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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 158 218 it is the complementary color RGB 106 97 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 158 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 158 218 shade: RGB 154 158 213, RGB 171 176 232, RGB 188 194 251, RGB 205 212 255 and RGB 222 230 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 158 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 158 218 shade: RGB 149 158 218, RGB 132 140 199, RGB 115 122 180, RGB 98 104 161 and RGB 81 86 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 158 218 shade: RGB 149 158 218, RGB 159 149 218, RGB 177 149 218, RGB 196 149 218 and RGB 214 149 218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 158 218 shade: RGB 149 158 218 and RGB 149 149 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 158 218 shade matches the following richer shades: RGB 149 158 218, RGB 138 150 229, RGB 126 141 241 and RGB 115 133 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 158 218 shade: RGB 149 158 218, RGB 161 167 206, RGB 172 175 195, RGB 184 184 183 and RGB 196 192 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 158 218 shade: RGB 149 195 218, RGB 149 177 218, RGB 149 158 218, RGB 158 149 218 and RGB 177 149 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 158 218 shade: RGB 88 102 196, RGB 119 130 207, RGB 149 158 218, RGB 180 186 229 and RGB 210 214 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 158 218 shade: RGB 149 158 218, RGB 218 149 213 and RGB 186 218 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 158 218 shade: RGB 149 158 218, RGB 218 149 158 and RGB 158 218 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 158 218 shade: RGB 149 158 218, RGB 218 149 213, RGB 218 209 149 and RGB 149 218 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 158 218 shade: RGB 149 158 218, RGB 218 149 193, RGB 218 209 149 and RGB 149 218 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 28 / 0 / 15

HEX #959EDA

RGB 149 158 218

HSL 232.17, 0.48%, 0.72%

LAB 66.45, 10.61, -31.52

 

Complementary color

CMYK 0 / 8 / 65 / 58

HEX #6A6125

RGB 106 97 37

HSL 52.17, 0.48%, 0.28%

LAB 40.81, -4.56, 34.59

 

CMYK 28 / 26 / 0 / 16

HEX #9A9ED5

RGB 154 158 213

HSL 235.93, 0.41%, 0.72%

LAB 66.62, 10.82, -28.46

 

CMYK 26 / 24 / 0 / 9

HEX #ABB0E8

RGB 171 176 232

HSL 235.08, 0.57%, 0.79%

LAB 73.24, 10.4, -28.58

 

CMYK 25 / 23 / 0 / 2

HEX #BCC2FB

RGB 188 194 251

HSL 234.29, 0.89%, 0.86%

LAB 79.75, 10.02, -28.73

 

CMYK 20 / 17 / 0 / 0

HEX #CDD4FF

RGB 205 212 255

HSL 231.6, 1%, 0.9%

LAB 85.65, 6.34, -21.76

 

CMYK 13 / 10 / 0 / 0

HEX #DEE6FF

RGB 222 230 255

HSL 225.45, 1%, 0.94%

LAB 91.39, 2.15, -13

 

CMYK 32 / 28 / 0 / 15

HEX #959EDA

RGB 149 158 218

HSL 232.17, 0.48%, 0.72%

LAB 66.45, 10.61, -31.52

 

CMYK 34 / 30 / 0 / 22

HEX #848CC7

RGB 132 140 199

HSL 232.84, 0.37%, 0.65%

LAB 59.69, 11.12, -31.49

 

CMYK 36 / 32 / 0 / 29

HEX #737AB4

RGB 115 122 180

HSL 233.54, 0.3%, 0.58%

LAB 52.8, 11.71, -31.49

 

CMYK 39 / 35 / 0 / 37

HEX #6268A1

RGB 98 104 161

HSL 234.29, 0.25%, 0.51%

LAB 45.73, 12.39, -31.56

 

CMYK 43 / 39 / 0 / 44

HEX #51568E

RGB 81 86 142

HSL 235.08, 0.27%, 0.44%

LAB 38.48, 13.22, -31.69

 

