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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 115 125 it is the complementary color RGB 106 140 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 115 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 149 115 125: RGB 154 115 120, RGB 171 133 139, RGB 188 151 158, RGB 205 169 177 and RGB 222 187 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 115 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 149 115 125: RGB 149 115 125, RGB 132 97 106, RGB 115 79 87, RGB 98 61 68 and RGB 81 43 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 16 / 42

HEX #95737D

RGB 149 115 125

HSL 342.35, 0.14%, 0.52%

LAB 51.99, 15, -0.35

 

Complementary color

CMYK 24 / 0 / 7 / 45

HEX #6A8C82

RGB 106 140 130

HSL 162.35, 0.14%, 0.48%

LAB 55.51, -14.11, 1.45

 

CMYK 0 / 25 / 22 / 40

HEX #9A7378

RGB 154 115 120

HSL 352.31, 0.16%, 0.53%

LAB 52.38, 16.13, 3.24

 

CMYK 0 / 22 / 19 / 33

HEX #AB858B

RGB 171 133 139

HSL 350.53, 0.18%, 0.6%

LAB 59.25, 15.49, 2.37

 

CMYK 0 / 20 / 16 / 26

HEX #BC979E

RGB 188 151 158

HSL 348.65, 0.22%, 0.66%

LAB 65.98, 14.92, 1.57

 

CMYK 0 / 18 / 14 / 20

HEX #CDA9B1

RGB 205 169 177

HSL 346.67, 0.26%, 0.73%

LAB 72.58, 14.41, 0.83

 

CMYK 0 / 16 / 12 / 13

HEX #DEBBC4

RGB 222 187 196

HSL 344.57, 0.35%, 0.8%

LAB 79.07, 13.95, 0.13

 

CMYK 0 / 23 / 16 / 42

HEX #95737D

RGB 149 115 125

HSL 342.35, 0.14%, 0.52%

LAB 51.99, 15, -0.35

 

CMYK 0 / 27 / 20 / 48

HEX #84616A

RGB 132 97 106

HSL 344.57, 0.15%, 0.45%

LAB 44.94, 15.66, 0.48

 

CMYK 0 / 31 / 24 / 55

HEX #734F57

RGB 115 79 87

HSL 346.67, 0.19%, 0.38%

LAB 37.71, 16.42, 1.41

 

CMYK 0 / 38 / 31 / 62

HEX #623D44

RGB 98 61 68

HSL 348.65, 0.23%, 0.31%

LAB 30.28, 17.31, 2.5

 

CMYK 0 / 47 / 40 / 68

HEX #512B31

RGB 81 43 49

HSL 350.53, 0.31%, 0.24%

LAB 22.65, 18.37, 3.87

 

CMYK 0 / 23 / 16 / 42

HEX #95737D

RGB 149 115 125

HSL 342.35, 0.14%, 0.52%

LAB 51.99, 15, -0.35

 

CMYK 0 / 23 / 19 / 42

HEX #957378

RGB 149 115 120

HSL 351.18, 0.14%, 0.52%

LAB 51.85, 14.16, 2.39

 

CMYK 0 / 22 / 23 / 42

HEX #957473

RGB 149 116 115

HSL 1.76, 0.14%, 0.52%

LAB 51.97, 12.78, 5.51

 

CMYK 0 / 18 / 23 / 42

HEX #957A73

RGB 149 122 115

HSL 12.35, 0.14%, 0.52%

LAB 53.54, 9.32, 7.76

 

CMYK 0 / 14 / 23 / 42

HEX #958073

RGB 149 128 115

HSL 22.94, 0.14%, 0.52%

LAB 55.14, 5.88, 10.02

 

CMYK 0 / 23 / 16 / 42

HEX #95737D

RGB 149 115 125

HSL 342.35, 0.14%, 0.52%

LAB 51.99, 15, -0.35

 

CMYK 0 / 23 / 16 / 22

HEX #C89AA8

RGB 200 154 168

HSL 341.74, 0.29%, 0.69%

LAB 68.18, 19.32, -0.66

 

CMYK 0 / 23 / 16 / 2

HEX #FBC2D3

RGB 251 194 211

HSL 342.11, 0.88%, 0.87%

LAB 83.86, 22.89, -0.61

 

CMYK 0 / 23 / 17 / 82

HEX #2F2427

RGB 47 36 39

HSL 343.64, 0.13%, 0.16%

LAB 15.55, 5.83, -0.02

 

CMYK 0 / 22 / 16 / 62

HEX #624C52

RGB 98 76 82

HSL 343.64, 0.13%, 0.34%

LAB 34.75, 10.35, 0

 

CMYK 0 / 23 / 16 / 42

HEX #95737D

RGB 149 115 125

HSL 342.35, 0.14%, 0.52%

LAB 51.99, 15, -0.35

 

CMYK 0 / 2 / 23 / 42

HEX #959273

RGB 149 146 115

HSL 54.71, 0.14%, 0.52%

LAB 60.06, -4.22, 16.87

 

CMYK 23 / 7 / 0 / 42

HEX #738B95

RGB 115 139 149

HSL 197.65, 0.14%, 0.52%

LAB 56.37, -6.2, -8.17

 

CMYK 0 / 23 / 16 / 42

HEX #95737D

RGB 149 115 125

HSL 342.35, 0.14%, 0.52%

LAB 51.99, 15, -0.35

 

CMYK 16 / 0 / 23 / 42

HEX #7D9573

RGB 125 149 115

HSL 102.35, 0.14%, 0.52%

LAB 59.06, -15.15, 15.21

 

CMYK 23 / 16 / 0 / 42

HEX #737D95

RGB 115 125 149

HSL 222.35, 0.14%, 0.52%

LAB 52.38, 1.81, -14.16

 

CMYK 0 / 23 / 16 / 42

HEX #95737D

RGB 149 115 125

HSL 342.35, 0.14%, 0.52%

LAB 51.99, 15, -0.35

 

CMYK 0 / 2 / 23 / 42

HEX #959273

RGB 149 146 115

HSL 54.71, 0.14%, 0.52%

LAB 60.06, -4.22, 16.87

 

CMYK 23 / 0 / 7 / 42

HEX #73958B

RGB 115 149 139

HSL 162.35, 0.14%, 0.52%

LAB 58.98, -13.98, 1.41

 

CMYK 23 / 21 / 0 / 42

HEX #737695

RGB 115 118 149

HSL 234.71, 0.14%, 0.52%

LAB 50.42, 5.93, -17.14

 

CMYK 0 / 23 / 16 / 42

HEX #95737D

RGB 149 115 125

HSL 342.35, 0.14%, 0.52%

LAB 51.99, 15, -0.35

 

CMYK 5 / 0 / 23 / 42

HEX #8E9573

RGB 142 149 115

HSL 72.35, 0.14%, 0.52%

LAB 60.32, -8.63, 17.15

 

CMYK 23 / 0 / 7 / 42

HEX #73958B

RGB 115 149 139

HSL 162.35, 0.14%, 0.52%

LAB 58.98, -13.98, 1.41

 

CMYK 18 / 23 / 0 / 42

HEX #7A7395

RGB 122 115 149

HSL 252.35, 0.14%, 0.52%

LAB 50.18, 10.05, -17.45

 

Description

Color code: RGB 149 115 125 | qconv.com Color code: RGB 149 115 125 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 115 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 115 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 16 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 16% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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