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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 92.2 38.6 it is the complementary color RGB 241 162.8 216.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 92.2 38.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 92.2 38.6 shade: RGB 19 92.2 33.6, RGB 36 110.2 52.6, RGB 53 128.2 71.6, RGB 70 146.2 90.6 and RGB 87 164.2 109.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 92.2 38.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 92.2 38.6 shade: RGB 14 92.2 38.6, RGB 0 74.2 19.6, RGB 0 56.2 0.6, RGB 0 38.2 0 and RGB 0 20.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 92.2 38.6 shade: RGB 14 93 39, RGB 14 93 17, RGB 32 93 14, RGB 53 93 14 and RGB 74 93 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 92.2 38.6 shade: RGB 14 93 39, RGB 14 93 60, RGB 14 93 82, RGB 14 83 93 and RGB 14 62 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 92.2 38.6 shade matches the following richer shades: RGB 14 93 39 and RGB 5 102 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 92.2 38.6 shade: RGB 14 93 39, RGB 23 85 42, RGB 31 76 45, RGB 40 67 48 and RGB 49 59 52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 92.2 38.6 shade: RGB 32 93 14, RGB 14 93 17, RGB 14 93 38, RGB 14 93 59 and RGB 14 93 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 92.2 38.6 shade: RGB 3 21 9, RGB 9 57 24, RGB 14 93 39, RGB 19 129 54 and RGB 25 165 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 92.2 38.6 shade: RGB 14 92.2 38.6, RGB 14 54 93 and RGB 93 14 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 92.2 38.6 shade: RGB 14 92.2 38.6, RGB 38 14 93 and RGB 93 38 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 92.2 38.6 shade: RGB 14 92.2 38.6, RGB 14 54 93, RGB 93 14 69 and RGB 93 54 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 92.2 38.6 shade: RGB 14 92.2 38.6, RGB 14 30 93, RGB 93 14 69 and RGB 93 77 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 58 / 64

HEX #0E5C26

RGB 14 92.2 38.6

HSL 138.87, 0.74%, 0.21%

LAB 33.83, -35.45, 24.3

 

Complementary color

CMYK 0 / 32 / 10 / 5

HEX #F1A2D8

RGB 241 162.8 216.4

HSL 318.87, 0.74%, 0.79%

LAB 75.95, 36.8, -15.38

 

CMYK 79 / 0 / 64 / 64

HEX #135C21

RGB 19 92.2 33.6

HSL 131.97, 0.66%, 0.22%

LAB 33.86, -35.43, 27.04

 

CMYK 67 / 0 / 52 / 57

HEX #246E34

RGB 36 110.2 52.6

HSL 133.42, 0.51%, 0.29%

LAB 40.93, -36.24, 25.44

 

CMYK 59 / 0 / 44 / 50

HEX #358047

RGB 53 128.2 71.6

HSL 134.84, 0.42%, 0.36%

LAB 47.89, -36.48, 23.88

 

CMYK 52 / 0 / 38 / 43

HEX #46925A

RGB 70 146.2 90.6

HSL 136.22, 0.35%, 0.42%

LAB 54.73, -36.45, 22.45

 

CMYK 47 / 0 / 33 / 36

HEX #57A46D

RGB 87 164.2 109.6

HSL 137.56, 0.31%, 0.49%

LAB 61.45, -36.28, 21.14

 

CMYK 85 / 0 / 58 / 64

HEX #0E5C26

RGB 14 92.2 38.6

HSL 138.87, 0.74%, 0.21%

LAB 33.83, -35.45, 24.3

 

CMYK 100 / 0 / 74 / 71

HEX #004A13

RGB 0 74.2 19.6

HSL 135.85, 1%, 0.15%

LAB 26.66, -33.51, 25.96

 

CMYK 100 / 0 / 99 / 78

HEX #003800

RGB 0 56.2 0.6

HSL 120.64, 1%, 0.11%

LAB 19.43, -29.36, 26.46

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38.2 0

HSL 120, 1%, 0.07%

LAB 11.95, -22.86, 17.27

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20.2 0

HSL 120, 1%, 0.04%

LAB 4.58, -9.36, 6.69

 

