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Color name
RGB 149.9 128.2 20

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149.9 128.2 20 it is the complementary color RGB 105.1 126.8 235. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149.9 128.2 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149.9 128.2 20 shade: RGB 154.9 128.2 15, RGB 171.9 146.2 34, RGB 188.9 164.2 53, RGB 205.9 182.2 72 and RGB 222.9 200.2 91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149.9 128.2 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149.9 128.2 20 shade: RGB 149.9 128.2 20, RGB 132.9 110.2 1, RGB 115.9 92.2 0, RGB 98.9 74.2 0 and RGB 81.9 56.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149.9 128.2 20 shade: RGB 148 127 20, RGB 148 92 20, RGB 148 58 20, RGB 148 23 20 and RGB 148 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149.9 128.2 20 shade: RGB 148 127 20, RGB 135 148 20, RGB 100 148 20, RGB 66 148 20 and RGB 31 148 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149.9 128.2 20 shade matches the following richer shades: RGB 148 127 20 and RGB 162 136 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149.9 128.2 20 shade: RGB 148 127 20, RGB 134 118 34, RGB 121 109 47, RGB 107 100 61 and RGB 94 90 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149.9 128.2 20 shade: RGB 148 56 20, RGB 148 91 20, RGB 148 125 20, RGB 137 148 20 and RGB 103 148 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149.9 128.2 20 shade: RGB 75 65 10, RGB 112 96 15, RGB 148 127 20, RGB 184 158 25 and RGB 221 189 30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149.9 128.2 20 shade: RGB 149.9 128.2 20, RGB 20 148 22 and RGB 73 20 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149.9 128.2 20 shade: RGB 149.9 128.2 20, RGB 20 148 125 and RGB 125 20 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149.9 128.2 20 shade: RGB 149.9 128.2 20, RGB 20 148 22, RGB 20 44 148 and RGB 148 20 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149.9 128.2 20 shade: RGB 149.9 128.2 20, RGB 20 148 61, RGB 20 44 148 and RGB 148 20 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 87 / 41

HEX #958014

RGB 149.9 128.2 20

HSL 49.98, 0.76%, 0.33%

LAB 54.04, -2.4, 55.21

 

Complementary color

CMYK 55 / 46 / 0 / 8

HEX #697EEB

RGB 105.1 126.8 235

HSL 229.98, 0.76%, 0.67%

LAB 56.22, 22.95, -57.26

 

CMYK 0 / 17 / 90 / 39

HEX #9A800F

RGB 154.9 128.2 15

HSL 48.55, 0.82%, 0.33%

LAB 54.54, -0.19, 57.02

 

CMYK 0 / 15 / 80 / 33

HEX #AB9222

RGB 171.9 146.2 34

HSL 48.82, 0.67%, 0.4%

LAB 61.22, -1.77, 58.09

 

CMYK 0 / 13 / 72 / 26

HEX #BCA435

RGB 188.9 164.2 53

HSL 49.09, 0.56%, 0.47%

LAB 67.79, -3.06, 57.98

 

CMYK 0 / 12 / 65 / 19

HEX #CDB648

RGB 205.9 182.2 72

HSL 49.38, 0.58%, 0.54%

LAB 74.26, -4.14, 57.3

 

CMYK 0 / 10 / 59 / 13

HEX #DEC85B

RGB 222.9 200.2 91

HSL 49.67, 0.67%, 0.62%

LAB 80.64, -5.05, 56.32

 

CMYK 0 / 14 / 87 / 41

HEX #958014

RGB 149.9 128.2 20

HSL 49.98, 0.76%, 0.33%

LAB 54.04, -2.4, 55.21

 

CMYK 0 / 17 / 99 / 48

HEX #846E01

RGB 132.9 110.2 1

HSL 49.67, 0.99%, 0.26%

LAB 47.2, -0.68, 53.31

 

CMYK 0 / 20 / 100 / 55

HEX #735C00

RGB 115.9 92.2 0

HSL 47.73, 1%, 0.23%

LAB 40.24, 1.5, 47.79

 

CMYK 0 / 25 / 100 / 61

HEX #624A00

RGB 98.9 74.2 0

HSL 45.02, 1%, 0.19%

LAB 33.07, 3.85, 41.89

 

