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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 215 4 it is the complementary color RGB 106 40 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 215 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 215 4 shade: RGB 154 215 0, RGB 171 233 18, RGB 188 251 37, RGB 205 255 56 and RGB 222 255 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 215 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 215 4 shade: RGB 149 215 4, RGB 132 197 0, RGB 115 179 0, RGB 98 161 0 and RGB 81 143 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 215 4 shade: RGB 149 215 4, RGB 206 215 4, RGB 215 167 4, RGB 215 110 4 and RGB 215 54 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 215 4 shade: RGB 149 215 4, RGB 92 215 4, RGB 36 215 4, RGB 4 215 30 and RGB 4 215 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 215 4 shade matches the following richer shades: RGB 149 215 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 215 4 shade: RGB 149 215 4, RGB 142 197 22, RGB 136 179 40, RGB 129 162 58 and RGB 122 144 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 215 4 shade: RGB 215 166 4, RGB 208 215 4, RGB 152 215 4, RGB 96 215 4 and RGB 39 215 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 215 4 shade: RGB 93 134 3, RGB 121 174 4, RGB 149 215 4, RGB 175 250 11 and RGB 188 251 51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 215 4 shade: RGB 149 215 4, RGB 4 215 110 and RGB 194 4 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 215 4 shade: RGB 149 215 4, RGB 4 152 215 and RGB 215 4 152

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 215 4 shade: RGB 149 215 4, RGB 4 215 110, RGB 68 4 215 and RGB 215 4 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 215 4 shade: RGB 149 215 4, RGB 4 215 173, RGB 68 4 215 and RGB 215 4 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 98 / 16

HEX #95D704

RGB 149 215 4

HSL 78.77, 0.96%, 0.43%

LAB 79.04, -45.51, 77.41

 

Complementary color

CMYK 58 / 84 / 0 / 2

HEX #6A28FB

RGB 106 40 251

HSL 258.77, 0.96%, 0.57%

LAB 40.49, 73.06, -91.84

 

CMYK 28 / 0 / 100 / 16

HEX #9AD700

RGB 154 215 0

HSL 77.02, 1%, 0.42%

LAB 79.31, -43.69, 78.11

 

CMYK 27 / 0 / 92 / 9

HEX #ABE912

RGB 171 233 18

HSL 77.3, 0.86%, 0.49%

LAB 85.49, -44.79, 81.63

 

CMYK 25 / 0 / 85 / 2

HEX #BCFB25

RGB 188 251 37

HSL 77.66, 0.96%, 0.56%

LAB 91.6, -45.72, 84.03

 

CMYK 20 / 0 / 78 / 0

HEX #CDFF38

RGB 205 255 56

HSL 75.08, 1%, 0.61%

LAB 93.79, -40.42, 81.9

 

CMYK 13 / 0 / 71 / 0

HEX #DEFF4B

RGB 222 255 75

HSL 71, 1%, 0.65%

LAB 94.97, -33.01, 77.61

 

CMYK 31 / 0 / 98 / 16

HEX #95D704

RGB 149 215 4

HSL 78.77, 0.96%, 0.43%

LAB 79.04, -45.51, 77.41

 

CMYK 33 / 0 / 100 / 23

HEX #84C500

RGB 132 197 0

HSL 79.8, 1%, 0.39%

LAB 72.79, -44.23, 72.57

 

CMYK 36 / 0 / 100 / 30

HEX #73B300

RGB 115 179 0

HSL 81.45, 1%, 0.35%

LAB 66.43, -42.88, 67.29

 

CMYK 39 / 0 / 100 / 37

HEX #62A100

RGB 98 161 0

HSL 83.48, 1%, 0.32%

LAB 59.97, -41.48, 61.91

 

CMYK 43 / 0 / 100 / 44

HEX #518F00

RGB 81 143 0

HSL 86.01, 1%, 0.28%

LAB 53.38, -40.01, 56.43

 

