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Color name
RGB 145 72 22

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 72 22 it is the complementary color RGB 110 183 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 72 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 72 22 shade: RGB 150 72 17, RGB 167 90 36, RGB 184 108 55, RGB 201 126 74 and RGB 218 144 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 72 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 72 22 shade: RGB 145 72 22, RGB 128 54 3, RGB 111 36 0, RGB 94 18 0 and RGB 77 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 72 22 shade: RGB 146 72 21, RGB 146 38 21 and RGB 146 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 72 22 shade: RGB 146 72 21, RGB 146 106 21, RGB 146 139 21, RGB 119 146 21 and RGB 85 146 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 72 22 shade matches the following richer shades: RGB 146 72 21 and RGB 160 69 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 72 22 shade: RGB 146 72 21, RGB 132 75 35, RGB 119 77 49, RGB 105 80 62 and RGB 91 82 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 72 22 shade: RGB 146 21 38, RGB 146 38 21, RGB 146 71 21, RGB 146 104 21 and RGB 146 138 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 72 22 shade: RGB 74 36 11, RGB 110 54 16, RGB 146 72 21, RGB 182 90 27 and RGB 218 108 32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 72 22 shade: RGB 145 72 22, RGB 71 146 21 and RGB 21 21 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 72 22 shade: RGB 145 72 22, RGB 21 146 71 and RGB 71 21 146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 72 22 shade: RGB 145 72 22, RGB 71 146 21, RGB 21 96 146 and RGB 96 21 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 72 22 shade: RGB 145 72 22, RGB 34 146 21, RGB 21 96 146 and RGB 133 21 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 85 / 43

HEX #914816

RGB 145 72 22

HSL 24.39, 0.74%, 0.33%

LAB 39.09, 27.47, 41.51

 

Complementary color

CMYK 53 / 21 / 0 / 9

HEX #6EB7E9

RGB 110 183 233

HSL 204.39, 0.74%, 0.67%

LAB 71.6, -9.01, -31.96

 

CMYK 0 / 52 / 89 / 41

HEX #964811

RGB 150 72 17

HSL 24.81, 0.8%, 0.33%

LAB 39.85, 29.46, 44.47

 

CMYK 0 / 46 / 78 / 35

HEX #A75A24

RGB 167 90 36

HSL 24.73, 0.65%, 0.4%

LAB 46.52, 27.48, 43.35

 

CMYK 0 / 41 / 70 / 28

HEX #B86C37

RGB 184 108 55

HSL 24.65, 0.54%, 0.47%

LAB 53.16, 25.73, 41.7

 

CMYK 0 / 37 / 63 / 21

HEX #C97E4A

RGB 201 126 74

HSL 24.57, 0.54%, 0.54%

LAB 59.74, 24.2, 39.98

 

CMYK 0 / 34 / 57 / 15

HEX #DA905D

RGB 218 144 93

HSL 24.48, 0.63%, 0.61%

LAB 66.25, 22.86, 38.32

 

CMYK 0 / 50 / 85 / 43

HEX #914816

RGB 145 72 22

HSL 24.39, 0.74%, 0.33%

LAB 39.09, 27.47, 41.51

 

CMYK 0 / 58 / 98 / 50

HEX #803603

RGB 128 54 3

HSL 24.48, 0.95%, 0.26%

LAB 32.33, 29.56, 42.26

 

CMYK 0 / 68 / 100 / 56

HEX #6F2400

RGB 111 36 0

HSL 19.46, 1%, 0.22%

LAB 25.69, 31.74, 36.89

 

CMYK 0 / 81 / 100 / 63

HEX #5E1200

RGB 94 18 0

HSL 11.49, 1%, 0.18%

LAB 19.28, 33.18, 29.11

 

CMYK 0 / 100 / 100 / 70

HEX #4D0000

RGB 77 0 0

HSL 0, 1%, 0.15%

LAB 13.09, 33.66, 20.53

 

CMYK 0 / 51 / 86 / 43

HEX #924815

RGB 146 72 21

HSL 24.48, 0.75%, 0.33%

LAB 39.24, 27.86, 42.12

 

CMYK 0 / 74 / 86 / 43

HEX #922615

RGB 146 38 21

HSL 8.16, 0.75%, 0.33%

LAB 33.03, 44.16, 36.61

 

CMYK 0 / 86 / 86 / 43

HEX #921515

RGB 146 21 21

HSL 0, 0.75%, 0.33%

LAB 31.12, 49.52, 34.87

 

CMYK 0 / 51 / 86 / 43

HEX #924815

RGB 146 72 21

HSL 24.48, 0.75%, 0.33%

LAB 39.24, 27.86, 42.12

 

CMYK 0 / 27 / 86 / 43

HEX #926A15

RGB 146 106 21

HSL 40.8, 0.75%, 0.33%

LAB 47.59, 8.41, 49.33

 

CMYK 0 / 5 / 86 / 43

HEX #928B15

RGB 146 139 21

HSL 56.64, 0.75%, 0.33%

LAB 56.71, -10.09, 57.02

 

CMYK 18 / 0 / 86 / 43

HEX #779215

RGB 119 146 21

HSL 72.96, 0.75%, 0.33%

LAB 56.62, -25.76, 56.08

 

CMYK 42 / 0 / 86 / 43

HEX #559215

RGB 85 146 21

HSL 89.28, 0.75%, 0.33%

LAB 54.6, -39.24, 53.54

 

CMYK 0 / 51 / 86 / 43

HEX #924815

RGB 146 72 21

HSL 24.48, 0.75%, 0.33%

LAB 39.24, 27.86, 42.12

 

CMYK 0 / 57 / 95 / 37

HEX #A04508

RGB 160 69 8

HSL 24.08, 0.9%, 0.33%

LAB 40.81, 35, 48.77

 

