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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 162 223 it is the complementary color RGB 106 93 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 162 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 162 223 shade: RGB 154 162 218, RGB 171 180 237, RGB 188 198 255, RGB 205 216 255 and RGB 222 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 162 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 162 223 shade: RGB 149 162 223, RGB 132 144 204, RGB 115 126 185, RGB 98 108 166 and RGB 81 90 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 162 223 shade: RGB 149 162 223, RGB 156 149 223, RGB 176 149 223, RGB 196 149 223 and RGB 216 149 223

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 162 223 shade: RGB 149 162 223 and RGB 149 149 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 162 223 shade matches the following richer shades: RGB 149 162 223, RGB 138 155 234 and RGB 127 148 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 162 223 shade: RGB 149 162 223, RGB 160 169 212, RGB 171 176 201, RGB 182 184 190 and RGB 194 191 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 162 223 shade: RGB 149 202 223, RGB 149 182 223, RGB 149 163 223, RGB 155 149 223 and RGB 175 149 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 162 223 shade: RGB 85 106 204, RGB 117 134 214, RGB 149 162 223, RGB 181 190 233 and RGB 213 218 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 162 223 shade: RGB 149 162 223, RGB 223 149 222 and RGB 192 223 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 162 223 shade: RGB 149 162 223, RGB 223 149 163 and RGB 163 223 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 162 223 shade: RGB 149 162 223, RGB 223 149 222, RGB 223 210 149 and RGB 149 223 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 162 223 shade: RGB 149 162 223, RGB 223 149 200, RGB 223 210 149 and RGB 149 223 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 27 / 0 / 13

HEX #95A2DF

RGB 149 162 223

HSL 229.46, 0.54%, 0.73%

LAB 67.69, 9.63, -32.35

 

Complementary color

CMYK 0 / 12 / 70 / 58

HEX #6A5D20

RGB 106 93 32

HSL 49.46, 0.54%, 0.27%

LAB 39.58, -2.58, 35.71

 

CMYK 29 / 26 / 0 / 15

HEX #9AA2DA

RGB 154 162 218

HSL 232.5, 0.46%, 0.73%

LAB 67.85, 9.8, -29.32

 

CMYK 28 / 24 / 0 / 7

HEX #ABB4ED

RGB 171 180 237

HSL 231.82, 0.65%, 0.8%

LAB 74.45, 9.39, -29.43

 

CMYK 26 / 22 / 0 / 0

HEX #BCC6FF

RGB 188 198 255

HSL 231.04, 1%, 0.87%

LAB 80.91, 8.79, -29.1

 

CMYK 20 / 15 / 0 / 0

HEX #CDD8FF

RGB 205 216 255

HSL 226.8, 1%, 0.9%

LAB 86.66, 4.22, -20.23

 

CMYK 13 / 8 / 0 / 0

HEX #DEEAFF

RGB 222 234 255

HSL 218.18, 1%, 0.94%

LAB 92.4, 0.09, -11.5

 

CMYK 33 / 27 / 0 / 13

HEX #95A2DF

RGB 149 162 223

HSL 229.46, 0.54%, 0.73%

LAB 67.69, 9.63, -32.35

 

CMYK 35 / 29 / 0 / 20

HEX #8490CC

RGB 132 144 204

HSL 230, 0.41%, 0.66%

LAB 60.97, 10.14, -32.32

 

CMYK 38 / 32 / 0 / 27

HEX #737EB9

RGB 115 126 185

HSL 230.57, 0.33%, 0.59%

LAB 54.1, 10.72, -32.33

 

CMYK 41 / 35 / 0 / 35

HEX #626CA6

RGB 98 108 166

HSL 231.18, 0.28%, 0.52%

LAB 47.07, 11.4, -32.4

 

CMYK 45 / 39 / 0 / 42

HEX #515A93

RGB 81 90 147

HSL 231.82, 0.29%, 0.45%

LAB 39.86, 12.23, -32.53

 

