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Color name
RGB 147 253 89

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 147 253 89 it is the complementary color RGB 108 2 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 147 253 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 147 253 89 shade: RGB 152 253 84, RGB 169 255 103, RGB 186 255 122, RGB 203 255 141 and RGB 220 255 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 147 253 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 147 253 89 shade: RGB 147 253 89, RGB 130 235 70, RGB 113 217 51, RGB 96 199 32 and RGB 79 181 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 147 253 89 shade: RGB 147 253 88, RGB 191 253 88, RGB 236 253 88, RGB 253 226 88 and RGB 253 182 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 147 253 89 shade: RGB 147 253 88, RGB 102 253 88, RGB 88 253 119, RGB 88 253 163 and RGB 88 253 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 147 253 89 shade matches the following richer shades: RGB 147 253 88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 147 253 89 shade: RGB 147 253 88, RGB 151 240 102, RGB 155 226 116, RGB 159 212 129 and RGB 163 199 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 147 253 89 shade: RGB 237 253 88, RGB 193 253 88, RGB 149 253 88, RGB 105 253 88 and RGB 88 253 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 147 253 89 shade: RGB 94 252 7, RGB 120 253 48, RGB 147 253 88, RGB 173 254 129 and RGB 200 254 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 147 253 89 shade: RGB 147 253 89, RGB 88 253 226 and RGB 253 88 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 147 253 89 shade: RGB 147 253 89, RGB 88 149 253 and RGB 253 88 149

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 147 253 89 shade: RGB 147 253 89, RGB 88 253 226, RGB 193 88 253 and RGB 253 88 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 147 253 89 shade: RGB 147 253 89, RGB 88 231 253, RGB 193 88 253 and RGB 253 110 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 65 / 1

HEX #93FD59

RGB 147 253 89

HSL 98.78, 0.98%, 0.67%

LAB 90.4, -57.82, 66.51

 

Complementary color

CMYK 35 / 99 / 0 / 35

HEX #6C02A6

RGB 108 2 166

HSL 278.78, 0.98%, 0.33%

LAB 29.37, 62.62, -60.76

 

CMYK 40 / 0 / 67 / 1

HEX #98FD54

RGB 152 253 84

HSL 95.86, 0.98%, 0.66%

LAB 90.58, -56.65, 68.68

 

CMYK 34 / 0 / 60 / 0

HEX #A9FF67

RGB 169 255 103

HSL 93.95, 1%, 0.7%

LAB 92.1, -50.39, 62.98

 

CMYK 27 / 0 / 52 / 0

HEX #BAFF7A

RGB 186 255 122

HSL 91.13, 1%, 0.74%

LAB 93.17, -42.8, 56.14

 

CMYK 20 / 0 / 45 / 0

HEX #CBFF8D

RGB 203 255 141

HSL 87.37, 1%, 0.78%

LAB 94.37, -34.78, 49.01

 

CMYK 14 / 0 / 37 / 0

HEX #DCFFA0

RGB 220 255 160

HSL 82.11, 1%, 0.81%

LAB 95.69, -26.45, 41.73

 

CMYK 42 / 0 / 65 / 1

HEX #93FD59

RGB 147 253 89

HSL 98.78, 0.98%, 0.67%

LAB 90.4, -57.82, 66.51

 

CMYK 45 / 0 / 70 / 8

HEX #82EB46

RGB 130 235 70

HSL 98.18, 0.8%, 0.6%

LAB 84.28, -57.48, 67.02

 

CMYK 48 / 0 / 76 / 15

HEX #71D933

RGB 113 217 51

HSL 97.59, 0.69%, 0.53%

LAB 78.1, -56.95, 67.05

 

CMYK 52 / 0 / 84 / 22

HEX #60C720

RGB 96 199 32

HSL 97.01, 0.72%, 0.45%

LAB 71.85, -56.15, 66.31

 

CMYK 56 / 0 / 93 / 29

HEX #4FB50D

RGB 79 181 13

HSL 96.43, 0.87%, 0.38%

LAB 65.55, -54.98, 64.31

 

