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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149.9 128.2 156 it is the complementary color RGB 105.1 126.8 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149.9 128.2 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149.9 128.2 156 shade: RGB 154.9 128.2 151, RGB 171.9 146.2 170, RGB 188.9 164.2 189, RGB 205.9 182.2 208 and RGB 222.9 200.2 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149.9 128.2 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149.9 128.2 156 shade: RGB 149.9 128.2 156, RGB 132.9 110.2 137, RGB 115.9 92.2 118, RGB 98.9 74.2 99 and RGB 81.9 56.2 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149.9 128.2 156 shade: RGB 150 129 156, RGB 156 129 155, RGB 156 129 148, RGB 156 129 140 and RGB 156 129 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149.9 128.2 156 shade: RGB 150 129 156, RGB 143 129 156, RGB 136 129 156 and RGB 129 129 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149.9 128.2 156 shade matches the following richer shades: RGB 150 129 156, RGB 161 111 174, RGB 171 93 193, RGB 181 75 211 and RGB 191 57 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149.9 128.2 156 shade: RGB 150 129 156, RGB 140 147 138, RGB 130 166 120, RGB 120 184 102 and RGB 110 202 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149.9 128.2 156 shade: RGB 136 129 156, RGB 143 129 156, RGB 150 129 156, RGB 156 129 155 and RGB 156 129 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149.9 128.2 156 shade: RGB 108 89 114, RGB 130 108 137, RGB 150 129 156, RGB 170 152 174 and RGB 189 176 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149.9 128.2 156 shade: RGB 149.9 128.2 156, RGB 156 129 130 and RGB 129 156 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149.9 128.2 156 shade: RGB 149.9 128.2 156, RGB 156 150 129 and RGB 129 156 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149.9 128.2 156 shade: RGB 149.9 128.2 156, RGB 156 129 130, RGB 136 156 129 and RGB 129 156 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149.9 128.2 156 shade: RGB 149.9 128.2 156, RGB 156 137 129, RGB 136 156 129 and RGB 129 149 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 18 / 0 / 39

HEX #95809C

RGB 149.9 128.2 156

HSL 286.83, 0.12%, 0.56%

LAB 56.45, 13.55, -11.78

 

Complementary color

CMYK 17 / 0 / 22 / 50

HEX #697E63

RGB 105.1 126.8 99

HSL 106.83, 0.12%, 0.44%

LAB 50.73, -13.57, 12.56

 

CMYK 0 / 17 / 3 / 39

HEX #9A8097

RGB 154.9 128.2 151

HSL 308.76, 0.12%, 0.56%

LAB 56.77, 14.35, -8.38

 

CMYK 0 / 15 / 1 / 33

HEX #AB92AA

RGB 171.9 146.2 170

HSL 304.44, 0.13%, 0.62%

LAB 63.57, 13.87, -8.9

 

CMYK 0 / 13 / 0 / 26

HEX #BCA4BD

RGB 188.9 164.2 189

HSL 299.76, 0.16%, 0.69%

LAB 70.25, 13.44, -9.4

 

CMYK 1 / 12 / 0 / 18

HEX #CDB6D0

RGB 205.9 182.2 208

HSL 295.12, 0.22%, 0.77%

LAB 76.8, 13.04, -9.89

 

CMYK 2 / 12 / 0 / 11

HEX #DEC8E3

RGB 222.9 200.2 227

HSL 290.82, 0.32%, 0.84%

LAB 83.24, 12.67, -10.36

 

CMYK 4 / 18 / 0 / 39

HEX #95809C

RGB 149.9 128.2 156

HSL 286.83, 0.12%, 0.56%

LAB 56.45, 13.55, -11.78

 

CMYK 3 / 20 / 0 / 46

HEX #846E89

RGB 132.9 110.2 137

HSL 290.82, 0.11%, 0.48%

LAB 49.47, 14.05, -11.35

 

CMYK 2 / 22 / 0 / 54

HEX #735C76

RGB 115.9 92.2 118

HSL 295.12, 0.12%, 0.41%

LAB 42.31, 14.61, -10.9

 

CMYK 0 / 25 / 0 / 61

HEX #624A63

RGB 98.9 74.2 99

HSL 299.76, 0.14%, 0.34%

LAB 34.95, 15.25, -10.44

 

