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Color name
RGB 149.9 128.2 46

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149.9 128.2 46 it is the complementary color RGB 105.1 126.8 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149.9 128.2 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149.9 128.2 46 shade: RGB 154.9 128.2 41, RGB 171.9 146.2 60, RGB 188.9 164.2 79, RGB 205.9 182.2 98 and RGB 222.9 200.2 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149.9 128.2 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149.9 128.2 46 shade: RGB 149.9 128.2 46, RGB 132.9 110.2 27, RGB 115.9 92.2 8, RGB 98.9 74.2 0 and RGB 81.9 56.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149.9 128.2 46 shade: RGB 148 126 45, RGB 148 99 45, RGB 148 71 45 and RGB 148 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149.9 128.2 46 shade: RGB 148 126 45, RGB 142 148 45, RGB 114 148 45, RGB 86 148 45 and RGB 58 148 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149.9 128.2 46 shade matches the following richer shades: RGB 148 126 45, RGB 163 135 29 and RGB 179 145 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149.9 128.2 46 shade: RGB 148 126 45, RGB 132 117 61, RGB 116 108 76, RGB 101 99 92 and RGB 85 90 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149.9 128.2 46 shade: RGB 148 71 45, RGB 148 98 45, RGB 148 126 45, RGB 143 148 45 and RGB 115 148 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149.9 128.2 46 shade: RGB 85 72 26, RGB 116 99 35, RGB 148 126 45, RGB 179 153 55 and RGB 200 174 76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149.9 128.2 46 shade: RGB 149.9 128.2 46, RGB 47 148 45 and RGB 84 45 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149.9 128.2 46 shade: RGB 149.9 128.2 46, RGB 45 148 126 and RGB 126 45 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149.9 128.2 46 shade: RGB 149.9 128.2 46, RGB 47 148 45, RGB 45 67 148 and RGB 146 45 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149.9 128.2 46 shade: RGB 149.9 128.2 46, RGB 45 148 74, RGB 45 67 148 and RGB 148 45 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 69 / 41

HEX #95802E

RGB 149.9 128.2 46

HSL 47.47, 0.53%, 0.38%

LAB 54.2, -1.28, 45.93

 

Complementary color

CMYK 50 / 39 / 0 / 18

HEX #697ED1

RGB 105.1 126.8 209

HSL 227.47, 0.53%, 0.62%

LAB 54.8, 14.79, -44.93

 

CMYK 0 / 17 / 74 / 39

HEX #9A8029

RGB 154.9 128.2 41

HSL 45.94, 0.58%, 0.38%

LAB 54.67, 0.73, 48.72

 

CMYK 0 / 15 / 65 / 33

HEX #AB923C

RGB 171.9 146.2 60

HSL 46.22, 0.48%, 0.45%

LAB 61.4, -0.46, 47.88

 

CMYK 0 / 13 / 58 / 26

HEX #BCA44F

RGB 188.9 164.2 79

HSL 46.52, 0.45%, 0.53%

LAB 68.02, -1.43, 46.75

 

CMYK 0 / 12 / 52 / 19

HEX #CDB662

RGB 205.9 182.2 98

HSL 46.82, 0.52%, 0.6%

LAB 74.53, -2.24, 45.53

 

CMYK 0 / 10 / 48 / 13

HEX #DEC875

RGB 222.9 200.2 117

HSL 47.14, 0.62%, 0.67%

LAB 80.94, -2.92, 44.29

 

CMYK 0 / 14 / 69 / 41

HEX #95802E

RGB 149.9 128.2 46

HSL 47.47, 0.53%, 0.38%

LAB 54.2, -1.28, 45.93

 

CMYK 0 / 17 / 80 / 48

HEX #846E1B

RGB 132.9 110.2 27

HSL 47.14, 0.66%, 0.31%

LAB 47.3, 0.03, 46.42

 

CMYK 0 / 20 / 93 / 55

HEX #735C08

RGB 115.9 92.2 8

HSL 46.82, 0.87%, 0.24%

LAB 40.27, 1.7, 45.61

 

CMYK 0 / 25 / 100 / 61

HEX #624A00

RGB 98.9 74.2 0

HSL 45.02, 1%, 0.19%

LAB 33.07, 3.85, 41.89

 

