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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 14 106 149 it is the complementary color RGB 241 149 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 14 106 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 14 106 149 shade: RGB 19 106 144, RGB 36 124 163, RGB 53 142 182, RGB 70 160 201 and RGB 87 178 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 14 106 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 14 106 149 shade: RGB 14 106 149, RGB 0 88 130, RGB 0 70 111, RGB 0 52 92 and RGB 0 34 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 14 106 149 shade: RGB 13 106 149, RGB 13 69 149, RGB 13 33 149, RGB 31 13 149 and RGB 67 13 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 14 106 149 shade: RGB 13 106 149, RGB 13 69 149, RGB 13 33 149 and RGB 13 13 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 14 106 149 shade matches the following richer shades: RGB 13 106 149 and RGB 0 110 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 14 106 149 shade: RGB 13 106 149, RGB 27 101 136, RGB 40 96 122, RGB 53 91 109 and RGB 66 87 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 14 106 149 shade: RGB 13 149 119, RGB 13 142 149, RGB 13 106 149, RGB 13 70 149 and RGB 13 34 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 14 106 149 shade: RGB 6 52 73, RGB 10 79 111, RGB 13 106 149, RGB 17 133 187 and RGB 20 159 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 14 106 149 shade: RGB 14 106 149, RGB 83 13 149 and RGB 149 138 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 14 106 149 shade: RGB 14 106 149, RGB 149 13 106 and RGB 106 149 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 14 106 149 shade: RGB 14 106 149, RGB 83 13 149, RGB 149 56 13 and RGB 79 149 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 14 106 149 shade: RGB 14 106 149, RGB 124 13 149, RGB 149 56 13 and RGB 38 149 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 29 / 0 / 42

HEX #0E6A95

RGB 14 106 149

HSL 199.11, 0.83%, 0.32%

LAB 42.11, -8.6, -30.37

 

Complementary color

CMYK 0 / 38 / 56 / 5

HEX #F1956A

RGB 241 149 106

HSL 19.11, 0.83%, 0.68%

LAB 70.34, 30.45, 37.14

 

CMYK 87 / 26 / 0 / 44

HEX #136A90

RGB 19 106 144

HSL 198.24, 0.77%, 0.32%

LAB 41.94, -10.15, -27.65

 

CMYK 78 / 24 / 0 / 36

HEX #247CA3

RGB 36 124 163

HSL 198.43, 0.64%, 0.39%

LAB 48.8, -11.88, -28.15

 

CMYK 71 / 22 / 0 / 29

HEX #358EB6

RGB 53 142 182

HSL 198.6, 0.55%, 0.46%

LAB 55.56, -13.14, -28.57

 

CMYK 65 / 20 / 0 / 21

HEX #46A0C9

RGB 70 160 201

HSL 198.78, 0.55%, 0.53%

LAB 62.22, -14.09, -28.95

 

CMYK 60 / 19 / 0 / 14

HEX #57B2DC

RGB 87 178 220

HSL 198.95, 0.66%, 0.6%

LAB 68.78, -14.81, -29.29

 

CMYK 91 / 29 / 0 / 42

HEX #0E6A95

RGB 14 106 149

HSL 199.11, 0.83%, 0.32%

LAB 42.11, -8.6, -30.37

 

CMYK 100 / 32 / 0 / 49

HEX #005882

RGB 0 88 130

HSL 199.38, 1%, 0.25%

LAB 35.18, -5.98, -29.78

 

CMYK 100 / 37 / 0 / 56

HEX #00466F

RGB 0 70 111

HSL 202.16, 1%, 0.22%

LAB 28.19, -2.38, -29

 

CMYK 100 / 43 / 0 / 64

HEX #00345C

RGB 0 52 92

HSL 206.09, 1%, 0.18%

LAB 20.94, 1.56, -28.27

 

CMYK 100 / 53 / 0 / 71

HEX #002249

RGB 0 34 73

HSL 212.05, 1%, 0.14%

LAB 13.38, 6, -27.6

 

