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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 147 199 it is the complementary color RGB 109 108 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 147 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 147 199 shade: RGB 151 147 194, RGB 168 165 213, RGB 185 183 232, RGB 202 201 251 and RGB 219 219 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 147 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 147 199 shade: RGB 146 147 199, RGB 129 129 180, RGB 112 111 161, RGB 95 93 142 and RGB 78 75 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 147 199 shade: RGB 147 148 200, RGB 160 147 200, RGB 174 147 200, RGB 189 147 200 and RGB 200 147 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 147 199 shade: RGB 147 148 200 and RGB 147 147 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 147 199 shade matches the following richer shades: RGB 147 148 200, RGB 134 136 213, RGB 121 123 226, RGB 108 110 239 and RGB 94 97 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 147 199 shade: RGB 147 148 200, RGB 160 161 186, RGB 174 174 173, RGB 187 186 160 and RGB 200 199 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 147 199 shade: RGB 147 177 200, RGB 147 163 200, RGB 147 149 200, RGB 159 147 200 and RGB 173 147 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 147 199 shade: RGB 93 94 171, RGB 120 121 185, RGB 147 148 200, RGB 175 175 214 and RGB 202 202 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 147 199 shade: RGB 146 147 199, RGB 200 147 191 and RGB 170 200 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 147 199 shade: RGB 146 147 199, RGB 200 147 149 and RGB 149 200 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 147 199 shade: RGB 146 147 199, RGB 200 147 191, RGB 200 198 147 and RGB 147 200 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 147 199 shade: RGB 146 147 199, RGB 200 147 175, RGB 200 198 147 and RGB 147 200 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 26 / 0 / 22

HEX #9293C7

RGB 146 147 199

HSL 238.87, 0.32%, 0.68%

LAB 62.59, 11.22, -26.92

 

Complementary color

CMYK 0 / 1 / 49 / 57

HEX #6D6C38

RGB 109 108 56

HSL 58.87, 0.32%, 0.32%

LAB 44.61, -7.76, 29.06

 

CMYK 22 / 24 / 0 / 24

HEX #9793C2

RGB 151 147 194

HSL 245.11, 0.28%, 0.67%

LAB 62.8, 11.55, -23.77

 

CMYK 21 / 23 / 0 / 16

HEX #A8A5D5

RGB 168 165 213

HSL 243.75, 0.36%, 0.74%

LAB 69.5, 11.14, -23.95

 

CMYK 20 / 21 / 0 / 9

HEX #B9B7E8

RGB 185 183 232

HSL 242.45, 0.52%, 0.81%

LAB 76.07, 10.77, -24.16

 

CMYK 20 / 20 / 0 / 2

HEX #CAC9FB

RGB 202 201 251

HSL 241.2, 0.86%, 0.89%

LAB 82.54, 10.43, -24.38

 

CMYK 14 / 14 / 0 / 0

HEX #DBDBFF

RGB 219 219 255

HSL 240, 1%, 0.93%

LAB 88.42, 6.96, -17.47

 

CMYK 27 / 26 / 0 / 22

HEX #9293C7

RGB 146 147 199

HSL 238.87, 0.32%, 0.68%

LAB 62.59, 11.22, -26.92

 

CMYK 28 / 28 / 0 / 29

HEX #8181B4

RGB 129 129 180

HSL 240, 0.25%, 0.61%

LAB 55.75, 11.7, -26.82

 

CMYK 30 / 31 / 0 / 37

HEX #706FA1

RGB 112 111 161

HSL 241.2, 0.21%, 0.53%

LAB 48.74, 12.25, -26.78

 

CMYK 33 / 35 / 0 / 44

HEX #5F5D8E

RGB 95 93 142

HSL 242.45, 0.21%, 0.46%

LAB 41.56, 12.9, -26.78

 

CMYK 37 / 39 / 0 / 52

HEX #4E4B7B

RGB 78 75 123

HSL 243.75, 0.24%, 0.39%

LAB 34.15, 13.67, -26.86

 

