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Color name
RGB 148 145 141

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 145 141 it is the complementary color RGB 107 110 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 145 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148 145 141 shade: RGB 153 145 136, RGB 170 163 155, RGB 187 181 174, RGB 204 199 193 and RGB 221 217 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 145 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148 145 141 shade: RGB 148 145 141, RGB 131 127 122, RGB 114 109 103, RGB 97 91 84 and RGB 80 73 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148 145 141 shade: RGB 148 145 142, RGB 148 144 142, RGB 148 142 142 and RGB 148 142 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148 145 141 shade: RGB 148 145 142, RGB 148 147 142, RGB 147 148 142, RGB 146 148 142 and RGB 144 148 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148 145 141 shade matches the following richer shades: RGB 148 145 142, RGB 166 148 124, RGB 184 150 106, RGB 201 153 88 and RGB 219 155 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148 145 141 shade: RGB 148 145 142, RGB 130 143 159, RGB 113 140 177, RGB 95 138 195 and RGB 77 135 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148 145 141 shade: RGB 148 142 142, RGB 148 144 142, RGB 148 145 142, RGB 148 147 142 and RGB 147 148 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148 145 141 shade: RGB 107 104 100, RGB 128 125 120, RGB 148 145 142, RGB 168 166 163 and RGB 188 186 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148 145 141 shade: RGB 148 145 141, RGB 143 148 142 and RGB 143 142 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148 145 141 shade: RGB 148 145 141, RGB 142 148 145 and RGB 145 142 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148 145 141 shade: RGB 148 145 141, RGB 143 148 142, RGB 142 144 148 and RGB 147 142 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148 145 141 shade: RGB 148 145 141, RGB 142 148 142, RGB 142 144 148 and RGB 148 142 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 5 / 42

HEX #94918D

RGB 148 145 141

HSL 34.29, 0.03%, 0.57%

LAB 60.31, 0.35, 2.5

 

Complementary color

CMYK 6 / 4 / 0 / 55

HEX #6B6E72

RGB 107 110 114

HSL 214.29, 0.03%, 0.43%

LAB 46.3, -0.3, -2.63

 

CMYK 0 / 5 / 11 / 40

HEX #999188

RGB 153 145 136

HSL 31.76, 0.08%, 0.57%

LAB 60.61, 1.33, 5.82

 

CMYK 0 / 4 / 9 / 33

HEX #AAA39B

RGB 170 163 155

HSL 32, 0.08%, 0.64%

LAB 67.36, 1.09, 5.04

 

CMYK 0 / 3 / 7 / 27

HEX #BBB5AE

RGB 187 181 174

HSL 32.31, 0.09%, 0.71%

LAB 73.98, 0.87, 4.31

 

CMYK 0 / 2 / 5 / 20

HEX #CCC7C1

RGB 204 199 193

HSL 32.73, 0.1%, 0.78%

LAB 80.48, 0.67, 3.6

 

CMYK 0 / 2 / 4 / 13

HEX #DDD9D4

RGB 221 217 212

HSL 33.33, 0.12%, 0.85%

LAB 86.87, 0.49, 2.93

 

CMYK 0 / 2 / 5 / 42

HEX #94918D

RGB 148 145 141

HSL 34.29, 0.03%, 0.57%

LAB 60.31, 0.35, 2.5

 

CMYK 0 / 3 / 7 / 49

HEX #837F7A

RGB 131 127 122

HSL 33.33, 0.04%, 0.5%

LAB 53.39, 0.56, 3.24

 

CMYK 0 / 4 / 10 / 55

HEX #726D67

RGB 114 109 103

HSL 32.73, 0.05%, 0.43%

LAB 46.3, 0.79, 4.04

 

CMYK 0 / 6 / 13 / 62

HEX #615B54

RGB 97 91 84

HSL 32.31, 0.07%, 0.35%

LAB 39.01, 1.05, 4.89

 

CMYK 0 / 9 / 19 / 69

HEX #504941

RGB 80 73 65

HSL 32, 0.1%, 0.28%

LAB 31.47, 1.37, 5.85

 

