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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 240 74 it is the complementary color RGB 241 15 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 240 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 240 74 shade: RGB 19 240 69, RGB 36 255 88, RGB 53 255 107, RGB 70 255 126 and RGB 87 255 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 240 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 240 74 shade: RGB 14 240 74, RGB 0 222 55, RGB 0 204 36, RGB 0 186 17 and RGB 0 168 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 240 74 shade: RGB 14 240 74, RGB 14 240 14, RGB 76 240 14, RGB 137 240 14 and RGB 198 240 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 240 74 shade: RGB 14 240 74, RGB 14 240 135, RGB 14 240 196, RGB 14 224 240 and RGB 14 162 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 240 74 shade matches the following richer shades: RGB 14 240 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 240 74 shade: RGB 14 240 74, RGB 34 220 83, RGB 55 199 93, RGB 75 179 103 and RGB 96 158 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 240 74 shade: RGB 78 240 14, RGB 17 240 14, RGB 14 240 70, RGB 14 240 131 and RGB 14 240 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 240 74 shade: RGB 9 162 50, RGB 11 201 62, RGB 14 240 74, RGB 53 243 103 and RGB 92 245 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 240 74 shade: RGB 14 240 74, RGB 14 138 240 and RGB 240 14 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 240 74 shade: RGB 14 240 74, RGB 70 14 240 and RGB 240 70 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 240 74 shade: RGB 14 240 74, RGB 14 138 240, RGB 240 14 184 and RGB 240 116 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 240 74 shade: RGB 14 240 74, RGB 14 70 240, RGB 240 14 184 and RGB 240 184 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 69 / 6

HEX #0EF04A

RGB 14 240 74

HSL 135.93, 0.89%, 0.5%

LAB 83.39, -78.51, 63.88

 

Complementary color

CMYK 0 / 94 / 25 / 5

HEX #F10FB5

RGB 241 15 181

HSL 315.93, 0.89%, 0.5%

LAB 54.43, 85.52, -28.29

 

CMYK 92 / 0 / 71 / 6

HEX #13F045

RGB 19 240 69

HSL 133.57, 0.88%, 0.51%

LAB 83.38, -78.73, 65.69

 

CMYK 86 / 0 / 65 / 0

HEX #24FF58

RGB 36 255 88

HSL 134.25, 1%, 0.57%

LAB 88.26, -80.24, 63.78

 

CMYK 79 / 0 / 58 / 0

HEX #35FF6B

RGB 53 255 107

HSL 136.04, 1%, 0.6%

LAB 88.61, -76.57, 56.34

 

CMYK 73 / 0 / 51 / 0

HEX #46FF7E

RGB 70 255 126

HSL 138.16, 1%, 0.64%

LAB 89.08, -71.93, 48.38

 

CMYK 66 / 0 / 43 / 0

HEX #57FF91

RGB 87 255 145

HSL 140.71, 1%, 0.67%

LAB 89.67, -66.35, 40.13

 

CMYK 94 / 0 / 69 / 6

HEX #0EF04A

RGB 14 240 74

HSL 135.93, 0.89%, 0.5%

LAB 83.39, -78.51, 63.88

 

CMYK 100 / 0 / 75 / 13

HEX #00DE37

RGB 0 222 55

HSL 134.86, 1%, 0.44%

LAB 77.59, -75.49, 64.58

 

CMYK 100 / 0 / 82 / 20

HEX #00CC24

RGB 0 204 36

HSL 130.59, 1%, 0.4%

LAB 71.77, -71.72, 64.61

 

CMYK 100 / 0 / 91 / 27

HEX #00BA11

RGB 0 186 17

HSL 125.48, 1%, 0.36%

LAB 65.87, -67.58, 63.45

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 94 / 0 / 69 / 6

HEX #0EF04A

RGB 14 240 74

HSL 135.93, 0.89%, 0.5%

LAB 83.39, -78.51, 63.88

 

