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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 54.8 5 it is the complementary color RGB 106 200.2 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 54.8 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 54.8 5 shade: RGB 154 54.8 0, RGB 171 72.8 19, RGB 188 90.8 38, RGB 205 108.8 57 and RGB 222 126.8 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 54.8 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 54.8 5 shade: RGB 149 54.8 5, RGB 132 36.8 0, RGB 115 18.8 0, RGB 98 0.8 0 and RGB 81 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 54.8 5 shade: RGB 148 54 5, RGB 148 16 5 and RGB 148 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 54.8 5 shade: RGB 148 54 5, RGB 148 93 5, RGB 148 132 5, RGB 126 148 5 and RGB 87 148 5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 54.8 5 shade matches the following richer shades: RGB 148 54 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 54.8 5 shade: RGB 148 54 5, RGB 136 58 17, RGB 124 62 29, RGB 111 66 42 and RGB 99 70 54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 54.8 5 shade: RGB 148 5 33, RGB 148 14 5, RGB 148 53 5, RGB 148 91 5 and RGB 148 129 5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 54.8 5 shade: RGB 68 25 2, RGB 108 40 3, RGB 148 54 5, RGB 188 69 6 and RGB 228 84 7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 54.8 5 shade: RGB 149 54.8 5, RGB 72 148 5 and RGB 5 14 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 54.8 5 shade: RGB 149 54.8 5, RGB 5 148 53 and RGB 53 5 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 54.8 5 shade: RGB 149 54.8 5, RGB 72 148 5, RGB 5 100 148 and RGB 81 5 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 54.8 5 shade: RGB 149 54.8 5, RGB 29 148 5, RGB 5 100 148 and RGB 124 5 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 97 / 42

HEX #953605

RGB 149 54.8 5

HSL 20.75, 0.94%, 0.3%

LAB 36.2, 37.65, 45.79

 

Complementary color

CMYK 58 / 20 / 0 / 2

HEX #6AC8FA

RGB 106 200.2 250

HSL 200.75, 0.94%, 0.7%

LAB 76.9, -13.94, -32.96

 

CMYK 0 / 64 / 100 / 40

HEX #9A3600

RGB 154 54.8 0

HSL 21.35, 1%, 0.3%

LAB 37.08, 39.47, 48.61

 

CMYK 0 / 57 / 89 / 33

HEX #AB4813

RGB 171 72.8 19

HSL 21.24, 0.8%, 0.37%

LAB 43.42, 37.65, 48.03

 

CMYK 0 / 52 / 80 / 26

HEX #BC5A26

RGB 188 90.8 38

HSL 21.12, 0.66%, 0.44%

LAB 49.83, 35.79, 46.72

 

CMYK 0 / 47 / 72 / 20

HEX #CD6C39

RGB 205 108.8 57

HSL 21, 0.6%, 0.51%

LAB 56.26, 34.06, 44.91

 

CMYK 0 / 43 / 66 / 13

HEX #DE7E4C

RGB 222 126.8 76

HSL 20.88, 0.69%, 0.58%

LAB 62.66, 32.48, 43.04

 

CMYK 0 / 63 / 97 / 42

HEX #953605

RGB 149 54.8 5

HSL 20.75, 0.94%, 0.3%

LAB 36.2, 37.65, 45.79

 

CMYK 0 / 72 / 100 / 48

HEX #842400

RGB 132 36.8 0

HSL 16.73, 1%, 0.26%

LAB 29.95, 39.31, 42.15

 

CMYK 0 / 84 / 100 / 55

HEX #731200

RGB 115 18.8 0

HSL 9.81, 1%, 0.23%

LAB 24.01, 40.07, 35.57

 

CMYK 0 / 99 / 100 / 62

HEX #620000

RGB 98 0.8 0

HSL 0.49, 1%, 0.19%

LAB 18.43, 39.53, 28.36

 

CMYK 0 / 100 / 100 / 68

HEX #510000

RGB 81 0 0

HSL 0, 1%, 0.16%

LAB 14.11, 34.84, 22.06

 

CMYK 0 / 64 / 97 / 42

HEX #943605

RGB 148 54 5

HSL 20.56, 0.93%, 0.3%

LAB 35.88, 37.64, 45.49

 

CMYK 0 / 89 / 97 / 42

HEX #941005

RGB 148 16 5

HSL 4.62, 0.93%, 0.3%

LAB 31.06, 50.91, 42.43

 

CMYK 0 / 97 / 97 / 42

HEX #940505

RGB 148 5 5

HSL 0, 0.93%, 0.3%

LAB 30.44, 52.71, 41.98

 

CMYK 0 / 64 / 97 / 42

HEX #943605

RGB 148 54 5

HSL 20.56, 0.93%, 0.3%

LAB 35.88, 37.64, 45.49

 

CMYK 0 / 37 / 97 / 42

HEX #945D05

RGB 148 93 5

HSL 36.92, 0.93%, 0.3%

LAB 44.43, 16.5, 51.23

 

CMYK 0 / 11 / 97 / 42

HEX #948405

RGB 148 132 5

HSL 53.29, 0.93%, 0.3%

LAB 54.88, -5.69, 58.81

 

CMYK 15 / 0 / 97 / 42

HEX #7E9405

RGB 126 148 5

HSL 69.23, 0.93%, 0.3%

LAB 57.68, -24.1, 60.13

 

CMYK 41 / 0 / 97 / 42

HEX #579405

RGB 87 148 5

HSL 85.59, 0.93%, 0.3%

LAB 55.3, -39.85, 57.23

 

CMYK 0 / 64 / 97 / 42

HEX #943605

RGB 148 54 5

HSL 20.56, 0.93%, 0.3%

LAB 35.88, 37.64, 45.49

 

