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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 128.2 113 it is the complementary color RGB 106 126.8 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 128.2 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 128.2 113 shade: RGB 154 128.2 108, RGB 171 146.2 127, RGB 188 164.2 146, RGB 205 182.2 165 and RGB 222 200.2 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 128.2 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 128.2 113 shade: RGB 149 128.2 113, RGB 132 110.2 94, RGB 115 92.2 75, RGB 98 74.2 56 and RGB 81 56.2 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 128.2 113 shade: RGB 149 127 111, RGB 149 117 111 and RGB 149 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 128.2 113 shade: RGB 149 127 111, RGB 149 137 111, RGB 149 147 111, RGB 140 149 111 and RGB 130 149 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 128.2 113 shade matches the following richer shades: RGB 149 127 111, RGB 169 124 91, RGB 189 121 71, RGB 209 118 51 and RGB 230 115 30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 128.2 113 shade: RGB 149 127 111, RGB 129 130 132, RGB 108 133 152, RGB 88 137 172 and RGB 68 140 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 128.2 113 shade: RGB 149 111 116, RGB 149 117 111, RGB 149 127 111, RGB 149 137 111 and RGB 149 147 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 128.2 113 shade: RGB 102 87 75, RGB 126 107 93, RGB 149 127 111, RGB 166 148 135 and RGB 184 169 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 128.2 113 shade: RGB 149 128.2 113, RGB 126 149 111 and RGB 112 111 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 128.2 113 shade: RGB 149 128.2 113, RGB 111 149 127 and RGB 127 111 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 128.2 113 shade: RGB 149 128.2 113, RGB 126 149 111, RGB 111 133 149 and RGB 134 111 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 128.2 113 shade: RGB 149 128.2 113, RGB 114 149 111, RGB 111 133 149 and RGB 146 111 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 24 / 42

HEX #958071

RGB 149 128.2 113

HSL 25.33, 0.15%, 0.51%

LAB 55.15, 5.45, 11.18

 

Complementary color

CMYK 25 / 11 / 0 / 44

HEX #6A7E8E

RGB 106 126.8 142

HSL 205.33, 0.15%, 0.49%

LAB 52, -3.91, -10.71

 

CMYK 0 / 17 / 30 / 40

HEX #9A806C

RGB 154 128.2 108

HSL 26.35, 0.19%, 0.51%

LAB 55.53, 6.75, 14.67

 

CMYK 0 / 15 / 26 / 33

HEX #AB927F

RGB 171 146.2 127

HSL 26.18, 0.21%, 0.58%

LAB 62.35, 6.23, 13.61

 

CMYK 0 / 13 / 22 / 26

HEX #BCA492

RGB 188 164.2 146

HSL 26, 0.24%, 0.65%

LAB 69.03, 5.78, 12.63

 

CMYK 0 / 11 / 20 / 20

HEX #CDB6A5

RGB 205 182.2 165

HSL 25.8, 0.29%, 0.73%

LAB 75.6, 5.39, 11.72

 

CMYK 0 / 10 / 17 / 13

HEX #DEC8B8

RGB 222 200.2 184

HSL 25.58, 0.37%, 0.8%

LAB 82.05, 5.04, 10.87

 

CMYK 0 / 14 / 24 / 42

HEX #958071

RGB 149 128.2 113

HSL 25.33, 0.15%, 0.51%

LAB 55.15, 5.45, 11.18

 

CMYK 0 / 17 / 29 / 48

HEX #846E5E

RGB 132 110.2 94

HSL 25.58, 0.17%, 0.44%

LAB 48.14, 5.96, 12.24

 

CMYK 0 / 20 / 35 / 55

HEX #735C4B

RGB 115 92.2 75

HSL 25.8, 0.21%, 0.37%

LAB 40.96, 6.58, 13.41

 

CMYK 0 / 24 / 43 / 62

HEX #624A38

RGB 98 74.2 56

HSL 26, 0.27%, 0.3%

LAB 33.58, 7.36, 14.75

 

CMYK 0 / 31 / 54 / 68

HEX #513825

RGB 81 56.2 37

HSL 26.18, 0.37%, 0.23%

LAB 25.95, 8.38, 16.32

 

