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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 189 101 it is the complementary color RGB 109 66 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 189 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 146 189 101: RGB 151 189 96, RGB 168 207 115, RGB 185 225 134, RGB 202 243 153 and RGB 219 255 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 189 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 146 189 101: RGB 146 189 101, RGB 129 171 82, RGB 112 153 63, RGB 95 135 44 and RGB 78 117 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 47 / 26

HEX #92BD65

RGB 146 189 101

HSL 89.32, 0.4%, 0.57%

LAB 71.86, -29.41, 39.73

 

Complementary color

CMYK 29 / 57 / 0 / 40

HEX #6D429A

RGB 109 66 154

HSL 269.32, 0.4%, 0.43%

LAB 36.89, 36.62, -41.3

 

CMYK 20 / 0 / 49 / 26

HEX #97BD60

RGB 151 189 96

HSL 84.52, 0.41%, 0.56%

LAB 72.11, -28.1, 42.59

 

CMYK 19 / 0 / 44 / 19

HEX #A8CF73

RGB 168 207 115

HSL 85.43, 0.49%, 0.63%

LAB 78.57, -28.14, 41.43

 

CMYK 18 / 0 / 40 / 12

HEX #B9E186

RGB 185 225 134

HSL 86.37, 0.6%, 0.7%

LAB 84.94, -28.15, 40.27

 

CMYK 17 / 0 / 37 / 5

HEX #CAF399

RGB 202 243 153

HSL 87.33, 0.79%, 0.78%

LAB 91.22, -28.14, 39.15

 

CMYK 14 / 0 / 33 / 0

HEX #DBFFAC

RGB 219 255 172

HSL 86.02, 1%, 0.84%

LAB 95.81, -25.28, 35.95

 

CMYK 23 / 0 / 47 / 26

HEX #92BD65

RGB 146 189 101

HSL 89.32, 0.4%, 0.57%

LAB 71.86, -29.41, 39.73

 

CMYK 25 / 0 / 52 / 33

HEX #81AB52

RGB 129 171 82

HSL 88.31, 0.35%, 0.5%

LAB 65.28, -29.39, 40.91

 

CMYK 27 / 0 / 59 / 40

HEX #70993F

RGB 112 153 63

HSL 87.33, 0.42%, 0.42%

LAB 58.59, -29.3, 42.02

 

CMYK 30 / 0 / 67 / 47

HEX #5F872C

RGB 95 135 44

HSL 86.37, 0.51%, 0.35%

LAB 51.77, -29.09, 42.9

 

CMYK 33 / 0 / 79 / 54

HEX #4E7519

RGB 78 117 25

HSL 85.43, 0.65%, 0.28%

LAB 44.82, -28.66, 43.19

 

CMYK 23 / 0 / 47 / 26

HEX #92BD65

RGB 146 189 101

HSL 89.32, 0.4%, 0.57%

LAB 71.86, -29.41, 39.73

 

CMYK 30 / 0 / 47 / 26

HEX #84BD65

RGB 132 189 101

HSL 98.86, 0.4%, 0.57%

LAB 71.04, -34.49, 38.53

 

CMYK 38 / 0 / 47 / 26

HEX #75BD65

RGB 117 189 101

HSL 109.09, 0.4%, 0.57%

LAB 70.26, -39.57, 37.39

 

CMYK 46 / 0 / 47 / 26

HEX #66BD65

RGB 102 189 101

HSL 119.32, 0.4%, 0.57%

LAB 69.58, -44.21, 36.4

 

CMYK 47 / 0 / 40 / 26

HEX #65BD72

RGB 101 189 114

HSL 128.86, 0.4%, 0.57%

LAB 69.74, -42.5, 29.91

 

CMYK 23 / 0 / 47 / 26

HEX #92BD65

RGB 146 189 101

HSL 89.32, 0.4%, 0.57%

LAB 71.86, -29.41, 39.73

 

CMYK 23 / 0 / 47 / 6

HEX #B9F080

RGB 185 240 128

HSL 89.46, 0.79%, 0.72%

LAB 89.01, -35.83, 48.31

 

CMYK 22 / 0 / 47 / 86

HEX #1C2413

RGB 28 36 19

HSL 88.24, 0.31%, 0.11%

LAB 12.96, -7.51, 10.16

 

CMYK 23 / 0 / 47 / 66

HEX #43572E

RGB 67 87 46

HSL 89.27, 0.31%, 0.26%

LAB 34.41, -15.84, 21.32

 

CMYK 22 / 0 / 46 / 46

HEX #6B8A4A

RGB 107 138 74

HSL 89.06, 0.3%, 0.42%

LAB 53.81, -22.62, 30.67

 

CMYK 23 / 0 / 47 / 26

HEX #92BD65

RGB 146 189 101

HSL 89.32, 0.4%, 0.57%

LAB 71.86, -29.41, 39.73

 

CMYK 47 / 0 / 15 / 26

HEX #65BDA1

RGB 101 189 161

HSL 160.91, 0.4%, 0.57%

LAB 70.69, -33.23, 5.99

 

CMYK 0 / 47 / 4 / 26

HEX #BD65B5

RGB 189 101 181

HSL 305.45, 0.4%, 0.57%

LAB 55.55, 46.48, -27.21

 

CMYK 23 / 0 / 47 / 26

HEX #92BD65

RGB 146 189 101

HSL 89.32, 0.4%, 0.57%

LAB 71.86, -29.41, 39.73

 

CMYK 47 / 23 / 0 / 26

HEX #6592BD

RGB 101 146 189

HSL 209.32, 0.4%, 0.57%

LAB 58.97, -3.52, -27.11

 

CMYK 0 / 47 / 23 / 26

HEX #BD6592

RGB 189 101 146

HSL 329.32, 0.4%, 0.57%

LAB 54.24, 40.78, -8.83

 

CMYK 23 / 0 / 47 / 26

HEX #92BD65

RGB 146 189 101

HSL 89.32, 0.4%, 0.57%

LAB 71.86, -29.41, 39.73

 

CMYK 47 / 0 / 15 / 26

HEX #65BDA1

RGB 101 189 161

HSL 160.91, 0.4%, 0.57%

LAB 70.69, -33.23, 5.99

 

CMYK 24 / 47 / 0 / 26

HEX #8F65BD

RGB 143 101 189

HSL 268.64, 0.4%, 0.57%

LAB 50.48, 34.53, -40.15

 

CMYK 0 / 47 / 32 / 26

HEX #BD6581

RGB 189 101 129

HSL 340.91, 0.4%, 0.57%

LAB 53.72, 38.41, 0.41

 

CMYK 23 / 0 / 47 / 26

HEX #92BD65

RGB 146 189 101

HSL 89.32, 0.4%, 0.57%

LAB 71.86, -29.41, 39.73

 

CMYK 47 / 0 / 1 / 26

HEX #65BDBB

RGB 101 189 187

HSL 178.64, 0.4%, 0.57%

LAB 71.38, -26.9, -7.21

 

CMYK 24 / 47 / 0 / 26

HEX #8F65BD

RGB 143 101 189

HSL 268.64, 0.4%, 0.57%

LAB 50.48, 34.53, -40.15

 

CMYK 0 / 47 / 46 / 26

HEX #BD6566

RGB 189 101 102

HSL 359.32, 0.4%, 0.57%

LAB 53.04, 35.25, 15.37

 

Description

Color code: RGB 146 189 101 | qconv.com Color code: RGB 146 189 101 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 189 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 189 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 47 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 47% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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