CMYK 33 / 27 / 0 / 13

HEX #95A2DF

RGB 149 162 223

HSL 229.46, 0.54%, 0.73%

LAB 67.69, 9.63, -32.35

 

CMYK 30 / 33 / 0 / 13

HEX #9C95DF

RGB 156 149 223

HSL 245.68, 0.54%, 0.73%

LAB 64.88, 19.02, -36.69

 

CMYK 21 / 33 / 0 / 13

HEX #B095DF

RGB 176 149 223

HSL 261.89, 0.54%, 0.73%

LAB 66.56, 24.89, -33.94

 

CMYK 12 / 33 / 0 / 13

HEX #C495DF

RGB 196 149 223

HSL 278.11, 0.54%, 0.73%

LAB 68.43, 30.99, -30.89

 

CMYK 3 / 33 / 0 / 13

HEX #D895DF

RGB 216 149 223

HSL 294.32, 0.54%, 0.73%

LAB 70.47, 37.23, -27.58

 

CMYK 33 / 27 / 0 / 13

HEX #95A2DF

RGB 149 162 223

HSL 229.46, 0.54%, 0.73%

LAB 67.69, 9.63, -32.35

 

CMYK 33 / 33 / 0 / 13

HEX #9595DF

RGB 149 149 223

HSL 240, 0.54%, 0.73%

LAB 64.33, 17.04, -37.58

 

CMYK 33 / 27 / 0 / 13

HEX #95A2DF

RGB 149 162 223

HSL 229.46, 0.54%, 0.73%

LAB 67.69, 9.63, -32.35

 

CMYK 41 / 34 / 0 / 8

HEX #8A9BEA

RGB 138 155 234

HSL 229.38, 0.7%, 0.73%

LAB 65.58, 13.61, -41.75

 

CMYK 48 / 40 / 0 / 4

HEX #7F94F6

RGB 127 148 246

HSL 229.41, 0.87%, 0.73%

LAB 63.63, 18.46, -51.47

 

CMYK 33 / 27 / 0 / 13

HEX #95A2DF

RGB 149 162 223

HSL 229.46, 0.54%, 0.73%

LAB 67.69, 9.63, -32.35

 

CMYK 25 / 20 / 0 / 17

HEX #A0A9D4

RGB 160 169 212

HSL 229.62, 0.38%, 0.73%

LAB 69.9, 6.22, -22.84

 

CMYK 15 / 12 / 0 / 21

HEX #ABB0C9

RGB 171 176 201

HSL 230, 0.22%, 0.73%

LAB 72.18, 3.35, -13.27

 

CMYK 4 / 3 / 0 / 25

HEX #B6B8BE

RGB 182 184 190

HSL 225, 0.06%, 0.73%

LAB 74.79, 0.45, -3.29

 

CMYK 0 / 2 / 8 / 24

HEX #C2BFB3

RGB 194 191 179

HSL 48, 0.11%, 0.73%

LAB 77.27, -1.07, 6.41

 

CMYK 33 / 9 / 0 / 13

HEX #95CADF

RGB 149 202 223

HSL 197.03, 0.54%, 0.73%

LAB 78.44, -12.14, -15.95

 

CMYK 33 / 18 / 0 / 13

HEX #95B6DF

RGB 149 182 223

HSL 213.24, 0.54%, 0.73%

LAB 73.01, -1.48, -24.18

 

CMYK 33 / 27 / 0 / 13

HEX #95A3DF

RGB 149 163 223

HSL 228.65, 0.54%, 0.73%

LAB 67.96, 9.07, -31.94

 

CMYK 30 / 33 / 0 / 13

HEX #9B95DF

RGB 155 149 223

HSL 244.86, 0.54%, 0.73%

LAB 64.8, 18.73, -36.82

 

CMYK 22 / 33 / 0 / 13

HEX #AF95DF

RGB 175 149 223

HSL 261.08, 0.54%, 0.73%

LAB 66.47, 24.59, -34.08

 

