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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149.1 147 4 it is the complementary color RGB 105.9 108 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149.1 147 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149.1 147 4 shade: RGB 154.1 147 0, RGB 171.1 165 18, RGB 188.1 183 37, RGB 205.1 201 56 and RGB 222.1 219 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149.1 147 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149.1 147 4 shade: RGB 149.1 147 4, RGB 132.1 129 0, RGB 115.1 111 0, RGB 98.1 93 0 and RGB 81.1 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149.1 147 4 shade: RGB 149 147 4, RGB 149 108 4, RGB 149 69 4, RGB 149 29 4 and RGB 149 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149.1 147 4 shade: RGB 149 147 4, RGB 112 149 4, RGB 73 149 4, RGB 34 149 4 and RGB 4 149 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149.1 147 4 shade matches the following richer shades: RGB 149 147 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149.1 147 4 shade: RGB 149 147 4, RGB 137 135 16, RGB 124 123 29, RGB 112 111 41 and RGB 100 99 53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149.1 147 4 shade: RGB 149 69 4, RGB 149 108 4, RGB 149 147 4, RGB 113 149 4 and RGB 74 149 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149.1 147 4 shade: RGB 69 68 2, RGB 109 107 3, RGB 149 147 4, RGB 189 187 5 and RGB 230 226 6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149.1 147 4 shade: RGB 149.1 147 4, RGB 4 149 30 and RGB 89 4 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149.1 147 4 shade: RGB 149.1 147 4, RGB 4 149 147 and RGB 147 4 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149.1 147 4 shade: RGB 149.1 147 4, RGB 4 149 30, RGB 4 6 149 and RGB 149 4 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149.1 147 4 shade: RGB 149.1 147 4, RGB 4 149 74, RGB 4 6 149 and RGB 149 4 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 97 / 42

HEX #959304

RGB 149.1 147 4

HSL 59.13, 0.95%, 0.3%

LAB 59.23, -13.28, 62.27

 

Complementary color

CMYK 58 / 57 / 0 / 2

HEX #696CFB

RGB 105.9 108 251

HSL 239.13, 0.95%, 0.7%

LAB 52.67, 39.47, -71.87

 

CMYK 0 / 5 / 100 / 40

HEX #9A9300

RGB 154.1 147 0

HSL 57.24, 1%, 0.3%

LAB 59.66, -11.06, 63.4

 

CMYK 0 / 4 / 89 / 33

HEX #ABA512

RGB 171.1 165 18

HSL 57.61, 0.81%, 0.37%

LAB 66.23, -12.58, 66.32

 

CMYK 0 / 3 / 80 / 26

HEX #BCB725

RGB 188.1 183 37

HSL 57.97, 0.67%, 0.44%

LAB 72.7, -13.87, 67.87

 

CMYK 0 / 2 / 73 / 20

HEX #CDC938

RGB 205.1 201 56

HSL 58.35, 0.6%, 0.51%

LAB 79.07, -14.95, 68.29

 

CMYK 0 / 1 / 66 / 13

HEX #DEDB4B

RGB 222.1 219 75

HSL 58.74, 0.69%, 0.58%

LAB 85.36, -15.85, 68.04

 

CMYK 0 / 1 / 97 / 42

HEX #959304

RGB 149.1 147 4

HSL 59.13, 0.95%, 0.3%

LAB 59.23, -13.28, 62.27

 

CMYK 0 / 2 / 100 / 48

HEX #848100

RGB 132.1 129 0

HSL 58.59, 1%, 0.26%

LAB 52.52, -11.56, 57.32

 

CMYK 0 / 4 / 100 / 55

HEX #736F00

RGB 115.1 111 0

HSL 57.86, 1%, 0.23%

LAB 45.66, -9.71, 51.62

 

CMYK 0 / 5 / 100 / 62

HEX #625D00

RGB 98.1 93 0

HSL 56.88, 1%, 0.19%

LAB 38.61, -7.79, 45.77

 