CMYK 0 / 2 / 4 / 42

HEX #94918E

RGB 148 145 142

HSL 30, 0.03%, 0.57%

LAB 60.34, 0.54, 1.97

 

CMYK 0 / 3 / 4 / 42

HEX #94908E

RGB 148 144 142

HSL 20, 0.03%, 0.57%

LAB 60.06, 1.1, 1.58

 

CMYK 0 / 4 / 4 / 42

HEX #948E8E

RGB 148 142 142

HSL 0, 0.03%, 0.57%

LAB 59.52, 2.22, 0.78

 

CMYK 0 / 4 / 4 / 42

HEX #948E8E

RGB 148 142 142

HSL 0, 0.03%, 0.57%

LAB 59.52, 2.22, 0.78

 

CMYK 0 / 2 / 4 / 42

HEX #94918E

RGB 148 145 142

HSL 30, 0.03%, 0.57%

LAB 60.34, 0.54, 1.97

 

CMYK 0 / 1 / 4 / 42

HEX #94938E

RGB 148 147 142

HSL 50, 0.03%, 0.57%

LAB 60.88, -0.58, 2.76

 

CMYK 1 / 0 / 4 / 42

HEX #93948E

RGB 147 148 142

HSL 70, 0.03%, 0.57%

LAB 61.08, -1.51, 3.03

 

CMYK 1 / 0 / 4 / 42

HEX #92948E

RGB 146 148 142

HSL 80, 0.03%, 0.57%

LAB 61, -1.88, 2.91

 

CMYK 3 / 0 / 4 / 42

HEX #90948E

RGB 144 148 142

HSL 100, 0.03%, 0.57%

LAB 60.84, -2.61, 2.65

 

CMYK 0 / 2 / 4 / 42

HEX #94918E

RGB 148 145 142

HSL 30, 0.03%, 0.57%

LAB 60.34, 0.54, 1.97

 

CMYK 0 / 11 / 25 / 35

HEX #A6947C

RGB 166 148 124

HSL 34.29, 0.19%, 0.57%

LAB 62.29, 2.8, 15.14

 

CMYK 0 / 18 / 42 / 28

HEX #B8966A

RGB 184 150 106

HSL 33.85, 0.35%, 0.57%

LAB 64.2, 6.72, 27.98

 

CMYK 0 / 24 / 56 / 21

HEX #C99958

RGB 201 153 88

HSL 34.51, 0.51%, 0.57%

LAB 66.45, 10.5, 40.73

 

CMYK 0 / 29 / 68 / 14

HEX #DB9B47

RGB 219 155 71

HSL 34.05, 0.67%, 0.57%

LAB 68.72, 15.88, 52.18

 

CMYK 0 / 2 / 4 / 42

HEX #94918E

RGB 148 145 142

HSL 30, 0.03%, 0.57%

LAB 60.34, 0.54, 1.97

 

CMYK 18 / 10 / 0 / 38

HEX #828F9F

RGB 130 143 159

HSL 213.1, 0.13%, 0.57%

LAB 58.88, -1.16, -10.04

 

CMYK 36 / 21 / 0 / 31

HEX #718CB1

RGB 113 140 177

HSL 214.69, 0.29%, 0.57%

LAB 57.5, -0.25, -22.5

 

CMYK 51 / 29 / 0 / 24

HEX #5F8AC3

RGB 95 138 195

HSL 214.2, 0.45%, 0.57%

LAB 56.63, 1.44, -34.17

 

CMYK 64 / 37 / 0 / 16

HEX #4D87D5

RGB 77 135 213

HSL 214.41, 0.62%, 0.57%

LAB 55.8, 5.4, -45.71

 

CMYK 0 / 4 / 4 / 42

HEX #948E8E

RGB 148 142 142

HSL 0, 0.03%, 0.57%

LAB 59.52, 2.22, 0.78

 

CMYK 0 / 3 / 4 / 42

HEX #94908E

RGB 148 144 142

HSL 20, 0.03%, 0.57%

LAB 60.06, 1.1, 1.58

 

CMYK 0 / 2 / 4 / 42

HEX #94918E

RGB 148 145 142

HSL 30, 0.03%, 0.57%

LAB 60.34, 0.54, 1.97

 