CMYK 0 / 15 / 26 / 42

HEX #957F6F

RGB 149 127 111

HSL 25.26, 0.15%, 0.51%

LAB 54.78, 5.83, 11.82

 

CMYK 0 / 21 / 26 / 42

HEX #95756F

RGB 149 117 111

HSL 9.47, 0.15%, 0.51%

LAB 52.13, 11.58, 8.09

 

CMYK 0 / 26 / 26 / 42

HEX #956F6F

RGB 149 111 111

HSL 0, 0.15%, 0.51%

LAB 50.58, 15.05, 5.87

 

CMYK 0 / 15 / 26 / 42

HEX #957F6F

RGB 149 127 111

HSL 25.26, 0.15%, 0.51%

LAB 54.78, 5.83, 11.82

 

CMYK 0 / 8 / 26 / 42

HEX #95896F

RGB 149 137 111

HSL 41.05, 0.15%, 0.51%

LAB 57.49, 0.18, 15.59

 

CMYK 0 / 1 / 26 / 42

HEX #95936F

RGB 149 147 111

HSL 56.84, 0.15%, 0.51%

LAB 60.25, -5.36, 19.38

 

CMYK 6 / 0 / 26 / 42

HEX #8C956F

RGB 140 149 111

HSL 74.21, 0.15%, 0.51%

LAB 60.09, -10.04, 19.03

 

CMYK 13 / 0 / 26 / 42

HEX #82956F

RGB 130 149 111

HSL 90, 0.15%, 0.51%

LAB 59.33, -13.93, 17.88

 

CMYK 0 / 15 / 26 / 42

HEX #957F6F

RGB 149 127 111

HSL 25.26, 0.15%, 0.51%

LAB 54.78, 5.83, 11.82

 

CMYK 0 / 27 / 46 / 34

HEX #A97C5B

RGB 169 124 91

HSL 25.38, 0.31%, 0.51%

LAB 55.69, 13.29, 24.84

 

CMYK 0 / 36 / 62 / 26

HEX #BD7947

RGB 189 121 71

HSL 25.42, 0.47%, 0.51%

LAB 57.03, 21.69, 37.98

 

CMYK 0 / 44 / 76 / 18

HEX #D17633

RGB 209 118 51

HSL 25.44, 0.63%, 0.51%

LAB 58.74, 30.56, 50.56

 

CMYK 0 / 50 / 87 / 10

HEX #E6731E

RGB 230 115 30

HSL 25.5, 0.8%, 0.51%

LAB 60.94, 39.91, 61.98

 

CMYK 0 / 15 / 26 / 42

HEX #957F6F

RGB 149 127 111

HSL 25.26, 0.15%, 0.51%

LAB 54.78, 5.83, 11.82

 

CMYK 2 / 2 / 0 / 48

HEX #818284

RGB 129 130 132

HSL 220, 0.01%, 0.51%

LAB 54.34, 0.03, -1.22

 

CMYK 29 / 13 / 0 / 40

HEX #6C8598

RGB 108 133 152

HSL 205.91, 0.18%, 0.51%

LAB 54.27, -4.31, -13.09

 

CMYK 49 / 20 / 0 / 33

HEX #5889AC

RGB 88 137 172

HSL 205, 0.34%, 0.51%

LAB 55.02, -6.65, -23.59

 

CMYK 65 / 27 / 0 / 25

HEX #448CC0

RGB 68 140 192

HSL 205.16, 0.5%, 0.51%

LAB 55.88, -6.23, -33.73

 

CMYK 0 / 26 / 22 / 42

HEX #956F74

RGB 149 111 116

HSL 352.11, 0.15%, 0.51%

LAB 50.71, 15.83, 3.11

 

CMYK 0 / 21 / 26 / 42

HEX #95756F

RGB 149 117 111

HSL 9.47, 0.15%, 0.51%

LAB 52.13, 11.58, 8.09

 

CMYK 0 / 15 / 26 / 42

HEX #957F6F

RGB 149 127 111

HSL 25.26, 0.15%, 0.51%

LAB 54.78, 5.83, 11.82

 

