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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 250 242 it is the complementary color RGB 109 5 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 250 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 146 250 242: RGB 151 250 237, RGB 168 255 255, RGB 185 255 255, RGB 202 255 255 and RGB 219 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 250 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 146 250 242: RGB 146 250 242, RGB 129 232 223, RGB 112 214 204, RGB 95 196 185 and RGB 78 178 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 3 / 2

HEX #92FAF2

RGB 146 250 242

HSL 175.38, 0.91%, 0.78%

LAB 92.08, -32.09, -5.66

 

Complementary color

CMYK 0 / 95 / 88 / 57

HEX #6D050D

RGB 109 5 13

HSL 355.38, 0.91%, 0.22%

LAB 21.54, 41.97, 27.18

 

CMYK 40 / 0 / 5 / 2

HEX #97FAED

RGB 151 250 237

HSL 172.12, 0.91%, 0.79%

LAB 92.16, -32.03, -2.93

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 21 / 0 / 0 / 0

HEX #CAFFFF

RGB 202 255 255

HSL 180, 1%, 0.9%

LAB 96.53, -16.6, -5.5

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 42 / 0 / 3 / 2

HEX #92FAF2

RGB 146 250 242

HSL 175.38, 0.91%, 0.78%

LAB 92.08, -32.09, -5.66

 

CMYK 44 / 0 / 4 / 9

HEX #81E8DF

RGB 129 232 223

HSL 174.76, 0.69%, 0.71%

LAB 85.86, -32.14, -4.99

 

CMYK 48 / 0 / 5 / 16

HEX #70D6CC

RGB 112 214 204

HSL 174.12, 0.55%, 0.64%

LAB 79.56, -32.17, -4.27

 

CMYK 52 / 0 / 6 / 23

HEX #5FC4B9

RGB 95 196 185

HSL 173.47, 0.46%, 0.57%

LAB 73.16, -32.14, -3.51

 

CMYK 56 / 0 / 7 / 30

HEX #4EB2A6

RGB 78 178 166

HSL 172.8, 0.39%, 0.5%

LAB 66.68, -32.04, -2.68

 

CMYK 42 / 0 / 3 / 2

HEX #92FAF2

RGB 146 250 242

HSL 175.38, 0.91%, 0.78%

LAB 92.08, -32.09, -5.66

 

CMYK 41 / 3 / 0 / 2

HEX #93F1F9

RGB 147 241 249

HSL 184.71, 0.89%, 0.78%

LAB 89.84, -25.88, -12.63

 

CMYK 41 / 10 / 0 / 2

HEX #93E0F9

RGB 147 224 249

HSL 194.71, 0.89%, 0.78%

LAB 85.18, -17.47, -19.63

 

CMYK 41 / 17 / 0 / 2

HEX #93CFF9

RGB 147 207 249

HSL 204.71, 0.89%, 0.78%

LAB 80.55, -8.7, -26.66

 

CMYK 41 / 24 / 0 / 2

HEX #93BEF9

RGB 147 190 249

HSL 214.71, 0.89%, 0.78%

LAB 75.99, 0.41, -33.67

 

CMYK 42 / 0 / 3 / 2

HEX #92FAF2

RGB 146 250 242

HSL 175.38, 0.91%, 0.78%

LAB 92.08, -32.09, -5.66

 

CMYK 41 / 0 / 2 / 82

HEX #1B2E2D

RGB 27 46 45

HSL 176.84, 0.26%, 0.14%

LAB 17.35, -7.99, -1.82

 

CMYK 41 / 0 / 3 / 62

HEX #39615E

RGB 57 97 94

HSL 175.5, 0.26%, 0.3%

LAB 38.25, -14.86, -2.74

 

CMYK 42 / 0 / 3 / 42

HEX #56948F

RGB 86 148 143

HSL 175.16, 0.26%, 0.46%

LAB 57.21, -21.26, -3.65

 

CMYK 42 / 0 / 3 / 22

HEX #74C7C1

RGB 116 199 193

HSL 175.66, 0.43%, 0.62%

LAB 75.08, -26.69, -4.93

 

CMYK 42 / 0 / 3 / 2

HEX #92FAF2

RGB 146 250 242

HSL 175.38, 0.91%, 0.78%

LAB 92.08, -32.09, -5.66

 

CMYK 36 / 41 / 0 / 2

HEX #9F93F9

RGB 159 147 249

HSL 247.06, 0.89%, 0.78%

LAB 65.81, 27.7, -49.51

 

CMYK 0 / 20 / 41 / 2

HEX #F9C893

RGB 249 200 147

HSL 31.18, 0.89%, 0.78%

LAB 83.73, 10.6, 33.09

 

CMYK 42 / 0 / 3 / 2

HEX #92FAF2

RGB 146 250 242

HSL 175.38, 0.91%, 0.78%

LAB 92.08, -32.09, -5.66

 

CMYK 3 / 41 / 0 / 2

HEX #F193F9

RGB 241 147 249

HSL 295.29, 0.89%, 0.78%

LAB 73.81, 50.7, -36.41

 

CMYK 0 / 3 / 41 / 2

HEX #F9F193

RGB 249 241 147

HSL 55.29, 0.89%, 0.78%

LAB 93.95, -10.27, 46.28

 

CMYK 42 / 0 / 3 / 2

HEX #92FAF2

RGB 146 250 242

HSL 175.38, 0.91%, 0.78%

LAB 92.08, -32.09, -5.66

 

CMYK 36 / 41 / 0 / 2

HEX #9F93F9

RGB 159 147 249

HSL 247.06, 0.89%, 0.78%

LAB 65.81, 27.7, -49.51

 

CMYK 0 / 41 / 37 / 2

HEX #F9939C

RGB 249 147 156

HSL 354.71, 0.89%, 0.78%

LAB 71.83, 39.34, 11.99

 

CMYK 4 / 0 / 41 / 2

HEX #EEF993

RGB 238 249 147

HSL 66.47, 0.89%, 0.78%

LAB 95.18, -18.4, 47.64

 

CMYK 42 / 0 / 3 / 2

HEX #92FAF2

RGB 146 250 242

HSL 175.38, 0.91%, 0.78%

LAB 92.08, -32.09, -5.66

 

CMYK 24 / 41 / 0 / 2

HEX #BE93F9

RGB 190 147 249

HSL 265.29, 0.89%, 0.78%

LAB 68.5, 36.06, -45.09

 

CMYK 0 / 41 / 37 / 2

HEX #F9939C

RGB 249 147 156

HSL 354.71, 0.89%, 0.78%

LAB 71.83, 39.34, 11.99

 

CMYK 17 / 0 / 41 / 2

HEX #CFF993

RGB 207 249 147

HSL 84.71, 0.89%, 0.78%

LAB 93.07, -29.89, 44.54

 

Description

Color code: RGB 146 250 242 | qconv.com Color code: RGB 146 250 242 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 250 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 250 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 3 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 3% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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