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Color name
RGB 149.3 126.4 72

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149.3 126.4 72 it is the complementary color RGB 105.7 128.6 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149.3 126.4 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149.3 126.4 72 shade: RGB 154.3 126.4 67, RGB 171.3 144.4 86, RGB 188.3 162.4 105, RGB 205.3 180.4 124 and RGB 222.3 198.4 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149.3 126.4 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149.3 126.4 72 shade: RGB 149.3 126.4 72, RGB 132.3 108.4 53, RGB 115.3 90.4 34, RGB 98.3 72.4 15 and RGB 81.3 54.4 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149.3 126.4 72 shade: RGB 148 125 71, RGB 148 105 71, RGB 148 84 71 and RGB 148 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149.3 126.4 72 shade: RGB 148 125 71, RGB 148 146 71, RGB 129 148 71, RGB 109 148 71 and RGB 88 148 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149.3 126.4 72 shade matches the following richer shades: RGB 148 125 71, RGB 166 133 54, RGB 184 140 36, RGB 201 147 18 and RGB 219 154 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149.3 126.4 72 shade: RGB 148 125 71, RGB 130 118 89, RGB 113 111 107, RGB 95 104 124 and RGB 77 96 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149.3 126.4 72 shade: RGB 148 84 71, RGB 148 105 71, RGB 148 125 71, RGB 148 145 71 and RGB 130 148 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149.3 126.4 72 shade: RGB 92 78 44, RGB 120 102 58, RGB 148 125 71, RGB 174 148 87 and RGB 187 166 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149.3 126.4 72 shade: RGB 149.3 126.4 72, RGB 79 148 71 and RGB 94 71 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149.3 126.4 72 shade: RGB 149.3 126.4 72, RGB 71 148 125 and RGB 125 71 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149.3 126.4 72 shade: RGB 149.3 126.4 72, RGB 79 148 71, RGB 71 94 148 and RGB 140 71 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149.3 126.4 72 shade: RGB 149.3 126.4 72, RGB 71 148 87, RGB 71 94 148 and RGB 148 71 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 52 / 41

HEX #957E48

RGB 149.3 126.4 72

HSL 42.23, 0.35%, 0.43%

LAB 53.93, 1.47, 32.66

 

Complementary color

CMYK 42 / 30 / 0 / 28

HEX #6980B7

RGB 105.7 128.6 183

HSL 222.23, 0.35%, 0.57%

LAB 54.09, 6.05, -31.25

 

CMYK 0 / 18 / 57 / 39

HEX #9A7E43

RGB 154.3 126.4 67

HSL 40.82, 0.39%, 0.43%

LAB 54.37, 3.23, 35.97

 

CMYK 0 / 16 / 50 / 33

HEX #AB9056

RGB 171.3 144.4 86

HSL 41.08, 0.34%, 0.5%

LAB 61.16, 2.36, 34.61

 

CMYK 0 / 14 / 44 / 26

HEX #BCA269

RGB 188.3 162.4 105

HSL 41.34, 0.38%, 0.58%

LAB 67.82, 1.64, 33.29

 

CMYK 0 / 12 / 40 / 19

HEX #CDB47C

RGB 205.3 180.4 124

HSL 41.62, 0.45%, 0.65%

LAB 74.37, 1.04, 32.04

 

CMYK 0 / 11 / 36 / 13

HEX #DEC68F

RGB 222.3 198.4 143

HSL 41.92, 0.55%, 0.72%

LAB 80.81, 0.52, 30.85

 

CMYK 0 / 15 / 52 / 41

HEX #957E48

RGB 149.3 126.4 72

HSL 42.23, 0.35%, 0.43%

LAB 53.93, 1.47, 32.66

 

CMYK 0 / 18 / 60 / 48

HEX #846C35

RGB 132.3 108.4 53

HSL 41.92, 0.43%, 0.36%

LAB 46.97, 2.39, 34.05

 

CMYK 0 / 22 / 71 / 55

HEX #735A22

RGB 115.3 90.4 34

HSL 41.62, 0.54%, 0.29%

LAB 39.85, 3.58, 35.33

 

CMYK 0 / 26 / 85 / 61

HEX #62480F

RGB 98.3 72.4 15

HSL 41.34, 0.74%, 0.22%

LAB 32.56, 5.15, 36.07

 

