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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 56.2 145.6 it is the complementary color RGB 106 198.8 109.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 56.2 145.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 56.2 145.6 shade: RGB 154 56.2 140.6, RGB 171 74.2 159.6, RGB 188 92.2 178.6, RGB 205 110.2 197.6 and RGB 222 128.2 216.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 56.2 145.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 56.2 145.6 shade: RGB 149 56.2 145.6, RGB 132 38.2 126.6, RGB 115 20.2 107.6, RGB 98 2.2 88.6 and RGB 81 0 69.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 56.2 145.6 shade: RGB 148 56 145, RGB 148 56 120, RGB 148 56 95, RGB 148 56 70 and RGB 148 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 56.2 145.6 shade: RGB 148 56 145, RGB 127 56 148, RGB 102 56 148, RGB 77 56 148 and RGB 56 56 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 56.2 145.6 shade matches the following richer shades: RGB 148 56 145, RGB 164 40 160, RGB 181 23 175 and RGB 197 7 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 56.2 145.6 shade: RGB 148 56 145, RGB 131 73 129, RGB 115 89 114, RGB 98 106 99 and RGB 82 122 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 56.2 145.6 shade: RGB 102 56 148, RGB 126 56 148, RGB 148 56 145, RGB 148 56 120 and RGB 148 56 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 56.2 145.6 shade: RGB 88 33 86, RGB 118 45 115, RGB 148 56 145, RGB 178 67 174 and RGB 194 93 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 56.2 145.6 shade: RGB 149 56.2 145.6, RGB 148 78 56 and RGB 56 148 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 56.2 145.6 shade: RGB 149 56.2 145.6, RGB 145 148 56 and RGB 56 145 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 56.2 145.6 shade: RGB 149 56.2 145.6, RGB 148 78 56, RGB 56 148 59 and RGB 56 126 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 56.2 145.6 shade: RGB 149 56.2 145.6, RGB 148 105 56, RGB 56 148 59 and RGB 56 99 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 2 / 42

HEX #953891

RGB 149 56.2 145.6

HSL 302.2, 0.45%, 0.4%

LAB 40.08, 50.5, -30.81

 

Complementary color

CMYK 47 / 0 / 45 / 22

HEX #6AC66D

RGB 106 198.8 109.4

HSL 122.2, 0.45%, 0.6%

LAB 72.85, -45.96, 36.33

 

CMYK 0 / 64 / 9 / 40

HEX #9A388C

RGB 154 56.2 140.6

HSL 308.22, 0.47%, 0.41%

LAB 40.62, 50.99, -26.87

 

CMYK 0 / 57 / 7 / 33

HEX #AB4A9F

RGB 171 74.2 159.6

HSL 307.07, 0.39%, 0.48%

LAB 47.11, 50.72, -27.97

 

CMYK 0 / 51 / 5 / 26

HEX #BC5CB2

RGB 188 92.2 178.6

HSL 305.89, 0.42%, 0.55%

LAB 53.62, 50.19, -28.81

 

CMYK 0 / 46 / 4 / 20

HEX #CD6EC5

RGB 205 110.2 197.6

HSL 304.68, 0.49%, 0.62%

LAB 60.1, 49.54, -29.49

 

CMYK 0 / 42 / 2 / 13

HEX #DE80D8

RGB 222 128.2 216.6

HSL 303.45, 0.59%, 0.69%

LAB 66.53, 48.83, -30.05

 

CMYK 0 / 62 / 2 / 42

HEX #953891

RGB 149 56.2 145.6

HSL 302.2, 0.45%, 0.4%

LAB 40.08, 50.5, -30.81

 

CMYK 0 / 71 / 4 / 48

HEX #84267E

RGB 132 38.2 126.6

HSL 303.45, 0.55%, 0.33%

LAB 33.62, 50.31, -29.48

 

CMYK 0 / 82 / 6 / 55

HEX #73146B

RGB 115 20.2 107.6

HSL 304.68, 0.7%, 0.27%

LAB 27.37, 49.18, -27.49

 

CMYK 0 / 98 / 10 / 62

HEX #620258

RGB 98 2.2 88.6

HSL 305.89, 0.96%, 0.2%

LAB 21.43, 46.72, -24.64

 

