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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 22 125 it is the complementary color RGB 106 233 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 22 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 149 22 125: RGB 154 22 120, RGB 171 40 139, RGB 188 58 158, RGB 205 76 177 and RGB 222 94 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 22 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 149 22 125: RGB 149 22 125, RGB 132 4 106, RGB 115 0 87, RGB 98 0 68 and RGB 81 0 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 16 / 42

HEX #95167D

RGB 149 22 125

HSL 311.34, 0.74%, 0.34%

LAB 34.89, 58.9, -26.26

 

Complementary color

CMYK 55 / 0 / 44 / 9

HEX #6AE982

RGB 106 233 130

HSL 131.34, 0.74%, 0.66%

LAB 83.42, -56.62, 39.54

 

CMYK 0 / 86 / 22 / 40

HEX #9A1678

RGB 154 22 120

HSL 315.45, 0.75%, 0.35%

LAB 35.6, 59.34, -21.96

 

CMYK 0 / 77 / 19 / 33

HEX #AB288B

RGB 171 40 139

HSL 314.66, 0.62%, 0.41%

LAB 41.28, 61.09, -24.65

 

CMYK 0 / 69 / 16 / 26

HEX #BC3A9E

RGB 188 58 158

HSL 313.85, 0.53%, 0.48%

LAB 47.22, 61.87, -26.66

 

CMYK 0 / 63 / 14 / 20

HEX #CD4CB1

RGB 205 76 177

HSL 313.02, 0.56%, 0.55%

LAB 53.3, 62.04, -28.19

 

CMYK 0 / 58 / 12 / 13

HEX #DE5EC4

RGB 222 94 196

HSL 312.19, 0.66%, 0.62%

LAB 59.45, 61.83, -29.39

 

CMYK 0 / 85 / 16 / 42

HEX #95167D

RGB 149 22 125

HSL 311.34, 0.74%, 0.34%

LAB 34.89, 58.9, -26.26

 

CMYK 0 / 97 / 20 / 48

HEX #84046A

RGB 132 4 106

HSL 312.19, 0.94%, 0.27%

LAB 29.5, 55.85, -22.89

 

CMYK 0 / 100 / 24 / 55

HEX #730057

RGB 115 0 87

HSL 314.61, 1%, 0.23%

LAB 24.74, 50.5, -18.11

 

CMYK 0 / 100 / 31 / 62

HEX #620044

RGB 98 0 68

HSL 318.37, 1%, 0.19%

LAB 20.1, 44.37, -12.71

 

CMYK 0 / 100 / 40 / 68

HEX #510031

RGB 81 0 49

HSL 323.7, 1%, 0.16%

LAB 15.33, 38.09, -6.9

 

CMYK 0 / 85 / 16 / 42

HEX #95167D

RGB 149 22 125

HSL 311.34, 0.74%, 0.34%

LAB 34.89, 58.9, -26.26

 

CMYK 0 / 85 / 30 / 41

HEX #961669

RGB 150 22 105

HSL 321.09, 0.74%, 0.34%

LAB 34.14, 56.53, -14.76

 

CMYK 0 / 85 / 44 / 41

HEX #961654

RGB 150 22 84

HSL 330.94, 0.74%, 0.34%

LAB 33.35, 54.25, -2.4

 

CMYK 0 / 85 / 58 / 41

HEX #96163F

RGB 150 22 63

HSL 340.78, 0.74%, 0.34%

LAB 32.74, 52.48, 10.51

 

CMYK 0 / 85 / 73 / 41

HEX #961629

RGB 150 22 41

HSL 351.09, 0.74%, 0.34%

LAB 32.3, 51.17, 24.3

 

CMYK 0 / 85 / 16 / 42

HEX #95167D

RGB 149 22 125

HSL 311.34, 0.74%, 0.34%

LAB 34.89, 58.9, -26.26

 

CMYK 0 / 85 / 16 / 22

HEX #C81EA8

RGB 200 30 168

HSL 311.29, 0.74%, 0.45%

LAB 47.02, 73.83, -32.76

 

CMYK 0 / 85 / 16 / 2

HEX #FB25D3

RGB 251 37 211

HSL 311.21, 0.96%, 0.56%

LAB 58.54, 88.17, -39.01

 

CMYK 0 / 85 / 17 / 82

HEX #2F0727

RGB 47 7 39

HSL 312, 0.74%, 0.11%

LAB 8.15, 24.42, -11.2

 

CMYK 0 / 86 / 16 / 62

HEX #620E52

RGB 98 14 82

HSL 311.43, 0.75%, 0.22%

LAB 22.02, 42.86, -19.28

 

CMYK 0 / 85 / 16 / 42

HEX #95167D

RGB 149 22 125

HSL 311.34, 0.74%, 0.34%

LAB 34.89, 58.9, -26.26

 

CMYK 0 / 53 / 85 / 41

HEX #964716

RGB 150 71 22

HSL 22.97, 0.74%, 0.34%

LAB 39.66, 30.13, 42.31

 

CMYK 85 / 0 / 18 / 41

HEX #16967B

RGB 22 150 123

HSL 167.34, 0.74%, 0.34%

LAB 55.5, -39.1, 5.07

 

CMYK 0 / 85 / 16 / 42

HEX #95167D

RGB 149 22 125

HSL 311.34, 0.74%, 0.34%

LAB 34.89, 58.9, -26.26

 

CMYK 15 / 0 / 85 / 41

HEX #7F9616

RGB 127 150 22

HSL 70.78, 0.74%, 0.34%

LAB 58.4, -24.26, 57.58

 

CMYK 85 / 15 / 0 / 41

HEX #167F96

RGB 22 127 150

HSL 190.78, 0.74%, 0.34%

LAB 48.95, -19.55, -20.35

 

CMYK 0 / 85 / 16 / 42

HEX #95167D

RGB 149 22 125

HSL 311.34, 0.74%, 0.34%

LAB 34.89, 58.9, -26.26

 

CMYK 0 / 53 / 85 / 41

HEX #964716

RGB 150 71 22

HSL 22.97, 0.74%, 0.34%

LAB 39.66, 30.13, 42.31

 

CMYK 85 / 0 / 69 / 41

HEX #16962E

RGB 22 150 46

HSL 131.25, 0.74%, 0.34%

LAB 54.22, -53.72, 43.92

 

CMYK 85 / 33 / 0 / 41

HEX #166596

RGB 22 101 150

HSL 202.97, 0.74%, 0.34%

LAB 40.7, -4.58, -33.18

 

CMYK 0 / 85 / 16 / 42

HEX #95167D

RGB 149 22 125

HSL 311.34, 0.74%, 0.34%

LAB 34.89, 58.9, -26.26

 

CMYK 0 / 27 / 85 / 41

HEX #966E16

RGB 150 110 22

HSL 41.25, 0.74%, 0.34%

LAB 49.12, 8.01, 50.5

 

CMYK 85 / 0 / 69 / 41

HEX #16962E

RGB 22 150 46

HSL 131.25, 0.74%, 0.34%

LAB 54.22, -53.72, 43.92

 

CMYK 85 / 58 / 0 / 41

HEX #163F96

RGB 22 63 150

HSL 220.78, 0.74%, 0.34%

LAB 29.23, 20.58, -51.58

 

Description

Color code: RGB 149 22 125 | qconv.com Color code: RGB 149 22 125 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 22 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 22 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 16 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 16% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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