CMYK 0 / 33 / 100 / 68

HEX #513600

RGB 81.3 54.4 0

HSL 40.15, 1%, 0.16%

LAB 25.07, 7.23, 34.56

 

CMYK 0 / 16 / 52 / 42

HEX #947D47

RGB 148 125 71

HSL 42.08, 0.35%, 0.43%

LAB 53.4, 1.59, 32.52

 

CMYK 0 / 29 / 52 / 42

HEX #946947

RGB 148 105 71

HSL 26.49, 0.35%, 0.43%

LAB 48.08, 13.06, 25.86

 

CMYK 0 / 43 / 52 / 42

HEX #945447

RGB 148 84 71

HSL 10.13, 0.35%, 0.43%

LAB 42.9, 25.16, 19.14

 

CMYK 0 / 52 / 52 / 42

HEX #944747

RGB 148 71 71

HSL 0, 0.35%, 0.43%

LAB 40.01, 32.35, 15.28

 

CMYK 0 / 16 / 52 / 42

HEX #947D47

RGB 148 125 71

HSL 42.08, 0.35%, 0.43%

LAB 53.4, 1.59, 32.52

 

CMYK 0 / 1 / 52 / 42

HEX #949247

RGB 148 146 71

HSL 58.44, 0.35%, 0.43%

LAB 59.26, -10, 39.56

 

CMYK 13 / 0 / 52 / 42

HEX #819447

RGB 129 148 71

HSL 74.81, 0.35%, 0.43%

LAB 58.32, -19.14, 38.08

 

CMYK 26 / 0 / 52 / 42

HEX #6D9447

RGB 109 148 71

HSL 90.39, 0.35%, 0.43%

LAB 56.96, -27.19, 36.13

 

CMYK 41 / 0 / 52 / 42

HEX #589447

RGB 88 148 71

HSL 106.75, 0.35%, 0.43%

LAB 55.8, -34.82, 34.44

 

CMYK 0 / 16 / 52 / 42

HEX #947D47

RGB 148 125 71

HSL 42.08, 0.35%, 0.43%

LAB 53.4, 1.59, 32.52

 

CMYK 0 / 20 / 67 / 35

HEX #A68536

RGB 166 133 54

HSL 42.32, 0.51%, 0.43%

LAB 57.22, 3.81, 45.98

 

CMYK 0 / 24 / 80 / 28

HEX #B88C24

RGB 184 140 36

HSL 42.16, 0.67%, 0.43%

LAB 60.85, 7.16, 57.55

 

CMYK 0 / 27 / 91 / 21

HEX #C99312

RGB 201 147 18

HSL 42.3, 0.84%, 0.43%

LAB 64.43, 10.45, 66.2

 

CMYK 0 / 30 / 100 / 14

HEX #DB9A00

RGB 219 154 0

HSL 42.19, 1%, 0.43%

LAB 68.15, 14.38, 72.43

 

CMYK 0 / 16 / 52 / 42

HEX #947D47

RGB 148 125 71

HSL 42.08, 0.35%, 0.43%

LAB 53.4, 1.59, 32.52

 

CMYK 0 / 9 / 32 / 49

HEX #827659

RGB 130 118 89

HSL 42.44, 0.19%, 0.43%

LAB 50.01, -0.13, 17.69

 

CMYK 0 / 2 / 5 / 56

HEX #716F6B

RGB 113 111 107

HSL 40, 0.03%, 0.43%

LAB 46.9, -0.02, 2.49

 

CMYK 23 / 16 / 0 / 51

HEX #5F687C

RGB 95 104 124

HSL 221.38, 0.13%, 0.43%

LAB 43.93, 1.32, -12.28

 

CMYK 46 / 32 / 0 / 44

HEX #4D608E

RGB 77 96 142

HSL 222.46, 0.3%, 0.43%

LAB 41.05, 5.8, -27.67

 

CMYK 0 / 43 / 52 / 42

HEX #945447

RGB 148 84 71

HSL 10.13, 0.35%, 0.43%

LAB 42.9, 25.16, 19.14

 

CMYK 0 / 29 / 52 / 42

HEX #946947

RGB 148 105 71

HSL 26.49, 0.35%, 0.43%

LAB 48.08, 13.06, 25.86

 

CMYK 0 / 16 / 52 / 42

HEX #947D47

RGB 148 125 71

HSL 42.08, 0.35%, 0.43%

LAB 53.4, 1.59, 32.52

 