CMYK 85 / 0 / 58 / 64

HEX #0E5D27

RGB 14 93 39

HSL 138.99, 0.74%, 0.21%

LAB 34.13, -35.69, 24.44

 

CMYK 85 / 0 / 82 / 64

HEX #0E5D11

RGB 14 93 17

HSL 122.28, 0.74%, 0.21%

LAB 33.9, -38.38, 34.66

 

CMYK 66 / 0 / 85 / 64

HEX #205D0E

RGB 32 93 14

HSL 106.33, 0.74%, 0.21%

LAB 34.33, -34.87, 36.3

 

CMYK 43 / 0 / 85 / 64

HEX #355D0E

RGB 53 93 14

HSL 90.38, 0.74%, 0.21%

LAB 35.24, -27.9, 37.48

 

CMYK 20 / 0 / 85 / 64

HEX #4A5D0E

RGB 74 93 14

HSL 74.43, 0.74%, 0.21%

LAB 36.59, -18.92, 39.21

 

CMYK 85 / 0 / 58 / 64

HEX #0E5D27

RGB 14 93 39

HSL 138.99, 0.74%, 0.21%

LAB 34.13, -35.69, 24.44

 

CMYK 85 / 0 / 35 / 64

HEX #0E5D3C

RGB 14 93 60

HSL 154.94, 0.74%, 0.21%

LAB 34.49, -31.42, 12.65

 

CMYK 85 / 0 / 12 / 64

HEX #0E5D52

RGB 14 93 82

HSL 171.65, 0.74%, 0.21%

LAB 35.07, -25.34, -0.14

 

CMYK 85 / 11 / 0 / 64

HEX #0E535D

RGB 14 83 93

HSL 187.59, 0.74%, 0.21%

LAB 31.97, -16.33, -11.68

 

CMYK 85 / 33 / 0 / 64

HEX #0E3E5D

RGB 14 62 93

HSL 203.54, 0.74%, 0.21%

LAB 24.73, -3.41, -22.89

 

CMYK 85 / 0 / 58 / 64

HEX #0E5D27

RGB 14 93 39

HSL 138.99, 0.74%, 0.21%

LAB 34.13, -35.69, 24.44

 

CMYK 95 / 0 / 65 / 60

HEX #056624

RGB 5 102 36

HSL 139.18, 0.91%, 0.21%

LAB 37.23, -40.45, 29.65

 

CMYK 85 / 0 / 58 / 64

HEX #0E5D27

RGB 14 93 39

HSL 138.99, 0.74%, 0.21%

LAB 34.13, -35.69, 24.44

 

CMYK 73 / 0 / 51 / 67

HEX #17552A

RGB 23 85 42

HSL 138.39, 0.57%, 0.21%

LAB 31.45, -30.34, 19.46

 

CMYK 59 / 0 / 41 / 70

HEX #1F4C2D

RGB 31 76 45

HSL 138.67, 0.42%, 0.21%

LAB 28.51, -23.58, 13.87

 

CMYK 40 / 0 / 28 / 74

HEX #284330

RGB 40 67 48

HSL 137.78, 0.25%, 0.21%

LAB 25.8, -15.17, 8.36

 

CMYK 17 / 0 / 12 / 77

HEX #313B34

RGB 49 59 52

HSL 138, 0.09%, 0.21%

LAB 23.77, -5.85, 2.95

 

CMYK 66 / 0 / 85 / 64

HEX #205D0E

RGB 32 93 14

HSL 106.33, 0.74%, 0.21%

LAB 34.33, -34.87, 36.3

 

CMYK 85 / 0 / 82 / 64

HEX #0E5D11

RGB 14 93 17

HSL 122.28, 0.74%, 0.21%

LAB 33.9, -38.38, 34.66

 

CMYK 85 / 0 / 59 / 64

HEX #0E5D26

RGB 14 93 38

HSL 138.23, 0.74%, 0.21%

LAB 34.11, -35.85, 24.97

 

CMYK 85 / 0 / 37 / 64

HEX #0E5D3B

RGB 14 93 59

HSL 154.18, 0.74%, 0.21%

LAB 34.47, -31.66, 13.22

 

