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Color name
RGB 149 92.6 18.6

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 92.6 18.6 it is the complementary color RGB 106 162.4 236.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 92.6 18.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 92.6 18.6 shade: RGB 154 92.6 13.6, RGB 171 110.6 32.6, RGB 188 128.6 51.6, RGB 205 146.6 70.6 and RGB 222 164.6 89.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 92.6 18.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 92.6 18.6 shade: RGB 149 92.6 18.6, RGB 132 74.6 0, RGB 115 56.6 0, RGB 98 38.6 0 and RGB 81 20.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 92.6 18.6 shade: RGB 150 93 19, RGB 150 58 19, RGB 150 22 19 and RGB 150 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 92.6 18.6 shade: RGB 150 93 19, RGB 150 128 19, RGB 136 150 19, RGB 100 150 19 and RGB 65 150 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 92.6 18.6 shade matches the following richer shades: RGB 150 93 19 and RGB 163 95 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 92.6 18.6 shade: RGB 150 93 19, RGB 136 91 32, RGB 123 89 46, RGB 109 87 59 and RGB 95 86 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 92.6 18.6 shade: RGB 150 23 19, RGB 150 58 19, RGB 150 93 19, RGB 150 128 19 and RGB 137 150 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 92.6 18.6 shade: RGB 76 47 9, RGB 113 70 14, RGB 150 93 19, RGB 187 116 23 and RGB 223 139 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 92.6 18.6 shade: RGB 149 92.6 18.6, RGB 49 150 19 and RGB 40 19 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 92.6 18.6 shade: RGB 149 92.6 18.6, RGB 19 150 93 and RGB 93 19 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 92.6 18.6 shade: RGB 149 92.6 18.6, RGB 49 150 19, RGB 19 75 150 and RGB 119 19 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 92.6 18.6 shade: RGB 149 92.6 18.6, RGB 19 150 27, RGB 19 75 150 and RGB 150 19 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 88 / 42

HEX #955C12

RGB 149 92.6 18.6

HSL 34.05, 0.78%, 0.33%

LAB 44.51, 17.47, 47.68

 

Complementary color

CMYK 55 / 31 / 0 / 7

HEX #6AA2EC

RGB 106 162.4 236.4

HSL 214.05, 0.78%, 0.67%

LAB 65.85, 2.61, -42.78

 

CMYK 0 / 40 / 91 / 40

HEX #9A5C0D

RGB 154 92.6 13.6

HSL 33.76, 0.84%, 0.33%

LAB 45.16, 19.63, 50.01

 

CMYK 0 / 35 / 81 / 33

HEX #AB6E20

RGB 171 110.6 32.6

HSL 33.82, 0.68%, 0.4%

LAB 51.89, 17.61, 50.11

 

CMYK 0 / 32 / 73 / 26

HEX #BC8033

RGB 188 128.6 51.6

HSL 33.87, 0.57%, 0.47%

LAB 58.54, 15.89, 49.22

 

CMYK 0 / 28 / 66 / 20

HEX #CD9246

RGB 205 146.6 70.6

HSL 33.93, 0.57%, 0.54%

LAB 65.1, 14.44, 47.94

 

CMYK 0 / 26 / 60 / 13

HEX #DEA459

RGB 222 164.6 89.6

HSL 33.99, 0.67%, 0.61%

LAB 71.57, 13.19, 46.56

 

CMYK 0 / 38 / 88 / 42

HEX #955C12

RGB 149 92.6 18.6

HSL 34.05, 0.78%, 0.33%

LAB 44.51, 17.47, 47.68

 

CMYK 0 / 43 / 100 / 48

HEX #844A00

RGB 132 74.6 0

HSL 33.91, 1%, 0.26%

LAB 37.63, 19.69, 47.05

 

CMYK 0 / 51 / 100 / 55

HEX #733800

RGB 115 56.6 0

HSL 29.53, 1%, 0.23%

LAB 30.72, 22.35, 41.34

 

CMYK 0 / 61 / 100 / 62

HEX #622600

RGB 98 38.6 0

HSL 23.63, 1%, 0.19%

LAB 23.74, 24.97, 34.17

 

