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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 148.3 72.4 142 it is the complementary color RGB 106.7 182.6 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 148.3 72.4 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 148.3 72.4 142 shade: RGB 153.3 72.4 137, RGB 170.3 90.4 156, RGB 187.3 108.4 175, RGB 204.3 126.4 194 and RGB 221.3 144.4 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 148.3 72.4 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 148.3 72.4 142 shade: RGB 148.3 72.4 142, RGB 131.3 54.4 123, RGB 114.3 36.4 104, RGB 97.3 18.4 85 and RGB 80.3 0.40000000000001 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 148.3 72.4 142 shade: RGB 147 72 141, RGB 147 72 121, RGB 147 72 101, RGB 147 72 80 and RGB 147 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 148.3 72.4 142 shade: RGB 147 72 141, RGB 133 72 147, RGB 113 72 147, RGB 93 72 147 and RGB 73 72 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 148.3 72.4 142 shade matches the following richer shades: RGB 147 72 141, RGB 165 55 156, RGB 182 37 170, RGB 200 19 185 and RGB 218 1 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 148.3 72.4 142 shade: RGB 147 72 141, RGB 129 90 126, RGB 111 108 111, RGB 94 126 96 and RGB 76 143 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 148.3 72.4 142 shade: RGB 112 72 147, RGB 132 72 147, RGB 147 72 142, RGB 147 72 122 and RGB 147 72 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 148.3 72.4 142 shade: RGB 92 45 88, RGB 119 59 114, RGB 147 72 141, RGB 173 88 166 and RGB 186 116 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 148.3 72.4 142 shade: RGB 148.3 72.4 142, RGB 147 92 72 and RGB 72 147 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 148.3 72.4 142 shade: RGB 148.3 72.4 142, RGB 142 147 72 and RGB 72 142 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 148.3 72.4 142 shade: RGB 148.3 72.4 142, RGB 147 92 72, RGB 72 147 77 and RGB 72 127 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 148.3 72.4 142 shade: RGB 148.3 72.4 142, RGB 147 115 72, RGB 72 147 77 and RGB 72 105 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 4 / 42

HEX #94488E

RGB 148.3 72.4 142

HSL 304.98, 0.34%, 0.43%

LAB 42.71, 41.81, -24.53

 

Complementary color

CMYK 42 / 0 / 38 / 28

HEX #6AB671

RGB 106.7 182.6 113

HSL 124.98, 0.34%, 0.57%

LAB 68.02, -38.18, 28.23

 

CMYK 0 / 53 / 11 / 40

HEX #994889

RGB 153.3 72.4 137

HSL 312.09, 0.36%, 0.44%

LAB 43.2, 42.47, -20.68

 

CMYK 0 / 47 / 8 / 33

HEX #AA5A9C

RGB 170.3 90.4 156

HSL 310.74, 0.32%, 0.51%

LAB 49.93, 41.78, -21.49

 

CMYK 0 / 42 / 7 / 27

HEX #BB6CAF

RGB 187.3 108.4 175

HSL 309.35, 0.37%, 0.58%

LAB 56.59, 41.02, -22.15

 

CMYK 0 / 38 / 5 / 20

HEX #CC7EC2

RGB 204.3 126.4 194

HSL 307.93, 0.43%, 0.65%

LAB 63.18, 40.27, -22.72

 

CMYK 0 / 35 / 4 / 13

HEX #DD90D5

RGB 221.3 144.4 213

HSL 306.48, 0.53%, 0.72%

LAB 69.68, 39.52, -23.23

 

CMYK 0 / 51 / 4 / 42

HEX #94488E

RGB 148.3 72.4 142

HSL 304.98, 0.34%, 0.43%

LAB 42.71, 41.81, -24.53

 

CMYK 0 / 59 / 6 / 49

HEX #83367B

RGB 131.3 54.4 123

HSL 306.48, 0.41%, 0.36%

LAB 35.9, 42.36, -23.66

 

CMYK 0 / 68 / 9 / 55

HEX #722468

RGB 114.3 36.4 104

HSL 307.93, 0.52%, 0.3%

LAB 29.12, 42.52, -22.43

 

CMYK 0 / 81 / 13 / 62

HEX #611255

RGB 97.3 18.4 85

HSL 309.35, 0.68%, 0.23%

LAB 22.51, 41.81, -20.53

 