CMYK 0 / 31 / 2 / 68

HEX #513850

RGB 81.9 56.2 80

HSL 304.44, 0.19%, 0.27%

LAB 27.34, 15.99, -9.94

 

CMYK 4 / 17 / 0 / 39

HEX #96819C

RGB 150 129 156

HSL 286.67, 0.12%, 0.56%

LAB 56.67, 13.12, -11.46

 

CMYK 0 / 17 / 1 / 39

HEX #9C819B

RGB 156 129 155

HSL 302.22, 0.12%, 0.56%

LAB 57.21, 15.06, -10.02

 

CMYK 0 / 17 / 5 / 39

HEX #9C8194

RGB 156 129 148

HSL 317.78, 0.12%, 0.56%

LAB 56.98, 13.71, -6.31

 

CMYK 0 / 17 / 10 / 39

HEX #9C818C

RGB 156 129 140

HSL 335.56, 0.12%, 0.56%

LAB 56.74, 12.24, -2.04

 

CMYK 0 / 17 / 15 / 39

HEX #9C8185

RGB 156 129 133

HSL 351.11, 0.12%, 0.56%

LAB 56.55, 11.01, 1.72

 

CMYK 4 / 17 / 0 / 39

HEX #96819C

RGB 150 129 156

HSL 286.67, 0.12%, 0.56%

LAB 56.67, 13.12, -11.46

 

CMYK 8 / 17 / 0 / 39

HEX #8F819C

RGB 143 129 156

HSL 271.11, 0.12%, 0.56%

LAB 56.03, 10.65, -12.49

 

CMYK 13 / 17 / 0 / 39

HEX #88819C

RGB 136 129 156

HSL 255.56, 0.12%, 0.56%

LAB 55.42, 8.22, -13.47

 

CMYK 17 / 17 / 0 / 39

HEX #81819C

RGB 129 129 156

HSL 240, 0.12%, 0.56%

LAB 54.83, 5.83, -14.41

 

CMYK 4 / 17 / 0 / 39

HEX #96819C

RGB 150 129 156

HSL 286.67, 0.12%, 0.56%

LAB 56.67, 13.12, -11.46

 

CMYK 7 / 36 / 0 / 32

HEX #A16FAE

RGB 161 111 174

HSL 287.62, 0.28%, 0.56%

LAB 54.03, 30.93, -25.78

 

CMYK 11 / 52 / 0 / 24

HEX #AB5DC1

RGB 171 93 193

HSL 286.8, 0.45%, 0.56%

LAB 52.22, 47.66, -39.49

 

CMYK 14 / 64 / 0 / 17

HEX #B54BD3

RGB 181 75 211

HSL 286.76, 0.61%, 0.56%

LAB 51.33, 62.35, -51.13

 

CMYK 17 / 75 / 0 / 10

HEX #BF39E5

RGB 191 57 229

HSL 286.74, 0.77%, 0.56%

LAB 51.45, 74.65, -61.09

 

CMYK 4 / 17 / 0 / 39

HEX #96819C

RGB 150 129 156

HSL 286.67, 0.12%, 0.56%

LAB 56.67, 13.12, -11.46

 

CMYK 5 / 0 / 6 / 42

HEX #8C938A

RGB 140 147 138

HSL 106.67, 0.04%, 0.56%

LAB 60.14, -4.29, 3.88

 

CMYK 22 / 0 / 28 / 35

HEX #82A678

RGB 130 166 120

HSL 106.96, 0.21%, 0.56%

LAB 64.46, -21.28, 19.91

 

CMYK 35 / 0 / 45 / 28

HEX #78B866

RGB 120 184 102

HSL 106.83, 0.37%, 0.56%

LAB 68.92, -36.2, 35.23

 

CMYK 46 / 0 / 58 / 21

HEX #6ECA54

RGB 110 202 84

HSL 106.78, 0.53%, 0.56%

LAB 73.67, -49.33, 49.58

 

CMYK 13 / 17 / 0 / 39

HEX #88819C

RGB 136 129 156

HSL 255.56, 0.12%, 0.56%

LAB 55.42, 8.22, -13.47

 

CMYK 8 / 17 / 0 / 39

HEX #8F819C

RGB 143 129 156

HSL 271.11, 0.12%, 0.56%

LAB 56.03, 10.65, -12.49

 

CMYK 4 / 17 / 0 / 39

HEX #96819C

RGB 150 129 156

HSL 286.67, 0.12%, 0.56%

LAB 56.67, 13.12, -11.46

 