CMYK 0 / 2 / 52 / 42

HEX #949147

RGB 148 145 71

HSL 57.66, 0.35%, 0.43%

LAB 58.98, -9.46, 39.23

 

CMYK 12 / 0 / 52 / 42

HEX #829447

RGB 130 148 71

HSL 74.03, 0.35%, 0.43%

LAB 58.4, -18.72, 38.19

 

CMYK 0 / 15 / 52 / 64

HEX #5C4E2C

RGB 92 78 44

HSL 42.5, 0.35%, 0.27%

LAB 33.79, 0.74, 22.19

 

CMYK 0 / 15 / 52 / 53

HEX #78663A

RGB 120 102 58

HSL 42.58, 0.35%, 0.35%

LAB 43.95, 0.94, 27.38

 

CMYK 0 / 16 / 52 / 42

HEX #947D47

RGB 148 125 71

HSL 42.08, 0.35%, 0.43%

LAB 53.4, 1.59, 32.52

 

CMYK 0 / 15 / 50 / 32

HEX #AE9457

RGB 174 148 87

HSL 42.07, 0.35%, 0.51%

LAB 62.39, 1.64, 35.67

 

CMYK 0 / 11 / 39 / 27

HEX #BBA672

RGB 187 166 114

HSL 42.74, 0.35%, 0.59%

LAB 68.79, 0.16, 29.73

 

CMYK 0 / 15 / 52 / 41

HEX #957E48

RGB 149.3 126.4 72

HSL 42.23, 0.35%, 0.43%

LAB 53.93, 1.47, 32.66

 

CMYK 47 / 0 / 52 / 42

HEX #4F9447

RGB 79 148 71

HSL 113.77, 0.35%, 0.43%

LAB 55.38, -37.75, 33.83

 

CMYK 36 / 52 / 0 / 42

HEX #5E4794

RGB 94 71 148

HSL 257.92, 0.35%, 0.43%

LAB 36.03, 28.05, -39.14

 

CMYK 0 / 15 / 52 / 41

HEX #957E48

RGB 149.3 126.4 72

HSL 42.23, 0.35%, 0.43%

LAB 53.93, 1.47, 32.66

 

CMYK 52 / 0 / 16 / 42

HEX #47947D

RGB 71 148 125

HSL 162.08, 0.35%, 0.43%

LAB 56.09, -29.62, 4.93

 

CMYK 16 / 52 / 0 / 42

HEX #7D4794

RGB 125 71 148

HSL 282.08, 0.35%, 0.43%

LAB 39.59, 36.79, -33.27

 

CMYK 0 / 15 / 52 / 41

HEX #957E48

RGB 149.3 126.4 72

HSL 42.23, 0.35%, 0.43%

LAB 53.93, 1.47, 32.66

 

CMYK 47 / 0 / 52 / 42

HEX #4F9447

RGB 79 148 71

HSL 113.77, 0.35%, 0.43%

LAB 55.38, -37.75, 33.83

 

CMYK 52 / 36 / 0 / 42

HEX #475E94

RGB 71 94 148

HSL 222.08, 0.35%, 0.43%

LAB 40.38, 7.43, -32.36

 

CMYK 5 / 52 / 0 / 42

HEX #8C4794

RGB 140 71 148

HSL 293.77, 0.35%, 0.43%

LAB 41.56, 41.2, -30.03

 

CMYK 0 / 15 / 52 / 41

HEX #957E48

RGB 149.3 126.4 72

HSL 42.23, 0.35%, 0.43%

LAB 53.93, 1.47, 32.66

 

CMYK 52 / 0 / 41 / 42

HEX #479457

RGB 71 148 87

HSL 132.47, 0.35%, 0.43%

LAB 55.29, -37.61, 25.16

 

CMYK 52 / 36 / 0 / 42

HEX #475E94

RGB 71 94 148

HSL 222.08, 0.35%, 0.43%

LAB 40.38, 7.43, -32.36

 

CMYK 0 / 52 / 10 / 42

HEX #944785

RGB 148 71 133

HSL 311.69, 0.35%, 0.43%

LAB 41.99, 40.83, -20.18

 

Description

Color code: RGB 149.3 126.4 72 | qconv.com Color code: RGB 149.3 126.4 72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149.3 red, 126.4 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149.3 126.4 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 52 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 52% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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