CMYK 0 / 100 / 18 / 69

HEX #500042

RGB 80.3 0.40000000000001 66

HSL 310.74, 0.99%, 0.16%

LAB 16.11, 40.06, -17.83

 

CMYK 0 / 51 / 4 / 42

HEX #93488D

RGB 147 72 141

HSL 304.8, 0.34%, 0.43%

LAB 42.4, 41.43, -24.42

 

CMYK 0 / 51 / 18 / 42

HEX #934879

RGB 147 72 121

HSL 320.8, 0.34%, 0.43%

LAB 41.56, 37.96, -13.51

 

CMYK 0 / 51 / 31 / 42

HEX #934865

RGB 147 72 101

HSL 336.8, 0.34%, 0.43%

LAB 40.86, 34.95, -2.2

 

CMYK 0 / 51 / 46 / 42

HEX #934850

RGB 147 72 80

HSL 353.6, 0.34%, 0.43%

LAB 40.27, 32.35, 10.03

 

CMYK 0 / 51 / 51 / 42

HEX #934848

RGB 147 72 72

HSL 0, 0.34%, 0.43%

LAB 40.09, 31.52, 14.74

 

CMYK 0 / 51 / 4 / 42

HEX #93488D

RGB 147 72 141

HSL 304.8, 0.34%, 0.43%

LAB 42.4, 41.43, -24.42

 

CMYK 10 / 51 / 0 / 42

HEX #854893

RGB 133 72 147

HSL 288.8, 0.34%, 0.43%

LAB 40.78, 38.38, -30.72

 

CMYK 23 / 51 / 0 / 42

HEX #714893

RGB 113 72 147

HSL 272.8, 0.34%, 0.43%

LAB 38.29, 32.5, -34.81

 

CMYK 37 / 51 / 0 / 42

HEX #5D4893

RGB 93 72 147

HSL 256.8, 0.34%, 0.43%

LAB 36.12, 26.88, -38.4

 

CMYK 50 / 51 / 0 / 42

HEX #494893

RGB 73 72 147

HSL 240.8, 0.34%, 0.43%

LAB 34.31, 21.77, -41.4

 

CMYK 0 / 51 / 4 / 42

HEX #93488D

RGB 147 72 141

HSL 304.8, 0.34%, 0.43%

LAB 42.4, 41.43, -24.42

 

CMYK 0 / 67 / 5 / 35

HEX #A5379C

RGB 165 55 156

HSL 304.91, 0.5%, 0.43%

LAB 42.96, 56.91, -32.39

 

CMYK 0 / 80 / 7 / 29

HEX #B625AA

RGB 182 37 170

HSL 304.97, 0.66%, 0.43%

LAB 44.48, 68.85, -38.17

 

CMYK 0 / 91 / 8 / 22

HEX #C813B9

RGB 200 19 185

HSL 304.97, 0.83%, 0.43%

LAB 47.3, 77.91, -42.34

 

CMYK 0 / 100 / 8 / 15

HEX #DA01C8

RGB 218 1 200

HSL 304.98, 0.99%, 0.43%

LAB 50.8, 84.72, -45.31

 

CMYK 0 / 51 / 4 / 42

HEX #93488D

RGB 147 72 141

HSL 304.8, 0.34%, 0.43%

LAB 42.4, 41.43, -24.42

 

CMYK 0 / 30 / 2 / 49

HEX #815A7E

RGB 129 90 126

HSL 304.62, 0.18%, 0.43%

LAB 43.49, 22.38, -13.85

 

CMYK 0 / 3 / 0 / 56

HEX #6F6C6F

RGB 111 108 111

HSL 300, 0.01%, 0.43%

LAB 45.98, 1.77, -1.26

 

CMYK 25 / 0 / 24 / 51

HEX #5E7E60

RGB 94 126 96

HSL 123.75, 0.15%, 0.43%

LAB 49.67, -17.83, 12.72

 

CMYK 47 / 0 / 43 / 44

HEX #4C8F52

RGB 76 143 82

HSL 125.37, 0.31%, 0.43%

LAB 53.8, -34.79, 26

 

CMYK 24 / 51 / 0 / 42

HEX #704893

RGB 112 72 147

HSL 272, 0.34%, 0.43%

LAB 38.17, 32.21, -35.01

 

CMYK 10 / 51 / 0 / 42

HEX #844893

RGB 132 72 147

HSL 288, 0.34%, 0.43%

LAB 40.65, 38.08, -30.94

 

