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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149.1 72.8 72 it is the complementary color RGB 105.9 182.2 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149.1 72.8 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149.1 72.8 72 shade: RGB 154.1 72.8 67, RGB 171.1 90.8 86, RGB 188.1 108.8 105, RGB 205.1 126.8 124 and RGB 222.1 144.8 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149.1 72.8 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149.1 72.8 72 shade: RGB 149.1 72.8 72, RGB 132.1 54.8 53, RGB 115.1 36.8 34, RGB 98.1 18.8 15 and RGB 81.1 0.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149.1 72.8 72 shade: RGB 148 72 71 and RGB 148 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149.1 72.8 72 shade: RGB 148 72 71, RGB 148 93 71, RGB 148 113 71, RGB 148 134 71 and RGB 141 148 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149.1 72.8 72 shade matches the following richer shades: RGB 148 72 71, RGB 166 55 54, RGB 184 37 36, RGB 201 20 18 and RGB 219 3 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149.1 72.8 72 shade: RGB 148 72 71, RGB 130 89 89, RGB 113 107 107, RGB 95 124 124 and RGB 77 142 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149.1 72.8 72 shade: RGB 148 71 112, RGB 148 71 92, RGB 148 71 71, RGB 148 92 71 and RGB 148 112 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149.1 72.8 72 shade: RGB 92 45 44, RGB 120 59 58, RGB 148 72 71, RGB 174 88 87 and RGB 187 115 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149.1 72.8 72 shade: RGB 149.1 72.8 72, RGB 133 148 71 and RGB 71 102 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149.1 72.8 72 shade: RGB 149.1 72.8 72, RGB 71 148 71 and RGB 71 71 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149.1 72.8 72 shade: RGB 149.1 72.8 72, RGB 133 148 71, RGB 71 148 148 and RGB 87 71 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149.1 72.8 72 shade: RGB 149.1 72.8 72, RGB 110 148 71, RGB 71 148 148 and RGB 110 71 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 52 / 42

HEX #954848

RGB 149.1 72.8 72

HSL 0.62, 0.35%, 0.43%

LAB 40.58, 31.91, 15.46

 

Complementary color

CMYK 42 / 0 / 0 / 28

HEX #69B6B7

RGB 105.9 182.2 183

HSL 180.62, 0.35%, 0.57%

LAB 69.48, -23.36, -7.82

 

CMYK 0 / 53 / 57 / 40

HEX #9A4843

RGB 154.1 72.8 67

HSL 4, 0.39%, 0.43%

LAB 41.25, 33.42, 19.56

 

CMYK 0 / 47 / 50 / 33

HEX #AB5A56

RGB 171.1 90.8 86

HSL 3.38, 0.34%, 0.5%

LAB 47.99, 32.18, 17.54

 

CMYK 0 / 42 / 44 / 26

HEX #BC6C69

RGB 188.1 108.8 105

HSL 2.74, 0.38%, 0.57%

LAB 54.68, 31.04, 15.85

 

CMYK 0 / 38 / 40 / 20

HEX #CD7E7C

RGB 205.1 126.8 124

HSL 2.07, 0.45%, 0.65%

LAB 61.29, 29.99, 14.39

 

CMYK 0 / 35 / 36 / 13

HEX #DE908F

RGB 222.1 144.8 143

HSL 1.37, 0.55%, 0.72%

LAB 67.81, 29.04, 13.1

 

CMYK 0 / 51 / 52 / 42

HEX #954848

RGB 149.1 72.8 72

HSL 0.62, 0.35%, 0.43%

LAB 40.58, 31.91, 15.46

 

CMYK 0 / 59 / 60 / 48

HEX #843635

RGB 132.1 54.8 53

HSL 1.37, 0.43%, 0.36%

LAB 33.74, 33.12, 17.74

 

CMYK 0 / 68 / 70 / 55

HEX #732422

RGB 115.1 36.8 34

HSL 2.07, 0.54%, 0.29%

LAB 26.96, 34.22, 20.68

 

CMYK 0 / 81 / 85 / 62

HEX #62120F

RGB 98.1 18.8 15

HSL 2.74, 0.73%, 0.22%

LAB 20.42, 34.78, 24.24

 

