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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 147 142 132 it is the complementary color RGB 108 113 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 147 142 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 147 142 132: RGB 152 142 127, RGB 169 160 146, RGB 186 178 165, RGB 203 196 184 and RGB 220 214 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 147 142 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 147 142 132: RGB 147 142 132, RGB 130 124 113, RGB 113 106 94, RGB 96 88 75 and RGB 79 70 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 10 / 42

HEX #938E84

RGB 147 142 132

HSL 40, 0.06%, 0.55%

LAB 59.17, 0.01, 5.98

 

Complementary color

CMYK 12 / 8 / 0 / 52

HEX #6C717B

RGB 108 113 123

HSL 220, 0.06%, 0.45%

LAB 47.53, 0.29, -6.17

 

CMYK 0 / 7 / 16 / 40

HEX #988E7F

RGB 152 142 127

HSL 36, 0.11%, 0.55%

LAB 59.48, 1.09, 9.33

 

CMYK 0 / 5 / 14 / 34

HEX #A9A092

RGB 169 160 146

HSL 36.52, 0.12%, 0.62%

LAB 66.25, 0.82, 8.46

 

CMYK 0 / 4 / 11 / 27

HEX #BAB2A5

RGB 186 178 165

HSL 37.14, 0.13%, 0.69%

LAB 72.89, 0.58, 7.65

 

CMYK 0 / 3 / 9 / 20

HEX #CBC4B8

RGB 203 196 184

HSL 37.89, 0.15%, 0.76%

LAB 79.41, 0.36, 6.88

 

CMYK 0 / 3 / 8 / 14

HEX #DCD6CB

RGB 220 214 203

HSL 38.82, 0.2%, 0.83%

LAB 85.82, 0.16, 6.15

 

CMYK 0 / 3 / 10 / 42

HEX #938E84

RGB 147 142 132

HSL 40, 0.06%, 0.55%

LAB 59.17, 0.01, 5.98

 

CMYK 0 / 5 / 13 / 49

HEX #827C71

RGB 130 124 113

HSL 38.82, 0.07%, 0.48%

LAB 52.23, 0.25, 6.81

 

CMYK 0 / 6 / 17 / 56

HEX #716A5E

RGB 113 106 94

HSL 37.89, 0.09%, 0.41%

LAB 45.12, 0.52, 7.72

 

CMYK 0 / 8 / 22 / 62

HEX #60584B

RGB 96 88 75

HSL 37.14, 0.12%, 0.34%

LAB 37.8, 0.84, 8.72

 

CMYK 0 / 11 / 29 / 69

HEX #4F4638

RGB 79 70 56

HSL 36.52, 0.17%, 0.26%

LAB 30.23, 1.25, 9.84

 

CMYK 0 / 3 / 10 / 42

HEX #938E84

RGB 147 142 132

HSL 40, 0.06%, 0.55%

LAB 59.17, 0.01, 5.98

 

CMYK 0 / 2 / 10 / 42

HEX #939085

RGB 147 144 133

HSL 47.14, 0.06%, 0.55%

LAB 59.75, -0.93, 6.23

 

CMYK 0 / 0 / 10 / 42

HEX #939385

RGB 147 147 133

HSL 60, 0.06%, 0.55%

LAB 60.57, -2.59, 7.41

 

CMYK 2 / 0 / 10 / 42

HEX #909385

RGB 144 147 133

HSL 72.86, 0.06%, 0.55%

LAB 60.33, -3.73, 7.03

 

CMYK 3 / 0 / 10 / 42

HEX #8E9385

RGB 142 147 133

HSL 81.43, 0.06%, 0.55%

LAB 60.17, -4.48, 6.78

 

CMYK 0 / 3 / 10 / 42

HEX #938E84

RGB 147 142 132

HSL 40, 0.06%, 0.55%

LAB 59.17, 0.01, 5.98

 

CMYK 0 / 4 / 10 / 22

HEX #C6BFB2

RGB 198 191 178

HSL 39, 0.15%, 0.74%

LAB 77.57, 0.2, 7.42

 

CMYK 0 / 3 / 10 / 2

HEX #F9F1E0

RGB 249 241 224

HSL 40.8, 0.68%, 0.93%

LAB 95.34, -0.14, 9.15

 

CMYK 0 / 4 / 11 / 82

HEX #2D2B28

RGB 45 43 40

HSL 36, 0.06%, 0.17%

LAB 17.64, 0.23, 2.27

 

CMYK 0 / 3 / 10 / 62

HEX #605D56

RGB 96 93 86

HSL 42, 0.05%, 0.36%

LAB 39.56, -0.19, 4.44

 

CMYK 0 / 3 / 10 / 42

HEX #938E84

RGB 147 142 132

HSL 40, 0.06%, 0.55%

LAB 59.17, 0.01, 5.98

 

CMYK 8 / 0 / 10 / 42

HEX #879385

RGB 135 147 133

HSL 111.43, 0.06%, 0.55%

LAB 59.63, -7.08, 5.93

 

CMYK 7 / 10 / 0 / 42

HEX #898593

RGB 137 133 147

HSL 257.14, 0.06%, 0.55%

LAB 56.29, 4.32, -6.95

 

CMYK 0 / 3 / 10 / 42

HEX #938E84

RGB 147 142 132

HSL 40, 0.06%, 0.55%

LAB 59.17, 0.01, 5.98

 

CMYK 10 / 0 / 3 / 42

HEX #85938E

RGB 133 147 142

HSL 158.57, 0.06%, 0.55%

LAB 59.71, -6.04, 0.92

 

CMYK 3 / 10 / 0 / 42

HEX #8E8593

RGB 142 133 147

HSL 278.57, 0.06%, 0.55%

LAB 56.72, 6.11, -6.27

 

CMYK 0 / 3 / 10 / 42

HEX #938E84

RGB 147 142 132

HSL 40, 0.06%, 0.55%

LAB 59.17, 0.01, 5.98

 

CMYK 8 / 0 / 10 / 42

HEX #879385

RGB 135 147 133

HSL 111.43, 0.06%, 0.55%

LAB 59.63, -7.08, 5.93

 

CMYK 10 / 7 / 0 / 42

HEX #858993

RGB 133 137 147

HSL 222.86, 0.06%, 0.55%

LAB 57.06, 0.61, -5.84

 

CMYK 1 / 10 / 0 / 42

HEX #918593

RGB 145 133 147

HSL 291.43, 0.06%, 0.55%

LAB 56.98, 7.2, -5.85

 

CMYK 0 / 3 / 10 / 42

HEX #938E84

RGB 147 142 132

HSL 40, 0.06%, 0.55%

LAB 59.17, 0.01, 5.98

 

CMYK 10 / 0 / 8 / 42

HEX #859387

RGB 133 147 135

HSL 128.57, 0.06%, 0.55%

LAB 59.53, -7.43, 4.63

 

CMYK 10 / 7 / 0 / 42

HEX #858993

RGB 133 137 147

HSL 222.86, 0.06%, 0.55%

LAB 57.06, 0.61, -5.84

 

CMYK 0 / 10 / 2 / 42

HEX #938590

RGB 147 133 144

HSL 312.86, 0.06%, 0.55%

LAB 57.07, 7.34, -3.97

 

Description

Color code: RGB 147 142 132 | qconv.com Color code: RGB 147 142 132 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 142 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 142 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 10 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 10% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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