CMYK 42 / 0 / 65 / 1

HEX #93FD58

RGB 147 253 88

HSL 98.55, 0.98%, 0.67%

LAB 90.39, -57.9, 66.89

 

CMYK 25 / 0 / 65 / 1

HEX #BFFD58

RGB 191 253 88

HSL 82.55, 0.98%, 0.67%

LAB 92.59, -43.05, 69.88

 

CMYK 7 / 0 / 65 / 1

HEX #ECFD58

RGB 236 253 88

HSL 66.18, 0.98%, 0.67%

LAB 95.49, -25.88, 73.81

 

CMYK 0 / 11 / 65 / 1

HEX #FDE258

RGB 253 226 88

HSL 50.18, 0.98%, 0.67%

LAB 89.85, -5.87, 68.36

 

CMYK 0 / 28 / 65 / 1

HEX #FDB658

RGB 253 182 88

HSL 34.18, 0.98%, 0.67%

LAB 79.07, 16.75, 56.75

 

CMYK 42 / 0 / 65 / 1

HEX #93FD58

RGB 147 253 88

HSL 98.55, 0.98%, 0.67%

LAB 90.39, -57.9, 66.89

 

CMYK 60 / 0 / 65 / 1

HEX #66FD58

RGB 102 253 88

HSL 114.91, 0.98%, 0.67%

LAB 88.82, -69.86, 64.73

 

CMYK 65 / 0 / 53 / 1

HEX #58FD77

RGB 88 253 119

HSL 131.27, 0.98%, 0.67%

LAB 88.76, -69.27, 51.31

 

CMYK 65 / 0 / 36 / 1

HEX #58FDA3

RGB 88 253 163

HSL 147.27, 0.98%, 0.67%

LAB 89.38, -62.34, 30.85

 

CMYK 65 / 0 / 18 / 1

HEX #58FDD0

RGB 88 253 208

HSL 163.64, 0.98%, 0.67%

LAB 90.27, -52.98, 9.1

 

CMYK 42 / 0 / 65 / 1

HEX #93FD58

RGB 147 253 88

HSL 98.55, 0.98%, 0.67%

LAB 90.39, -57.9, 66.89

 

CMYK 42 / 0 / 65 / 1

HEX #93FD58

RGB 147 253 88

HSL 98.55, 0.98%, 0.67%

LAB 90.39, -57.9, 66.89

 

CMYK 37 / 0 / 58 / 6

HEX #97F066

RGB 151 240 102

HSL 98.7, 0.82%, 0.67%

LAB 86.93, -50.18, 57.3

 

CMYK 31 / 0 / 49 / 11

HEX #9BE274

RGB 155 226 116

HSL 98.73, 0.65%, 0.67%

LAB 83.24, -41.38, 46.56

 

CMYK 25 / 0 / 39 / 17

HEX #9FD481

RGB 159 212 129

HSL 98.31, 0.49%, 0.67%

LAB 79.64, -31.99, 35.65

 

CMYK 18 / 0 / 28 / 22

HEX #A3C78F

RGB 163 199 143

HSL 98.57, 0.33%, 0.67%

LAB 76.45, -22.27, 24.21

 

CMYK 6 / 0 / 65 / 1

HEX #EDFD58

RGB 237 253 88

HSL 65.82, 0.98%, 0.67%

LAB 95.56, -25.48, 73.9

 

CMYK 24 / 0 / 65 / 1

HEX #C1FD58

RGB 193 253 88

HSL 81.82, 0.98%, 0.67%

LAB 92.7, -42.32, 70.04

 

CMYK 41 / 0 / 65 / 1

HEX #95FD58

RGB 149 253 88

HSL 97.82, 0.98%, 0.67%

LAB 90.48, -57.28, 67.01

 

CMYK 58 / 0 / 65 / 1

HEX #69FD58

RGB 105 253 88

HSL 113.82, 0.98%, 0.67%

LAB 88.9, -69.19, 64.84

 

