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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 201 103 it is the complementary color RGB 241 54 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 201 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 201 103 shade: RGB 19 201 98, RGB 36 219 117, RGB 53 237 136, RGB 70 255 155 and RGB 87 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 201 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 201 103 shade: RGB 14 201 103, RGB 0 183 84, RGB 0 165 65, RGB 0 147 46 and RGB 0 129 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 201 103 shade: RGB 14 200 103, RGB 14 200 52, RGB 26 200 14, RGB 76 200 14 and RGB 126 200 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 201 103 shade: RGB 14 200 103, RGB 14 200 153, RGB 14 197 200, RGB 14 147 200 and RGB 14 97 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 201 103 shade matches the following richer shades: RGB 14 200 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 201 103 shade: RGB 14 200 103, RGB 31 183 103, RGB 49 166 104, RGB 66 148 105 and RGB 83 131 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 201 103 shade: RGB 26 200 14, RGB 14 200 51, RGB 14 200 101, RGB 14 200 151 and RGB 14 200 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 201 103 shade: RGB 9 123 63, RGB 11 162 83, RGB 14 200 103, RGB 17 238 122 and RGB 56 241 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 201 103 shade: RGB 14 201 103, RGB 14 76 200 and RGB 200 26 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 201 103 shade: RGB 14 201 103, RGB 101 14 200 and RGB 200 101 14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 201 103 shade: RGB 14 201 103, RGB 14 76 200, RGB 200 14 113 and RGB 200 138 14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 201 103 shade: RGB 14 201 103, RGB 14 20 200, RGB 200 14 113 and RGB 200 194 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 49 / 21

HEX #0EC967

RGB 14 201 103

HSL 148.56, 0.87%, 0.42%

LAB 71.45, -63.05, 37.35

 

Complementary color

CMYK 0 / 78 / 37 / 5

HEX #F13698

RGB 241 54 152

HSL 328.56, 0.87%, 0.58%

LAB 55.69, 75.6, -9.34

 

CMYK 91 / 0 / 51 / 21

HEX #13C962

RGB 19 201 98

HSL 146.04, 0.83%, 0.43%

LAB 71.41, -63.59, 39.77

 

CMYK 84 / 0 / 47 / 14

HEX #24DB75

RGB 36 219 117

HSL 146.56, 0.72%, 0.5%

LAB 77.47, -65.25, 38.07

 

CMYK 78 / 0 / 43 / 7

HEX #35ED88

RGB 53 237 136

HSL 147.07, 0.84%, 0.57%

LAB 83.5, -66.44, 36.44

 

CMYK 73 / 0 / 39 / 0

HEX #46FF9B

RGB 70 255 155

HSL 147.57, 1%, 0.64%

LAB 89.48, -67.28, 34.91

 

CMYK 66 / 0 / 32 / 0

HEX #57FFAE

RGB 87 255 174

HSL 151.07, 1%, 0.67%

LAB 90.14, -61.18, 26.33

 

CMYK 93 / 0 / 49 / 21

HEX #0EC967

RGB 14 201 103

HSL 148.56, 0.87%, 0.42%

LAB 71.45, -63.05, 37.35

 

CMYK 100 / 0 / 54 / 28

HEX #00B754

RGB 0 183 84

HSL 147.54, 1%, 0.36%

LAB 65.36, -60.76, 39.17

 

CMYK 100 / 0 / 61 / 35

HEX #00A541

RGB 0 165 65

HSL 143.64, 1%, 0.32%

LAB 59.24, -57.72, 41

 

CMYK 100 / 0 / 69 / 42

HEX #00932E

RGB 0 147 46

HSL 138.78, 1%, 0.29%

LAB 53.02, -54.38, 42.58

 

CMYK 100 / 0 / 79 / 49

HEX #00811B

RGB 0 129 27

HSL 132.56, 1%, 0.25%

LAB 46.68, -50.63, 43.54

 