CMYK 31 / 0 / 98 / 16

HEX #95D704

RGB 149 215 4

HSL 78.77, 0.96%, 0.43%

LAB 79.04, -45.51, 77.41

 

CMYK 4 / 0 / 98 / 16

HEX #CED704

RGB 206 215 4

HSL 62.56, 0.96%, 0.43%

LAB 82.77, -22.71, 81.88

 

CMYK 0 / 22 / 98 / 16

HEX #D7A704

RGB 215 167 4

HSL 46.35, 0.96%, 0.43%

LAB 70.94, 5.71, 73.64

 

CMYK 0 / 49 / 98 / 16

HEX #D76E04

RGB 215 110 4

HSL 30.14, 0.96%, 0.43%

LAB 57.66, 36.1, 64.74

 

CMYK 0 / 75 / 98 / 16

HEX #D73604

RGB 215 54 4

HSL 14.22, 0.96%, 0.43%

LAB 48.38, 60.52, 59.43

 

CMYK 31 / 0 / 98 / 16

HEX #95D704

RGB 149 215 4

HSL 78.77, 0.96%, 0.43%

LAB 79.04, -45.51, 77.41

 

CMYK 57 / 0 / 98 / 16

HEX #5CD704

RGB 92 215 4

HSL 94.98, 0.96%, 0.43%

LAB 76.61, -63.6, 74.46

 

CMYK 83 / 0 / 98 / 16

HEX #24D704

RGB 36 215 4

HSL 110.9, 0.96%, 0.43%

LAB 75.44, -73.57, 73.03

 

CMYK 98 / 0 / 86 / 16

HEX #04D71E

RGB 4 215 30

HSL 127.39, 0.96%, 0.43%

LAB 75.28, -74.86, 69.18

 

CMYK 98 / 0 / 60 / 16

HEX #04D757

RGB 4 215 87

HSL 143.6, 0.96%, 0.43%

LAB 75.65, -70.16, 49.98

 

CMYK 31 / 0 / 98 / 16

HEX #95D704

RGB 149 215 4

HSL 78.77, 0.96%, 0.43%

LAB 79.04, -45.51, 77.41

 

CMYK 31 / 0 / 98 / 16

HEX #95D704

RGB 149 215 4

HSL 78.77, 0.96%, 0.43%

LAB 79.04, -45.51, 77.41

 

CMYK 28 / 0 / 89 / 23

HEX #8EC516

RGB 142 197 22

HSL 78.86, 0.8%, 0.43%

LAB 73.38, -40.09, 70.54

 

CMYK 24 / 0 / 78 / 30

HEX #88B328

RGB 136 179 40

HSL 78.56, 0.63%, 0.43%

LAB 67.75, -33.69, 61.09

 

CMYK 20 / 0 / 64 / 36

HEX #81A23A

RGB 129 162 58

HSL 79.04, 0.47%, 0.43%

LAB 62.35, -27.33, 48.77

 

CMYK 15 / 0 / 48 / 44

HEX #7A904B

RGB 122 144 75

HSL 79.13, 0.32%, 0.43%

LAB 56.68, -19.53, 33.92

 

CMYK 0 / 23 / 98 / 16

HEX #D7A604

RGB 215 166 4

HSL 46.07, 0.96%, 0.43%

LAB 70.68, 6.24, 73.46

 

CMYK 3 / 0 / 98 / 16

HEX #D0D704

RGB 208 215 4

HSL 61.99, 0.96%, 0.43%

LAB 82.92, -21.87, 82.06

 

CMYK 29 / 0 / 98 / 16

HEX #98D704

RGB 152 215 4

HSL 77.91, 0.96%, 0.43%

LAB 79.21, -44.39, 77.61

 

CMYK 55 / 0 / 98 / 16

HEX #60D704

RGB 96 215 4

HSL 93.84, 0.96%, 0.43%

LAB 76.74, -62.56, 74.61

 

CMYK 82 / 0 / 98 / 16

HEX #27D704

RGB 39 215 4

HSL 110.05, 0.96%, 0.43%

LAB 75.48, -73.26, 73.07

 

