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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 142 103 it is the complementary color RGB 106 113 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 142 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 142 103 shade: RGB 154 142 98, RGB 171 160 117, RGB 188 178 136, RGB 205 196 155 and RGB 222 214 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 142 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 142 103 shade: RGB 149 142 103, RGB 132 124 84, RGB 115 106 65, RGB 98 88 46 and RGB 81 70 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 142 103 shade: RGB 147 141 102, RGB 147 128 102, RGB 147 116 102, RGB 147 104 102 and RGB 147 102 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 142 103 shade: RGB 147 141 102, RGB 142 147 102, RGB 130 147 102, RGB 118 147 102 and RGB 106 147 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 142 103 shade matches the following richer shades: RGB 147 141 102, RGB 168 155 82, RGB 188 169 62, RGB 208 183 42 and RGB 228 197 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 142 103 shade: RGB 147 141 102, RGB 127 127 123, RGB 107 112 143, RGB 87 98 163 and RGB 67 84 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 142 103 shade: RGB 147 116 102, RGB 147 128 102, RGB 147 140 102, RGB 143 147 102 and RGB 131 147 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 142 103 shade: RGB 99 94 69, RGB 123 117 86, RGB 147 141 102, RGB 165 159 126 and RGB 182 177 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 142 103 shade: RGB 149 142 103, RGB 102 147 104 and RGB 122 102 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 142 103 shade: RGB 149 142 103, RGB 102 147 140 and RGB 140 102 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 142 103 shade: RGB 149 142 103, RGB 102 147 104, RGB 102 110 147 and RGB 147 102 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 142 103 shade: RGB 149 142 103, RGB 102 147 117, RGB 102 110 147 and RGB 147 102 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 31 / 42

HEX #958E67

RGB 149 142 103

HSL 50.87, 0.18%, 0.49%

LAB 58.71, -3.75, 21.76

 

Complementary color

CMYK 30 / 26 / 0 / 40

HEX #6A7198

RGB 106 113 152

HSL 230.87, 0.18%, 0.51%

LAB 48.44, 6.79, -22

 

CMYK 0 / 8 / 36 / 40

HEX #9A8E62

RGB 154 142 98

HSL 47.14, 0.22%, 0.49%

LAB 59.06, -2.33, 25.09

 

CMYK 0 / 6 / 32 / 33

HEX #ABA075

RGB 171 160 117

HSL 47.78, 0.24%, 0.56%

LAB 65.81, -2.74, 23.9

 

CMYK 0 / 5 / 28 / 26

HEX #BCB288

RGB 188 178 136

HSL 48.46, 0.28%, 0.64%

LAB 72.44, -3.08, 22.8

 

CMYK 0 / 4 / 24 / 20

HEX #CDC49B

RGB 205 196 155

HSL 49.2, 0.33%, 0.71%

LAB 78.94, -3.37, 21.76

 

CMYK 0 / 4 / 22 / 13

HEX #DED6AE

RGB 222 214 174

HSL 50, 0.42%, 0.78%

LAB 85.34, -3.63, 20.78

 

CMYK 0 / 5 / 31 / 42

HEX #958E67

RGB 149 142 103

HSL 50.87, 0.18%, 0.49%

LAB 58.71, -3.75, 21.76

 

CMYK 0 / 6 / 36 / 48

HEX #847C54

RGB 132 124 84

HSL 50, 0.22%, 0.42%

LAB 51.79, -3.37, 22.97

 

CMYK 0 / 8 / 43 / 55

HEX #736A41

RGB 115 106 65

HSL 49.2, 0.28%, 0.35%

LAB 44.71, -2.89, 24.27

 

CMYK 0 / 10 / 53 / 62

HEX #62582E

RGB 98 88 46

HSL 48.46, 0.36%, 0.28%

LAB 37.43, -2.25, 25.66

 

CMYK 0 / 14 / 67 / 68

HEX #51461B

RGB 81 70 27

HSL 47.78, 0.5%, 0.21%

LAB 29.93, -1.35, 27.04

 

CMYK 0 / 4 / 31 / 42

HEX #938D66

RGB 147 141 102

HSL 52, 0.18%, 0.49%

LAB 58.24, -4.16, 21.66

 

