 / 1 / 43

HEX #259291

RGB 37.7 146.6 145

HSL 179.12, 0.59%, 0.36%

LAB 55.27, -29.58, -7.85

 

CMYK 67 / 0 / 0 / 35

HEX #36A4A4

RGB 54.7 164.6 164

HSL 179.67, 0.5%, 0.43%

LAB 61.87, -30.32, -8.77

 

CMYK 61 / 0 / 0 / 28

HEX #47B6B7

RGB 71.7 182.6 183

HSL 180.22, 0.44%, 0.5%

LAB 68.38, -30.81, -9.59

 

CMYK 56 / 1 / 0 / 21

HEX #58C8CA

RGB 88.7 200.6 202

HSL 180.74, 0.52%, 0.57%

LAB 74.8, -31.15, -10.34

 

CMYK 88 / 2 / 0 / 49

HEX #0F8083

RGB 15.7 128.6 131

HSL 181.25, 0.79%, 0.29%

LAB 48.69, -27.28, -9.59

 

CMYK 100 / 1 / 0 / 56

HEX #006E70

RGB 0 110.6 112

HSL 180.75, 1%, 0.22%

LAB 41.93, -25.51, -8.41

 

CMYK 100 / 0 / 0 / 64

HEX #005C5D

RGB 0 92.6 93

HSL 180.26, 1%, 0.18%

LAB 35.1, -22.79, -6.97

 

CMYK 100 / 0 / 1 / 71

HEX #004A4A

RGB 0 74.6 74

HSL 179.52, 1%, 0.15%

LAB 28.04, -19.99, -5.46

 

CMYK 100 / 0 / 3 / 78

HEX #003837

RGB 0 56.6 55

HSL 178.3, 1%, 0.11%

LAB 20.68, -17.09, -3.86

 

CMYK 88 / 2 / 0 / 48

HEX #108284

RGB 16 130 132

HSL 181.03, 0.78%, 0.29%

LAB 49.18, -27.63, -9.44

 

CMYK 88 / 26 / 0 / 48

HEX #106284

RGB 16 98 132

HSL 197.59, 0.78%, 0.29%

LAB 38.75, -10.24, -25.41

 

CMYK 88 / 49 / 0 / 48

HEX #104384

RGB 16 67 132

HSL 213.62, 0.78%, 0.29%

LAB 28.88, 9.83, -41.06

 

CMYK 88 / 73 / 0 / 48

HEX #102384

RGB 16 35 132

HSL 230.17, 0.78%, 0.29%

LAB 19.96, 32.11, -55.62

 

CMYK 80 / 88 / 0 / 48

HEX #1B1084

RGB 27 16 132

HSL 245.69, 0.78%, 0.29%

LAB 16.84, 43.28, -60.76

 

CMYK 88 / 2 / 0 / 48

HEX #108284

RGB 16 130 132

HSL 181.03, 0.78%, 0.29%

LAB 49.18, -27.63, -9.44

 

CMYK 88 / 26 / 0 / 48

HEX #106284

RGB 16 98 132

HSL 197.59, 0.78%, 0.29%

LAB 38.75, -10.24, -25.41

 

CMYK 88 / 49 / 0 / 48

HEX #104384

RGB 16 67 132

HSL 213.62, 0.78%, 0.29%

LAB 28.88, 9.83, -41.06

 

CMYK 88 / 73 / 0 / 48

HEX #102384

RGB 16 35 132

HSL 230.17, 0.78%, 0.29%

LAB 19.96, 32.11, -55.62

 

CMYK 88 / 88 / 0 / 48

HEX #101084

RGB 16 16 132

HSL 240, 0.78%, 0.29%

LAB 16.24, 42.77, -61.78

 

CMYK 88 / 2 / 0 / 48

HEX #108284

RGB 16 130 132

HSL 181.03, 0.78%, 0.29%

LAB 49.18, -27.63, -9.44

 

CMYK 97 / 2 / 0 / 44

HEX #048D90

RGB 4 141 144

HSL 181.29, 0.95%, 0.29%

LAB 53.05, -29.78, -10.64

 

CMYK 88 / 2 / 0 / 48

HEX #108284

RGB 16 130 132

HSL 181.03, 0.78%, 0.29%

LAB 49.18, -27.63, -9.44

 

CMYK 78 / 2 / 0 / 53

HEX #1B7678

RGB 27 118 120

HSL 181.29, 0.63%, 0.29%

LAB 45.01, -24.42, -8.57

 

CMYK 64 / 1 / 0 / 58

HEX #276B6C

RGB 39 107 108

HSL 180.87, 0.47%, 0.29%

LAB 41.26, -20.62, -6.91

 

CMYK 47 / 0 / 0 / 62

HEX #336060

RGB 51 96 96

HSL 180, 0.31%, 0.29%

LAB 37.69, -15.44, -4.84

 

CMYK 26 / 1 / 0 / 67

HEX #3F5455

RGB 63 84 85

HSL 182.73, 0.15%, 0.29%

LAB 34.09, -7.75, -3.22

 