CMYK 58 / 48 / 0 / 20

HEX #556ACC

RGB 85 106 204

HSL 229.41, 0.54%, 0.57%

LAB 47.75, 21.61, -53.4

 

CMYK 45 / 37 / 0 / 16

HEX #7586D6

RGB 117 134 214

HSL 229.48, 0.54%, 0.65%

LAB 57.74, 14.85, -43.06

 

CMYK 33 / 27 / 0 / 13

HEX #95A2DF

RGB 149 162 223

HSL 229.46, 0.54%, 0.73%

LAB 67.69, 9.63, -32.35

 

CMYK 22 / 18 / 0 / 9

HEX #B5BEE9

RGB 181 190 233

HSL 229.62, 0.54%, 0.81%

LAB 77.6, 5.96, -22.4

 

CMYK 12 / 10 / 0 / 5

HEX #D5DAF2

RGB 213 218 242

HSL 229.66, 0.53%, 0.89%

LAB 87.34, 2.94, -12.29

 

CMYK 33 / 27 / 0 / 13

HEX #95A2DF

RGB 149 162 223

HSL 229.46, 0.54%, 0.73%

LAB 67.69, 9.63, -32.35

 

CMYK 0 / 33 / 0 / 13

HEX #DF95DE

RGB 223 149 222

HSL 300.81, 0.54%, 0.73%

LAB 71.18, 39.25, -25.87

 

CMYK 14 / 0 / 33 / 13

HEX #C0DF95

RGB 192 223 149

HSL 85.14, 0.54%, 0.73%

LAB 85.07, -22.7, 32.99

 

CMYK 33 / 27 / 0 / 13

HEX #95A2DF

RGB 149 162 223

HSL 229.46, 0.54%, 0.73%

LAB 67.69, 9.63, -32.35

 

CMYK 0 / 33 / 27 / 13

HEX #DF95A3

RGB 223 149 163

HSL 348.65, 0.54%, 0.73%

LAB 69.35, 29.72, 4.13

 

CMYK 27 / 0 / 33 / 13

HEX #A3DF95

RGB 163 223 149

HSL 108.65, 0.54%, 0.73%

LAB 83.3, -32.87, 30.31

 

CMYK 33 / 27 / 0 / 13

HEX #95A2DF

RGB 149 162 223

HSL 229.46, 0.54%, 0.73%

LAB 67.69, 9.63, -32.35

 

CMYK 0 / 33 / 0 / 13

HEX #DF95DE

RGB 223 149 222

HSL 300.81, 0.54%, 0.73%

LAB 71.18, 39.25, -25.87

 

CMYK 0 / 6 / 33 / 13

HEX #DFD295

RGB 223 210 149

HSL 49.46, 0.54%, 0.73%

LAB 83.94, -4.49, 31.9

 

CMYK 33 / 0 / 33 / 13

HEX #95DF96

RGB 149 223 150

HSL 120.81, 0.54%, 0.73%

LAB 82.58, -37.27, 28.7

 

CMYK 33 / 27 / 0 / 13

HEX #95A2DF

RGB 149 162 223

HSL 229.46, 0.54%, 0.73%

LAB 67.69, 9.63, -32.35

 

CMYK 0 / 33 / 10 / 13

HEX #DF95C8

RGB 223 149 200

HSL 318.65, 0.54%, 0.73%

LAB 70.42, 35.39, -14.88

 

CMYK 0 / 6 / 33 / 13

HEX #DFD295

RGB 223 210 149

HSL 49.46, 0.54%, 0.73%

LAB 83.94, -4.49, 31.9

 

CMYK 33 / 0 / 22 / 13

HEX #95DFAD

RGB 149 223 173

HSL 139.46, 0.54%, 0.73%

LAB 83.01, -33.28, 17.34

 

Description

Color code: RGB 149 162 223 | qconv.com Color code: RGB 149 162 223 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 162 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 162 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 27 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 27% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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