CMYK 32 / 28 / 0 / 15

HEX #959EDA

RGB 149 158 218

HSL 232.17, 0.48%, 0.72%

LAB 66.45, 10.61, -31.52

 

CMYK 27 / 32 / 0 / 15

HEX #9F95DA

RGB 159 149 218

HSL 248.7, 0.48%, 0.72%

LAB 64.91, 18.64, -33.85

 

CMYK 19 / 32 / 0 / 15

HEX #B195DA

RGB 177 149 218

HSL 264.35, 0.48%, 0.72%

LAB 66.45, 24.05, -31.34

 

CMYK 10 / 32 / 0 / 15

HEX #C495DA

RGB 196 149 218

HSL 280.87, 0.48%, 0.72%

LAB 68.24, 29.95, -28.43

 

CMYK 2 / 32 / 0 / 15

HEX #D695DA

RGB 214 149 218

HSL 296.52, 0.48%, 0.72%

LAB 70.07, 35.65, -25.45

 

CMYK 32 / 28 / 0 / 15

HEX #959EDA

RGB 149 158 218

HSL 232.17, 0.48%, 0.72%

LAB 66.45, 10.61, -31.52

 

CMYK 32 / 32 / 0 / 15

HEX #9595DA

RGB 149 149 218

HSL 240, 0.48%, 0.72%

LAB 64.12, 15.75, -35.14

 

CMYK 32 / 28 / 0 / 15

HEX #959EDA

RGB 149 158 218

HSL 232.17, 0.48%, 0.72%

LAB 66.45, 10.61, -31.52

 

CMYK 40 / 34 / 0 / 10

HEX #8A96E5

RGB 138 150 229

HSL 232.09, 0.64%, 0.72%

LAB 64.06, 15.11, -41.38

 

CMYK 48 / 41 / 0 / 5

HEX #7E8DF1

RGB 126 141 241

HSL 232.17, 0.8%, 0.72%

LAB 61.51, 20.85, -52.08

 

CMYK 55 / 47 / 0 / 1

HEX #7385FD

RGB 115 133 253

HSL 232.17, 0.97%, 0.72%

LAB 59.45, 26.89, -62.03

 

CMYK 32 / 28 / 0 / 15

HEX #959EDA

RGB 149 158 218

HSL 232.17, 0.48%, 0.72%

LAB 66.45, 10.61, -31.52

 

CMYK 22 / 19 / 0 / 19

HEX #A1A7CE

RGB 161 167 206

HSL 232, 0.31%, 0.72%

LAB 69.23, 6.23, -20.54

 

CMYK 12 / 10 / 0 / 24

HEX #ACAFC3

RGB 172 175 195

HSL 232.17, 0.16%, 0.72%

LAB 71.81, 2.95, -10.53

 

CMYK 0 / 0 / 1 / 28

HEX #B8B8B7

RGB 184 184 183

HSL 60, 0.01%, 0.72%

LAB 74.76, -0.18, 0.5

 

CMYK 0 / 2 / 12 / 23

HEX #C4C0AC

RGB 196 192 172

HSL 50, 0.17%, 0.72%

LAB 77.53, -2.05, 10.58

 

CMYK 32 / 11 / 0 / 15

HEX #95C3DA

RGB 149 195 218

HSL 200, 0.48%, 0.72%

LAB 76.36, -9.68, -16.37

 

CMYK 32 / 19 / 0 / 15

HEX #95B1DA

RGB 149 177 218

HSL 215.65, 0.48%, 0.72%

LAB 71.48, 0, -23.78

 

CMYK 32 / 28 / 0 / 15

HEX #959EDA

RGB 149 158 218

HSL 232.17, 0.48%, 0.72%

LAB 66.45, 10.61, -31.52

 

CMYK 28 / 32 / 0 / 15

HEX #9E95DA

RGB 158 149 218

HSL 247.83, 0.48%, 0.72%

LAB 64.82, 18.35, -33.98

 