CMYK 31 / 0 / 98 / 47

HEX #5D8603

RGB 93 134 3

HSL 78.78, 0.96%, 0.27%

LAB 51.13, -31.39, 54.42

 

CMYK 30 / 0 / 98 / 32

HEX #79AE04

RGB 121 174 4

HSL 78.71, 0.96%, 0.35%

LAB 65.24, -38.38, 66

 

CMYK 31 / 0 / 98 / 16

HEX #95D704

RGB 149 215 4

HSL 78.77, 0.96%, 0.43%

LAB 79.04, -45.51, 77.41

 

CMYK 30 / 0 / 96 / 2

HEX #AFFA0B

RGB 175 250 11

HSL 78.83, 0.96%, 0.51%

LAB 90.56, -50.55, 86.41

 

CMYK 25 / 0 / 80 / 2

HEX #BCFB33

RGB 188 251 51

HSL 78.9, 0.96%, 0.59%

LAB 91.65, -45.26, 80.92

 

CMYK 31 / 0 / 98 / 16

HEX #95D704

RGB 149 215 4

HSL 78.77, 0.96%, 0.43%

LAB 79.04, -45.51, 77.41

 

CMYK 98 / 0 / 49 / 16

HEX #04D76E

RGB 4 215 110

HSL 150.14, 0.96%, 0.43%

LAB 75.92, -66.84, 39.5

 

CMYK 10 / 98 / 0 / 16

HEX #C204D7

RGB 194 4 215

HSL 294.03, 0.96%, 0.43%

LAB 47.58, 82.83, -59.35

 

CMYK 31 / 0 / 98 / 16

HEX #95D704

RGB 149 215 4

HSL 78.77, 0.96%, 0.43%

LAB 79.04, -45.51, 77.41

 

CMYK 98 / 29 / 0 / 16

HEX #0498D7

RGB 4 152 215

HSL 197.91, 0.96%, 0.43%

LAB 59.33, -10.69, -41.35

 

CMYK 0 / 98 / 29 / 16

HEX #D70498

RGB 215 4 152

HSL 317.91, 0.96%, 0.43%

LAB 48.01, 78.12, -21.45

 

CMYK 31 / 0 / 98 / 16

HEX #95D704

RGB 149 215 4

HSL 78.77, 0.96%, 0.43%

LAB 79.04, -45.51, 77.41

 

CMYK 98 / 0 / 49 / 16

HEX #04D76E

RGB 4 215 110

HSL 150.14, 0.96%, 0.43%

LAB 75.92, -66.84, 39.5

 

CMYK 68 / 98 / 0 / 16

HEX #4404D7

RGB 68 4 215

HSL 258.2, 0.96%, 0.43%

LAB 29.97, 70.22, -88.91

 

CMYK 0 / 98 / 49 / 16

HEX #D7046E

RGB 215 4 110

HSL 329.86, 0.96%, 0.43%

LAB 46.52, 74.23, 1.94

 

CMYK 31 / 0 / 98 / 16

HEX #95D704

RGB 149 215 4

HSL 78.77, 0.96%, 0.43%

LAB 79.04, -45.51, 77.41

 

CMYK 98 / 0 / 20 / 16

HEX #04D7AD

RGB 4 215 173

HSL 168.06, 0.96%, 0.43%

LAB 77.07, -53.7, 8.43

 

CMYK 68 / 98 / 0 / 16

HEX #4404D7

RGB 68 4 215

HSL 258.2, 0.96%, 0.43%

LAB 29.97, 70.22, -88.91

 

CMYK 0 / 98 / 79 / 16

HEX #D7042E

RGB 215 4 46

HSL 348.06, 0.96%, 0.43%

LAB 45.26, 70.83, 39.57

 

Description

Color code: RGB 149 215 4 | qconv.com Color code: RGB 149 215 4 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 215 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 215 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 98 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 98% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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