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Color name
RGB 146 163 94

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 163 94 it is the complementary color RGB 109 92 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 163 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 163 94 shade: RGB 151 163 89, RGB 168 181 108, RGB 185 199 127, RGB 202 217 146 and RGB 219 235 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 163 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 163 94 shade: RGB 146 163 94, RGB 129 145 75, RGB 112 127 56, RGB 95 109 37 and RGB 78 91 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 163 94 shade: RGB 144 161 93, RGB 161 160 93, RGB 161 141 93, RGB 161 123 93 and RGB 161 104 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 163 94 shade: RGB 144 161 93, RGB 126 161 93, RGB 107 161 93, RGB 93 161 96 and RGB 93 161 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 163 94 shade matches the following richer shades: RGB 144 161 93, RGB 155 182 72, RGB 165 203 51, RGB 176 223 31 and RGB 186 244 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 163 94 shade: RGB 144 161 93, RGB 134 141 113, RGB 124 120 134, RGB 113 100 154 and RGB 103 79 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 163 94 shade: RGB 161 141 93, RGB 161 159 93, RGB 145 161 93, RGB 127 161 93 and RGB 109 161 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 163 94 shade: RGB 98 109 62, RGB 121 135 78, RGB 144 161 93, RGB 162 176 119 and RGB 180 192 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 163 94 shade: RGB 146 163 94, RGB 93 161 122 and RGB 150 93 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 163 94 shade: RGB 146 163 94, RGB 93 145 161 and RGB 161 93 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 163 94 shade: RGB 146 163 94, RGB 93 161 122, RGB 109 93 161 and RGB 161 93 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 163 94 shade: RGB 146 163 94, RGB 93 161 143, RGB 109 93 161 and RGB 161 93 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 42 / 36

HEX #92A35E

RGB 146 163 94

HSL 74.78, 0.27%, 0.5%

LAB 64.25, -17.35, 33.8

 

Complementary color

CMYK 32 / 43 / 0 / 37

HEX #6D5CA1

RGB 109 92 161

HSL 254.78, 0.27%, 0.5%

LAB 43.48, 22.94, -35.04

 

CMYK 7 / 0 / 45 / 36

HEX #97A359

RGB 151 163 89

HSL 69.73, 0.29%, 0.49%

LAB 64.56, -15.89, 36.86

 

CMYK 7 / 0 / 40 / 29

HEX #A8B56C

RGB 168 181 108

HSL 70.68, 0.33%, 0.57%

LAB 71.18, -16.12, 35.66

 

CMYK 7 / 0 / 36 / 22

HEX #B9C77F

RGB 185 199 127

HSL 71.67, 0.39%, 0.64%

LAB 77.69, -16.3, 34.48

 

CMYK 7 / 0 / 33 / 15

HEX #CAD992

RGB 202 217 146

HSL 72.68, 0.48%, 0.71%

LAB 84.1, -16.43, 33.36

 

CMYK 7 / 0 / 30 / 8

HEX #DBEBA5

RGB 219 235 165

HSL 73.71, 0.64%, 0.78%

LAB 90.41, -16.54, 32.28

 

CMYK 10 / 0 / 42 / 36

HEX #92A35E

RGB 146 163 94

HSL 74.78, 0.27%, 0.5%

LAB 64.25, -17.35, 33.8

 

CMYK 11 / 0 / 48 / 43

HEX #81914B

RGB 129 145 75

HSL 73.71, 0.32%, 0.43%

LAB 57.49, -17.16, 35.03

 

CMYK 12 / 0 / 56 / 50

HEX #707F38

RGB 112 127 56

HSL 72.68, 0.39%, 0.36%

LAB 50.58, -16.87, 36.22

 

CMYK 13 / 0 / 66 / 57

HEX #5F6D25

RGB 95 109 37

HSL 71.67, 0.49%, 0.29%

LAB 43.51, -16.44, 37.24

 

CMYK 14 / 0 / 80 / 64

HEX #4E5B12

RGB 78 91 18

HSL 70.68, 0.67%, 0.21%

LAB 36.26, -15.77, 37.61

 

CMYK 11 / 0 / 42 / 37

HEX #90A15D

RGB 144 161 93

HSL 75, 0.27%, 0.5%

LAB 63.52, -17.24, 33.37

 