CMYK 0 / 99 / 100 / 68

HEX #510000

RGB 81.1 0.8 0

HSL 0.59, 1%, 0.16%

LAB 14.24, 34.59, 22.23

 

CMYK 0 / 51 / 52 / 42

HEX #944847

RGB 148 72 71

HSL 0.78, 0.35%, 0.43%

LAB 40.22, 31.81, 15.56

 

CMYK 0 / 52 / 52 / 42

HEX #944747

RGB 148 71 71

HSL 0, 0.35%, 0.43%

LAB 40.01, 32.35, 15.28

 

CMYK 0 / 51 / 52 / 42

HEX #944847

RGB 148 72 71

HSL 0.78, 0.35%, 0.43%

LAB 40.22, 31.81, 15.56

 

CMYK 0 / 37 / 52 / 42

HEX #945D47

RGB 148 93 71

HSL 17.14, 0.35%, 0.43%

LAB 45.05, 20.01, 21.97

 

CMYK 0 / 24 / 52 / 42

HEX #947147

RGB 148 113 71

HSL 32.73, 0.35%, 0.43%

LAB 50.17, 8.44, 28.51

 

CMYK 0 / 9 / 52 / 42

HEX #948647

RGB 148 134 71

HSL 49.09, 0.35%, 0.43%

LAB 55.89, -3.45, 35.54

 

CMYK 5 / 0 / 52 / 42

HEX #8D9447

RGB 141 148 71

HSL 65.45, 0.35%, 0.43%

LAB 59.25, -14.08, 39.4

 

CMYK 0 / 51 / 52 / 42

HEX #944847

RGB 148 72 71

HSL 0.78, 0.35%, 0.43%

LAB 40.22, 31.81, 15.56

 

CMYK 0 / 67 / 67 / 35

HEX #A63736

RGB 166 55 54

HSL 0.54, 0.51%, 0.43%

LAB 39.76, 45.5, 25.99

 

CMYK 0 / 80 / 80 / 28

HEX #B82524

RGB 184 37 36

HSL 0.41, 0.67%, 0.43%

LAB 40.64, 56.92, 38.46

 

CMYK 0 / 90 / 91 / 21

HEX #C91412

RGB 201 20 18

HSL 0.66, 0.84%, 0.43%

LAB 42.71, 64.94, 50.4

 

CMYK 0 / 99 / 100 / 14

HEX #DB0300

RGB 219 3 0

HSL 0.82, 1%, 0.43%

LAB 45.81, 71.15, 59.95

 

CMYK 0 / 51 / 52 / 42

HEX #944847

RGB 148 72 71

HSL 0.78, 0.35%, 0.43%

LAB 40.22, 31.81, 15.56

 

CMYK 0 / 32 / 32 / 49

HEX #825959

RGB 130 89 89

HSL 0, 0.19%, 0.43%

LAB 42.17, 16.92, 6.82

 

CMYK 0 / 5 / 5 / 56

HEX #716B6B

RGB 113 107 107

HSL 0, 0.03%, 0.43%

LAB 45.75, 2.34, 0.83

 

CMYK 23 / 0 / 0 / 51

HEX #5F7C7C

RGB 95 124 124

HSL 180, 0.13%, 0.43%

LAB 49.86, -10.34, -3.41

 

CMYK 46 / 0 / 0 / 44

HEX #4D8E8E

RGB 77 142 142

HSL 180, 0.3%, 0.43%

LAB 54.95, -20.72, -6.48

 

CMYK 0 / 52 / 24 / 42

HEX #944770

RGB 148 71 112

HSL 328.05, 0.35%, 0.43%

LAB 41.17, 37.42, -8.54

 

CMYK 0 / 52 / 38 / 42

HEX #94475C

RGB 148 71 92

HSL 343.64, 0.35%, 0.43%

LAB 40.53, 34.67, 2.94

 

CMYK 0 / 52 / 52 / 42

HEX #944747

RGB 148 71 71

HSL 0, 0.35%, 0.43%

LAB 40.01, 32.35, 15.28

 

CMYK 0 / 38 / 52 / 42

HEX #945C47

RGB 148 92 71

HSL 16.36, 0.35%, 0.43%

LAB 44.81, 20.58, 21.65

 

