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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 162 197 it is the complementary color RGB 106 93 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 162 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 162 197 shade: RGB 154 162 192, RGB 171 180 211, RGB 188 198 230, RGB 205 216 249 and RGB 222 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 162 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 162 197 shade: RGB 149 162 197, RGB 132 144 178, RGB 115 126 159, RGB 98 108 140 and RGB 81 90 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 162 197 shade: RGB 149 162 197, RGB 149 149 197, RGB 162 149 197, RGB 175 149 197 and RGB 187 149 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 162 197 shade: RGB 149 162 197, RGB 149 149 197 and RGB 149 149 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 162 197 shade matches the following richer shades: RGB 149 162 197, RGB 136 156 210, RGB 123 150 223, RGB 110 144 236 and RGB 96 138 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 162 197 shade: RGB 149 162 197, RGB 162 168 183, RGB 176 174 170, RGB 189 180 157 and RGB 202 186 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 162 197 shade: RGB 149 188 197, RGB 149 175 197, RGB 149 163 197, RGB 149 150 197 and RGB 161 149 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 162 197 shade: RGB 96 115 167, RGB 123 139 182, RGB 149 162 197, RGB 176 185 211 and RGB 202 209 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 162 197 shade: RGB 149 162 197, RGB 193 149 197 and RGB 182 197 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 162 197 shade: RGB 149 162 197, RGB 197 149 163 and RGB 163 197 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 162 197 shade: RGB 149 162 197, RGB 193 149 197, RGB 197 183 149 and RGB 153 197 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 162 197 shade: RGB 149 162 197, RGB 197 149 186, RGB 197 183 149 and RGB 149 197 159

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 18 / 0 / 23

HEX #95A2C5

RGB 149 162 197

HSL 223.75, 0.29%, 0.68%

LAB 66.72, 3.17, -19.47

 

Complementary color

CMYK 0 / 12 / 45 / 58

HEX #6A5D3A

RGB 106 93 58

HSL 43.75, 0.29%, 0.32%

LAB 39.91, -0.16, 22

 

CMYK 20 / 16 / 0 / 25

HEX #9AA2C0

RGB 154 162 192

HSL 227.37, 0.23%, 0.68%

LAB 66.91, 3.58, -16.36

 

CMYK 19 / 15 / 0 / 17

HEX #ABB4D3

RGB 171 180 211

HSL 226.5, 0.31%, 0.75%

LAB 73.55, 3.35, -16.68

 

CMYK 18 / 14 / 0 / 10

HEX #BCC6E6

RGB 188 198 230

HSL 225.71, 0.46%, 0.82%

LAB 80.06, 3.14, -17.01

 

CMYK 18 / 13 / 0 / 2

HEX #CDD8F9

RGB 205 216 249

HSL 225, 0.79%, 0.89%

LAB 86.47, 2.94, -17.35

 

CMYK 13 / 8 / 0 / 0

HEX #DEEAFF

RGB 222 234 255

HSL 218.18, 1%, 0.94%

LAB 92.4, 0.09, -11.5

 

CMYK 24 / 18 / 0 / 23

HEX #95A2C5

RGB 149 162 197

HSL 223.75, 0.29%, 0.68%

LAB 66.72, 3.17, -19.47

 

CMYK 26 / 19 / 0 / 30

HEX #8490B2

RGB 132 144 178

HSL 224.35, 0.23%, 0.61%

LAB 59.95, 3.44, -19.22

 

CMYK 28 / 21 / 0 / 38

HEX #737E9F

RGB 115 126 159

HSL 225, 0.19%, 0.54%

LAB 53.03, 3.73, -18.99

 

CMYK 30 / 23 / 0 / 45

HEX #626C8C

RGB 98 108 140

HSL 225.71, 0.18%, 0.47%

LAB 45.93, 4.07, -18.8

 

CMYK 33 / 26 / 0 / 53

HEX #515A79

RGB 81 90 121

HSL 226.5, 0.2%, 0.4%

LAB 38.62, 4.47, -18.65

 

CMYK 24 / 18 / 0 / 23

HEX #95A2C5

RGB 149 162 197

HSL 223.75, 0.29%, 0.68%

LAB 66.72, 3.17, -19.47

 