CMYK 0 / 1 / 42 / 37

HEX #A1A05D

RGB 161 160 93

HSL 59.12, 0.27%, 0.5%

LAB 64.57, -9.74, 34.98

 

CMYK 0 / 12 / 42 / 37

HEX #A18D5D

RGB 161 141 93

HSL 42.35, 0.27%, 0.5%

LAB 59.36, 0.58, 28.35

 

CMYK 0 / 24 / 42 / 37

HEX #A17B5D

RGB 161 123 93

HSL 26.47, 0.27%, 0.5%

LAB 54.59, 10.7, 22.09

 

CMYK 0 / 35 / 42 / 37

HEX #A1685D

RGB 161 104 93

HSL 9.71, 0.27%, 0.5%

LAB 49.82, 21.53, 15.65

 

CMYK 11 / 0 / 42 / 37

HEX #90A15D

RGB 144 161 93

HSL 75, 0.27%, 0.5%

LAB 63.52, -17.24, 33.37

 

CMYK 22 / 0 / 42 / 37

HEX #7EA15D

RGB 126 161 93

HSL 90.88, 0.27%, 0.5%

LAB 62.27, -24.32, 31.52

 

CMYK 34 / 0 / 42 / 37

HEX #6BA15D

RGB 107 161 93

HSL 107.65, 0.27%, 0.5%

LAB 61.14, -31.26, 29.85

 

CMYK 42 / 0 / 40 / 37

HEX #5DA160

RGB 93 161 96

HSL 122.65, 0.27%, 0.5%

LAB 60.48, -35.42, 27.26

 

CMYK 42 / 0 / 29 / 37

HEX #5DA173

RGB 93 161 115

HSL 139.41, 0.27%, 0.5%

LAB 60.83, -32.03, 17.36

 

CMYK 11 / 0 / 42 / 37

HEX #90A15D

RGB 144 161 93

HSL 75, 0.27%, 0.5%

LAB 63.52, -17.24, 33.37

 

CMYK 15 / 0 / 60 / 29

HEX #9BB648

RGB 155 182 72

HSL 74.73, 0.43%, 0.5%

LAB 70.1, -25.42, 51.59

 

CMYK 19 / 0 / 75 / 20

HEX #A5CB33

RGB 165 203 51

HSL 75, 0.6%, 0.5%

LAB 76.65, -32.72, 66.62

 

CMYK 21 / 0 / 86 / 13

HEX #B0DF1F

RGB 176 223 31

HSL 74.69, 0.76%, 0.5%

LAB 82.97, -38.23, 77.67

 

CMYK 24 / 0 / 96 / 4

HEX #BAF40A

RGB 186 244 10

HSL 74.87, 0.92%, 0.5%

LAB 89.47, -43.96, 85.9

 

CMYK 11 / 0 / 42 / 37

HEX #90A15D

RGB 144 161 93

HSL 75, 0.27%, 0.5%

LAB 63.52, -17.24, 33.37

 

CMYK 5 / 0 / 20 / 45

HEX #868D71

RGB 134 141 113

HSL 75, 0.11%, 0.5%

LAB 57.38, -7.72, 14.1

 

CMYK 7 / 10 / 0 / 47

HEX #7C7886

RGB 124 120 134

HSL 257.14, 0.06%, 0.5%

LAB 51.2, 4.4, -7.08

 

CMYK 27 / 35 / 0 / 40

HEX #71649A

RGB 113 100 154

HSL 254.44, 0.21%, 0.5%

LAB 45.58, 17.4, -27.57

 

CMYK 41 / 55 / 0 / 31

HEX #674FAF

RGB 103 79 175

HSL 255, 0.38%, 0.5%

LAB 40.53, 33.16, -48.06

 

CMYK 0 / 12 / 42 / 37

HEX #A18D5D

RGB 161 141 93

HSL 42.35, 0.27%, 0.5%

LAB 59.36, 0.58, 28.35

 

CMYK 0 / 1 / 42 / 37

HEX #A19F5D

RGB 161 159 93

HSL 58.24, 0.27%, 0.5%

LAB 64.29, -9.21, 34.63

 

CMYK 10 / 0 / 42 / 37

HEX #91A15D

RGB 145 161 93

HSL 74.12, 0.27%, 0.5%

LAB 63.59, -16.84, 33.48

 