CMYK 93 / 0 / 49 / 22

HEX #0EC867

RGB 14 200 103

HSL 148.71, 0.87%, 0.42%

LAB 71.13, -62.72, 36.95

 

CMYK 93 / 0 / 74 / 22

HEX #0EC834

RGB 14 200 52

HSL 132.26, 0.87%, 0.42%

LAB 70.63, -68.96, 58.65

 

CMYK 87 / 0 / 93 / 22

HEX #1AC80E

RGB 26 200 14

HSL 116.13, 0.87%, 0.42%

LAB 70.57, -70.1, 67.92

 

CMYK 62 / 0 / 93 / 22

HEX #4CC80E

RGB 76 200 14

HSL 100, 0.87%, 0.42%

LAB 71.47, -62.26, 69.04

 

CMYK 37 / 0 / 93 / 22

HEX #7EC80E

RGB 126 200 14

HSL 83.87, 0.87%, 0.42%

LAB 73.4, -47.44, 71.41

 

CMYK 93 / 0 / 49 / 22

HEX #0EC867

RGB 14 200 103

HSL 148.71, 0.87%, 0.42%

LAB 71.13, -62.72, 36.95

 

CMYK 93 / 0 / 24 / 22

HEX #0EC899

RGB 14 200 153

HSL 164.84, 0.87%, 0.42%

LAB 72.03, -52.44, 11.99

 

CMYK 93 / 1 / 0 / 22

HEX #0EC5C8

RGB 14 197 200

HSL 180.97, 0.87%, 0.42%

LAB 72.36, -38.27, -13.04

 

CMYK 93 / 27 / 0 / 22

HEX #0E93C8

RGB 14 147 200

HSL 197.1, 0.87%, 0.42%

LAB 57.2, -13.07, -36.27

 

CMYK 93 / 52 / 0 / 22

HEX #0E61C8

RGB 14 97 200

HSL 213.23, 0.87%, 0.42%

LAB 42.48, 17.42, -59.73

 

CMYK 93 / 0 / 49 / 22

HEX #0EC867

RGB 14 200 103

HSL 148.71, 0.87%, 0.42%

LAB 71.13, -62.72, 36.95

 

CMYK 93 / 0 / 49 / 22

HEX #0EC867

RGB 14 200 103

HSL 148.71, 0.87%, 0.42%

LAB 71.13, -62.72, 36.95

 

CMYK 83 / 0 / 44 / 28

HEX #1FB767

RGB 31 183 103

HSL 148.42, 0.71%, 0.42%

LAB 65.86, -55.7, 30.23

 

CMYK 70 / 0 / 37 / 35

HEX #31A668

RGB 49 166 104

HSL 148.21, 0.54%, 0.42%

LAB 60.72, -46.76, 22.99

 

CMYK 55 / 0 / 29 / 42

HEX #429469

RGB 66 148 105

HSL 148.54, 0.38%, 0.42%

LAB 55.44, -35.43, 15.35

 

CMYK 37 / 0 / 19 / 49

HEX #53836A

RGB 83 131 106

HSL 148.75, 0.22%, 0.42%

LAB 50.82, -22.17, 8.42

 

CMYK 87 / 0 / 93 / 22

HEX #1AC80E

RGB 26 200 14

HSL 116.13, 0.87%, 0.42%

LAB 70.57, -70.1, 67.92

 

CMYK 93 / 0 / 75 / 22

HEX #0EC833

RGB 14 200 51

HSL 131.94, 0.87%, 0.42%

LAB 70.62, -69.04, 58.99

 

CMYK 93 / 0 / 50 / 22

HEX #0EC865

RGB 14 200 101

HSL 148.06, 0.87%, 0.42%

LAB 71.11, -63.05, 37.91

 

CMYK 93 / 0 / 25 / 22

HEX #0EC897

RGB 14 200 151

HSL 164.19, 0.87%, 0.42%

LAB 71.98, -52.93, 13.01

 

CMYK 93 / 0 / 0 / 22

HEX #0EC8C8

RGB 14 200 200

HSL 180, 0.87%, 0.42%

LAB 73.27, -39.64, -11.68

 