CMYK 0 / 31 / 100 / 68

HEX #513800

RGB 81.9 56.2 0

HSL 41.17, 1%, 0.16%

LAB 25.67, 6.39, 35.15

 

CMYK 0 / 15 / 70 / 42

HEX #947E2D

RGB 148 126 45

HSL 47.18, 0.53%, 0.38%

LAB 53.39, -0.98, 45.47

 

CMYK 0 / 33 / 70 / 42

HEX #94632D

RGB 148 99 45

HSL 31.46, 0.53%, 0.38%

LAB 46.19, 14.47, 37.8

 

CMYK 0 / 52 / 70 / 42

HEX #94472D

RGB 148 71 45

HSL 15.15, 0.53%, 0.38%

LAB 39.57, 30.33, 30.35

 

CMYK 0 / 70 / 70 / 42

HEX #942D2D

RGB 148 45 45

HSL 0, 0.53%, 0.38%

LAB 34.73, 43.03, 24.61

 

CMYK 0 / 15 / 70 / 42

HEX #947E2D

RGB 148 126 45

HSL 47.18, 0.53%, 0.38%

LAB 53.39, -0.98, 45.47

 

CMYK 4 / 0 / 70 / 42

HEX #8E942D

RGB 142 148 45

HSL 63.5, 0.53%, 0.38%

LAB 59.09, -15.63, 51.11

 

CMYK 23 / 0 / 70 / 42

HEX #72942D

RGB 114 148 45

HSL 79.81, 0.53%, 0.38%

LAB 57.02, -27.61, 48.35

 

CMYK 42 / 0 / 70 / 42

HEX #56942D

RGB 86 148 45

HSL 96.12, 0.53%, 0.38%

LAB 55.43, -38.27, 46.19

 

CMYK 61 / 0 / 70 / 42

HEX #3A942D

RGB 58 148 45

HSL 112.43, 0.53%, 0.38%

LAB 54.31, -46.72, 44.67

 

CMYK 0 / 15 / 70 / 42

HEX #947E2D

RGB 148 126 45

HSL 47.18, 0.53%, 0.38%

LAB 53.39, -0.98, 45.47

 

CMYK 0 / 17 / 82 / 36

HEX #A3871D

RGB 163 135 29

HSL 47.46, 0.7%, 0.38%

LAB 57.27, 0.15, 55.86

 

CMYK 0 / 19 / 92 / 30

HEX #B3910E

RGB 179 145 14

HSL 47.64, 0.85%, 0.38%

LAB 61.54, 1.59, 63.72

 

CMYK 0 / 15 / 70 / 42

HEX #947E2D

RGB 148 126 45

HSL 47.18, 0.53%, 0.38%

LAB 53.39, -0.98, 45.47

 

CMYK 0 / 11 / 54 / 48

HEX #84753D

RGB 132 117 61

HSL 47.32, 0.37%, 0.38%

LAB 49.45, -1.97, 32.73

 

CMYK 0 / 7 / 34 / 55

HEX #746C4C

RGB 116 108 76

HSL 48, 0.21%, 0.38%

LAB 45.58, -2.19, 19.07

 

CMYK 0 / 2 / 9 / 60

HEX #65635C

RGB 101 99 92

HSL 46.67, 0.05%, 0.38%

LAB 41.94, -0.6, 4.25

 

CMYK 21 / 17 / 0 / 58

HEX #555A6C

RGB 85 90 108

HSL 226.96, 0.12%, 0.38%

LAB 38.42, 2.32, -10.93

 

CMYK 0 / 52 / 70 / 42

HEX #94472D

RGB 148 71 45

HSL 15.15, 0.53%, 0.38%

LAB 39.57, 30.33, 30.35

 

CMYK 0 / 34 / 70 / 42

HEX #94622D

RGB 148 98 45

HSL 30.87, 0.53%, 0.38%

LAB 45.94, 15.05, 37.53

 

CMYK 0 / 15 / 70 / 42

HEX #947E2D

RGB 148 126 45

HSL 47.18, 0.53%, 0.38%

LAB 53.39, -0.98, 45.47

 

CMYK 3 / 0 / 70 / 42

HEX #8F942D

RGB 143 148 45

HSL 62.91, 0.53%, 0.38%

LAB 59.17, -15.19, 51.22

 