CMYK 0 / 8 / 100 / 68

HEX #514B00

RGB 81.1 75 0

HSL 55.49, 1%, 0.16%

LAB 31.31, -5.77, 39.72

 

CMYK 0 / 1 / 97 / 42

HEX #959304

RGB 149 147 4

HSL 59.17, 0.95%, 0.3%

LAB 59.22, -13.32, 62.26

 

CMYK 0 / 28 / 97 / 42

HEX #956C04

RGB 149 108 4

HSL 43.03, 0.95%, 0.3%

LAB 48.42, 8.3, 54.35

 

CMYK 0 / 54 / 97 / 42

HEX #954504

RGB 149 69 4

HSL 26.9, 0.95%, 0.3%

LAB 38.99, 30.4, 47.91

 

CMYK 0 / 81 / 97 / 42

HEX #951D04

RGB 149 29 4

HSL 10.34, 0.95%, 0.3%

LAB 32.43, 47.91, 43.87

 

CMYK 0 / 97 / 97 / 42

HEX #950404

RGB 149 4 4

HSL 0, 0.95%, 0.3%

LAB 30.6, 53.11, 42.61

 

CMYK 0 / 1 / 97 / 42

HEX #959304

RGB 149 147 4

HSL 59.17, 0.95%, 0.3%

LAB 59.22, -13.32, 62.26

 

CMYK 25 / 0 / 97 / 42

HEX #709504

RGB 112 149 4

HSL 75.31, 0.95%, 0.3%

LAB 57.03, -30.58, 59.36

 

CMYK 51 / 0 / 97 / 42

HEX #499504

RGB 73 149 4

HSL 91.45, 0.95%, 0.3%

LAB 54.99, -45.01, 56.89

 

CMYK 77 / 0 / 97 / 42

HEX #229504

RGB 34 149 4

HSL 107.59, 0.95%, 0.3%

LAB 53.86, -54.33, 55.5

 

CMYK 97 / 0 / 91 / 42

HEX #04950D

RGB 4 149 13

HSL 123.72, 0.95%, 0.3%

LAB 53.55, -57.07, 53.6

 

CMYK 0 / 1 / 97 / 42

HEX #959304

RGB 149 147 4

HSL 59.17, 0.95%, 0.3%

LAB 59.22, -13.32, 62.26

 

CMYK 0 / 1 / 97 / 42

HEX #959304

RGB 149 147 4

HSL 59.17, 0.95%, 0.3%

LAB 59.22, -13.32, 62.26

 

CMYK 0 / 1 / 88 / 46

HEX #898710

RGB 137 135 16

HSL 59.01, 0.79%, 0.3%

LAB 54.75, -12.2, 56.25

 

CMYK 0 / 1 / 77 / 51

HEX #7C7B1D

RGB 124 123 29

HSL 59.37, 0.62%, 0.3%

LAB 50.14, -11.25, 48.01

 

CMYK 0 / 1 / 63 / 56

HEX #706F29

RGB 112 111 41

HSL 59.15, 0.46%, 0.3%

LAB 45.6, -9.44, 38.02

 

CMYK 0 / 1 / 47 / 61

HEX #646335

RGB 100 99 53

HSL 58.72, 0.31%, 0.3%

LAB 41.04, -7.02, 26.17

 

CMYK 0 / 54 / 97 / 42

HEX #954504

RGB 149 69 4

HSL 26.9, 0.95%, 0.3%

LAB 38.99, 30.4, 47.91

 

CMYK 0 / 28 / 97 / 42

HEX #956C04

RGB 149 108 4

HSL 43.03, 0.95%, 0.3%

LAB 48.42, 8.3, 54.35

 

CMYK 0 / 1 / 97 / 42

HEX #959304

RGB 149 147 4

HSL 59.17, 0.95%, 0.3%

LAB 59.22, -13.32, 62.26

 

CMYK 24 / 0 / 97 / 42

HEX #719504

RGB 113 149 4

HSL 74.9, 0.95%, 0.3%

LAB 57.09, -30.16, 59.44

 