CMYK 24 / 24 / 0 / 23

HEX #9595C5

RGB 149 149 197

HSL 240, 0.29%, 0.68%

LAB 63.27, 10.51, -24.73

 

CMYK 18 / 24 / 0 / 23

HEX #A295C5

RGB 162 149 197

HSL 256.25, 0.29%, 0.68%

LAB 64.33, 14.6, -23.02

 

CMYK 11 / 24 / 0 / 23

HEX #AF95C5

RGB 175 149 197

HSL 272.5, 0.29%, 0.68%

LAB 65.47, 18.81, -21.18

 

CMYK 5 / 24 / 0 / 23

HEX #BB95C5

RGB 187 149 197

HSL 287.5, 0.29%, 0.68%

LAB 66.59, 22.78, -19.37

 

CMYK 24 / 18 / 0 / 23

HEX #95A2C5

RGB 149 162 197

HSL 223.75, 0.29%, 0.68%

LAB 66.72, 3.17, -19.47

 

CMYK 24 / 24 / 0 / 23

HEX #9595C5

RGB 149 149 197

HSL 240, 0.29%, 0.68%

LAB 63.27, 10.51, -24.73

 

CMYK 24 / 24 / 0 / 23

HEX #9595C5

RGB 149 149 197

HSL 240, 0.29%, 0.68%

LAB 63.27, 10.51, -24.73

 

CMYK 24 / 18 / 0 / 23

HEX #95A2C5

RGB 149 162 197

HSL 223.75, 0.29%, 0.68%

LAB 66.72, 3.17, -19.47

 

CMYK 35 / 26 / 0 / 18

HEX #889CD2

RGB 136 156 210

HSL 223.78, 0.45%, 0.68%

LAB 64.7, 5.98, -29.87

 

CMYK 45 / 33 / 0 / 13

HEX #7B96DF

RGB 123 150 223

HSL 223.8, 0.61%, 0.68%

LAB 62.8, 9.59, -40.1

 

CMYK 53 / 39 / 0 / 7

HEX #6E90EC

RGB 110 144 236

HSL 223.81, 0.77%, 0.68%

LAB 61.06, 14.02, -50.09

 

CMYK 61 / 45 / 0 / 2

HEX #608AF9

RGB 96 138 249

HSL 223.53, 0.93%, 0.68%

LAB 59.44, 19.05, -59.9

 

CMYK 24 / 18 / 0 / 23

HEX #95A2C5

RGB 149 162 197

HSL 223.75, 0.29%, 0.68%

LAB 66.72, 3.17, -19.47

 

CMYK 11 / 8 / 0 / 28

HEX #A2A8B7

RGB 162 168 183

HSL 222.86, 0.13%, 0.68%

LAB 68.83, 0.92, -8.43

 

CMYK 0 / 1 / 3 / 31

HEX #B0AEAA

RGB 176 174 170

HSL 40, 0.04%, 0.68%

LAB 71.15, -0.02, 2.29

 

CMYK 0 / 5 / 17 / 26

HEX #BDB49D

RGB 189 180 157

HSL 43.13, 0.2%, 0.68%

LAB 73.48, -0.68, 12.88

 

CMYK 0 / 8 / 29 / 21

HEX #CABA90

RGB 202 186 144

HSL 43.45, 0.35%, 0.68%

LAB 75.88, -0.78, 23.39

 

CMYK 24 / 5 / 0 / 23

HEX #95BCC5

RGB 149 188 197

HSL 191.25, 0.29%, 0.68%

LAB 73.8, -10.94, -8.82

 

CMYK 24 / 11 / 0 / 23

HEX #95AFC5

RGB 149 175 197

HSL 207.5, 0.29%, 0.68%

LAB 70.23, -3.99, -14.15

 

CMYK 24 / 17 / 0 / 23

HEX #95A3C5

RGB 149 163 197

HSL 222.5, 0.29%, 0.68%

LAB 66.99, 2.61, -19.06

 

CMYK 24 / 24 / 0 / 23

HEX #9596C5

RGB 149 150 197

HSL 238.75, 0.29%, 0.68%

LAB 63.54, 9.94, -24.33

 