CMYK 0 / 31 / 100 / 68

HEX #513800

RGB 81.9 56.2 0

HSL 41.17, 1%, 0.16%

LAB 25.67, 6.39, 35.15

 

CMYK 0 / 14 / 86 / 42

HEX #947F14

RGB 148 127 20

HSL 50.16, 0.76%, 0.33%

LAB 53.52, -2.61, 54.7

 

CMYK 0 / 38 / 86 / 42

HEX #945C14

RGB 148 92 20

HSL 33.75, 0.76%, 0.33%

LAB 44.23, 17.4, 46.91

 

CMYK 0 / 61 / 86 / 42

HEX #943A14

RGB 148 58 20

HSL 17.81, 0.76%, 0.33%

LAB 36.69, 36, 40.46

 

CMYK 0 / 84 / 86 / 42

HEX #941714

RGB 148 23 20

HSL 1.41, 0.76%, 0.33%

LAB 31.71, 49.59, 36.11

 

CMYK 0 / 86 / 86 / 42

HEX #941414

RGB 148 20 20

HSL 0, 0.76%, 0.33%

LAB 31.46, 50.32, 35.88

 

CMYK 0 / 14 / 86 / 42

HEX #947F14

RGB 148 127 20

HSL 50.16, 0.76%, 0.33%

LAB 53.52, -2.61, 54.7

 

CMYK 9 / 0 / 86 / 42

HEX #879414

RGB 135 148 20

HSL 66.09, 0.76%, 0.33%

LAB 58.4, -19.81, 58.3

 

CMYK 32 / 0 / 86 / 42

HEX #649414

RGB 100 148 20

HSL 82.5, 0.76%, 0.33%

LAB 56.03, -34.55, 55.34

 

CMYK 55 / 0 / 86 / 42

HEX #429414

RGB 66 148 20

HSL 98.44, 0.76%, 0.33%

LAB 54.44, -46.24, 53.33

 

CMYK 79 / 0 / 86 / 42

HEX #1F9414

RGB 31 148 20

HSL 114.84, 0.76%, 0.33%

LAB 53.52, -53.92, 52.16

 

CMYK 0 / 14 / 86 / 42

HEX #947F14

RGB 148 127 20

HSL 50.16, 0.76%, 0.33%

LAB 53.52, -2.61, 54.7

 

CMYK 0 / 16 / 96 / 36

HEX #A28807

RGB 162 136 7

HSL 49.94, 0.92%, 0.33%

LAB 57.37, -1.36, 60.95

 

CMYK 0 / 14 / 86 / 42

HEX #947F14

RGB 148 127 20

HSL 50.16, 0.76%, 0.33%

LAB 53.52, -2.61, 54.7

 

CMYK 0 / 12 / 75 / 47

HEX #867622

RGB 134 118 34

HSL 50.4, 0.6%, 0.33%

LAB 49.67, -3.57, 45.96

 

CMYK 0 / 10 / 61 / 53

HEX #796D2F

RGB 121 109 47

HSL 50.27, 0.44%, 0.33%

LAB 45.92, -3.67, 35.64

 

CMYK 0 / 7 / 43 / 58

HEX #6B643D

RGB 107 100 61

HSL 50.87, 0.27%, 0.33%

LAB 42.12, -3.48, 23.1

 

CMYK 0 / 4 / 20 / 63

HEX #5E5A4B

RGB 94 90 75

HSL 47.37, 0.11%, 0.33%

LAB 38.2, -1.23, 9.25

 

CMYK 0 / 62 / 86 / 42

HEX #943814

RGB 148 56 20

HSL 16.88, 0.76%, 0.33%

LAB 36.32, 36.99, 40.14

 

CMYK 0 / 39 / 86 / 42

HEX #945B14

RGB 148 91 20

HSL 33.28, 0.76%, 0.33%

LAB 43.99, 17.98, 46.7

 

CMYK 0 / 16 / 86 / 42

HEX #947D14

RGB 148 125 20

HSL 49.22, 0.76%, 0.33%

LAB 52.96, -1.5, 54.23

 