CMYK 0 / 75 / 100 / 68

HEX #511400

RGB 81 20.6 0

HSL 15.26, 1%, 0.16%

LAB 16.85, 27.16, 25.54

 

CMYK 0 / 38 / 87 / 41

HEX #965D13

RGB 150 93 19

HSL 33.89, 0.78%, 0.33%

LAB 44.74, 17.71, 47.79

 

CMYK 0 / 61 / 87 / 41

HEX #963A13

RGB 150 58 19

HSL 17.86, 0.78%, 0.33%

LAB 37.04, 36.76, 41.34

 

CMYK 0 / 85 / 87 / 41

HEX #961613

RGB 150 22 19

HSL 1.37, 0.78%, 0.33%

LAB 32.04, 50.41, 37.09

 

CMYK 0 / 87 / 87 / 41

HEX #961313

RGB 150 19 19

HSL 0, 0.78%, 0.33%

LAB 31.8, 51.11, 36.88

 

CMYK 0 / 38 / 87 / 41

HEX #965D13

RGB 150 93 19

HSL 33.89, 0.78%, 0.33%

LAB 44.74, 17.71, 47.79

 

CMYK 0 / 15 / 87 / 41

HEX #968013

RGB 150 128 19

HSL 49.92, 0.78%, 0.33%

LAB 53.99, -2.27, 55.43

 

CMYK 9 / 0 / 87 / 41

HEX #889613

RGB 136 150 19

HSL 66.41, 0.78%, 0.33%

LAB 59.06, -20.42, 59.11

 

CMYK 33 / 0 / 87 / 41

HEX #649613

RGB 100 150 19

HSL 82.9, 0.78%, 0.33%

LAB 56.65, -35.48, 56.11

 

CMYK 57 / 0 / 87 / 41

HEX #419613

RGB 65 150 19

HSL 98.93, 0.78%, 0.33%

LAB 55.06, -47.32, 54.1

 

CMYK 0 / 38 / 87 / 41

HEX #965D13

RGB 150 93 19

HSL 33.89, 0.78%, 0.33%

LAB 44.74, 17.71, 47.79

 

CMYK 0 / 42 / 97 / 36

HEX #A35F05

RGB 163 95 5

HSL 34.18, 0.94%, 0.33%

LAB 46.95, 22.16, 53.94

 

CMYK 0 / 38 / 87 / 41

HEX #965D13

RGB 150 93 19

HSL 33.89, 0.78%, 0.33%

LAB 44.74, 17.71, 47.79

 

CMYK 0 / 33 / 76 / 47

HEX #885B20

RGB 136 91 32

HSL 34.04, 0.62%, 0.33%

LAB 42.49, 12.91, 39.81

 

CMYK 0 / 28 / 63 / 52

HEX #7B592E

RGB 123 89 46

HSL 33.51, 0.46%, 0.33%

LAB 40.5, 8.93, 29.99

 

CMYK 0 / 20 / 46 / 57

HEX #6D573B

RGB 109 87 59

HSL 33.6, 0.3%, 0.33%

LAB 38.52, 4.94, 19.68

 

CMYK 0 / 9 / 23 / 63

HEX #5F5649

RGB 95 86 73

HSL 35.45, 0.13%, 0.33%

LAB 37.06, 1.28, 8.91

 

CMYK 0 / 85 / 87 / 41

HEX #961713

RGB 150 23 19

HSL 1.83, 0.78%, 0.33%

LAB 32.13, 50.16, 37.16

 

CMYK 0 / 61 / 87 / 41

HEX #963A13

RGB 150 58 19

HSL 17.86, 0.78%, 0.33%

LAB 37.04, 36.76, 41.34

 

CMYK 0 / 38 / 87 / 41

HEX #965D13

RGB 150 93 19

HSL 33.89, 0.78%, 0.33%

LAB 44.74, 17.71, 47.79

 

CMYK 0 / 15 / 87 / 41

HEX #968013

RGB 150 128 19

HSL 49.92, 0.78%, 0.33%

LAB 53.99, -2.27, 55.43

 