CMYK 27 / 26 / 0 / 22

HEX #9394C8

RGB 147 148 200

HSL 238.87, 0.33%, 0.68%

LAB 62.97, 11.2, -26.89

 

CMYK 20 / 27 / 0 / 22

HEX #A093C8

RGB 160 147 200

HSL 254.72, 0.33%, 0.68%

LAB 63.76, 15.79, -25.58

 

CMYK 13 / 27 / 0 / 22

HEX #AE93C8

RGB 174 147 200

HSL 270.57, 0.33%, 0.68%

LAB 64.99, 20.26, -23.59

 

CMYK 5 / 27 / 0 / 22

HEX #BD93C8

RGB 189 147 200

HSL 287.55, 0.33%, 0.68%

LAB 66.41, 25.15, -21.3

 

CMYK 0 / 27 / 2 / 22

HEX #C893C4

RGB 200 147 196

HSL 304.53, 0.33%, 0.68%

LAB 67.38, 28.04, -17.49

 

CMYK 27 / 26 / 0 / 22

HEX #9394C8

RGB 147 148 200

HSL 238.87, 0.33%, 0.68%

LAB 62.97, 11.2, -26.89

 

CMYK 27 / 27 / 0 / 22

HEX #9393C8

RGB 147 147 200

HSL 240, 0.33%, 0.68%

LAB 62.71, 11.77, -27.29

 

CMYK 27 / 26 / 0 / 22

HEX #9394C8

RGB 147 148 200

HSL 238.87, 0.33%, 0.68%

LAB 62.97, 11.2, -26.89

 

CMYK 37 / 36 / 0 / 16

HEX #8688D5

RGB 134 136 213

HSL 238.48, 0.48%, 0.68%

LAB 59.42, 17.79, -39.78

 

CMYK 46 / 46 / 0 / 11

HEX #797BE2

RGB 121 123 226

HSL 238.86, 0.64%, 0.68%

LAB 55.81, 25.91, -52.84

 

CMYK 55 / 54 / 0 / 6

HEX #6C6EEF

RGB 108 110 239

HSL 239.08, 0.8%, 0.68%

LAB 52.48, 34.9, -65.5

 

CMYK 63 / 62 / 0 / 1

HEX #5E61FC

RGB 94 97 252

HSL 238.86, 0.96%, 0.68%

LAB 49.44, 44.4, -77.72

 

CMYK 27 / 26 / 0 / 22

HEX #9394C8

RGB 147 148 200

HSL 238.87, 0.33%, 0.68%

LAB 62.97, 11.2, -26.89

 

CMYK 14 / 13 / 0 / 27

HEX #A0A1BA

RGB 160 161 186

HSL 237.69, 0.16%, 0.68%

LAB 66.91, 4.76, -12.98

 

CMYK 0 / 0 / 1 / 32

HEX #AEAEAD

RGB 174 174 173

HSL 60, 0.01%, 0.68%

LAB 71.07, -0.18, 0.5

 

CMYK 0 / 1 / 14 / 27

HEX #BBBAA0

RGB 187 186 160

HSL 57.78, 0.17%, 0.68%

LAB 74.96, -4.13, 13.33

 

CMYK 0 / 0 / 27 / 22

HEX #C8C793

RGB 200 199 147

HSL 58.87, 0.33%, 0.68%

LAB 79.18, -7.94, 26.24

 

CMYK 27 / 12 / 0 / 22

HEX #93B1C8

RGB 147 177 200

HSL 206.04, 0.33%, 0.68%

LAB 70.74, -4.98, -15.05

 

CMYK 27 / 19 / 0 / 22

HEX #93A3C8

RGB 147 163 200

HSL 221.89, 0.33%, 0.68%

LAB 66.95, 2.72, -20.79

 

CMYK 27 / 26 / 0 / 22

HEX #9395C8

RGB 147 149 200

HSL 237.74, 0.33%, 0.68%

LAB 63.23, 10.62, -26.48

 

CMYK 21 / 27 / 0 / 22

HEX #9F93C8

RGB 159 147 200

HSL 253.58, 0.33%, 0.68%

LAB 63.68, 15.47, -25.72

 