CMYK 94 / 0 / 94 / 6

HEX #0EF00E

RGB 14 240 14

HSL 120, 0.89%, 0.5%

LAB 83.15, -81.65, 78.33

 

CMYK 68 / 0 / 94 / 6

HEX #4CF00E

RGB 76 240 14

HSL 103.54, 0.89%, 0.5%

LAB 83.91, -74.94, 79.27

 

CMYK 43 / 0 / 94 / 6

HEX #89F00E

RGB 137 240 14

HSL 87.35, 0.89%, 0.5%

LAB 85.84, -59.48, 81.64

 

CMYK 18 / 0 / 94 / 6

HEX #C6F00E

RGB 198 240 14

HSL 71.15, 0.89%, 0.5%

LAB 89.09, -37.52, 85.59

 

CMYK 94 / 0 / 69 / 6

HEX #0EF04A

RGB 14 240 74

HSL 135.93, 0.89%, 0.5%

LAB 83.39, -78.51, 63.88

 

CMYK 94 / 0 / 44 / 6

HEX #0EF087

RGB 14 240 135

HSL 152.12, 0.89%, 0.5%

LAB 84.05, -70.45, 37.59

 

CMYK 94 / 0 / 18 / 6

HEX #0EF0C4

RGB 14 240 196

HSL 168.32, 0.89%, 0.5%

LAB 85.2, -57.48, 7.95

 

CMYK 94 / 7 / 0 / 6

HEX #0EE0F0

RGB 14 224 240

HSL 184.25, 0.89%, 0.5%

LAB 81.67, -38.46, -20.48

 

CMYK 94 / 33 / 0 / 6

HEX #0EA2F0

RGB 14 162 240

HSL 200.71, 0.89%, 0.5%

LAB 63.53, -6.85, -48.57

 

CMYK 94 / 0 / 69 / 6

HEX #0EF04A

RGB 14 240 74

HSL 135.93, 0.89%, 0.5%

LAB 83.39, -78.51, 63.88

 

CMYK 94 / 0 / 69 / 6

HEX #0EF04A

RGB 14 240 74

HSL 135.93, 0.89%, 0.5%

LAB 83.39, -78.51, 63.88

 

CMYK 85 / 0 / 62 / 14

HEX #22DC53

RGB 34 220 83

HSL 135.81, 0.73%, 0.5%

LAB 77.37, -70.51, 53.75

 

CMYK 72 / 0 / 53 / 22

HEX #37C75D

RGB 55 199 93

HSL 135.83, 0.57%, 0.5%

LAB 71.18, -59.86, 42.02

 

CMYK 58 / 0 / 42 / 30

HEX #4BB367

RGB 75 179 103

HSL 136.15, 0.41%, 0.5%

LAB 65.53, -46.9, 29.99

 

CMYK 39 / 0 / 29 / 38

HEX #609E70

RGB 96 158 112

HSL 135.48, 0.24%, 0.5%

LAB 59.99, -30.26, 17.89

 

CMYK 68 / 0 / 94 / 6

HEX #4EF00E

RGB 78 240 14

HSL 103.01, 0.89%, 0.5%

LAB 83.95, -74.57, 79.32

 

CMYK 93 / 0 / 94 / 6

HEX #11F00E

RGB 17 240 14

HSL 119.2, 0.89%, 0.5%

LAB 83.16, -81.52, 78.35

 

CMYK 94 / 0 / 71 / 6

HEX #0EF046

RGB 14 240 70

HSL 134.87, 0.89%, 0.5%

LAB 83.37, -78.86, 65.31

 

CMYK 94 / 0 / 45 / 6

HEX #0EF083

RGB 14 240 131

HSL 151.06, 0.89%, 0.5%

LAB 83.99, -71.13, 39.47

 

CMYK 94 / 0 / 20 / 6

HEX #0EF0BF

RGB 14 240 191

HSL 166.99, 0.89%, 0.5%

LAB 85.09, -58.71, 10.39

 

