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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 147 116 it is the complementary color RGB 106 108 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 147 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 147 116 shade: RGB 154 147 111, RGB 171 165 130, RGB 188 183 149, RGB 205 201 168 and RGB 222 219 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 147 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 147 116 shade: RGB 149 147 116, RGB 132 129 97, RGB 115 111 78, RGB 98 93 59 and RGB 81 75 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 147 116 shade: RGB 148 146 116, RGB 148 137 116, RGB 148 129 116, RGB 148 120 116 and RGB 148 116 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 147 116 shade: RGB 148 146 116, RGB 141 148 116, RGB 133 148 116, RGB 124 148 116 and RGB 116 148 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 147 116 shade matches the following richer shades: RGB 148 146 116, RGB 168 163 96, RGB 188 181 77, RGB 207 198 57 and RGB 227 216 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 147 116 shade: RGB 148 146 116, RGB 128 129 136, RGB 108 111 156, RGB 89 94 176 and RGB 69 76 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 147 116 shade: RGB 148 129 116, RGB 148 137 116, RGB 148 146 116, RGB 142 148 116 and RGB 133 148 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 147 116 shade: RGB 103 101 79, RGB 126 124 97, RGB 148 146 116, RGB 166 164 139 and RGB 184 183 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 147 116 shade: RGB 149 147 116, RGB 116 148 120 and RGB 133 116 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 147 116 shade: RGB 149 147 116, RGB 116 148 146 and RGB 146 116 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 147 116 shade: RGB 149 147 116, RGB 116 148 120, RGB 116 118 148 and RGB 148 116 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 147 116 shade: RGB 149 147 116, RGB 116 148 130, RGB 116 118 148 and RGB 148 116 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 22 / 42

HEX #959374

RGB 149 147 116

HSL 56.36, 0.13%, 0.52%

LAB 60.35, -4.62, 16.72

 

Complementary color

CMYK 24 / 22 / 0 / 45

HEX #6A6C8B

RGB 106 108 139

HSL 236.36, 0.13%, 0.48%

LAB 46.52, 6.42, -17.25

 

CMYK 0 / 5 / 28 / 40

HEX #9A936F

RGB 154 147 111

HSL 50.23, 0.18%, 0.52%

LAB 60.68, -3.34, 20.03

 

CMYK 0 / 4 / 24 / 33

HEX #ABA582

RGB 171 165 130

HSL 51.22, 0.2%, 0.59%

LAB 67.41, -3.63, 18.96

 

CMYK 0 / 3 / 21 / 26

HEX #BCB795

RGB 188 183 149

HSL 52.31, 0.23%, 0.66%

LAB 74.02, -3.87, 17.96

 

CMYK 0 / 2 / 18 / 20

HEX #CDC9A8

RGB 205 201 168

HSL 53.51, 0.27%, 0.73%

LAB 80.5, -4.08, 17.02

 

CMYK 0 / 1 / 16 / 13

HEX #DEDBBB

RGB 222 219 187

HSL 54.86, 0.35%, 0.8%

LAB 86.89, -4.27, 16.12

 

CMYK 0 / 1 / 22 / 42

HEX #959374

RGB 149 147 116

HSL 56.36, 0.13%, 0.52%

LAB 60.35, -4.62, 16.72

 

CMYK 0 / 2 / 27 / 48

HEX #848161

RGB 132 129 97

HSL 54.86, 0.15%, 0.45%

LAB 53.46, -4.38, 17.8

 

CMYK 0 / 3 / 32 / 55

HEX #736F4E

RGB 115 111 78

HSL 53.51, 0.19%, 0.38%

LAB 46.4, -4.08, 18.98

 

CMYK 0 / 5 / 40 / 62

HEX #625D3B

RGB 98 93 59

HSL 52.31, 0.25%, 0.31%

LAB 39.14, -3.69, 20.26

 

CMYK 0 / 7 / 51 / 68

HEX #514B28

RGB 81 75 40

HSL 51.22, 0.34%, 0.24%

LAB 31.66, -3.15, 21.67

 

CMYK 0 / 1 / 22 / 42

HEX #949274

RGB 148 146 116

HSL 56.25, 0.13%, 0.52%

LAB 59.99, -4.47, 16.21

 