CMYK 0 / 1 / 4 / 42

HEX #94938E

RGB 148 147 142

HSL 50, 0.03%, 0.57%

LAB 60.88, -0.58, 2.76

 

CMYK 1 / 0 / 4 / 42

HEX #93948E

RGB 147 148 142

HSL 70, 0.03%, 0.57%

LAB 61.08, -1.51, 3.03

 

CMYK 0 / 3 / 7 / 58

HEX #6B6864

RGB 107 104 100

HSL 34.29, 0.03%, 0.41%

LAB 44.16, 0.38, 2.66

 

CMYK 0 / 2 / 6 / 50

HEX #807D78

RGB 128 125 120

HSL 37.5, 0.03%, 0.49%

LAB 52.52, 0.17, 3.12

 

CMYK 0 / 2 / 4 / 42

HEX #94918E

RGB 148 145 142

HSL 30, 0.03%, 0.57%

LAB 60.34, 0.54, 1.97

 

CMYK 0 / 1 / 3 / 34

HEX #A8A6A3

RGB 168 166 163

HSL 36, 0.03%, 0.65%

LAB 68.2, 0.16, 1.79

 

CMYK 0 / 1 / 2 / 26

HEX #BCBAB8

RGB 188 186 184

HSL 30, 0.03%, 0.73%

LAB 75.62, 0.34, 1.25

 

CMYK 0 / 2 / 5 / 42

HEX #94918D

RGB 148 145 141

HSL 34.29, 0.03%, 0.57%

LAB 60.31, 0.35, 2.5

 

CMYK 3 / 0 / 4 / 42

HEX #8F948E

RGB 143 148 142

HSL 110, 0.03%, 0.57%

LAB 60.76, -2.98, 2.53

 

CMYK 3 / 4 / 0 / 42

HEX #8F8E94

RGB 143 142 148

HSL 250, 0.03%, 0.57%

LAB 59.27, 1.56, -3.06

 

CMYK 0 / 2 / 5 / 42

HEX #94918D

RGB 148 145 141

HSL 34.29, 0.03%, 0.57%

LAB 60.31, 0.35, 2.5

 

CMYK 4 / 0 / 2 / 42

HEX #8E9491

RGB 142 148 145

HSL 150, 0.03%, 0.57%

LAB 60.76, -2.76, 0.82

 

CMYK 2 / 4 / 0 / 42

HEX #918E94

RGB 145 142 148

HSL 270, 0.03%, 0.57%

LAB 59.44, 2.28, -2.79

 

CMYK 0 / 2 / 5 / 42

HEX #94918D

RGB 148 145 141

HSL 34.29, 0.03%, 0.57%

LAB 60.31, 0.35, 2.5

 

CMYK 3 / 0 / 4 / 42

HEX #8F948E

RGB 143 148 142

HSL 110, 0.03%, 0.57%

LAB 60.76, -2.98, 2.53

 

CMYK 4 / 3 / 0 / 42

HEX #8E9094

RGB 142 144 148

HSL 220, 0.03%, 0.57%

LAB 59.74, 0.07, -2.38

 

CMYK 1 / 4 / 0 / 42

HEX #938E94

RGB 147 142 148

HSL 290, 0.03%, 0.57%

LAB 59.61, 3.01, -2.53

 

CMYK 0 / 2 / 5 / 42

HEX #94918D

RGB 148 145 141

HSL 34.29, 0.03%, 0.57%

LAB 60.31, 0.35, 2.5

 

CMYK 4 / 0 / 4 / 42

HEX #8E948E

RGB 142 148 142

HSL 120, 0.03%, 0.57%

LAB 60.68, -3.35, 2.41

 

CMYK 4 / 3 / 0 / 42

HEX #8E9094

RGB 142 144 148

HSL 220, 0.03%, 0.57%

LAB 59.74, 0.07, -2.38

 

CMYK 0 / 4 / 0 / 42

HEX #948E94

RGB 148 142 148

HSL 300, 0.03%, 0.57%

LAB 59.69, 3.37, -2.39

 

Description

Color code: RGB 148 145 141 | qconv.com Color code: RGB 148 145 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 145 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 145 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 5 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 5% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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