CMYK 50 / 0 / 97 / 42

HEX #4A9504

RGB 74 149 4

HSL 91.03, 0.95%, 0.3%

LAB 55.03, -44.69, 56.94

 

CMYK 0 / 1 / 97 / 73

HEX #454402

RGB 69 68 2

HSL 59.1, 0.94%, 0.14%

LAB 27.86, -7.72, 35.7

 

CMYK 0 / 2 / 97 / 57

HEX #6D6B03

RGB 109 107 3

HSL 58.87, 0.95%, 0.22%

LAB 43.91, -10.34, 49.36

 

CMYK 0 / 1 / 97 / 42

HEX #959304

RGB 149 147 4

HSL 59.17, 0.95%, 0.3%

LAB 59.22, -13.32, 62.26

 

CMYK 0 / 1 / 97 / 26

HEX #BDBB05

RGB 189 187 5

HSL 59.35, 0.95%, 0.38%

LAB 73.79, -16.15, 74.49

 

CMYK 0 / 2 / 97 / 10

HEX #E6E206

RGB 230 226 6

HSL 58.93, 0.95%, 0.46%

LAB 87.6, -17.95, 86.13

 

CMYK 0 / 1 / 97 / 42

HEX #959304

RGB 149.1 147 4

HSL 59.13, 0.95%, 0.3%

LAB 59.23, -13.28, 62.27

 

CMYK 97 / 0 / 80 / 42

HEX #04951E

RGB 4 149 30

HSL 130.76, 0.95%, 0.3%

LAB 53.62, -56.17, 49.28

 

CMYK 40 / 97 / 0 / 42

HEX #590495

RGB 89 4 149

HSL 275.17, 0.95%, 0.3%

LAB 24.89, 56.5, -57.84

 

CMYK 0 / 1 / 97 / 42

HEX #959304

RGB 149.1 147 4

HSL 59.13, 0.95%, 0.3%

LAB 59.23, -13.28, 62.27

 

CMYK 97 / 0 / 1 / 42

HEX #049593

RGB 4 149 147

HSL 179.17, 0.95%, 0.3%

LAB 55.71, -32.66, -8.38

 

CMYK 1 / 97 / 0 / 42

HEX #930495

RGB 147 4 149

HSL 299.17, 0.95%, 0.3%

LAB 34.92, 64.96, -41.09

 

CMYK 0 / 1 / 97 / 42

HEX #959304

RGB 149.1 147 4

HSL 59.13, 0.95%, 0.3%

LAB 59.23, -13.28, 62.27

 

CMYK 97 / 0 / 80 / 42

HEX #04951E

RGB 4 149 30

HSL 130.76, 0.95%, 0.3%

LAB 53.62, -56.17, 49.28

 

CMYK 97 / 96 / 0 / 42

HEX #040695

RGB 4 6 149

HSL 239.17, 0.95%, 0.3%

LAB 17.11, 51.14, -70.98

 

CMYK 0 / 97 / 17 / 42

HEX #95047B

RGB 149 4 123

HSL 310.76, 0.95%, 0.3%

LAB 33.79, 61.55, -26.74

 

CMYK 0 / 1 / 97 / 42

HEX #959304

RGB 149.1 147 4

HSL 59.13, 0.95%, 0.3%

LAB 59.23, -13.28, 62.27

 

CMYK 97 / 0 / 50 / 42

HEX #04954A

RGB 4 149 74

HSL 148.97, 0.95%, 0.3%

LAB 54.04, -50.84, 30.25

 

CMYK 97 / 96 / 0 / 42

HEX #040695

RGB 4 6 149

HSL 239.17, 0.95%, 0.3%

LAB 17.11, 51.14, -70.98

 

CMYK 0 / 97 / 47 / 42

HEX #95044F

RGB 149 4 79

HSL 328.97, 0.95%, 0.3%

LAB 31.9, 56.64, -1.27

 

Description

Color code: RGB 149.1 147 4 | qconv.com Color code: RGB 149.1 147 4 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149.1 red, 147 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149.1 147 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 97 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 97% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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