CMYK 0 / 7 / 22 / 42

HEX #948974

RGB 148 137 116

HSL 39.38, 0.13%, 0.52%

LAB 57.51, 0.54, 12.76

 

CMYK 0 / 13 / 22 / 42

HEX #948174

RGB 148 129 116

HSL 24.38, 0.13%, 0.52%

LAB 55.34, 5.06, 9.71

 

CMYK 0 / 19 / 22 / 42

HEX #947874

RGB 148 120 116

HSL 7.5, 0.13%, 0.52%

LAB 52.94, 10.23, 6.3

 

CMYK 0 / 22 / 22 / 42

HEX #947474

RGB 148 116 116

HSL 0, 0.13%, 0.52%

LAB 51.89, 12.54, 4.8

 

CMYK 0 / 1 / 22 / 42

HEX #949274

RGB 148 146 116

HSL 56.25, 0.13%, 0.52%

LAB 59.99, -4.47, 16.21

 

CMYK 5 / 0 / 22 / 42

HEX #8D9474

RGB 141 148 116

HSL 73.13, 0.13%, 0.52%

LAB 59.98, -8.32, 16.11

 

CMYK 10 / 0 / 22 / 42

HEX #859474

RGB 133 148 116

HSL 88.13, 0.13%, 0.52%

LAB 59.37, -11.42, 15.16

 

CMYK 16 / 0 / 22 / 42

HEX #7C9474

RGB 124 148 116

HSL 105, 0.13%, 0.52%

LAB 58.72, -14.82, 14.16

 

CMYK 22 / 0 / 21 / 42

HEX #749475

RGB 116 148 117

HSL 121.88, 0.13%, 0.52%

LAB 58.2, -17.56, 12.8

 

CMYK 0 / 1 / 22 / 42

HEX #949274

RGB 148 146 116

HSL 56.25, 0.13%, 0.52%

LAB 59.99, -4.47, 16.21

 

CMYK 0 / 3 / 43 / 34

HEX #A8A360

RGB 168 163 96

HSL 55.83, 0.29%, 0.52%

LAB 66.03, -8.09, 35.37

 

CMYK 0 / 4 / 59 / 26

HEX #BCB54D

RGB 188 181 77

HSL 56.22, 0.45%, 0.52%

LAB 72.41, -10.81, 52.63

 

CMYK 0 / 4 / 72 / 19

HEX #CFC639

RGB 207 198 57

HSL 56.4, 0.61%, 0.52%

LAB 78.43, -12.59, 67.39

 

CMYK 0 / 5 / 84 / 11

HEX #E3D825

RGB 227 216 37

HSL 56.53, 0.77%, 0.52%

LAB 84.78, -13.82, 79.42

 

CMYK 0 / 1 / 22 / 42

HEX #949274

RGB 148 146 116

HSL 56.25, 0.13%, 0.52%

LAB 59.99, -4.47, 16.21

 

CMYK 6 / 5 / 0 / 47

HEX #808188

RGB 128 129 136

HSL 232.5, 0.03%, 0.52%

LAB 54.1, 1.06, -3.91

 

CMYK 31 / 29 / 0 / 39

HEX #6C6F9C

RGB 108 111 156

HSL 236.25, 0.2%, 0.52%

LAB 48.21, 9.69, -24.7

 

CMYK 49 / 47 / 0 / 31

HEX #595EB0

RGB 89 94 176

HSL 236.55, 0.36%, 0.52%

LAB 43.16, 20.85, -44.5

 

CMYK 65 / 61 / 0 / 24

HEX #454CC3

RGB 69 76 195

HSL 236.67, 0.51%, 0.52%

LAB 38.51, 34.59, -63.2

 

CMYK 0 / 13 / 22 / 42

HEX #948174

RGB 148 129 116

HSL 24.38, 0.13%, 0.52%

LAB 55.34, 5.06, 9.71

 

CMYK 0 / 7 / 22 / 42

HEX #948974

RGB 148 137 116

HSL 39.38, 0.13%, 0.52%

LAB 57.51, 0.54, 12.76

 

CMYK 0 / 1 / 22 / 42

HEX #949274

RGB 148 146 116

HSL 56.25, 0.13%, 0.52%

LAB 59.99, -4.47, 16.21

 

