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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 92.2 223.6 it is the complementary color RGB 241 162.8 31.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 92.2 223.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 92.2 223.6 shade: RGB 19 92.2 218.6, RGB 36 110.2 237.6, RGB 53 128.2 255, RGB 70 146.2 255 and RGB 87 164.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 92.2 223.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 92.2 223.6 shade: RGB 14 92.2 223.6, RGB 0 74.2 204.6, RGB 0 56.2 185.6, RGB 0 38.2 166.6 and RGB 0 20.2 147.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 92.2 223.6 shade: RGB 14 93 225, RGB 14 36 225, RGB 49 14 225, RGB 106 14 225 and RGB 163 14 225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 92.2 223.6 shade: RGB 14 93 225, RGB 14 36 225 and RGB 14 14 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 92.2 223.6 shade matches the following richer shades: RGB 14 93 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 92.2 223.6 shade: RGB 14 93 225, RGB 34 98 206, RGB 53 103 187, RGB 73 108 167 and RGB 92 113 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 92.2 223.6 shade: RGB 14 208 225, RGB 14 151 225, RGB 14 95 225, RGB 14 39 225 and RGB 46 14 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 92.2 223.6 shade: RGB 9 61 148, RGB 12 77 187, RGB 14 93 225, RGB 40 115 241 and RGB 78 140 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 92.2 223.6 shade: RGB 14 92.2 223.6, RGB 187 14 225 and RGB 180 225 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 92.2 223.6 shade: RGB 14 92.2 223.6, RGB 225 14 95 and RGB 95 225 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 92.2 223.6 shade: RGB 14 92.2 223.6, RGB 187 14 225, RGB 225 144 14 and RGB 53 225 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 92.2 223.6 shade: RGB 14 92.2 223.6, RGB 225 14 201, RGB 225 144 14 and RGB 14 225 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 59 / 0 / 12

HEX #0E5CDF

RGB 14 92.2 223.6

HSL 217.61, 0.88%, 0.47%

LAB 42.98, 29.83, -72.44

 

Complementary color

CMYK 0 / 32 / 87 / 5

HEX #F1A21F

RGB 241 162.8 31.4

HSL 37.61, 0.88%, 0.53%

LAB 72.84, 19.58, 71.63

 

CMYK 91 / 58 / 0 / 14

HEX #135CDA

RGB 19 92.2 218.6

HSL 218, 0.84%, 0.47%

LAB 42.64, 28.09, -70.14

 

CMYK 85 / 54 / 0 / 7

HEX #246EED

RGB 36 110.2 237.6

HSL 217.92, 0.85%, 0.54%

LAB 49.15, 24.75, -70.26

 

CMYK 79 / 50 / 0 / 0

HEX #3580FF

RGB 53 128.2 255

HSL 217.66, 1%, 0.6%

LAB 55.55, 21.34, -69.54

 

CMYK 73 / 43 / 0 / 0

HEX #4692FF

RGB 70 146.2 255

HSL 215.29, 1%, 0.64%

LAB 60.91, 12.26, -60.9

 

CMYK 66 / 36 / 0 / 0

HEX #57A4FF

RGB 87 164.2 255

HSL 212.43, 1%, 0.67%

LAB 66.42, 4.12, -52.09

 

CMYK 94 / 59 / 0 / 12

HEX #0E5CDF

RGB 14 92.2 223.6

HSL 217.61, 0.88%, 0.47%

LAB 42.98, 29.83, -72.44

 

CMYK 100 / 64 / 0 / 20

HEX #004ACC

RGB 0 74.2 204.6

HSL 218.24, 1%, 0.4%

LAB 36.58, 33.81, -72.02

 

CMYK 100 / 70 / 0 / 27

HEX #0038B9

RGB 0 56.2 185.6

HSL 221.83, 1%, 0.36%

LAB 30.34, 38.2, -71.17

 

CMYK 100 / 77 / 0 / 35

HEX #0026A6

RGB 0 38.2 166.6

HSL 226.24, 1%, 0.33%

LAB 24.24, 42.32, -69.9

 