CMYK 94 / 0 / 69 / 36

HEX #09A232

RGB 9 162 50

HSL 136.08, 0.89%, 0.34%

LAB 58.16, -58.08, 46.45

 

CMYK 95 / 0 / 69 / 21

HEX #0BC93E

RGB 11 201 62

HSL 136.11, 0.9%, 0.42%

LAB 71, -68.51, 55.34

 

CMYK 94 / 0 / 69 / 6

HEX #0EF04A

RGB 14 240 74

HSL 135.93, 0.89%, 0.5%

LAB 83.39, -78.51, 63.88

 

CMYK 78 / 0 / 58 / 5

HEX #35F367

RGB 53 243 103

HSL 135.79, 0.89%, 0.58%

LAB 84.91, -73.32, 53.78

 

CMYK 62 / 0 / 46 / 4

HEX #5CF584

RGB 92 245 132

HSL 135.69, 0.88%, 0.66%

LAB 86.63, -63.85, 42.57

 

CMYK 94 / 0 / 69 / 6

HEX #0EF04A

RGB 14 240 74

HSL 135.93, 0.89%, 0.5%

LAB 83.39, -78.51, 63.88

 

CMYK 94 / 43 / 0 / 6

HEX #0E8AF0

RGB 14 138 240

HSL 207.08, 0.89%, 0.5%

LAB 56.65, 7.22, -59.52

 

CMYK 0 / 94 / 80 / 6

HEX #F00E30

RGB 240 14 48

HSL 350.97, 0.89%, 0.5%

LAB 50.75, 76.14, 45.71

 

CMYK 94 / 0 / 69 / 6

HEX #0EF04A

RGB 14 240 74

HSL 135.93, 0.89%, 0.5%

LAB 83.39, -78.51, 63.88

 

CMYK 71 / 94 / 0 / 6

HEX #460EF0

RGB 70 14 240

HSL 254.87, 0.89%, 0.5%

LAB 33.79, 74.69, -96.85

 

CMYK 0 / 71 / 94 / 6

HEX #F0460E

RGB 240 70 14

HSL 14.87, 0.89%, 0.5%

LAB 55.01, 62.93, 63.19

 

CMYK 94 / 0 / 69 / 6

HEX #0EF04A

RGB 14 240 74

HSL 135.93, 0.89%, 0.5%

LAB 83.39, -78.51, 63.88

 

CMYK 94 / 43 / 0 / 6

HEX #0E8AF0

RGB 14 138 240

HSL 207.08, 0.89%, 0.5%

LAB 56.65, 7.22, -59.52

 

CMYK 0 / 94 / 23 / 6

HEX #F00EB8

RGB 240 14 184

HSL 314.87, 0.89%, 0.5%

LAB 54.34, 85.75, -30.18

 

CMYK 0 / 52 / 94 / 6

HEX #F0740E

RGB 240 116 14

HSL 27.08, 0.89%, 0.5%

LAB 62.55, 43.05, 67.95

 

CMYK 94 / 0 / 69 / 6

HEX #0EF04A

RGB 14 240 74

HSL 135.93, 0.89%, 0.5%

LAB 83.39, -78.51, 63.88

 

CMYK 94 / 71 / 0 / 6

HEX #0E46F0

RGB 14 70 240

HSL 225.13, 0.89%, 0.5%

LAB 39.18, 49.81, -87.97

 

CMYK 0 / 94 / 23 / 6

HEX #F00EB8

RGB 240 14 184

HSL 314.87, 0.89%, 0.5%

LAB 54.34, 85.75, -30.18

 

CMYK 0 / 23 / 94 / 6

HEX #F0B80E

RGB 240 184 14

HSL 45.13, 0.89%, 0.5%

LAB 77.78, 7.72, 78.58

 

Description

Color code: RGB 14 240 74 | qconv.com Color code: RGB 14 240 74 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 240 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 240 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 69 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 69% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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