CMYK 4 / 0 / 22 / 42

HEX #8E9474

RGB 142 148 116

HSL 71.25, 0.13%, 0.52%

LAB 60.06, -7.93, 16.23

 

CMYK 10 / 0 / 22 / 42

HEX #859474

RGB 133 148 116

HSL 88.13, 0.13%, 0.52%

LAB 59.37, -11.42, 15.16

 

CMYK 0 / 2 / 23 / 60

HEX #67654F

RGB 103 101 79

HSL 55, 0.13%, 0.36%

LAB 42.39, -3.26, 12.77

 

CMYK 0 / 2 / 23 / 51

HEX #7E7C61

RGB 126 124 97

HSL 55.86, 0.13%, 0.44%

LAB 51.51, -4.03, 15.05

 

CMYK 0 / 1 / 22 / 42

HEX #949274

RGB 148 146 116

HSL 56.25, 0.13%, 0.52%

LAB 59.99, -4.47, 16.21

 

CMYK 0 / 1 / 16 / 35

HEX #A6A48B

RGB 166 164 139

HSL 55.56, 0.13%, 0.6%

LAB 66.92, -3.65, 13.25

 

CMYK 0 / 1 / 11 / 28

HEX #B8B7A3

RGB 184 183 163

HSL 57.14, 0.13%, 0.68%

LAB 74, -3.16, 10.3

 

CMYK 0 / 1 / 22 / 42

HEX #959374

RGB 149 147 116

HSL 56.36, 0.13%, 0.52%

LAB 60.35, -4.62, 16.72

 

CMYK 22 / 0 / 19 / 42

HEX #749478

RGB 116 148 120

HSL 127.5, 0.13%, 0.52%

LAB 58.27, -17, 11.2

 

CMYK 10 / 22 / 0 / 42

HEX #857494

RGB 133 116 148

HSL 271.88, 0.13%, 0.52%

LAB 51.4, 13.02, -14.92

 

CMYK 0 / 1 / 22 / 42

HEX #959374

RGB 149 147 116

HSL 56.36, 0.13%, 0.52%

LAB 60.35, -4.62, 16.72

 

CMYK 22 / 0 / 1 / 42

HEX #749492

RGB 116 148 146

HSL 176.25, 0.13%, 0.52%

LAB 58.94, -11.55, -2.62

 

CMYK 1 / 22 / 0 / 42

HEX #927494

RGB 146 116 148

HSL 296.25, 0.13%, 0.52%

LAB 52.66, 17.61, -12.88

 

CMYK 0 / 1 / 22 / 42

HEX #959374

RGB 149 147 116

HSL 56.36, 0.13%, 0.52%

LAB 60.35, -4.62, 16.72

 

CMYK 22 / 0 / 19 / 42

HEX #749478

RGB 116 148 120

HSL 127.5, 0.13%, 0.52%

LAB 58.27, -17, 11.2

 

CMYK 22 / 20 / 0 / 42

HEX #747694

RGB 116 118 148

HSL 236.25, 0.13%, 0.52%

LAB 50.46, 6.01, -16.48

 

CMYK 0 / 22 / 3 / 42

HEX #947490

RGB 148 116 144

HSL 307.5, 0.13%, 0.52%

LAB 52.73, 17.53, -10.42

 

CMYK 0 / 1 / 22 / 42

HEX #959374

RGB 149 147 116

HSL 56.36, 0.13%, 0.52%

LAB 60.35, -4.62, 16.72

 

CMYK 22 / 0 / 12 / 42

HEX #749482

RGB 116 148 130

HSL 146.25, 0.13%, 0.52%

LAB 58.51, -15.01, 5.86

 

CMYK 22 / 20 / 0 / 42

HEX #747694

RGB 116 118 148

HSL 236.25, 0.13%, 0.52%

LAB 50.46, 6.01, -16.48

 

CMYK 0 / 22 / 9 / 42

HEX #947486

RGB 148 116 134

HSL 326.25, 0.13%, 0.52%

LAB 52.41, 15.64, -5.03

 

Description

Color code: RGB 149 147 116 | qconv.com Color code: RGB 149 147 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 147 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 147 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 22 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 22% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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