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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 136 149 it is the complementary color RGB 106 119 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 136 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 149 136 149: RGB 154 136 144, RGB 171 154 163, RGB 188 172 182, RGB 205 190 201 and RGB 222 208 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 136 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 149 136 149: RGB 149 136 149, RGB 132 118 130, RGB 115 100 111, RGB 98 82 92 and RGB 81 64 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 0 / 42

HEX #958895

RGB 149 136 149

HSL 300, 0.06%, 0.56%

LAB 58.2, 7.34, -5.16

 

Complementary color

CMYK 11 / 0 / 11 / 53

HEX #6A776A

RGB 106 119 106

HSL 120, 0.06%, 0.44%

LAB 48.63, -7.54, 5.51

 

CMYK 0 / 12 / 6 / 40

HEX #9A8890

RGB 154 136 144

HSL 333.33, 0.08%, 0.57%

LAB 58.5, 8.23, -1.79

 

CMYK 0 / 10 / 5 / 33

HEX #AB9AA3

RGB 171 154 163

HSL 328.24, 0.09%, 0.64%

LAB 65.29, 7.86, -2.43

 

CMYK 0 / 9 / 3 / 26

HEX #BCACB6

RGB 188 172 182

HSL 322.5, 0.11%, 0.71%

LAB 71.94, 7.54, -3.04

 

CMYK 0 / 7 / 2 / 20

HEX #CDBEC9

RGB 205 190 201

HSL 316, 0.13%, 0.77%

LAB 78.48, 7.23, -3.62

 

CMYK 0 / 6 / 1 / 13

HEX #DED0DC

RGB 222 208 220

HSL 308.57, 0.18%, 0.84%

LAB 84.9, 6.96, -4.19

 

CMYK 0 / 9 / 0 / 42

HEX #958895

RGB 149 136 149

HSL 300, 0.06%, 0.56%

LAB 58.2, 7.34, -5.16

 

CMYK 0 / 11 / 2 / 48

HEX #847682

RGB 132 118 130

HSL 308.57, 0.06%, 0.49%

LAB 51.24, 7.7, -4.59

 

CMYK 0 / 13 / 3 / 55

HEX #73646F

RGB 115 100 111

HSL 316, 0.07%, 0.42%

LAB 44.1, 8.1, -3.99

 

CMYK 0 / 16 / 6 / 62

HEX #62525C

RGB 98 82 92

HSL 322.5, 0.09%, 0.35%

LAB 36.75, 8.56, -3.35

 

CMYK 0 / 21 / 10 / 68

HEX #514049

RGB 81 64 73

HSL 328.24, 0.12%, 0.28%

LAB 29.15, 9.11, -2.66

 

CMYK 0 / 9 / 0 / 42

HEX #958895

RGB 149 136 149

HSL 300, 0.06%, 0.56%

LAB 58.2, 7.34, -5.16

 

CMYK 0 / 9 / 1 / 42

HEX #958893

RGB 149 136 147

HSL 309.23, 0.06%, 0.56%

LAB 58.14, 6.95, -4.1

 

CMYK 0 / 9 / 3 / 42

HEX #958891

RGB 149 136 145

HSL 318.46, 0.06%, 0.56%

LAB 58.08, 6.56, -3.04

 

CMYK 0 / 9 / 5 / 42

HEX #95888E

RGB 149 136 142

HSL 332.31, 0.06%, 0.56%

LAB 57.99, 5.99, -1.44

 

CMYK 0 / 9 / 6 / 42

HEX #95888C

RGB 149 136 140

HSL 341.54, 0.06%, 0.56%

LAB 57.93, 5.61, -0.38

 

CMYK 0 / 9 / 0 / 42

HEX #958895

RGB 149 136 149

HSL 300, 0.06%, 0.56%

LAB 58.2, 7.34, -5.16

 

CMYK 0 / 9 / 0 / 22

HEX #C8B7C8

RGB 200 183 200

HSL 300, 0.13%, 0.75%

LAB 76.26, 9.09, -6.39

 

CMYK 0 / 9 / 0 / 2

HEX #FBE5FB

RGB 251 229 251

HSL 300, 0.73%, 0.94%

LAB 93.24, 11.27, -7.92

 

CMYK 0 / 9 / 0 / 82

HEX #2F2B2F

RGB 47 43 47

HSL 300, 0.04%, 0.18%

LAB 18.09, 2.74, -1.94

 

CMYK 0 / 9 / 0 / 62

HEX #625962

RGB 98 89 98

HSL 300, 0.05%, 0.37%

LAB 38.94, 5.48, -3.85

 

CMYK 0 / 9 / 0 / 42

HEX #958895

RGB 149 136 149

HSL 300, 0.06%, 0.56%

LAB 58.2, 7.34, -5.16

 

CMYK 0 / 7 / 9 / 42

HEX #958A88

RGB 149 138 136

HSL 9.23, 0.06%, 0.56%

LAB 58.36, 3.74, 2.54

 

CMYK 9 / 0 / 3 / 42

HEX #889590

RGB 136 149 144

HSL 156.92, 0.06%, 0.56%

LAB 60.55, -5.67, 1.03

 

CMYK 0 / 9 / 0 / 42

HEX #958895

RGB 149 136 149

HSL 300, 0.06%, 0.56%

LAB 58.2, 7.34, -5.16

 

CMYK 0 / 0 / 9 / 42

HEX #959588

RGB 149 149 136

HSL 60, 0.06%, 0.56%

LAB 61.36, -2.41, 6.86

 

CMYK 9 / 0 / 0 / 42

HEX #889595

RGB 136 149 149

HSL 180, 0.06%, 0.56%

LAB 60.69, -4.65, -1.6

 

CMYK 0 / 9 / 0 / 42

HEX #958895

RGB 149 136 149

HSL 300, 0.06%, 0.56%

LAB 58.2, 7.34, -5.16

 

CMYK 0 / 7 / 9 / 42

HEX #958A88

RGB 149 138 136

HSL 9.23, 0.06%, 0.56%

LAB 58.36, 3.74, 2.54

 

CMYK 9 / 0 / 9 / 42

HEX #889588

RGB 136 149 136

HSL 120, 0.06%, 0.56%

LAB 60.34, -7.24, 5.27

 

CMYK 9 / 2 / 0 / 42

HEX #889295

RGB 136 146 149

HSL 193.85, 0.06%, 0.56%

LAB 59.85, -2.98, -2.83

 

CMYK 0 / 9 / 0 / 42

HEX #958895

RGB 149 136 149

HSL 300, 0.06%, 0.56%

LAB 58.2, 7.34, -5.16

 

CMYK 0 / 5 / 9 / 42

HEX #958E88

RGB 149 142 136

HSL 27.69, 0.06%, 0.56%

LAB 59.45, 1.49, 4.11

 

CMYK 9 / 0 / 9 / 42

HEX #889588

RGB 136 149 136

HSL 120, 0.06%, 0.56%

LAB 60.34, -7.24, 5.27

 

CMYK 9 / 5 / 0 / 42

HEX #888E95

RGB 136 142 149

HSL 212.31, 0.06%, 0.56%

LAB 58.74, -0.74, -4.47

 

Description

Color code: RGB 149 136 149 | qconv.com Color code: RGB 149 136 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 136 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 136 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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