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Color name
RGB 148 103 10

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148 103 10 it is the complementary color RGB 107 152 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148 103 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148 103 10 shade: RGB 153 103 5, RGB 170 121 24, RGB 187 139 43, RGB 204 157 62 and RGB 221 175 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148 103 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148 103 10 shade: RGB 148 103 10, RGB 131 85 0, RGB 114 67 0, RGB 97 49 0 and RGB 80 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148 103 10 shade: RGB 148 103 10, RGB 148 66 10, RGB 148 29 10 and RGB 148 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148 103 10 shade: RGB 148 103 10, RGB 148 140 10, RGB 119 148 10, RGB 81 148 10 and RGB 44 148 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148 103 10 shade matches the following richer shades: RGB 148 103 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148 103 10 shade: RGB 148 103 10, RGB 135 99 23, RGB 122 94 36, RGB 109 90 49 and RGB 97 85 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148 103 10 shade: RGB 148 29 10, RGB 148 65 10, RGB 148 102 10, RGB 148 139 10 and RGB 120 148 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148 103 10 shade: RGB 71 49 5, RGB 109 76 8, RGB 148 103 10, RGB 186 130 13 and RGB 225 157 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148 103 10 shade: RGB 148 103 10, RGB 29 148 10 and RGB 47 10 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148 103 10 shade: RGB 148 103 10, RGB 10 148 102 and RGB 102 10 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148 103 10 shade: RGB 148 103 10, RGB 29 148 10, RGB 10 56 148 and RGB 129 10 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148 103 10 shade: RGB 148 103 10, RGB 10 148 33, RGB 10 56 148 and RGB 148 10 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 93 / 42

HEX #94670A

RGB 148 103 10

HSL 40.43, 0.87%, 0.31%

LAB 47, 10.82, 51.95

 

Complementary color

CMYK 56 / 38 / 0 / 4

HEX #6B98F5

RGB 107 152 245

HSL 220.43, 0.87%, 0.69%

LAB 63.49, 11.53, -51.22

 

CMYK 0 / 33 / 97 / 40

HEX #996705

RGB 153 103 5

HSL 39.73, 0.94%, 0.31%

LAB 47.6, 13.06, 53.77

 

CMYK 0 / 29 / 86 / 33

HEX #AA7918

RGB 170 121 24

HSL 39.86, 0.75%, 0.38%

LAB 54.33, 11.03, 55.2

 

CMYK 0 / 26 / 77 / 27

HEX #BB8B2B

RGB 187 139 43

HSL 40, 0.63%, 0.45%

LAB 60.96, 9.31, 55.2

 

CMYK 0 / 23 / 70 / 20

HEX #CC9D3E

RGB 204 157 62

HSL 40.14, 0.58%, 0.52%

LAB 67.5, 7.87, 54.45

 

CMYK 0 / 21 / 63 / 13

HEX #DDAF51

RGB 221 175 81

HSL 40.29, 0.67%, 0.59%

LAB 73.95, 6.64, 53.36

 

CMYK 0 / 30 / 93 / 42

HEX #94670A

RGB 148 103 10

HSL 40.43, 0.87%, 0.31%

LAB 47, 10.82, 51.95

 

CMYK 0 / 35 / 100 / 49

HEX #835500

RGB 131 85 0

HSL 38.93, 1%, 0.26%

LAB 40.12, 13.12, 48.59

 

CMYK 0 / 41 / 100 / 55

HEX #724300

RGB 114 67 0

HSL 35.26, 1%, 0.22%

LAB 33.12, 15.73, 42.89

 

CMYK 0 / 49 / 100 / 62

HEX #613100

RGB 97 49 0

HSL 30.31, 1%, 0.19%

LAB 25.97, 18.47, 36.25

 

CMYK 0 / 61 / 100 / 69

HEX #501F00

RGB 80 31 0

HSL 23.25, 1%, 0.16%

LAB 18.74, 21.21, 27.76

 

CMYK 0 / 30 / 93 / 42

HEX #94670A

RGB 148 103 10

HSL 40.43, 0.87%, 0.31%

LAB 47, 10.82, 51.95

 

CMYK 0 / 55 / 93 / 42

HEX #94420A

RGB 148 66 10

HSL 24.35, 0.87%, 0.31%

LAB 38.22, 31.68, 45.44

 

CMYK 0 / 80 / 93 / 42

HEX #941D0A

RGB 148 29 10

HSL 8.26, 0.87%, 0.31%

LAB 32.25, 47.69, 41.22

 

CMYK 0 / 93 / 93 / 42

HEX #940A0A

RGB 148 10 10

HSL 0, 0.87%, 0.31%

LAB 30.72, 52.03, 40.15

 

CMYK 0 / 30 / 93 / 42

HEX #94670A

RGB 148 103 10

HSL 40.43, 0.87%, 0.31%

LAB 47, 10.82, 51.95

 

CMYK 0 / 5 / 93 / 42

HEX #948C0A

RGB 148 140 10

HSL 56.52, 0.87%, 0.31%

LAB 57.15, -9.95, 59.71

 

CMYK 20 / 0 / 93 / 42

HEX #77940A

RGB 119 148 10

HSL 72.61, 0.87%, 0.31%

LAB 57.2, -27.03, 58.76

 

CMYK 45 / 0 / 93 / 42

HEX #51940A

RGB 81 148 10

HSL 89.13, 0.87%, 0.31%

LAB 55.02, -41.83, 56.09

 

CMYK 70 / 0 / 93 / 42

HEX #2C940A

RGB 44 148 10

HSL 105.22, 0.87%, 0.31%

LAB 53.75, -52.03, 54.51

 

CMYK 0 / 30 / 93 / 42

HEX #94670A

RGB 148 103 10

HSL 40.43, 0.87%, 0.31%

LAB 47, 10.82, 51.95

 