CMYK 91 / 29 / 0 / 42

HEX #0D6A95

RGB 13 106 149

HSL 198.97, 0.84%, 0.32%

LAB 42.1, -8.66, -30.39

 

CMYK 91 / 54 / 0 / 42

HEX #0D4595

RGB 13 69 149

HSL 215.29, 0.84%, 0.32%

LAB 30.67, 15.37, -48.64

 

CMYK 91 / 78 / 0 / 42

HEX #0D2195

RGB 13 33 149

HSL 231.18, 0.84%, 0.32%

LAB 21.37, 39.49, -63.89

 

CMYK 79 / 91 / 0 / 42

HEX #1F0D95

RGB 31 13 149

HSL 247.94, 0.84%, 0.32%

LAB 19.01, 49.65, -67.79

 

CMYK 55 / 91 / 0 / 42

HEX #430D95

RGB 67 13 149

HSL 263.82, 0.84%, 0.32%

LAB 22.48, 52.18, -61.92

 

CMYK 91 / 29 / 0 / 42

HEX #0D6A95

RGB 13 106 149

HSL 198.97, 0.84%, 0.32%

LAB 42.1, -8.66, -30.39

 

CMYK 91 / 54 / 0 / 42

HEX #0D4595

RGB 13 69 149

HSL 215.29, 0.84%, 0.32%

LAB 30.67, 15.37, -48.64

 

CMYK 91 / 78 / 0 / 42

HEX #0D2195

RGB 13 33 149

HSL 231.18, 0.84%, 0.32%

LAB 21.37, 39.49, -63.89

 

CMYK 91 / 91 / 0 / 42

HEX #0D0D95

RGB 13 13 149

HSL 240, 0.84%, 0.32%

LAB 18.11, 49.07, -69.3

 

CMYK 91 / 29 / 0 / 42

HEX #0D6A95

RGB 13 106 149

HSL 198.97, 0.84%, 0.32%

LAB 42.1, -8.66, -30.39

 

CMYK 100 / 32 / 0 / 36

HEX #006EA2

RGB 0 110 162

HSL 199.26, 1%, 0.32%

LAB 43.89, -6.63, -35.3

 

CMYK 91 / 29 / 0 / 42

HEX #0D6A95

RGB 13 106 149

HSL 198.97, 0.84%, 0.32%

LAB 42.1, -8.66, -30.39

 

CMYK 80 / 26 / 0 / 47

HEX #1B6588

RGB 27 101 136

HSL 199.27, 0.67%, 0.32%

LAB 40.11, -9.41, -25.68

 

CMYK 67 / 21 / 0 / 52

HEX #28607A

RGB 40 96 122

HSL 199.02, 0.51%, 0.32%

LAB 38.24, -9.57, -20.05

 

CMYK 51 / 17 / 0 / 57

HEX #355B6D

RGB 53 91 109

HSL 199.29, 0.35%, 0.32%

LAB 36.64, -8.04, -14.46

 

CMYK 31 / 9 / 0 / 62

HEX #425760

RGB 66 87 96

HSL 198, 0.19%, 0.32%

LAB 35.63, -5.59, -7.81

 

CMYK 91 / 0 / 20 / 42

HEX #0D9577

RGB 13 149 119

HSL 166.76, 0.84%, 0.32%

LAB 54.98, -40.38, 6.6

 

CMYK 91 / 5 / 0 / 42

HEX #0D8E95

RGB 13 142 149

HSL 183.09, 0.84%, 0.32%

LAB 53.6, -28.23, -12.69

 

CMYK 91 / 29 / 0 / 42

HEX #0D6A95

RGB 13 106 149

HSL 198.97, 0.84%, 0.32%

LAB 42.1, -8.66, -30.39

 

CMYK 91 / 53 / 0 / 42

HEX #0D4695

RGB 13 70 149

HSL 214.85, 0.84%, 0.32%

LAB 30.96, 14.68, -48.16

 