CMYK 18 / 24 / 0 / 23

HEX #A195C5

RGB 161 149 197

HSL 255, 0.29%, 0.68%

LAB 64.24, 14.28, -23.16

 

CMYK 43 / 31 / 0 / 35

HEX #6073A7

RGB 96 115 167

HSL 223.94, 0.29%, 0.52%

LAB 48.93, 6.88, -30.08

 

CMYK 32 / 24 / 0 / 29

HEX #7B8BB6

RGB 123 139 182

HSL 223.73, 0.29%, 0.6%

LAB 58.09, 4.58, -24.4

 

CMYK 24 / 18 / 0 / 23

HEX #95A2C5

RGB 149 162 197

HSL 223.75, 0.29%, 0.68%

LAB 66.72, 3.17, -19.47

 

CMYK 17 / 12 / 0 / 17

HEX #B0B9D3

RGB 176 185 211

HSL 224.57, 0.28%, 0.76%

LAB 75.22, 2.22, -14.12

 

CMYK 11 / 8 / 0 / 11

HEX #CAD1E2

RGB 202 209 226

HSL 222.5, 0.29%, 0.84%

LAB 83.78, 0.92, -9.2

 

CMYK 24 / 18 / 0 / 23

HEX #95A2C5

RGB 149 162 197

HSL 223.75, 0.29%, 0.68%

LAB 66.72, 3.17, -19.47

 

CMYK 2 / 24 / 0 / 23

HEX #C195C5

RGB 193 149 197

HSL 295, 0.29%, 0.68%

LAB 67.17, 24.78, -18.42

 

CMYK 8 / 0 / 24 / 23

HEX #B6C595

RGB 182 197 149

HSL 78.75, 0.29%, 0.68%

LAB 77.31, -13.42, 22.42

 

CMYK 24 / 18 / 0 / 23

HEX #95A2C5

RGB 149 162 197

HSL 223.75, 0.29%, 0.68%

LAB 66.72, 3.17, -19.47

 

CMYK 0 / 24 / 17 / 23

HEX #C595A3

RGB 197 149 163

HSL 342.5, 0.29%, 0.68%

LAB 66.53, 20.17, -0.32

 

CMYK 17 / 0 / 24 / 23

HEX #A3C595

RGB 163 197 149

HSL 102.5, 0.29%, 0.68%

LAB 76, -20.32, 20.42

 

CMYK 24 / 18 / 0 / 23

HEX #95A2C5

RGB 149 162 197

HSL 223.75, 0.29%, 0.68%

LAB 66.72, 3.17, -19.47

 

CMYK 2 / 24 / 0 / 23

HEX #C195C5

RGB 193 149 197

HSL 295, 0.29%, 0.68%

LAB 67.17, 24.78, -18.42

 

CMYK 0 / 7 / 24 / 23

HEX #C5B795

RGB 197 183 149

HSL 42.5, 0.29%, 0.68%

LAB 74.77, -0.43, 19.11

 

CMYK 22 / 0 / 24 / 23

HEX #99C595

RGB 153 197 149

HSL 115, 0.29%, 0.68%

LAB 75.37, -23.81, 19.45

 

CMYK 24 / 18 / 0 / 23

HEX #95A2C5

RGB 149 162 197

HSL 223.75, 0.29%, 0.68%

LAB 66.72, 3.17, -19.47

 

CMYK 0 / 24 / 6 / 23

HEX #C595BA

RGB 197 149 186

HSL 313.75, 0.29%, 0.68%

LAB 67.21, 24.09, -12.19

 

CMYK 0 / 7 / 24 / 23

HEX #C5B795

RGB 197 183 149

HSL 42.5, 0.29%, 0.68%

LAB 74.77, -0.43, 19.11

 

CMYK 24 / 0 / 19 / 23

HEX #95C59F

RGB 149 197 159

HSL 132.5, 0.29%, 0.68%

LAB 75.34, -23.39, 14.02

 

Description

Color code: RGB 149 162 197 | qconv.com Color code: RGB 149 162 197 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 162 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 162 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 18 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 18% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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