CMYK 100 / 86 / 0 / 42

HEX #001493

RGB 0 20.2 147.6

HSL 231.79, 1%, 0.29%

LAB 18.51, 45.43, -67.78

 

CMYK 94 / 59 / 0 / 12

HEX #0E5DE1

RGB 14 93 225

HSL 217.54, 0.88%, 0.47%

LAB 43.3, 29.86, -72.71

 

CMYK 94 / 84 / 0 / 12

HEX #0E24E1

RGB 14 36 225

HSL 233.74, 0.88%, 0.47%

LAB 31.33, 62.57, -92.47

 

CMYK 78 / 94 / 0 / 12

HEX #310EE1

RGB 49 14 225

HSL 249.95, 0.88%, 0.47%

LAB 30.41, 70.25, -93.97

 

CMYK 53 / 94 / 0 / 12

HEX #6A0EE1

RGB 106 14 225

HSL 266.16, 0.88%, 0.47%

LAB 35.62, 73.34, -85.15

 

CMYK 28 / 94 / 0 / 12

HEX #A30EE1

RGB 163 14 225

HSL 282.37, 0.88%, 0.47%

LAB 43.56, 79.3, -71.81

 

CMYK 94 / 59 / 0 / 12

HEX #0E5DE1

RGB 14 93 225

HSL 217.54, 0.88%, 0.47%

LAB 43.3, 29.86, -72.71

 

CMYK 94 / 84 / 0 / 12

HEX #0E24E1

RGB 14 36 225

HSL 233.74, 0.88%, 0.47%

LAB 31.33, 62.57, -92.47

 

CMYK 94 / 94 / 0 / 12

HEX #0E0EE1

RGB 14 14 225

HSL 240, 0.88%, 0.47%

LAB 29.01, 69.58, -96.33

 

CMYK 94 / 59 / 0 / 12

HEX #0E5DE1

RGB 14 93 225

HSL 217.54, 0.88%, 0.47%

LAB 43.3, 29.86, -72.71

 

CMYK 94 / 59 / 0 / 12

HEX #0E5DE1

RGB 14 93 225

HSL 217.54, 0.88%, 0.47%

LAB 43.3, 29.86, -72.71

 

CMYK 83 / 52 / 0 / 19

HEX #2262CE

RGB 34 98 206

HSL 217.67, 0.72%, 0.47%

LAB 43.55, 20.34, -61.43

 

CMYK 72 / 45 / 0 / 27

HEX #3567BB

RGB 53 103 187

HSL 217.61, 0.56%, 0.47%

LAB 44.3, 12.02, -49.22

 

CMYK 56 / 35 / 0 / 35

HEX #496CA7

RGB 73 108 167

HSL 217.66, 0.39%, 0.47%

LAB 45.54, 5.45, -35.5

 

CMYK 38 / 24 / 0 / 42

HEX #5C7194

RGB 92 113 148

HSL 217.5, 0.23%, 0.47%

LAB 47.27, 1.43, -21.53

 

CMYK 94 / 8 / 0 / 12

HEX #0ED0E1

RGB 14 208 225

HSL 184.83, 0.88%, 0.47%

LAB 76.46, -35.68, -20.37

 

CMYK 94 / 33 / 0 / 12

HEX #0E97E1

RGB 14 151 225

HSL 201.04, 0.88%, 0.47%

LAB 59.58, -6.12, -46.52

 

CMYK 94 / 58 / 0 / 12

HEX #0E5FE1

RGB 14 95 225

HSL 216.97, 0.88%, 0.47%

LAB 43.82, 28.56, -71.86

 

CMYK 94 / 83 / 0 / 12

HEX #0E27E1

RGB 14 39 225

HSL 232.89, 0.88%, 0.47%

LAB 31.76, 61.27, -91.75

 

CMYK 80 / 94 / 0 / 12

HEX #2E0EE1

RGB 46 14 225

HSL 249.1, 0.88%, 0.47%

LAB 30.23, 70.16, -94.27

 