CMYK 19 / 32 / 0 / 15

HEX #B195DA

RGB 177 149 218

HSL 264.35, 0.48%, 0.72%

LAB 66.45, 24.05, -31.34

 

CMYK 55 / 48 / 0 / 23

HEX #5866C4

RGB 88 102 196

HSL 232.22, 0.48%, 0.56%

LAB 46.4, 22.06, -50.97

 

CMYK 43 / 37 / 0 / 19

HEX #7782CF

RGB 119 130 207

HSL 232.5, 0.48%, 0.64%

LAB 56.48, 15.68, -41.1

 

CMYK 32 / 28 / 0 / 15

HEX #959EDA

RGB 149 158 218

HSL 232.17, 0.48%, 0.72%

LAB 66.45, 10.61, -31.52

 

CMYK 21 / 19 / 0 / 10

HEX #B4BAE5

RGB 180 186 229

HSL 232.65, 0.49%, 0.8%

LAB 76.36, 6.92, -22.13

 

CMYK 12 / 10 / 0 / 6

HEX #D2D6EF

RGB 210 214 239

HSL 231.72, 0.48%, 0.88%

LAB 86.02, 3.48, -12.7

 

CMYK 32 / 28 / 0 / 15

HEX #959EDA

RGB 149 158 218

HSL 232.17, 0.48%, 0.72%

LAB 66.45, 10.61, -31.52

 

CMYK 0 / 32 / 2 / 15

HEX #DA95D5

RGB 218 149 213

HSL 304.35, 0.48%, 0.72%

LAB 70.32, 36.01, -22.28

 

CMYK 15 / 0 / 32 / 15

HEX #BADA95

RGB 186 218 149

HSL 87.83, 0.48%, 0.72%

LAB 83.31, -22.44, 30.57

 

CMYK 32 / 28 / 0 / 15

HEX #959EDA

RGB 149 158 218

HSL 232.17, 0.48%, 0.72%

LAB 66.45, 10.61, -31.52

 

CMYK 0 / 32 / 28 / 15

HEX #DA959E

RGB 218 149 158

HSL 352.17, 0.48%, 0.72%

LAB 68.66, 27.19, 5.85

 

CMYK 28 / 0 / 32 / 15

HEX #9EDA95

RGB 158 218 149

HSL 112.17, 0.48%, 0.72%

LAB 81.61, -32.2, 28

 

CMYK 32 / 28 / 0 / 15

HEX #959EDA

RGB 149 158 218

HSL 232.17, 0.48%, 0.72%

LAB 66.45, 10.61, -31.52

 

CMYK 0 / 32 / 2 / 15

HEX #DA95D5

RGB 218 149 213

HSL 304.35, 0.48%, 0.72%

LAB 70.32, 36.01, -22.28

 

CMYK 0 / 4 / 32 / 15

HEX #DAD195

RGB 218 209 149

HSL 52.17, 0.48%, 0.72%

LAB 83.27, -5.91, 30.94

 

CMYK 32 / 0 / 29 / 15

HEX #95DA9A

RGB 149 218 154

HSL 124.35, 0.48%, 0.72%

LAB 81.22, -34.32, 24.79

 

CMYK 32 / 28 / 0 / 15

HEX #959EDA

RGB 149 158 218

HSL 232.17, 0.48%, 0.72%

LAB 66.45, 10.61, -31.52

 

CMYK 0 / 32 / 11 / 15

HEX #DA95C1

RGB 218 149 193

HSL 321.74, 0.48%, 0.72%

LAB 69.65, 32.53, -12.21

 

CMYK 0 / 4 / 32 / 15

HEX #DAD195

RGB 218 209 149

HSL 52.17, 0.48%, 0.72%

LAB 83.27, -5.91, 30.94

 

CMYK 32 / 0 / 20 / 15

HEX #95DAAE

RGB 149 218 174

HSL 141.74, 0.48%, 0.72%

LAB 81.61, -30.75, 14.86

 

Description

Color code: RGB 149 158 218 | qconv.com Color code: RGB 149 158 218 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 158 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 158 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 28 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 28% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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