CMYK 0 / 30 / 93 / 42

HEX #94670A

RGB 148 103 10

HSL 40.43, 0.87%, 0.31%

LAB 47, 10.82, 51.95

 

CMYK 0 / 27 / 83 / 47

HEX #876317

RGB 135 99 23

HSL 40.71, 0.71%, 0.31%

LAB 44.43, 7.36, 45.37

 

CMYK 0 / 23 / 70 / 52

HEX #7A5E24

RGB 122 94 36

HSL 40.47, 0.54%, 0.31%

LAB 41.64, 4.77, 36.49

 

CMYK 0 / 17 / 55 / 57

HEX #6D5A31

RGB 109 90 49

HSL 41, 0.38%, 0.31%

LAB 39.22, 2.04, 26.4

 

CMYK 0 / 12 / 37 / 62

HEX #61553D

RGB 97 85 61

HSL 40, 0.23%, 0.31%

LAB 36.7, 0.93, 15.83

 

CMYK 0 / 80 / 93 / 42

HEX #941D0A

RGB 148 29 10

HSL 8.26, 0.87%, 0.31%

LAB 32.25, 47.69, 41.22

 

CMYK 0 / 56 / 93 / 42

HEX #94410A

RGB 148 65 10

HSL 23.91, 0.87%, 0.31%

LAB 38.02, 32.21, 45.3

 

CMYK 0 / 31 / 93 / 42

HEX #94660A

RGB 148 102 10

HSL 40, 0.87%, 0.31%

LAB 46.74, 11.39, 51.75

 

CMYK 0 / 6 / 93 / 42

HEX #948B0A

RGB 148 139 10

HSL 56.09, 0.87%, 0.31%

LAB 56.86, -9.41, 59.49

 

CMYK 19 / 0 / 93 / 42

HEX #78940A

RGB 120 148 10

HSL 72.17, 0.87%, 0.31%

LAB 57.26, -26.6, 58.84

 

CMYK 0 / 31 / 93 / 72

HEX #473105

RGB 71 49 5

HSL 40, 0.87%, 0.15%

LAB 22.11, 5.54, 29.09

 

CMYK 0 / 30 / 93 / 57

HEX #6D4C08

RGB 109 76 8

HSL 40.4, 0.86%, 0.23%

LAB 34.88, 8.04, 41.01

 

CMYK 0 / 30 / 93 / 42

HEX #94670A

RGB 148 103 10

HSL 40.43, 0.87%, 0.31%

LAB 47, 10.82, 51.95

 

CMYK 0 / 30 / 93 / 27

HEX #BA820D

RGB 186 130 13

HSL 40.58, 0.87%, 0.39%

LAB 58.45, 13.01, 61.92

 

CMYK 0 / 30 / 93 / 12

HEX #E19D10

RGB 225 157 16

HSL 40.48, 0.87%, 0.47%

LAB 69.58, 15.55, 71.6

 

CMYK 0 / 30 / 93 / 42

HEX #94670A

RGB 148 103 10

HSL 40.43, 0.87%, 0.31%

LAB 47, 10.82, 51.95

 

CMYK 80 / 0 / 93 / 42

HEX #1D940A

RGB 29 148 10

HSL 111.74, 0.87%, 0.31%

LAB 53.45, -54.59, 54.15

 

CMYK 68 / 93 / 0 / 42

HEX #2F0A94

RGB 47 10 148

HSL 256.09, 0.87%, 0.31%

LAB 19.88, 51.12, -65.68

 

CMYK 0 / 30 / 93 / 42

HEX #94670A

RGB 148 103 10

HSL 40.43, 0.87%, 0.31%

LAB 47, 10.82, 51.95

 

CMYK 93 / 0 / 31 / 42

HEX #0A9466

RGB 10 148 102

HSL 160, 0.87%, 0.31%

LAB 54.24, -44.41, 15.21

 

CMYK 31 / 93 / 0 / 42

HEX #660A94

RGB 102 10 148

HSL 280, 0.87%, 0.31%

LAB 27.24, 56.78, -53.29

 

CMYK 0 / 30 / 93 / 42

HEX #94670A

RGB 148 103 10

HSL 40.43, 0.87%, 0.31%

LAB 47, 10.82, 51.95

 

CMYK 80 / 0 / 93 / 42

HEX #1D940A

RGB 29 148 10

HSL 111.74, 0.87%, 0.31%

LAB 53.45, -54.59, 54.15

 

CMYK 93 / 62 / 0 / 42

HEX #0A3894

RGB 10 56 148

HSL 220, 0.87%, 0.31%

LAB 26.82, 23.84, -54.29

 

CMYK 13 / 93 / 0 / 42

HEX #810A94

RGB 129 10 148

HSL 291.74, 0.87%, 0.31%

LAB 31.86, 60.93, -45.58

 

CMYK 0 / 30 / 93 / 42

HEX #94670A

RGB 148 103 10

HSL 40.43, 0.87%, 0.31%

LAB 47, 10.82, 51.95

 

CMYK 93 / 0 / 78 / 42

HEX #0A9421

RGB 10 148 33

HSL 130, 0.87%, 0.31%

LAB 53.33, -55.27, 48.01

 

CMYK 93 / 62 / 0 / 42

HEX #0A3894

RGB 10 56 148

HSL 220, 0.87%, 0.31%

LAB 26.82, 23.84, -54.29

 

CMYK 0 / 93 / 16 / 42

HEX #940A7D

RGB 148 10 125

HSL 310, 0.87%, 0.31%

LAB 33.97, 60.82, -27.72

 

Description

Color code: RGB 148 103 10 | qconv.com Color code: RGB 148 103 10 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 103 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 103 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 93 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 93% 42% C M Y K

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