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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 134 37 it is the complementary color RGB 106 121 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 134 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 134 37 shade: RGB 154 134 32, RGB 171 152 51, RGB 188 170 70, RGB 205 188 89 and RGB 222 206 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 134 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 134 37 shade: RGB 149 134 37, RGB 132 116 18, RGB 115 98 0, RGB 98 80 0 and RGB 81 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 134 37 shade: RGB 147 132 37, RGB 147 102 37, RGB 147 73 37, RGB 147 43 37 and RGB 147 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 134 37 shade: RGB 147 132 37, RGB 132 147 37, RGB 102 147 37, RGB 73 147 37 and RGB 43 147 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 134 37 shade matches the following richer shades: RGB 147 132 37, RGB 162 143 22 and RGB 177 154 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 134 37 shade: RGB 147 132 37, RGB 132 121 52, RGB 117 110 66, RGB 102 100 81 and RGB 87 89 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 134 37 shade: RGB 147 72 37, RGB 147 101 37, RGB 147 130 37, RGB 134 147 37 and RGB 105 147 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 134 37 shade: RGB 81 73 20, RGB 114 102 28, RGB 147 132 37, RGB 180 162 45 and RGB 206 187 60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 134 37 shade: RGB 149 134 37, RGB 37 147 42 and RGB 86 37 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 134 37 shade: RGB 149 134 37, RGB 37 147 130 and RGB 130 37 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 134 37 shade: RGB 149 134 37, RGB 37 147 42, RGB 37 53 147 and RGB 147 37 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 134 37 shade: RGB 149 134 37, RGB 37 147 75, RGB 37 53 147 and RGB 147 37 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 75 / 42

HEX #958625

RGB 149 134 37

HSL 51.96, 0.6%, 0.36%

LAB 55.66, -5.39, 51.08

 

Complementary color

CMYK 51 / 44 / 0 / 15

HEX #6A79DA

RGB 106 121 218

HSL 231.96, 0.6%, 0.64%

LAB 53.82, 21.28, -51.58

 

CMYK 0 / 13 / 79 / 40

HEX #9A8620

RGB 154 134 32

HSL 50.16, 0.66%, 0.36%

LAB 56.11, -3.31, 53.49

 

CMYK 0 / 11 / 70 / 33

HEX #AB9833

RGB 171 152 51

HSL 50.5, 0.54%, 0.44%

LAB 62.8, -4.54, 53.25

 

CMYK 0 / 10 / 63 / 26

HEX #BCAA46

RGB 188 170 70

HSL 50.85, 0.47%, 0.51%

LAB 69.39, -5.55, 52.45

 

CMYK 0 / 8 / 57 / 20

HEX #CDBC59

RGB 205 188 89

HSL 51.21, 0.54%, 0.58%

LAB 75.86, -6.38, 51.4

 

CMYK 0 / 7 / 51 / 13

HEX #DECE6C

RGB 222 206 108

HSL 51.58, 0.63%, 0.65%

LAB 82.25, -7.07, 50.24

 

CMYK 0 / 10 / 75 / 42

HEX #958625

RGB 149 134 37

HSL 51.96, 0.6%, 0.36%

LAB 55.66, -5.39, 51.08

 

CMYK 0 / 12 / 86 / 48

HEX #847412

RGB 132 116 18

HSL 51.58, 0.76%, 0.29%

LAB 48.81, -4.02, 50.66

 

CMYK 0 / 15 / 100 / 55

HEX #736200

RGB 115 98 0

HSL 51.13, 1%, 0.23%

LAB 41.81, -2.35, 48.86

 

CMYK 0 / 18 / 100 / 62

HEX #625000

RGB 98 80 0

HSL 48.98, 1%, 0.19%

LAB 34.67, -0.14, 42.95

 

CMYK 0 / 23 / 100 / 68

HEX #513E00

RGB 81 62 0

HSL 45.93, 1%, 0.16%

LAB 27.28, 2.22, 36.55

 

CMYK 0 / 10 / 75 / 42

HEX #938425

RGB 147 132 37

HSL 51.82, 0.6%, 0.36%

LAB 54.91, -5.2, 50.29

 