CMYK 85 / 0 / 14 / 64

HEX #0E5D50

RGB 14 93 80

HSL 170.13, 0.74%, 0.21%

LAB 35.01, -25.95, 1.02

 

CMYK 86 / 0 / 57 / 92

HEX #031509

RGB 3 21 9

HSL 140, 0.75%, 0.05%

LAB 5.2, -7.86, 3.94

 

CMYK 84 / 0 / 58 / 78

HEX #093918

RGB 9 57 24

HSL 138.75, 0.73%, 0.13%

LAB 20.24, -24.43, 16.07

 

CMYK 85 / 0 / 58 / 64

HEX #0E5D27

RGB 14 93 39

HSL 138.99, 0.74%, 0.21%

LAB 34.13, -35.69, 24.44

 

CMYK 85 / 0 / 58 / 49

HEX #138136

RGB 19 129 54

HSL 139.09, 0.74%, 0.29%

LAB 47.11, -45.97, 32.14

 

CMYK 85 / 0 / 58 / 35

HEX #19A545

RGB 25 165 69

HSL 138.86, 0.74%, 0.37%

LAB 59.48, -55.55, 39.42

 

CMYK 85 / 0 / 58 / 64

HEX #0E5C26

RGB 14 92.2 38.6

HSL 138.87, 0.74%, 0.21%

LAB 33.83, -35.45, 24.3

 

CMYK 85 / 42 / 0 / 64

HEX #0E365D

RGB 14 54 93

HSL 209.62, 0.74%, 0.21%

LAB 22.02, 2.07, -27.17

 

CMYK 0 / 85 / 76 / 64

HEX #5D0E16

RGB 93 14 22

HSL 353.92, 0.74%, 0.21%

LAB 18.8, 35.04, 17.75

 

CMYK 85 / 0 / 58 / 64

HEX #0E5C26

RGB 14 92.2 38.6

HSL 138.87, 0.74%, 0.21%

LAB 33.83, -35.45, 24.3

 

CMYK 59 / 85 / 0 / 64

HEX #260E5D

RGB 38 14 93

HSL 258.23, 0.74%, 0.21%

LAB 12.71, 33.05, -42.19

 

CMYK 0 / 59 / 85 / 64

HEX #5D260E

RGB 93 38 14

HSL 18.23, 0.74%, 0.21%

LAB 22.81, 23.58, 27.03

 

CMYK 85 / 0 / 58 / 64

HEX #0E5C26

RGB 14 92.2 38.6

HSL 138.87, 0.74%, 0.21%

LAB 33.83, -35.45, 24.3

 

CMYK 85 / 42 / 0 / 64

HEX #0E365D

RGB 14 54 93

HSL 209.62, 0.74%, 0.21%

LAB 22.02, 2.07, -27.17

 

CMYK 0 / 85 / 26 / 64

HEX #5D0E45

RGB 93 14 69

HSL 318.23, 0.74%, 0.21%

LAB 20.33, 39.65, -13.14

 

CMYK 0 / 42 / 85 / 64

HEX #5D360E

RGB 93 54 14

HSL 30.38, 0.74%, 0.21%

LAB 26.73, 13.95, 30.85

 

CMYK 85 / 0 / 58 / 64

HEX #0E5C26

RGB 14 92.2 38.6

HSL 138.87, 0.74%, 0.21%

LAB 33.83, -35.45, 24.3

 

CMYK 85 / 68 / 0 / 64

HEX #0E1E5D

RGB 14 30 93

HSL 227.85, 0.74%, 0.21%

LAB 14.47, 19.73, -39.38

 

CMYK 0 / 85 / 26 / 64

HEX #5D0E45

RGB 93 14 69

HSL 318.23, 0.74%, 0.21%

LAB 20.33, 39.65, -13.14

 

CMYK 0 / 17 / 85 / 64

HEX #5D4D0E

RGB 93 77 14

HSL 47.85, 0.74%, 0.21%

LAB 33.28, -0.38, 36.88

 

Description

Color code: RGB 14 92.2 38.6 | qconv.com Color code: RGB 14 92.2 38.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 92.2 green and 38.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 92.2 38.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 58 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 58% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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