CMYK 93 / 0 / 49 / 52

HEX #097B3F

RGB 9 123 63

HSL 148.42, 0.86%, 0.26%

LAB 45.06, -43.21, 24.81

 

CMYK 93 / 0 / 49 / 36

HEX #0BA253

RGB 11 162 83

HSL 148.61, 0.87%, 0.34%

LAB 58.54, -53.41, 31.23

 

CMYK 93 / 0 / 49 / 22

HEX #0EC867

RGB 14 200 103

HSL 148.71, 0.87%, 0.42%

LAB 71.13, -62.72, 36.95

 

CMYK 93 / 0 / 49 / 7

HEX #11EE7A

RGB 17 238 122

HSL 148.51, 0.87%, 0.5%

LAB 83.27, -71.85, 42.92

 

CMYK 77 / 0 / 40 / 5

HEX #38F190

RGB 56 241 144

HSL 148.54, 0.87%, 0.58%

LAB 84.88, -66.08, 34.27

 

CMYK 93 / 0 / 49 / 21

HEX #0EC967

RGB 14 201 103

HSL 148.56, 0.87%, 0.42%

LAB 71.45, -63.05, 37.35

 

CMYK 93 / 62 / 0 / 22

HEX #0E4CC8

RGB 14 76 200

HSL 220, 0.87%, 0.42%

LAB 36.8, 31.27, -68.98

 

CMYK 0 / 87 / 93 / 22

HEX #C81A0E

RGB 200 26 14

HSL 3.87, 0.87%, 0.42%

LAB 42.84, 63.59, 51.9

 

CMYK 93 / 0 / 49 / 21

HEX #0EC967

RGB 14 201 103

HSL 148.56, 0.87%, 0.42%

LAB 71.45, -63.05, 37.35

 

CMYK 50 / 93 / 0 / 22

HEX #650EC8

RGB 101 14 200

HSL 268.06, 0.87%, 0.42%

LAB 32.37, 67.29, -76.08

 

CMYK 0 / 50 / 93 / 22

HEX #C8650E

RGB 200 101 14

HSL 28.06, 0.87%, 0.42%

LAB 53.62, 34.78, 59.07

 

CMYK 93 / 0 / 49 / 21

HEX #0EC967

RGB 14 201 103

HSL 148.56, 0.87%, 0.42%

LAB 71.45, -63.05, 37.35

 

CMYK 93 / 62 / 0 / 22

HEX #0E4CC8

RGB 14 76 200

HSL 220, 0.87%, 0.42%

LAB 36.8, 31.27, -68.98

 

CMYK 0 / 93 / 44 / 22

HEX #C80E71

RGB 200 14 113

HSL 328.06, 0.87%, 0.42%

LAB 43.92, 70.22, -4.09

 

CMYK 0 / 31 / 93 / 22

HEX #C88A0E

RGB 200 138 14

HSL 40, 0.87%, 0.42%

LAB 62.07, 14.85, 65.15

 

CMYK 93 / 0 / 49 / 21

HEX #0EC967

RGB 14 201 103

HSL 148.56, 0.87%, 0.42%

LAB 71.45, -63.05, 37.35

 

CMYK 93 / 90 / 0 / 22

HEX #0E14C8

RGB 14 20 200

HSL 238.06, 0.87%, 0.42%

LAB 26.05, 61.34, -86.77

 

CMYK 0 / 93 / 44 / 22

HEX #C80E71

RGB 200 14 113

HSL 328.06, 0.87%, 0.42%

LAB 43.92, 70.22, -4.09

 

CMYK 0 / 3 / 93 / 22

HEX #C8C20E

RGB 200 194 14

HSL 58.06, 0.87%, 0.42%

LAB 76.62, -14.8, 76.04

 

Description

Color code: RGB 14 201 103 | qconv.com Color code: RGB 14 201 103 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 201 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 201 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 49 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 49% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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