CMYK 0 / 64 / 97 / 42

HEX #943605

RGB 148 54 5

HSL 20.56, 0.93%, 0.3%

LAB 35.88, 37.64, 45.49

 

CMYK 0 / 57 / 88 / 47

HEX #883A11

RGB 136 58 17

HSL 20.67, 0.78%, 0.3%

LAB 34.6, 31.09, 39.17

 

CMYK 0 / 50 / 77 / 51

HEX #7C3E1D

RGB 124 62 29

HSL 20.84, 0.62%, 0.3%

LAB 33.6, 24.24, 31.62

 

CMYK 0 / 41 / 62 / 56

HEX #6F422A

RGB 111 66 42

HSL 20.87, 0.45%, 0.3%

LAB 32.8, 16.91, 22.69

 

CMYK 0 / 29 / 45 / 61

HEX #634636

RGB 99 70 54

HSL 21.33, 0.29%, 0.3%

LAB 32.48, 10.18, 14.55

 

CMYK 0 / 97 / 78 / 42

HEX #940521

RGB 148 5 33

HSL 348.25, 0.93%, 0.3%

LAB 30.67, 53.37, 27.4

 

CMYK 0 / 91 / 97 / 42

HEX #940E05

RGB 148 14 5

HSL 3.78, 0.93%, 0.3%

LAB 30.93, 51.29, 42.34

 

CMYK 0 / 64 / 97 / 42

HEX #943505

RGB 148 53 5

HSL 20.14, 0.93%, 0.3%

LAB 35.7, 38.12, 45.38

 

CMYK 0 / 39 / 97 / 42

HEX #945B05

RGB 148 91 5

HSL 36.08, 0.93%, 0.3%

LAB 43.93, 17.66, 50.88

 

CMYK 0 / 13 / 97 / 42

HEX #948105

RGB 148 129 5

HSL 52.03, 0.93%, 0.3%

LAB 54.03, -4.03, 58.19

 

CMYK 0 / 63 / 97 / 73

HEX #441902

RGB 68 25 2

HSL 20.91, 0.94%, 0.14%

LAB 15.11, 19.27, 21.97

 

CMYK 0 / 63 / 97 / 58

HEX #6C2803

RGB 108 40 3

HSL 21.14, 0.95%, 0.22%

LAB 25.9, 28.58, 35.66

 

CMYK 0 / 64 / 97 / 42

HEX #943605

RGB 148 54 5

HSL 20.56, 0.93%, 0.3%

LAB 35.88, 37.64, 45.49

 

CMYK 0 / 63 / 97 / 26

HEX #BC4506

RGB 188 69 6

HSL 20.77, 0.94%, 0.38%

LAB 45.58, 45.69, 54.73

 

CMYK 0 / 63 / 97 / 11

HEX #E45407

RGB 228 84 7

HSL 20.9, 0.94%, 0.46%

LAB 54.92, 53.4, 63.55

 

CMYK 0 / 63 / 97 / 42

HEX #953605

RGB 149 54.8 5

HSL 20.75, 0.94%, 0.3%

LAB 36.2, 37.65, 45.79

 

CMYK 51 / 0 / 97 / 42

HEX #489405

RGB 72 148 5

HSL 91.89, 0.93%, 0.3%

LAB 54.63, -44.9, 56.41

 

CMYK 97 / 91 / 0 / 42

HEX #050E94

RGB 5 14 148

HSL 236.22, 0.93%, 0.3%

LAB 17.85, 48.26, -69.13

 

CMYK 0 / 63 / 97 / 42

HEX #953605

RGB 149 54.8 5

HSL 20.75, 0.94%, 0.3%

LAB 36.2, 37.65, 45.79

 

CMYK 97 / 0 / 64 / 42

HEX #059435

RGB 5 148 53

HSL 140.14, 0.93%, 0.3%

LAB 53.46, -53.57, 39.96

 

CMYK 64 / 97 / 0 / 42

HEX #350594

RGB 53 5 148

HSL 260.14, 0.93%, 0.3%

LAB 20.06, 52.83, -65.37

 

CMYK 0 / 63 / 97 / 42

HEX #953605

RGB 149 54.8 5

HSL 20.75, 0.94%, 0.3%

LAB 36.2, 37.65, 45.79

 

CMYK 51 / 0 / 97 / 42

HEX #489405

RGB 72 148 5

HSL 91.89, 0.93%, 0.3%

LAB 54.63, -44.9, 56.41

 

CMYK 97 / 32 / 0 / 42

HEX #056494

RGB 5 100 148

HSL 200.14, 0.93%, 0.3%

LAB 40.06, -5.85, -33.01

 

CMYK 45 / 97 / 0 / 42

HEX #510594

RGB 81 5 148

HSL 271.89, 0.93%, 0.3%

LAB 23.66, 55.19, -59.3

 

CMYK 0 / 63 / 97 / 42

HEX #953605

RGB 149 54.8 5

HSL 20.75, 0.94%, 0.3%

LAB 36.2, 37.65, 45.79

 

CMYK 80 / 0 / 97 / 42

HEX #1D9405

RGB 29 148 5

HSL 109.93, 0.93%, 0.3%

LAB 53.44, -54.74, 54.96

 

CMYK 97 / 32 / 0 / 42

HEX #056494

RGB 5 100 148

HSL 200.14, 0.93%, 0.3%

LAB 40.06, -5.85, -33.01

 

CMYK 16 / 97 / 0 / 42

HEX #7C0594

RGB 124 5 148

HSL 289.93, 0.93%, 0.3%

LAB 30.72, 60.87, -47.47

 

Description

Color code: RGB 149 54.8 5 | qconv.com Color code: RGB 149 54.8 5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 54.8 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 54.8 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 97 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 97% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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