CMYK 0 / 51 / 3 / 42

HEX #93488E

RGB 147 72 142

HSL 304, 0.34%, 0.43%

LAB 42.45, 41.62, -24.95

 

CMYK 0 / 51 / 17 / 42

HEX #93487A

RGB 147 72 122

HSL 320, 0.34%, 0.43%

LAB 41.6, 38.13, -14.06

 

CMYK 0 / 51 / 31 / 42

HEX #934866

RGB 147 72 102

HSL 336, 0.34%, 0.43%

LAB 40.89, 35.09, -2.77

 

CMYK 0 / 51 / 4 / 64

HEX #5C2D58

RGB 92 45 88

HSL 305.11, 0.34%, 0.27%

LAB 26.32, 28.29, -16.64

 

CMYK 0 / 50 / 4 / 53

HEX #773B72

RGB 119 59 114

HSL 305, 0.34%, 0.35%

LAB 34.53, 34.49, -20.3

 

CMYK 0 / 51 / 4 / 42

HEX #93488D

RGB 147 72 141

HSL 304.8, 0.34%, 0.43%

LAB 42.4, 41.43, -24.42

 

CMYK 0 / 49 / 4 / 32

HEX #AD58A6

RGB 173 88 166

HSL 304.94, 0.34%, 0.51%

LAB 50.24, 45.63, -26.88

 

CMYK 0 / 38 / 3 / 27

HEX #BA74B4

RGB 186 116 180

HSL 305.14, 0.34%, 0.59%

LAB 58.25, 37.43, -22.5

 

CMYK 0 / 51 / 4 / 42

HEX #94488E

RGB 148.3 72.4 142

HSL 304.98, 0.34%, 0.43%

LAB 42.71, 41.81, -24.53

 

CMYK 0 / 37 / 51 / 42

HEX #935C48

RGB 147 92 72

HSL 16, 0.34%, 0.43%

LAB 44.7, 20.26, 20.89

 

CMYK 51 / 0 / 17 / 42

HEX #48937A

RGB 72 147 122

HSL 160, 0.34%, 0.43%

LAB 55.74, -29.61, 6.14

 

CMYK 0 / 51 / 4 / 42

HEX #94488E

RGB 148.3 72.4 142

HSL 304.98, 0.34%, 0.43%

LAB 42.71, 41.81, -24.53

 

CMYK 3 / 0 / 51 / 42

HEX #8E9348

RGB 142 147 72

HSL 64, 0.34%, 0.43%

LAB 59.05, -13.02, 38.69

 

CMYK 51 / 3 / 0 / 42

HEX #488E93

RGB 72 142 147

HSL 184, 0.34%, 0.43%

LAB 54.9, -20.54, -9.45

 

CMYK 0 / 51 / 4 / 42

HEX #94488E

RGB 148.3 72.4 142

HSL 304.98, 0.34%, 0.43%

LAB 42.71, 41.81, -24.53

 

CMYK 0 / 37 / 51 / 42

HEX #935C48

RGB 147 92 72

HSL 16, 0.34%, 0.43%

LAB 44.7, 20.26, 20.89

 

CMYK 51 / 0 / 48 / 42

HEX #48934D

RGB 72 147 77

HSL 124, 0.34%, 0.43%

LAB 54.85, -38.54, 29.98

 

CMYK 51 / 14 / 0 / 42

HEX #487F93

RGB 72 127 147

HSL 196, 0.34%, 0.43%

LAB 50.29, -12.4, -16.41

 

CMYK 0 / 51 / 4 / 42

HEX #94488E

RGB 148.3 72.4 142

HSL 304.98, 0.34%, 0.43%

LAB 42.71, 41.81, -24.53

 

CMYK 0 / 22 / 51 / 42

HEX #937348

RGB 147 115 72

HSL 34.4, 0.34%, 0.43%

LAB 50.61, 6.95, 28.48

 

CMYK 51 / 0 / 48 / 42

HEX #48934D

RGB 72 147 77

HSL 124, 0.34%, 0.43%

LAB 54.85, -38.54, 29.98

 

CMYK 51 / 29 / 0 / 42

HEX #486993

RGB 72 105 147

HSL 213.6, 0.34%, 0.43%

LAB 43.64, 0.5, -26.66

 

Description

Color code: RGB 148.3 72.4 142 | qconv.com Color code: RGB 148.3 72.4 142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148.3 red, 72.4 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148.3 72.4 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 4 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 4% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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