CMYK 94 / 59 / 0 / 42

HEX #093D94

RGB 9 61 148

HSL 217.55, 0.89%, 0.31%

LAB 28.2, 20.31, -52.03

 

CMYK 94 / 59 / 0 / 27

HEX #0C4DBB

RGB 12 77 187

HSL 217.71, 0.88%, 0.39%

LAB 35.93, 25.4, -62.81

 

CMYK 94 / 59 / 0 / 12

HEX #0E5DE1

RGB 14 93 225

HSL 217.54, 0.88%, 0.47%

LAB 43.3, 29.86, -72.71

 

CMYK 83 / 52 / 0 / 5

HEX #2873F1

RGB 40 115 241

HSL 217.61, 0.88%, 0.55%

LAB 50.76, 23.28, -69.55

 

CMYK 68 / 43 / 0 / 4

HEX #4E8CF4

RGB 78 140 244

HSL 217.59, 0.88%, 0.63%

LAB 58.89, 13.23, -58.06

 

CMYK 94 / 59 / 0 / 12

HEX #0E5CDF

RGB 14 92.2 223.6

HSL 217.61, 0.88%, 0.47%

LAB 42.98, 29.83, -72.44

 

CMYK 17 / 94 / 0 / 12

HEX #BB0EE1

RGB 187 14 225

HSL 289.19, 0.88%, 0.47%

LAB 47.39, 82.56, -65.42

 

CMYK 20 / 0 / 94 / 12

HEX #B4E10E

RGB 180 225 14

HSL 72.8, 0.88%, 0.47%

LAB 83.75, -37.88, 80.93

 

CMYK 94 / 59 / 0 / 12

HEX #0E5CDF

RGB 14 92.2 223.6

HSL 217.61, 0.88%, 0.47%

LAB 42.98, 29.83, -72.44

 

CMYK 0 / 94 / 58 / 12

HEX #E10E5F

RGB 225 14 95

HSL 336.97, 0.88%, 0.47%

LAB 48.45, 74.61, 14.22

 

CMYK 58 / 0 / 94 / 12

HEX #5FE10E

RGB 95 225 14

HSL 96.97, 0.88%, 0.47%

LAB 79.79, -66.07, 76.1

 

CMYK 94 / 59 / 0 / 12

HEX #0E5CDF

RGB 14 92.2 223.6

HSL 217.61, 0.88%, 0.47%

LAB 42.98, 29.83, -72.44

 

CMYK 17 / 94 / 0 / 12

HEX #BB0EE1

RGB 187 14 225

HSL 289.19, 0.88%, 0.47%

LAB 47.39, 82.56, -65.42

 

CMYK 0 / 36 / 94 / 12

HEX #E1900E

RGB 225 144 14

HSL 36.97, 0.88%, 0.47%

LAB 66.51, 22.47, 69.72

 

CMYK 76 / 0 / 94 / 12

HEX #35E10E

RGB 53 225 14

HSL 108.91, 0.88%, 0.47%

LAB 78.83, -74.21, 74.92

 

CMYK 94 / 59 / 0 / 12

HEX #0E5CDF

RGB 14 92.2 223.6

HSL 217.61, 0.88%, 0.47%

LAB 42.98, 29.83, -72.44

 

CMYK 0 / 94 / 11 / 12

HEX #E10EC9

RGB 225 14 201

HSL 306.82, 0.88%, 0.47%

LAB 52.44, 85.08, -43.21

 

CMYK 0 / 36 / 94 / 12

HEX #E1900E

RGB 225 144 14

HSL 36.97, 0.88%, 0.47%

LAB 66.51, 22.47, 69.72

 

CMYK 94 / 0 / 83 / 12

HEX #0EE127

RGB 14 225 39

HSL 127.11, 0.88%, 0.47%

LAB 78.51, -76.8, 70.06

 

Description

Color code: RGB 14 92.2 223.6 | qconv.com Color code: RGB 14 92.2 223.6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 92.2 green and 223.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 92.2 223.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 59 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 59% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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