CMYK 0 / 100 / 14 / 68

HEX #510045

RGB 81 0 69.6

HSL 308.44, 1%, 0.16%

LAB 16.44, 40.88, -19.82

 

CMYK 0 / 62 / 2 / 42

HEX #943891

RGB 148 56 145

HSL 301.96, 0.45%, 0.4%

LAB 39.86, 50.21, -30.8

 

CMYK 0 / 62 / 19 / 42

HEX #943878

RGB 148 56 120

HSL 318.26, 0.45%, 0.4%

LAB 38.69, 46.07, -17.26

 

CMYK 0 / 62 / 36 / 42

HEX #94385F

RGB 148 56 95

HSL 334.57, 0.45%, 0.4%

LAB 37.75, 42.6, -3

 

CMYK 0 / 62 / 53 / 42

HEX #943846

RGB 148 56 70

HSL 350.87, 0.45%, 0.4%

LAB 37.05, 39.91, 11.87

 

CMYK 0 / 62 / 62 / 42

HEX #943838

RGB 148 56 56

HSL 0, 0.45%, 0.4%

LAB 36.76, 38.76, 20.31

 

CMYK 0 / 62 / 2 / 42

HEX #943891

RGB 148 56 145

HSL 301.96, 0.45%, 0.4%

LAB 39.86, 50.21, -30.8

 

CMYK 14 / 62 / 0 / 42

HEX #7F3894

RGB 127 56 148

HSL 286.3, 0.45%, 0.4%

LAB 36.89, 45.27, -37.53

 

CMYK 31 / 62 / 0 / 42

HEX #663894

RGB 102 56 148

HSL 270, 0.45%, 0.4%

LAB 33.54, 38.93, -43.07

 

CMYK 48 / 62 / 0 / 42

HEX #4D3894

RGB 77 56 148

HSL 253.7, 0.45%, 0.4%

LAB 30.75, 33.13, -47.73

 

CMYK 62 / 62 / 0 / 42

HEX #383894

RGB 56 56 148

HSL 240, 0.45%, 0.4%

LAB 28.92, 29.01, -50.78

 

CMYK 0 / 62 / 2 / 42

HEX #943891

RGB 148 56 145

HSL 301.96, 0.45%, 0.4%

LAB 39.86, 50.21, -30.8

 

CMYK 0 / 76 / 2 / 36

HEX #A428A0

RGB 164 40 160

HSL 301.94, 0.61%, 0.4%

LAB 41.13, 62.64, -37.69

 

CMYK 0 / 87 / 3 / 29

HEX #B517AF

RGB 181 23 175

HSL 302.28, 0.77%, 0.4%

LAB 43.55, 72.39, -42.61

 

CMYK 0 / 96 / 4 / 23

HEX #C507BE

RGB 197 7 190

HSL 302.21, 0.93%, 0.4%

LAB 46.63, 79.3, -46.36

 

CMYK 0 / 62 / 2 / 42

HEX #943891

RGB 148 56 145

HSL 301.96, 0.45%, 0.4%

LAB 39.86, 50.21, -30.8

 

CMYK 0 / 44 / 2 / 49

HEX #834981

RGB 131 73 129

HSL 302.07, 0.28%, 0.4%

LAB 39.87, 33.53, -21.2

 

CMYK 0 / 23 / 1 / 55

HEX #735972

RGB 115 89 114

HSL 302.31, 0.13%, 0.4%

LAB 41.22, 15.38, -10.11

 

CMYK 8 / 0 / 7 / 58

HEX #626A63

RGB 98 106 99

HSL 127.5, 0.04%, 0.4%

LAB 43.95, -4.53, 2.87

 

CMYK 33 / 0 / 32 / 52

HEX #527A53

RGB 82 122 83

HSL 121.5, 0.2%, 0.4%

LAB 47.41, -22.5, 17.03

 

CMYK 31 / 62 / 0 / 42

HEX #663894

RGB 102 56 148

HSL 270, 0.45%, 0.4%

LAB 33.54, 38.93, -43.07

 

CMYK 15 / 62 / 0 / 42

HEX #7E3894

RGB 126 56 148

HSL 285.65, 0.45%, 0.4%

LAB 36.75, 45.01, -37.77

 

CMYK 0 / 62 / 2 / 42

HEX #943891

RGB 148 56 145

HSL 301.96, 0.45%, 0.4%

LAB 39.86, 50.21, -30.8

 