CMYK 88 / 0 / 45 / 48

HEX #108448

RGB 16 132 72

HSL 148.97, 0.78%, 0.29%

LAB 48.36, -44.29, 24.11

 

CMYK 88 / 0 / 22 / 48

HEX #108467

RGB 16 132 103

HSL 165, 0.78%, 0.29%

LAB 49, -37.14, 7.29

 

CMYK 88 / 2 / 0 / 48

HEX #108284

RGB 16 130 132

HSL 181.03, 0.78%, 0.29%

LAB 49.18, -27.63, -9.44

 

CMYK 88 / 25 / 0 / 48

HEX #106384

RGB 16 99 132

HSL 197.07, 0.78%, 0.29%

LAB 39.07, -10.83, -24.9

 

CMYK 88 / 48 / 0 / 48

HEX #104484

RGB 16 68 132

HSL 213.1, 0.78%, 0.29%

LAB 29.19, 9.13, -40.57

 

CMYK 88 / 3 / 0 / 77

HEX #07393B

RGB 7 57 59

HSL 182.31, 0.79%, 0.13%

LAB 21.16, -14.71, -5.83

 

CMYK 88 / 1 / 0 / 63

HEX #0B5E5F

RGB 11 94 95

HSL 180.71, 0.79%, 0.21%

LAB 35.8, -21.92, -7.16

 

CMYK 88 / 2 / 0 / 48

HEX #108284

RGB 16 130 132

HSL 181.03, 0.78%, 0.29%

LAB 49.18, -27.63, -9.44

 

CMYK 88 / 2 / 0 / 34

HEX #14A6A9

RGB 20 166 169

HSL 181.21, 0.79%, 0.37%

LAB 61.9, -33.09, -11.59

 

CMYK 88 / 2 / 0 / 19

HEX #18CACE

RGB 24 202 206

HSL 181.32, 0.79%, 0.45%

LAB 74.12, -38.32, -13.64

 

CMYK 88 / 2 / 0 / 49

HEX #0F8083

RGB 15.7 128.6 131

HSL 181.25, 0.79%, 0.29%

LAB 48.69, -27.28, -9.59

 

CMYK 69 / 88 / 0 / 48

HEX #291084

RGB 41 16 132

HSL 252.93, 0.78%, 0.29%

LAB 17.95, 44.24, -58.88

 

CMYK 0 / 33 / 88 / 48

HEX #845810

RGB 132 88 16

HSL 37.24, 0.78%, 0.29%

LAB 41.09, 12.18, 44.79

 

CMYK 88 / 2 / 0 / 49

HEX #0F8083

RGB 15.7 128.6 131

HSL 181.25, 0.79%, 0.29%

LAB 48.69, -27.28, -9.59

 

CMYK 0 / 88 / 2 / 48

HEX #841082

RGB 132 16 130

HSL 301.03, 0.78%, 0.29%

LAB 31.55, 57.39, -34.89

 

CMYK 2 / 0 / 88 / 48

HEX #828410

RGB 130 132 16

HSL 61.03, 0.78%, 0.29%

LAB 53.26, -13.82, 54.79

 

CMYK 88 / 2 / 0 / 49

HEX #0F8083

RGB 15.7 128.6 131

HSL 181.25, 0.79%, 0.29%

LAB 48.69, -27.28, -9.59

 

CMYK 69 / 88 / 0 / 48

HEX #291084

RGB 41 16 132

HSL 252.93, 0.78%, 0.29%

LAB 17.95, 44.24, -58.88

 

CMYK 0 / 87 / 88 / 48

HEX #841110

RGB 132 17 16

HSL 0.52, 0.78%, 0.29%

LAB 27.69, 46.21, 33.38

 

CMYK 19 / 0 / 88 / 48

HEX #6B8410

RGB 107 132 16

HSL 72.93, 0.78%, 0.29%

LAB 51.46, -24.16, 52.55

 

CMYK 88 / 2 / 0 / 49

HEX #0F8083

RGB 15.7 128.6 131

HSL 181.25, 0.79%, 0.29%

LAB 48.69, -27.28, -9.59

 

CMYK 42 / 88 / 0 / 48

HEX #4C1084

RGB 76 16 132

HSL 271.03, 0.78%, 0.29%

LAB 22.21, 48.15, -51.72

 

CMYK 0 / 87 / 88 / 48

HEX #841110

RGB 132 17 16

HSL 0.52, 0.78%, 0.29%

LAB 27.69, 46.21, 33.38

 

CMYK 45 / 0 / 88 / 48

HEX #488410

RGB 72 132 16

HSL 91.03, 0.78%, 0.29%

LAB 49.4, -38.09, 49.97

 

Description

Color code: RGB 15.7 128.6 131 | qconv.com Color code: RGB 15.7 128.6 131 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15.7 red, 128.6 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15.7 128.6 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 2 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 2% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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