CMYK 22 / 0 / 70 / 42

HEX #73942D

RGB 115 148 45

HSL 79.22, 0.53%, 0.38%

LAB 57.09, -27.2, 48.44

 

CMYK 0 / 15 / 69 / 67

HEX #55481A

RGB 85 72 26

HSL 46.78, 0.53%, 0.22%

LAB 30.97, -0.66, 28.85

 

CMYK 0 / 15 / 70 / 55

HEX #746323

RGB 116 99 35

HSL 47.41, 0.54%, 0.3%

LAB 42.4, -1.1, 37.57

 

CMYK 0 / 15 / 70 / 42

HEX #947E2D

RGB 148 126 45

HSL 47.18, 0.53%, 0.38%

LAB 53.39, -0.98, 45.47

 

CMYK 0 / 15 / 69 / 30

HEX #B39937

RGB 179 153 55

HSL 47.42, 0.53%, 0.46%

LAB 63.87, -1.31, 52.91

 

CMYK 0 / 13 / 62 / 22

HEX #C8AE4C

RGB 200 174 76

HSL 47.42, 0.53%, 0.54%

LAB 71.6, -2.1, 52.49

 

CMYK 0 / 14 / 69 / 41

HEX #95802E

RGB 149.9 128.2 46

HSL 47.47, 0.53%, 0.38%

LAB 54.2, -1.28, 45.93

 

CMYK 68 / 0 / 70 / 42

HEX #2F942D

RGB 47 148 45

HSL 118.83, 0.53%, 0.38%

LAB 54, -49.25, 44.25

 

CMYK 43 / 70 / 0 / 42

HEX #542D94

RGB 84 45 148

HSL 262.72, 0.53%, 0.38%

LAB 29.16, 40.92, -50.27

 

CMYK 0 / 14 / 69 / 41

HEX #95802E

RGB 149.9 128.2 46

HSL 47.47, 0.53%, 0.38%

LAB 54.2, -1.28, 45.93

 

CMYK 70 / 0 / 15 / 42

HEX #2D947E

RGB 45 148 126

HSL 167.18, 0.53%, 0.38%

LAB 55.32, -34.62, 3.15

 

CMYK 15 / 70 / 0 / 42

HEX #7E2D94

RGB 126 45 148

HSL 287.18, 0.53%, 0.38%

LAB 34.9, 50.11, -40.71

 

CMYK 0 / 14 / 69 / 41

HEX #95802E

RGB 149.9 128.2 46

HSL 47.47, 0.53%, 0.38%

LAB 54.2, -1.28, 45.93

 

CMYK 68 / 0 / 70 / 42

HEX #2F942D

RGB 47 148 45

HSL 118.83, 0.53%, 0.38%

LAB 54, -49.25, 44.25

 

CMYK 70 / 55 / 0 / 42

HEX #2D4394

RGB 45 67 148

HSL 227.18, 0.53%, 0.38%

LAB 31.14, 19.84, -47.21

 

CMYK 1 / 70 / 0 / 42

HEX #922D94

RGB 146 45 148

HSL 298.83, 0.53%, 0.38%

LAB 38.07, 54.81, -35.48

 

CMYK 0 / 14 / 69 / 41

HEX #95802E

RGB 149.9 128.2 46

HSL 47.47, 0.53%, 0.38%

LAB 54.2, -1.28, 45.93

 

CMYK 70 / 0 / 50 / 42

HEX #2D944A

RGB 45 148 74

HSL 136.89, 0.53%, 0.38%

LAB 54.27, -45.89, 30.66

 

CMYK 70 / 55 / 0 / 42

HEX #2D4394

RGB 45 67 148

HSL 227.18, 0.53%, 0.38%

LAB 31.14, 19.84, -47.21

 

CMYK 0 / 70 / 20 / 42

HEX #942D77

RGB 148 45 119

HSL 316.89, 0.53%, 0.38%

LAB 36.94, 50.63, -19.34

 

Description

Color code: RGB 149.9 128.2 46 | qconv.com Color code: RGB 149.9 128.2 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149.9 red, 128.2 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149.9 128.2 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 69 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 69% 41% C M Y K

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