CMYK 91 / 77 / 0 / 42

HEX #0D2295

RGB 13 34 149

HSL 230.74, 0.84%, 0.32%

LAB 21.58, 38.9, -63.54

 

CMYK 92 / 29 / 0 / 71

HEX #063449

RGB 6 52 73

HSL 198.81, 0.85%, 0.15%

LAB 19.95, -6.13, -17.16

 

CMYK 91 / 29 / 0 / 56

HEX #0A4F6F

RGB 10 79 111

HSL 199.01, 0.83%, 0.24%

LAB 31.36, -7.38, -23.99

 

CMYK 91 / 29 / 0 / 42

HEX #0D6A95

RGB 13 106 149

HSL 198.97, 0.84%, 0.32%

LAB 42.1, -8.66, -30.39

 

CMYK 91 / 29 / 0 / 27

HEX #1185BB

RGB 17 133 187

HSL 199.06, 0.83%, 0.4%

LAB 52.38, -9.81, -36.45

 

CMYK 91 / 29 / 0 / 12

HEX #149FE0

RGB 20 159 224

HSL 199.12, 0.84%, 0.48%

LAB 61.94, -10.77, -42.26

 

CMYK 91 / 29 / 0 / 42

HEX #0E6A95

RGB 14 106 149

HSL 199.11, 0.83%, 0.32%

LAB 42.11, -8.6, -30.37

 

CMYK 44 / 91 / 0 / 42

HEX #530D95

RGB 83 13 149

HSL 270.88, 0.84%, 0.32%

LAB 24.63, 53.91, -58.31

 

CMYK 0 / 7 / 91 / 42

HEX #958A0D

RGB 149 138 13

HSL 55.15, 0.84%, 0.32%

LAB 56.68, -8.36, 58.87

 

CMYK 91 / 29 / 0 / 42

HEX #0E6A95

RGB 14 106 149

HSL 199.11, 0.83%, 0.32%

LAB 42.11, -8.6, -30.37

 

CMYK 0 / 91 / 29 / 42

HEX #950D6A

RGB 149 13 106

HSL 318.97, 0.84%, 0.32%

LAB 33.39, 58.16, -16.57

 

CMYK 29 / 0 / 91 / 42

HEX #6A950D

RGB 106 149 13

HSL 78.97, 0.84%, 0.32%

LAB 56.67, -32.84, 57.49

 

CMYK 91 / 29 / 0 / 42

HEX #0E6A95

RGB 14 106 149

HSL 199.11, 0.83%, 0.32%

LAB 42.11, -8.6, -30.37

 

CMYK 44 / 91 / 0 / 42

HEX #530D95

RGB 83 13 149

HSL 270.88, 0.84%, 0.32%

LAB 24.63, 53.91, -58.31

 

CMYK 0 / 62 / 91 / 42

HEX #95380D

RGB 149 56 13

HSL 18.97, 0.84%, 0.32%

LAB 36.46, 37.21, 43.21

 

CMYK 47 / 0 / 91 / 42

HEX #4F950D

RGB 79 149 13

HSL 90.88, 0.84%, 0.32%

LAB 55.26, -42.83, 55.75

 

CMYK 91 / 29 / 0 / 42

HEX #0E6A95

RGB 14 106 149

HSL 199.11, 0.83%, 0.32%

LAB 42.11, -8.6, -30.37

 

CMYK 17 / 91 / 0 / 42

HEX #7C0D95

RGB 124 13 149

HSL 288.97, 0.84%, 0.32%

LAB 31.21, 59.8, -47.28

 

CMYK 0 / 62 / 91 / 42

HEX #95380D

RGB 149 56 13

HSL 18.97, 0.84%, 0.32%

LAB 36.46, 37.21, 43.21

 

CMYK 74 / 0 / 91 / 42

HEX #26950D

RGB 38 149 13

HSL 108.97, 0.84%, 0.32%

LAB 53.96, -53.4, 54.12

 

Description

Color code: RGB 14 106 149 | qconv.com Color code: RGB 14 106 149 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 106 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 106 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 29 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 29% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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