CMYK 21 / 0 / 42 / 37

HEX #7FA15D

RGB 127 161 93

HSL 90, 0.27%, 0.5%

LAB 62.33, -23.94, 31.62

 

CMYK 32 / 0 / 42 / 37

HEX #6DA15D

RGB 109 161 93

HSL 105.88, 0.27%, 0.5%

LAB 61.25, -30.56, 30.01

 

CMYK 10 / 0 / 43 / 57

HEX #626D3E

RGB 98 109 62

HSL 74.04, 0.27%, 0.34%

LAB 44.06, -12.49, 24.84

 

CMYK 10 / 0 / 42 / 47

HEX #79874E

RGB 121 135 78

HSL 74.74, 0.27%, 0.42%

LAB 53.97, -14.85, 28.92

 

CMYK 11 / 0 / 42 / 37

HEX #90A15D

RGB 144 161 93

HSL 75, 0.27%, 0.5%

LAB 63.52, -17.24, 33.37

 

CMYK 8 / 0 / 32 / 31

HEX #A2B077

RGB 162 176 119

HSL 74.74, 0.27%, 0.58%

LAB 69.52, -14.52, 27.63

 

CMYK 6 / 0 / 24 / 25

HEX #B4C091

RGB 180 192 145

HSL 75.32, 0.27%, 0.66%

LAB 75.73, -12.19, 22.36

 

CMYK 10 / 0 / 42 / 36

HEX #92A35E

RGB 146 163 94

HSL 74.78, 0.27%, 0.5%

LAB 64.25, -17.35, 33.8

 

CMYK 42 / 0 / 24 / 37

HEX #5DA17A

RGB 93 161 122

HSL 145.59, 0.27%, 0.5%

LAB 60.98, -30.62, 13.68

 

CMYK 7 / 42 / 0 / 37

HEX #965DA1

RGB 150 93 161

HSL 290.29, 0.27%, 0.5%

LAB 48.12, 34.88, -27.46

 

CMYK 10 / 0 / 42 / 36

HEX #92A35E

RGB 146 163 94

HSL 74.78, 0.27%, 0.5%

LAB 64.25, -17.35, 33.8

 

CMYK 42 / 10 / 0 / 37

HEX #5D91A1

RGB 93 145 161

HSL 194.12, 0.27%, 0.5%

LAB 57.22, -12.99, -13.9

 

CMYK 0 / 42 / 10 / 37

HEX #A15D91

RGB 161 93 145

HSL 314.12, 0.27%, 0.5%

LAB 48.82, 35.4, -16.78

 

CMYK 10 / 0 / 42 / 36

HEX #92A35E

RGB 146 163 94

HSL 74.78, 0.27%, 0.5%

LAB 64.25, -17.35, 33.8

 

CMYK 42 / 0 / 24 / 37

HEX #5DA17A

RGB 93 161 122

HSL 145.59, 0.27%, 0.5%

LAB 60.98, -30.62, 13.68

 

CMYK 32 / 42 / 0 / 37

HEX #6D5DA1

RGB 109 93 161

HSL 254.12, 0.27%, 0.5%

LAB 43.73, 22.33, -34.64

 

CMYK 0 / 42 / 18 / 37

HEX #A15D84

RGB 161 93 132

HSL 325.59, 0.27%, 0.5%

LAB 48.35, 33.2, -9.74

 

CMYK 10 / 0 / 42 / 36

HEX #92A35E

RGB 146 163 94

HSL 74.78, 0.27%, 0.5%

LAB 64.25, -17.35, 33.8

 

CMYK 42 / 0 / 11 / 37

HEX #5DA18F

RGB 93 161 143

HSL 164.12, 0.27%, 0.5%

LAB 61.48, -25.97, 2.63

 

CMYK 32 / 42 / 0 / 37

HEX #6D5DA1

RGB 109 93 161

HSL 254.12, 0.27%, 0.5%

LAB 43.73, 22.33, -34.64

 

CMYK 0 / 42 / 31 / 37

HEX #A15D6F

RGB 161 93 111

HSL 344.12, 0.27%, 0.5%

LAB 47.69, 30.03, 1.91

 

Description

Color code: RGB 146 163 94 | qconv.com Color code: RGB 146 163 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 163 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 163 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 42 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 42% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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