CMYK 0 / 31 / 75 / 42

HEX #936625

RGB 147 102 37

HSL 35.45, 0.6%, 0.36%

LAB 46.76, 11.83, 42.25

 

CMYK 0 / 50 / 75 / 42

HEX #934925

RGB 147 73 37

HSL 19.64, 0.6%, 0.36%

LAB 39.75, 28.38, 34.95

 

CMYK 0 / 71 / 75 / 42

HEX #932B25

RGB 147 43 37

HSL 3.27, 0.6%, 0.36%

LAB 34.12, 43.11, 28.74

 

CMYK 0 / 75 / 75 / 42

HEX #932525

RGB 147 37 37

HSL 0, 0.6%, 0.36%

LAB 33.26, 45.46, 27.78

 

CMYK 0 / 10 / 75 / 42

HEX #938425

RGB 147 132 37

HSL 51.82, 0.6%, 0.36%

LAB 54.91, -5.2, 50.29

 

CMYK 10 / 0 / 75 / 42

HEX #849325

RGB 132 147 37

HSL 68.18, 0.6%, 0.36%

LAB 57.95, -19.95, 52.76

 

CMYK 31 / 0 / 75 / 42

HEX #669325

RGB 102 147 37

HSL 84.55, 0.6%, 0.36%

LAB 55.91, -32.48, 50.09

 

CMYK 50 / 0 / 75 / 42

HEX #499325

RGB 73 147 37

HSL 100.36, 0.6%, 0.36%

LAB 54.47, -42.76, 48.17

 

CMYK 71 / 0 / 75 / 42

HEX #2B9325

RGB 43 147 37

HSL 116.73, 0.6%, 0.36%

LAB 53.51, -50.43, 46.9

 

CMYK 0 / 10 / 75 / 42

HEX #938425

RGB 147 132 37

HSL 51.82, 0.6%, 0.36%

LAB 54.91, -5.2, 50.29

 

CMYK 0 / 12 / 86 / 36

HEX #A28F16

RGB 162 143 22

HSL 51.86, 0.76%, 0.36%

LAB 59.33, -4.9, 59.55

 

CMYK 0 / 13 / 96 / 31

HEX #B19A07

RGB 177 154 7

HSL 51.88, 0.92%, 0.36%

LAB 63.73, -4.28, 66.32

 

CMYK 0 / 10 / 75 / 42

HEX #938425

RGB 147 132 37

HSL 51.82, 0.6%, 0.36%

LAB 54.91, -5.2, 50.29

 

CMYK 0 / 8 / 61 / 48

HEX #847934

RGB 132 121 52

HSL 51.75, 0.43%, 0.36%

LAB 50.49, -5.01, 38.57

 

CMYK 0 / 6 / 44 / 54

HEX #756E42

RGB 117 110 66

HSL 51.76, 0.28%, 0.36%

LAB 46.08, -4.18, 25.49

 

CMYK 0 / 2 / 21 / 60

HEX #666451

RGB 102 100 81

HSL 54.29, 0.11%, 0.36%

LAB 42.05, -2.77, 11.08

 

CMYK 9 / 7 / 0 / 62

HEX #575960

RGB 87 89 96

HSL 226.67, 0.05%, 0.36%

LAB 37.87, 0.77, -4.3

 

CMYK 0 / 51 / 75 / 42

HEX #934825

RGB 147 72 37

HSL 19.09, 0.6%, 0.36%

LAB 39.53, 28.93, 34.71

 

CMYK 0 / 31 / 75 / 42

HEX #936525

RGB 147 101 37

HSL 34.91, 0.6%, 0.36%

LAB 46.5, 12.41, 41.99

 

CMYK 0 / 12 / 75 / 42

HEX #938225

RGB 147 130 37

HSL 50.73, 0.6%, 0.36%

LAB 54.35, -4.1, 49.75

 

CMYK 9 / 0 / 75 / 42

HEX #869325

RGB 134 147 37

HSL 67.09, 0.6%, 0.36%

LAB 58.1, -19.07, 52.96

 