CMYK 0 / 24 / 52 / 42

HEX #947047

RGB 148 112 71

HSL 31.95, 0.35%, 0.43%

LAB 49.9, 9.02, 28.18

 

CMYK 0 / 51 / 52 / 64

HEX #5C2D2C

RGB 92 45 44

HSL 1.25, 0.35%, 0.27%

LAB 24.75, 21.29, 10.43

 

CMYK 0 / 51 / 52 / 53

HEX #783B3A

RGB 120 59 58

HSL 0.97, 0.35%, 0.35%

LAB 32.76, 26.45, 12.9

 

CMYK 0 / 51 / 52 / 42

HEX #944847

RGB 148 72 71

HSL 0.78, 0.35%, 0.43%

LAB 40.22, 31.81, 15.56

 

CMYK 0 / 49 / 50 / 32

HEX #AE5857

RGB 174 88 87

HSL 0.69, 0.35%, 0.51%

LAB 47.84, 34.9, 16.8

 

CMYK 0 / 39 / 39 / 27

HEX #BB7372

RGB 187 115 114

HSL 0.82, 0.35%, 0.59%

LAB 56.13, 28.25, 12.6

 

CMYK 0 / 51 / 52 / 42

HEX #954848

RGB 149.1 72.8 72

HSL 0.62, 0.35%, 0.43%

LAB 40.58, 31.91, 15.46

 

CMYK 10 / 0 / 52 / 42

HEX #859447

RGB 133 148 71

HSL 71.69, 0.35%, 0.43%

LAB 58.62, -17.47, 38.51

 

CMYK 52 / 31 / 0 / 42

HEX #476694

RGB 71 102 148

HSL 215.84, 0.35%, 0.43%

LAB 42.73, 2.42, -28.66

 

CMYK 0 / 51 / 52 / 42

HEX #954848

RGB 149.1 72.8 72

HSL 0.62, 0.35%, 0.43%

LAB 40.58, 31.91, 15.46

 

CMYK 52 / 0 / 52 / 42

HEX #479447

RGB 71 148 71

HSL 120, 0.35%, 0.43%

LAB 55.05, -40.14, 33.35

 

CMYK 52 / 52 / 0 / 42

HEX #474794

RGB 71 71 148

HSL 240, 0.35%, 0.43%

LAB 33.95, 22.28, -42.59

 

CMYK 0 / 51 / 52 / 42

HEX #954848

RGB 149.1 72.8 72

HSL 0.62, 0.35%, 0.43%

LAB 40.58, 31.91, 15.46

 

CMYK 10 / 0 / 52 / 42

HEX #859447

RGB 133 148 71

HSL 71.69, 0.35%, 0.43%

LAB 58.62, -17.47, 38.51

 

CMYK 52 / 0 / 0 / 42

HEX #479494

RGB 71 148 148

HSL 180, 0.35%, 0.43%

LAB 56.74, -23.59, -7.28

 

CMYK 41 / 52 / 0 / 42

HEX #574794

RGB 87 71 148

HSL 252.47, 0.35%, 0.43%

LAB 35.34, 26.2, -40.28

 

CMYK 0 / 51 / 52 / 42

HEX #954848

RGB 149.1 72.8 72

HSL 0.62, 0.35%, 0.43%

LAB 40.58, 31.91, 15.46

 

CMYK 26 / 0 / 52 / 42

HEX #6E9447

RGB 110 148 71

HSL 89.61, 0.35%, 0.43%

LAB 57.03, -26.8, 36.22

 

CMYK 52 / 0 / 0 / 42

HEX #479494

RGB 71 148 148

HSL 180, 0.35%, 0.43%

LAB 56.74, -23.59, -7.28

 

CMYK 26 / 52 / 0 / 42

HEX #6E4794

RGB 110 71 148

HSL 270.39, 0.35%, 0.43%

LAB 37.77, 32.47, -36.27

 

Description

Color code: RGB 149.1 72.8 72 | qconv.com Color code: RGB 149.1 72.8 72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149.1 red, 72.8 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149.1 72.8 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 52 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 52% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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