CMYK 0 / 51 / 86 / 43

HEX #924815

RGB 146 72 21

HSL 24.48, 0.75%, 0.33%

LAB 39.24, 27.86, 42.12

 

CMYK 0 / 43 / 73 / 48

HEX #844B23

RGB 132 75 35

HSL 24.74, 0.58%, 0.33%

LAB 37.95, 20.61, 33.41

 

CMYK 0 / 35 / 59 / 53

HEX #774D31

RGB 119 77 49

HSL 24, 0.42%, 0.33%

LAB 36.84, 14.54, 23.74

 

CMYK 0 / 24 / 41 / 59

HEX #69503E

RGB 105 80 62

HSL 25.12, 0.26%, 0.33%

LAB 36.15, 7.76, 14.64

 

CMYK 0 / 10 / 16 / 64

HEX #5B524C

RGB 91 82 76

HSL 24, 0.09%, 0.33%

LAB 35.56, 2.55, 4.86

 

CMYK 0 / 86 / 74 / 43

HEX #921526

RGB 146 21 38

HSL 351.84, 0.75%, 0.33%

LAB 31.32, 50.12, 24.84

 

CMYK 0 / 74 / 86 / 43

HEX #922615

RGB 146 38 21

HSL 8.16, 0.75%, 0.33%

LAB 33.03, 44.16, 36.61

 

CMYK 0 / 51 / 86 / 43

HEX #924715

RGB 146 71 21

HSL 24, 0.75%, 0.33%

LAB 39.02, 28.41, 41.93

 

CMYK 0 / 29 / 86 / 43

HEX #926815

RGB 146 104 21

HSL 39.84, 0.75%, 0.33%

LAB 47.06, 9.57, 48.88

 

CMYK 0 / 5 / 86 / 43

HEX #928A15

RGB 146 138 21

HSL 56.16, 0.75%, 0.33%

LAB 56.43, -9.55, 56.78

 

CMYK 0 / 51 / 85 / 71

HEX #4A240B

RGB 74 36 11

HSL 23.81, 0.74%, 0.17%

LAB 18.98, 15.82, 23.27

 

CMYK 0 / 51 / 85 / 57

HEX #6E3610

RGB 110 54 16

HSL 24.26, 0.75%, 0.25%

LAB 29.39, 22.04, 33.34

 

CMYK 0 / 51 / 86 / 43

HEX #924815

RGB 146 72 21

HSL 24.48, 0.75%, 0.33%

LAB 39.24, 27.86, 42.12

 

CMYK 0 / 51 / 85 / 29

HEX #B65A1B

RGB 182 90 27

HSL 24.39, 0.74%, 0.41%

LAB 48.68, 33.43, 50.04

 

CMYK 0 / 50 / 85 / 15

HEX #DA6C20

RGB 218 108 32

HSL 24.52, 0.74%, 0.49%

LAB 57.78, 38.76, 58

 

CMYK 0 / 50 / 85 / 43

HEX #914816

RGB 145 72 22

HSL 24.39, 0.74%, 0.33%

LAB 39.09, 27.47, 41.51

 

CMYK 51 / 0 / 86 / 43

HEX #479215

RGB 71 146 21

HSL 96, 0.75%, 0.33%

LAB 53.98, -43.92, 52.75

 

CMYK 86 / 86 / 0 / 43

HEX #151592

RGB 21 21 146

HSL 240, 0.75%, 0.33%

LAB 19.1, 45.16, -65.78

 

CMYK 0 / 50 / 85 / 43

HEX #914816

RGB 145 72 22

HSL 24.39, 0.74%, 0.33%

LAB 39.09, 27.47, 41.51

 

CMYK 86 / 0 / 51 / 43

HEX #159247

RGB 21 146 71

HSL 144, 0.75%, 0.33%

LAB 53.14, -49.1, 30.72

 

CMYK 51 / 86 / 0 / 43

HEX #471592

RGB 71 21 146

HSL 264, 0.75%, 0.33%

LAB 23.51, 49.32, -58.35

 

CMYK 0 / 50 / 85 / 43

HEX #914816

RGB 145 72 22

HSL 24.39, 0.74%, 0.33%

LAB 39.09, 27.47, 41.51

 

CMYK 51 / 0 / 86 / 43

HEX #479215

RGB 71 146 21

HSL 96, 0.75%, 0.33%

LAB 53.98, -43.92, 52.75

 

CMYK 86 / 34 / 0 / 43

HEX #156092

RGB 21 96 146

HSL 204, 0.75%, 0.33%

LAB 38.9, -3.13, -33.62

 

CMYK 34 / 86 / 0 / 43

HEX #601592

RGB 96 21 146

HSL 276, 0.75%, 0.33%

LAB 27.01, 52.83, -52.47

 

CMYK 0 / 50 / 85 / 43

HEX #914816

RGB 145 72 22

HSL 24.39, 0.74%, 0.33%

LAB 39.09, 27.47, 41.51

 

CMYK 77 / 0 / 86 / 43

HEX #229215

RGB 34 146 21

HSL 113.76, 0.75%, 0.33%

LAB 52.9, -52.76, 51.37

 

CMYK 86 / 34 / 0 / 43

HEX #156092

RGB 21 96 146

HSL 204, 0.75%, 0.33%

LAB 38.9, -3.13, -33.62

 

CMYK 9 / 86 / 0 / 43

HEX #851592

RGB 133 21 146

HSL 293.76, 0.75%, 0.33%

LAB 33.13, 59.2, -42.27

 

Description

Color code: RGB 145 72 22 | qconv.com Color code: RGB 145 72 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 72 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 72 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 85 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 85% 43% C M Y K

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Provide designers and agencies with accurate color values.

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