CMYK 0 / 13 / 31 / 42

HEX #938066

RGB 147 128 102

HSL 34.67, 0.18%, 0.49%

LAB 54.66, 3.13, 16.8

 

CMYK 0 / 21 / 31 / 42

HEX #937466

RGB 147 116 102

HSL 18.67, 0.18%, 0.49%

LAB 51.44, 10.01, 12.36

 

CMYK 0 / 29 / 31 / 42

HEX #936866

RGB 147 104 102

HSL 2.67, 0.18%, 0.49%

LAB 48.34, 16.97, 8

 

CMYK 0 / 31 / 31 / 42

HEX #936666

RGB 147 102 102

HSL 0, 0.18%, 0.49%

LAB 47.84, 18.13, 7.28

 

CMYK 0 / 4 / 31 / 42

HEX #938D66

RGB 147 141 102

HSL 52, 0.18%, 0.49%

LAB 58.24, -4.16, 21.66

 

CMYK 3 / 0 / 31 / 42

HEX #8E9366

RGB 142 147 102

HSL 66.67, 0.18%, 0.49%

LAB 59.51, -9.48, 23.28

 

CMYK 12 / 0 / 31 / 42

HEX #829366

RGB 130 147 102

HSL 82.67, 0.18%, 0.49%

LAB 58.58, -14.28, 21.87

 

CMYK 20 / 0 / 31 / 42

HEX #769366

RGB 118 147 102

HSL 98.67, 0.18%, 0.49%

LAB 57.73, -18.91, 20.59

 

CMYK 28 / 0 / 31 / 42

HEX #6A9366

RGB 106 147 102

HSL 114.67, 0.18%, 0.49%

LAB 56.97, -23.32, 19.43

 

CMYK 0 / 4 / 31 / 42

HEX #938D66

RGB 147 141 102

HSL 52, 0.18%, 0.49%

LAB 58.24, -4.16, 21.66

 

CMYK 0 / 8 / 51 / 34

HEX #A89B52

RGB 168 155 82

HSL 50.93, 0.34%, 0.49%

LAB 63.65, -5.21, 39.66

 

CMYK 0 / 10 / 67 / 26

HEX #BCA93E

RGB 188 169 62

HSL 50.95, 0.5%, 0.49%

LAB 69.05, -5.52, 55.57

 

CMYK 0 / 12 / 80 / 18

HEX #D0B72A

RGB 208 183 42

HSL 50.96, 0.66%, 0.49%

LAB 74.47, -5.05, 68.67

 

CMYK 0 / 14 / 90 / 11

HEX #E4C516

RGB 228 197 22

HSL 50.97, 0.82%, 0.49%

LAB 79.89, -4.1, 78.48

 

CMYK 0 / 4 / 31 / 42

HEX #938D66

RGB 147 141 102

HSL 52, 0.18%, 0.49%

LAB 58.24, -4.16, 21.66

 

CMYK 0 / 0 / 3 / 50

HEX #7F7F7B

RGB 127 127 123

HSL 60, 0.02%, 0.49%

LAB 53.08, -0.78, 2.16

 

CMYK 25 / 22 / 0 / 44

HEX #6B708F

RGB 107 112 143

HSL 231.67, 0.14%, 0.49%

LAB 47.88, 5.36, -17.54

 

CMYK 47 / 40 / 0 / 36

HEX #5762A3

RGB 87 98 163

HSL 231.32, 0.3%, 0.49%

LAB 43.37, 13.75, -36.51

 

CMYK 63 / 54 / 0 / 28

HEX #4354B7

RGB 67 84 183

HSL 231.21, 0.46%, 0.49%

LAB 39.5, 25.03, -54.57

 

CMYK 0 / 21 / 31 / 42

HEX #937466

RGB 147 116 102

HSL 18.67, 0.18%, 0.49%

LAB 51.44, 10.01, 12.36

 

CMYK 0 / 13 / 31 / 42

HEX #938066

RGB 147 128 102

HSL 34.67, 0.18%, 0.49%

LAB 54.66, 3.13, 16.8

 

CMYK 0 / 5 / 31 / 42

HEX #938C66

RGB 147 140 102

HSL 50.67, 0.18%, 0.49%

LAB 57.96, -3.6, 21.28

 