CMYK 0 / 17 / 1 / 39

HEX #9C819B

RGB 156 129 155

HSL 302.22, 0.12%, 0.56%

LAB 57.21, 15.06, -10.02

 

CMYK 0 / 17 / 5 / 39

HEX #9C8194

RGB 156 129 148

HSL 317.78, 0.12%, 0.56%

LAB 56.98, 13.71, -6.31

 

CMYK 5 / 22 / 0 / 55

HEX #6C5972

RGB 108 89 114

HSL 285.6, 0.12%, 0.4%

LAB 40.49, 12.76, -11.29

 

CMYK 5 / 21 / 0 / 46

HEX #826C89

RGB 130 108 137

HSL 285.52, 0.12%, 0.48%

LAB 48.61, 14.3, -12.68

 

CMYK 4 / 17 / 0 / 39

HEX #96819C

RGB 150 129 156

HSL 286.67, 0.12%, 0.56%

LAB 56.67, 13.12, -11.46

 

CMYK 2 / 13 / 0 / 32

HEX #AA98AE

RGB 170 152 174

HSL 289.09, 0.12%, 0.64%

LAB 65.01, 10.72, -9.03

 

CMYK 2 / 9 / 0 / 24

HEX #BDB0C1

RGB 189 176 193

HSL 285.88, 0.12%, 0.72%

LAB 73.36, 7.77, -6.97

 

CMYK 4 / 18 / 0 / 39

HEX #95809C

RGB 149.9 128.2 156

HSL 286.83, 0.12%, 0.56%

LAB 56.45, 13.55, -11.78

 

CMYK 0 / 17 / 17 / 39

HEX #9C8182

RGB 156 129 130

HSL 357.78, 0.12%, 0.56%

LAB 56.47, 10.5, 3.34

 

CMYK 17 / 0 / 11 / 39

HEX #819C8B

RGB 129 156 139

HSL 142.22, 0.12%, 0.56%

LAB 61.92, -12.95, 5.77

 

CMYK 4 / 18 / 0 / 39

HEX #95809C

RGB 149.9 128.2 156

HSL 286.83, 0.12%, 0.56%

LAB 56.45, 13.55, -11.78

 

CMYK 0 / 4 / 17 / 39

HEX #9C9681

RGB 156 150 129

HSL 46.67, 0.12%, 0.56%

LAB 62.05, -1.47, 11.87

 

CMYK 17 / 0 / 4 / 39

HEX #819C96

RGB 129 156 150

HSL 166.67, 0.12%, 0.56%

LAB 62.21, -10.68, -0.01

 

CMYK 4 / 18 / 0 / 39

HEX #95809C

RGB 149.9 128.2 156

HSL 286.83, 0.12%, 0.56%

LAB 56.45, 13.55, -11.78

 

CMYK 0 / 17 / 17 / 39

HEX #9C8182

RGB 156 129 130

HSL 357.78, 0.12%, 0.56%

LAB 56.47, 10.5, 3.34

 

CMYK 13 / 0 / 17 / 39

HEX #889C81

RGB 136 156 129

HSL 104.44, 0.12%, 0.56%

LAB 62.17, -12.33, 11.81

 

CMYK 17 / 0 / 1 / 39

HEX #819C9B

RGB 129 156 155

HSL 177.78, 0.12%, 0.56%

LAB 62.35, -9.6, -2.63

 

CMYK 4 / 18 / 0 / 39

HEX #95809C

RGB 149.9 128.2 156

HSL 286.83, 0.12%, 0.56%

LAB 56.45, 13.55, -11.78

 

CMYK 0 / 12 / 17 / 39

HEX #9C8981

RGB 156 137 129

HSL 17.78, 0.12%, 0.56%

LAB 58.55, 5.79, 6.91

 

CMYK 13 / 0 / 17 / 39

HEX #889C81

RGB 136 156 129

HSL 104.44, 0.12%, 0.56%

LAB 62.17, -12.33, 11.81

 

CMYK 17 / 4 / 0 / 39

HEX #81959C

RGB 129 149 156

HSL 195.56, 0.12%, 0.56%

LAB 60.39, -5.54, -6.08

 

Description

Color code: RGB 149.9 128.2 156 | qconv.com Color code: RGB 149.9 128.2 156 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149.9 red, 128.2 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149.9 128.2 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 18 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 18% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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