CMYK 0 / 8 / 26 / 42

HEX #95896F

RGB 149 137 111

HSL 41.05, 0.15%, 0.51%

LAB 57.49, 0.18, 15.59

 

CMYK 0 / 1 / 26 / 42

HEX #95936F

RGB 149 147 111

HSL 56.84, 0.15%, 0.51%

LAB 60.25, -5.36, 19.38

 

CMYK 0 / 15 / 26 / 60

HEX #66574B

RGB 102 87 75

HSL 26.67, 0.15%, 0.35%

LAB 38.11, 4.05, 9.24

 

CMYK 0 / 15 / 26 / 51

HEX #7E6B5D

RGB 126 107 93

HSL 25.45, 0.15%, 0.43%

LAB 46.63, 5.17, 10.63

 

CMYK 0 / 15 / 26 / 42

HEX #957F6F

RGB 149 127 111

HSL 25.26, 0.15%, 0.51%

LAB 54.78, 5.83, 11.82

 

CMYK 0 / 11 / 19 / 35

HEX #A69487

RGB 166 148 135

HSL 25.16, 0.15%, 0.59%

LAB 62.54, 4.49, 9.3

 

CMYK 0 / 8 / 14 / 28

HEX #B8A99F

RGB 184 169 159

HSL 24, 0.15%, 0.67%

LAB 70.22, 3.7, 7.1

 

CMYK 0 / 14 / 24 / 42

HEX #958071

RGB 149 128.2 113

HSL 25.33, 0.15%, 0.51%

LAB 55.15, 5.45, 11.18

 

CMYK 15 / 0 / 26 / 42

HEX #7E956F

RGB 126 149 111

HSL 96.32, 0.15%, 0.51%

LAB 59.05, -15.46, 17.44

 

CMYK 25 / 26 / 0 / 42

HEX #706F95

RGB 112 111 149

HSL 241.58, 0.15%, 0.51%

LAB 48.24, 9.12, -20.49

 

CMYK 0 / 14 / 24 / 42

HEX #958071

RGB 149 128.2 113

HSL 25.33, 0.15%, 0.51%

LAB 55.15, 5.45, 11.18

 

CMYK 26 / 0 / 15 / 42

HEX #6F957F

RGB 111 149 127

HSL 145.26, 0.15%, 0.51%

LAB 58.42, -17.87, 7.4

 

CMYK 15 / 26 / 0 / 42

HEX #7F6F95

RGB 127 111 149

HSL 265.26, 0.15%, 0.51%

LAB 49.56, 14.13, -18.36

 

CMYK 0 / 14 / 24 / 42

HEX #958071

RGB 149 128.2 113

HSL 25.33, 0.15%, 0.51%

LAB 55.15, 5.45, 11.18

 

CMYK 15 / 0 / 26 / 42

HEX #7E956F

RGB 126 149 111

HSL 96.32, 0.15%, 0.51%

LAB 59.05, -15.46, 17.44

 

CMYK 26 / 11 / 0 / 42

HEX #6F8595

RGB 111 133 149

HSL 205.26, 0.15%, 0.51%

LAB 54.37, -4.11, -11.19

 

CMYK 10 / 26 / 0 / 42

HEX #866F95

RGB 134 111 149

HSL 276.32, 0.15%, 0.51%

LAB 50.22, 16.54, -17.28

 

CMYK 0 / 14 / 24 / 42

HEX #958071

RGB 149 128.2 113

HSL 25.33, 0.15%, 0.51%

LAB 55.15, 5.45, 11.18

 

CMYK 23 / 0 / 26 / 42

HEX #72956F

RGB 114 149 111

HSL 115.26, 0.15%, 0.51%

LAB 58.25, -19.9, 16.21

 

CMYK 26 / 11 / 0 / 42

HEX #6F8595

RGB 111 133 149

HSL 205.26, 0.15%, 0.51%

LAB 54.37, -4.11, -11.19

 

CMYK 2 / 26 / 0 / 42

HEX #926F95

RGB 146 111 149

HSL 295.26, 0.15%, 0.51%

LAB 51.44, 20.73, -15.32

 

Description

Color code: RGB 149 128.2 113 | qconv.com Color code: RGB 149 128.2 113 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 128.2 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 128.2 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 24 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 24% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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