CMYK 29 / 0 / 75 / 42

HEX #699325

RGB 105 147 37

HSL 82.91, 0.6%, 0.36%

LAB 56.09, -31.29, 50.32

 

CMYK 0 / 10 / 75 / 68

HEX #514914

RGB 81 73 20

HSL 52.13, 0.6%, 0.2%

LAB 30.8, -3.71, 31.51

 

CMYK 0 / 11 / 75 / 55

HEX #72661C

RGB 114 102 28

HSL 51.63, 0.61%, 0.28%

LAB 43.01, -4.21, 41.25

 

CMYK 0 / 10 / 75 / 42

HEX #938425

RGB 147 132 37

HSL 51.82, 0.6%, 0.36%

LAB 54.91, -5.2, 50.29

 

CMYK 0 / 10 / 75 / 29

HEX #B4A22D

RGB 180 162 45

HSL 52, 0.6%, 0.44%

LAB 66.32, -6.19, 59.28

 

CMYK 0 / 9 / 71 / 19

HEX #CEBB3C

RGB 206 187 60

HSL 52.19, 0.6%, 0.52%

LAB 75.44, -7.25, 63.37

 

CMYK 0 / 10 / 75 / 42

HEX #958625

RGB 149 134 37

HSL 51.96, 0.6%, 0.36%

LAB 55.66, -5.39, 51.08

 

CMYK 75 / 0 / 71 / 42

HEX #25932A

RGB 37 147 42

HSL 122.73, 0.6%, 0.36%

LAB 53.41, -51.08, 44.8

 

CMYK 41 / 75 / 0 / 42

HEX #562593

RGB 86 37 147

HSL 266.73, 0.6%, 0.36%

LAB 27.87, 45.1, -51.75

 

CMYK 0 / 10 / 75 / 42

HEX #958625

RGB 149 134 37

HSL 51.96, 0.6%, 0.36%

LAB 55.66, -5.39, 51.08

 

CMYK 75 / 0 / 12 / 42

HEX #259382

RGB 37 147 130

HSL 170.73, 0.6%, 0.36%

LAB 54.94, -34.23, 0.28

 

CMYK 12 / 75 / 0 / 42

HEX #822593

RGB 130 37 147

HSL 290.73, 0.6%, 0.36%

LAB 34.35, 54, -40.96

 

CMYK 0 / 10 / 75 / 42

HEX #958625

RGB 149 134 37

HSL 51.96, 0.6%, 0.36%

LAB 55.66, -5.39, 51.08

 

CMYK 75 / 0 / 71 / 42

HEX #25932A

RGB 37 147 42

HSL 122.73, 0.6%, 0.36%

LAB 53.41, -51.08, 44.8

 

CMYK 75 / 64 / 0 / 42

HEX #253593

RGB 37 53 147

HSL 231.27, 0.6%, 0.36%

LAB 26.87, 27.79, -53.57

 

CMYK 0 / 75 / 4 / 42

HEX #93258D

RGB 147 37 141

HSL 303.27, 0.6%, 0.36%

LAB 36.84, 56.72, -33.14

 

CMYK 0 / 10 / 75 / 42

HEX #958625

RGB 149 134 37

HSL 51.96, 0.6%, 0.36%

LAB 55.66, -5.39, 51.08

 

CMYK 75 / 0 / 49 / 42

HEX #25934B

RGB 37 147 75

HSL 140.73, 0.6%, 0.36%

LAB 53.78, -46.74, 29.47

 

CMYK 75 / 64 / 0 / 42

HEX #253593

RGB 37 53 147

HSL 231.27, 0.6%, 0.36%

LAB 26.87, 27.79, -53.57

 

CMYK 0 / 75 / 27 / 42

HEX #93256C

RGB 147 37 108

HSL 321.27, 0.6%, 0.36%

LAB 35.22, 51.81, -15.07

 

Description

Color code: RGB 149 134 37 | qconv.com Color code: RGB 149 134 37 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 134 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 134 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 75 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 75% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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