CMYK 0 / 62 / 19 / 42

HEX #943878

RGB 148 56 120

HSL 318.26, 0.45%, 0.4%

LAB 38.69, 46.07, -17.26

 

CMYK 0 / 62 / 35 / 42

HEX #943860

RGB 148 56 96

HSL 333.91, 0.45%, 0.4%

LAB 37.79, 42.73, -3.58

 

CMYK 0 / 63 / 2 / 65

HEX #582156

RGB 88 33 86

HSL 302.18, 0.45%, 0.24%

LAB 23.12, 33.19, -20.37

 

CMYK 0 / 62 / 3 / 54

HEX #762D73

RGB 118 45 115

HSL 302.47, 0.45%, 0.32%

LAB 31.73, 41.6, -25.31

 

CMYK 0 / 62 / 2 / 42

HEX #943891

RGB 148 56 145

HSL 301.96, 0.45%, 0.4%

LAB 39.86, 50.21, -30.8

 

CMYK 0 / 62 / 2 / 30

HEX #B243AE

RGB 178 67 174

HSL 302.16, 0.45%, 0.48%

LAB 47.67, 58.29, -35.54

 

CMYK 0 / 52 / 2 / 24

HEX #C25DBE

RGB 194 93 190

HSL 302.38, 0.45%, 0.56%

LAB 55.09, 53.52, -33.05

 

CMYK 0 / 62 / 2 / 42

HEX #953891

RGB 149 56.2 145.6

HSL 302.2, 0.45%, 0.4%

LAB 40.08, 50.5, -30.81

 

CMYK 0 / 47 / 62 / 42

HEX #944E38

RGB 148 78 56

HSL 14.35, 0.45%, 0.4%

LAB 41.26, 27.23, 25.99

 

CMYK 62 / 0 / 23 / 42

HEX #389472

RGB 56 148 114

HSL 157.83, 0.45%, 0.4%

LAB 55.31, -35.65, 10.03

 

CMYK 0 / 62 / 2 / 42

HEX #953891

RGB 149 56.2 145.6

HSL 302.2, 0.45%, 0.4%

LAB 40.08, 50.5, -30.81

 

CMYK 2 / 0 / 62 / 42

HEX #919438

RGB 145 148 56

HSL 61.96, 0.45%, 0.4%

LAB 59.42, -13.6, 46.85

 

CMYK 62 / 2 / 0 / 42

HEX #389194

RGB 56 145 148

HSL 181.96, 0.45%, 0.4%

LAB 55.31, -25.09, -9.47

 

CMYK 0 / 62 / 2 / 42

HEX #953891

RGB 149 56.2 145.6

HSL 302.2, 0.45%, 0.4%

LAB 40.08, 50.5, -30.81

 

CMYK 0 / 47 / 62 / 42

HEX #944E38

RGB 148 78 56

HSL 14.35, 0.45%, 0.4%

LAB 41.26, 27.23, 25.99

 

CMYK 62 / 0 / 60 / 42

HEX #38943B

RGB 56 148 59

HSL 121.96, 0.45%, 0.4%

LAB 54.38, -45.69, 38.42

 

CMYK 62 / 15 / 0 / 42

HEX #387E94

RGB 56 126 148

HSL 194.35, 0.45%, 0.4%

LAB 49.38, -15.01, -18.45

 

CMYK 0 / 62 / 2 / 42

HEX #953891

RGB 149 56.2 145.6

HSL 302.2, 0.45%, 0.4%

LAB 40.08, 50.5, -30.81

 

CMYK 0 / 29 / 62 / 42

HEX #946938

RGB 148 105 56

HSL 31.96, 0.45%, 0.4%

LAB 47.86, 11.76, 33.94

 

CMYK 62 / 0 / 60 / 42

HEX #38943B

RGB 56 148 59

HSL 121.96, 0.45%, 0.4%

LAB 54.38, -45.69, 38.42

 

CMYK 62 / 33 / 0 / 42

HEX #386394

RGB 56 99 148

HSL 211.96, 0.45%, 0.4%

LAB 41.06, 0.9, -31.34

 

Description

Color code: RGB 149 56.2 145.6 | qconv.com Color code: RGB 149 56.2 145.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 56.2 green and 145.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 56.2 145.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 2 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 2% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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