CMYK 7 / 0 / 86 / 42

HEX #899414

RGB 137 148 20

HSL 65.16, 0.76%, 0.33%

LAB 58.55, -18.93, 58.5

 

CMYK 30 / 0 / 86 / 42

HEX #679414

RGB 103 148 20

HSL 81.09, 0.76%, 0.33%

LAB 56.2, -33.37, 55.56

 

CMYK 0 / 13 / 87 / 71

HEX #4B410A

RGB 75 65 10

HSL 50.77, 0.76%, 0.17%

LAB 27.57, -2.38, 32.49

 

CMYK 0 / 14 / 87 / 56

HEX #70600F

RGB 112 96 15

HSL 50.1, 0.76%, 0.25%

LAB 40.97, -2.25, 44.07

 

CMYK 0 / 14 / 86 / 42

HEX #947F14

RGB 148 127 20

HSL 50.16, 0.76%, 0.33%

LAB 53.52, -2.61, 54.7

 

CMYK 0 / 14 / 86 / 28

HEX #B89E19

RGB 184 158 25

HSL 50.19, 0.76%, 0.41%

LAB 65.53, -2.95, 64.77

 

CMYK 0 / 14 / 86 / 13

HEX #DDBD1E

RGB 221 189 30

HSL 49.95, 0.76%, 0.49%

LAB 77.2, -2.85, 74.56

 

CMYK 0 / 14 / 87 / 41

HEX #958014

RGB 149.9 128.2 20

HSL 49.98, 0.76%, 0.33%

LAB 54.04, -2.4, 55.21

 

CMYK 86 / 0 / 85 / 42

HEX #149416

RGB 20 148 22

HSL 120.94, 0.76%, 0.33%

LAB 53.37, -55.17, 51.46

 

CMYK 51 / 86 / 0 / 42

HEX #491494

RGB 73 20 148

HSL 264.84, 0.76%, 0.33%

LAB 23.85, 50.44, -59.02

 

CMYK 0 / 14 / 87 / 41

HEX #958014

RGB 149.9 128.2 20

HSL 49.98, 0.76%, 0.33%

LAB 54.04, -2.4, 55.21

 

CMYK 86 / 0 / 16 / 42

HEX #14947D

RGB 20 148 125

HSL 169.22, 0.76%, 0.33%

LAB 54.88, -37.84, 3.03

 

CMYK 16 / 86 / 0 / 42

HEX #7D1494

RGB 125 20 148

HSL 289.22, 0.76%, 0.33%

LAB 31.8, 58.34, -45.71

 

CMYK 0 / 14 / 87 / 41

HEX #958014

RGB 149.9 128.2 20

HSL 49.98, 0.76%, 0.33%

LAB 54.04, -2.4, 55.21

 

CMYK 86 / 0 / 85 / 42

HEX #149416

RGB 20 148 22

HSL 120.94, 0.76%, 0.33%

LAB 53.37, -55.17, 51.46

 

CMYK 86 / 70 / 0 / 42

HEX #142C94

RGB 20 44 148

HSL 228.75, 0.76%, 0.33%

LAB 23.96, 32.58, -58.98

 

CMYK 0 / 86 / 1 / 42

HEX #941492

RGB 148 20 146

HSL 300.94, 0.76%, 0.33%

LAB 35.74, 62.27, -37.95

 

CMYK 0 / 14 / 87 / 41

HEX #958014

RGB 149.9 128.2 20

HSL 49.98, 0.76%, 0.33%

LAB 54.04, -2.4, 55.21

 

CMYK 86 / 0 / 59 / 42

HEX #14943D

RGB 20 148 61

HSL 139.22, 0.76%, 0.33%

LAB 53.67, -51.43, 36.43

 

CMYK 86 / 70 / 0 / 42

HEX #142C94

RGB 20 44 148

HSL 228.75, 0.76%, 0.33%

LAB 23.96, 32.58, -58.98

 

CMYK 0 / 86 / 27 / 42

HEX #94146C

RGB 148 20 108

HSL 318.75, 0.76%, 0.33%

LAB 33.73, 56.87, -17.34

 

Description

Color code: RGB 149.9 128.2 20 | qconv.com Color code: RGB 149.9 128.2 20 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149.9 red, 128.2 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149.9 128.2 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 87 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 87% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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