CMYK 14 / 27 / 0 / 22

HEX #AD93C8

RGB 173 147 200

HSL 269.43, 0.33%, 0.68%

LAB 64.9, 19.93, -23.74

 

CMYK 46 / 45 / 0 / 33

HEX #5D5EAB

RGB 93 94 171

HSL 239.23, 0.32%, 0.52%

LAB 43.17, 20.26, -41.52

 

CMYK 35 / 35 / 0 / 27

HEX #7879B9

RGB 120 121 185

HSL 239.08, 0.32%, 0.6%

LAB 53.14, 15.11, -33.81

 

CMYK 27 / 26 / 0 / 22

HEX #9394C8

RGB 147 148 200

HSL 238.87, 0.33%, 0.68%

LAB 62.97, 11.2, -26.89

 

CMYK 18 / 18 / 0 / 16

HEX #AFAFD6

RGB 175 175 214

HSL 240, 0.32%, 0.76%

LAB 72.65, 8.02, -19.65

 

CMYK 11 / 11 / 0 / 11

HEX #CACAE4

RGB 202 202 228

HSL 240, 0.33%, 0.84%

LAB 82.05, 5.03, -12.84

 

CMYK 27 / 26 / 0 / 22

HEX #9293C7

RGB 146 147 199

HSL 238.87, 0.32%, 0.68%

LAB 62.59, 11.22, -26.92

 

CMYK 0 / 27 / 5 / 22

HEX #C893BF

RGB 200 147 191

HSL 310.19, 0.33%, 0.68%

LAB 67.21, 27.13, -14.96

 

CMYK 15 / 0 / 27 / 22

HEX #AAC893

RGB 170 200 147

HSL 93.96, 0.33%, 0.68%

LAB 77.26, -19.63, 23.27

 

CMYK 27 / 26 / 0 / 22

HEX #9293C7

RGB 146 147 199

HSL 238.87, 0.32%, 0.68%

LAB 62.59, 11.22, -26.92

 

CMYK 0 / 27 / 26 / 22

HEX #C89395

RGB 200 147 149

HSL 357.74, 0.33%, 0.68%

LAB 65.99, 20.26, 6.81

 

CMYK 26 / 0 / 27 / 22

HEX #95C893

RGB 149 200 147

HSL 117.74, 0.33%, 0.68%

LAB 75.95, -26.97, 21.27

 

CMYK 27 / 26 / 0 / 22

HEX #9293C7

RGB 146 147 199

HSL 238.87, 0.32%, 0.68%

LAB 62.59, 11.22, -26.92

 

CMYK 0 / 27 / 5 / 22

HEX #C893BF

RGB 200 147 191

HSL 310.19, 0.33%, 0.68%

LAB 67.21, 27.13, -14.96

 

CMYK 0 / 1 / 27 / 22

HEX #C8C693

RGB 200 198 147

HSL 57.74, 0.33%, 0.68%

LAB 78.91, -7.42, 25.88

 

CMYK 27 / 0 / 22 / 22

HEX #93C89C

RGB 147 200 156

HSL 130.19, 0.33%, 0.68%

LAB 76.02, -26.07, 16.55

 

CMYK 27 / 26 / 0 / 22

HEX #9293C7

RGB 146 147 199

HSL 238.87, 0.32%, 0.68%

LAB 62.59, 11.22, -26.92

 

CMYK 0 / 27 / 13 / 22

HEX #C893AF

RGB 200 147 175

HSL 328.3, 0.33%, 0.68%

LAB 66.7, 24.33, -6.76

 

CMYK 0 / 1 / 27 / 22

HEX #C8C693

RGB 200 198 147

HSL 57.74, 0.33%, 0.68%

LAB 78.91, -7.42, 25.88

 

CMYK 27 / 0 / 14 / 22

HEX #93C8AC

RGB 147 200 172

HSL 148.3, 0.33%, 0.68%

LAB 76.37, -23.03, 8.47

 

Description

Color code: RGB 146 147 199 | qconv.com Color code: RGB 146 147 199 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 147 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 147 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 26 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 26% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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