CMYK 65 / 0 / 54 / 1

HEX #58FD74

RGB 88 253 116

HSL 130.18, 0.98%, 0.67%

LAB 88.73, -69.66, 52.63

 

CMYK 63 / 0 / 97 / 1

HEX #5EFC07

RGB 94 252 7

HSL 98.69, 0.98%, 0.51%

LAB 87.98, -75.16, 83.32

 

CMYK 53 / 0 / 81 / 1

HEX #78FD30

RGB 120 253 48

HSL 98.93, 0.98%, 0.59%

LAB 89.14, -68.14, 78.25

 

CMYK 42 / 0 / 65 / 1

HEX #93FD58

RGB 147 253 88

HSL 98.55, 0.98%, 0.67%

LAB 90.39, -57.9, 66.89

 

CMYK 32 / 0 / 49 / 0

HEX #ADFE81

RGB 173 254 129

HSL 98.88, 0.98%, 0.75%

LAB 92.29, -46.01, 51.7

 

CMYK 21 / 0 / 33 / 0

HEX #C8FEAA

RGB 200 254 170

HSL 98.57, 0.98%, 0.83%

LAB 94.34, -31.69, 34.78

 

CMYK 42 / 0 / 65 / 1

HEX #93FD59

RGB 147 253 89

HSL 98.78, 0.98%, 0.67%

LAB 90.4, -57.82, 66.51

 

CMYK 65 / 0 / 11 / 1

HEX #58FDE2

RGB 88 253 226

HSL 170.18, 0.98%, 0.67%

LAB 90.7, -48.67, 0.39

 

CMYK 0 / 65 / 15 / 1

HEX #FD58D7

RGB 253 88 215

HSL 313.82, 0.98%, 0.67%

LAB 63.97, 75.11, -32.78

 

CMYK 42 / 0 / 65 / 1

HEX #93FD59

RGB 147 253 89

HSL 98.78, 0.98%, 0.67%

LAB 90.4, -57.82, 66.51

 

CMYK 65 / 41 / 0 / 1

HEX #5895FD

RGB 88 149 253

HSL 217.82, 0.98%, 0.67%

LAB 62.22, 12.48, -57.67

 

CMYK 0 / 65 / 41 / 1

HEX #FD5895

RGB 253 88 149

HSL 337.82, 0.98%, 0.67%

LAB 61.68, 67.23, 1.48

 

CMYK 42 / 0 / 65 / 1

HEX #93FD59

RGB 147 253 89

HSL 98.78, 0.98%, 0.67%

LAB 90.4, -57.82, 66.51

 

CMYK 65 / 0 / 11 / 1

HEX #58FDE2

RGB 88 253 226

HSL 170.18, 0.98%, 0.67%

LAB 90.7, -48.67, 0.39

 

CMYK 24 / 65 / 0 / 1

HEX #C158FD

RGB 193 88 253

HSL 278.18, 0.98%, 0.67%

LAB 57.47, 67.78, -64.81

 

CMYK 0 / 65 / 54 / 1

HEX #FD5874

RGB 253 88 116

HSL 349.82, 0.98%, 0.67%

LAB 60.89, 64.39, 19.53

 

CMYK 42 / 0 / 65 / 1

HEX #93FD59

RGB 147 253 89

HSL 98.78, 0.98%, 0.67%

LAB 90.4, -57.82, 66.51

 

CMYK 65 / 9 / 0 / 1

HEX #58E7FD

RGB 88 231 253

HSL 188, 0.98%, 0.67%

LAB 85.16, -31.51, -21.97

 

CMYK 24 / 65 / 0 / 1

HEX #C158FD

RGB 193 88 253

HSL 278.18, 0.98%, 0.67%

LAB 57.47, 67.78, -64.81

 

CMYK 0 / 57 / 65 / 1

HEX #FD6E58

RGB 253 110 88

HSL 8, 0.98%, 0.67%

LAB 63.95, 53.14, 39.29

 

Description

Color code: RGB 147 253 89 | qconv.com Color code: RGB 147 253 89 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 253 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 253 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 65 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 65% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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