CMYK 9 / 0 / 87 / 41

HEX #899613

RGB 137 150 19

HSL 65.95, 0.78%, 0.33%

LAB 59.14, -19.98, 59.21

 

CMYK 0 / 38 / 88 / 70

HEX #4C2F09

RGB 76 47 9

HSL 34.03, 0.79%, 0.17%

LAB 22.26, 9.65, 27.83

 

CMYK 0 / 38 / 88 / 56

HEX #71460E

RGB 113 70 14

HSL 33.94, 0.78%, 0.25%

LAB 33.82, 13.82, 38.32

 

CMYK 0 / 38 / 87 / 41

HEX #965D13

RGB 150 93 19

HSL 33.89, 0.78%, 0.33%

LAB 44.74, 17.71, 47.79

 

CMYK 0 / 38 / 88 / 27

HEX #BB7417

RGB 187 116 23

HSL 34.02, 0.78%, 0.41%

LAB 55.19, 21.38, 57.07

 

CMYK 0 / 38 / 87 / 13

HEX #DF8B1C

RGB 223 139 28

HSL 34.15, 0.78%, 0.49%

LAB 65.15, 24.51, 65.51

 

CMYK 0 / 38 / 88 / 42

HEX #955C12

RGB 149 92.6 18.6

HSL 34.05, 0.78%, 0.33%

LAB 44.51, 17.47, 47.68

 

CMYK 67 / 0 / 87 / 41

HEX #319613

RGB 49 150 19

HSL 106.26, 0.78%, 0.33%

LAB 54.57, -51.33, 53.49

 

CMYK 73 / 87 / 0 / 41

HEX #281396

RGB 40 19 150

HSL 249.62, 0.78%, 0.33%

LAB 20.51, 48.26, -65.88

 

CMYK 0 / 38 / 88 / 42

HEX #955C12

RGB 149 92.6 18.6

HSL 34.05, 0.78%, 0.33%

LAB 44.51, 17.47, 47.68

 

CMYK 87 / 0 / 38 / 41

HEX #13965D

RGB 19 150 93

HSL 153.89, 0.78%, 0.33%

LAB 54.81, -46.59, 21.01

 

CMYK 38 / 87 / 0 / 41

HEX #5D1396

RGB 93 19 150

HSL 273.89, 0.78%, 0.33%

LAB 26.72, 53.87, -55.43

 

CMYK 0 / 38 / 88 / 42

HEX #955C12

RGB 149 92.6 18.6

HSL 34.05, 0.78%, 0.33%

LAB 44.51, 17.47, 47.68

 

CMYK 67 / 0 / 87 / 41

HEX #319613

RGB 49 150 19

HSL 106.26, 0.78%, 0.33%

LAB 54.57, -51.33, 53.49

 

CMYK 87 / 50 / 0 / 41

HEX #134B96

RGB 19 75 150

HSL 214.35, 0.78%, 0.33%

LAB 32.64, 12.08, -46.05

 

CMYK 21 / 87 / 0 / 41

HEX #771396

RGB 119 19 150

HSL 285.8, 0.78%, 0.33%

LAB 30.85, 57.92, -48.52

 

CMYK 0 / 38 / 88 / 42

HEX #955C12

RGB 149 92.6 18.6

HSL 34.05, 0.78%, 0.33%

LAB 44.51, 17.47, 47.68

 

CMYK 87 / 0 / 82 / 41

HEX #13961B

RGB 19 150 27

HSL 123.66, 0.78%, 0.33%

LAB 54.06, -55.6, 50.68

 

CMYK 87 / 50 / 0 / 41

HEX #134B96

RGB 19 75 150

HSL 214.35, 0.78%, 0.33%

LAB 32.64, 12.08, -46.05

 

CMYK 0 / 87 / 6 / 41

HEX #96138D

RGB 150 19 141

HSL 304.12, 0.78%, 0.33%

LAB 35.74, 62.08, -34.85

 

Description

Color code: RGB 149 92.6 18.6 | qconv.com Color code: RGB 149 92.6 18.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 92.6 green and 18.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 92.6 18.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 88 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 88% 42% C M Y K

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Provide designers and agencies with accurate color values.

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