CMYK 3 / 0 / 31 / 42

HEX #8F9366

RGB 143 147 102

HSL 65.33, 0.18%, 0.49%

LAB 59.59, -9.07, 23.4

 

CMYK 11 / 0 / 31 / 42

HEX #839366

RGB 131 147 102

HSL 81.33, 0.18%, 0.49%

LAB 58.65, -13.89, 21.98

 

CMYK 0 / 5 / 30 / 61

HEX #635E45

RGB 99 94 69

HSL 50, 0.18%, 0.33%

LAB 39.73, -2.43, 15.09

 

CMYK 0 / 5 / 30 / 52

HEX #7B7556

RGB 123 117 86

HSL 50.27, 0.18%, 0.41%

LAB 49.01, -2.96, 17.97

 

CMYK 0 / 4 / 31 / 42

HEX #938D66

RGB 147 141 102

HSL 52, 0.18%, 0.49%

LAB 58.24, -4.16, 21.66

 

CMYK 0 / 4 / 24 / 35

HEX #A59F7E

RGB 165 159 126

HSL 50.77, 0.18%, 0.57%

LAB 65.2, -3.33, 18.04

 

CMYK 0 / 3 / 18 / 29

HEX #B6B196

RGB 182 177 150

HSL 50.63, 0.18%, 0.65%

LAB 71.95, -2.81, 14.47

 

CMYK 0 / 5 / 31 / 42

HEX #958E67

RGB 149 142 103

HSL 50.87, 0.18%, 0.49%

LAB 58.71, -3.75, 21.76

 

CMYK 31 / 0 / 29 / 42

HEX #669368

RGB 102 147 104

HSL 122.67, 0.18%, 0.49%

LAB 56.77, -24.37, 18.01

 

CMYK 17 / 31 / 0 / 42

HEX #7A6693

RGB 122 102 147

HSL 266.67, 0.18%, 0.49%

LAB 46.64, 17.36, -21.69

 

CMYK 0 / 5 / 31 / 42

HEX #958E67

RGB 149 142 103

HSL 50.87, 0.18%, 0.49%

LAB 58.71, -3.75, 21.76

 

CMYK 31 / 0 / 5 / 42

HEX #66938C

RGB 102 147 140

HSL 170.67, 0.18%, 0.49%

LAB 57.64, -16.85, -1.21

 

CMYK 5 / 31 / 0 / 42

HEX #8C6693

RGB 140 102 147

HSL 290.67, 0.18%, 0.49%

LAB 48.49, 23.49, -18.69

 

CMYK 0 / 5 / 31 / 42

HEX #958E67

RGB 149 142 103

HSL 50.87, 0.18%, 0.49%

LAB 58.71, -3.75, 21.76

 

CMYK 31 / 0 / 29 / 42

HEX #669368

RGB 102 147 104

HSL 122.67, 0.18%, 0.49%

LAB 56.77, -24.37, 18.01

 

CMYK 31 / 25 / 0 / 42

HEX #666E93

RGB 102 110 147

HSL 229.33, 0.18%, 0.49%

LAB 47.08, 6, -21.16

 

CMYK 0 / 31 / 1 / 42

HEX #936692

RGB 147 102 146

HSL 301.33, 0.18%, 0.49%

LAB 49.23, 25.7, -16.9

 

CMYK 0 / 5 / 31 / 42

HEX #958E67

RGB 149 142 103

HSL 50.87, 0.18%, 0.49%

LAB 58.71, -3.75, 21.76

 

CMYK 31 / 0 / 20 / 42

HEX #669375

RGB 102 147 117

HSL 140, 0.18%, 0.49%

LAB 57.05, -21.89, 11.06

 

CMYK 31 / 25 / 0 / 42

HEX #666E93

RGB 102 110 147

HSL 229.33, 0.18%, 0.49%

LAB 47.08, 6, -21.16

 

CMYK 0 / 31 / 10 / 42

HEX #936684

RGB 147 102 132

HSL 320, 0.18%, 0.49%

LAB 48.73, 23.04, -9.35

 

Description

Color code: RGB 149 142 103 | qconv.com Color code: RGB 149 142 103 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 142 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 142 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 31 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 31% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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