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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 239 72 it is the complementary color RGB 110 16 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 239 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 239 72 shade: RGB 150 239 67, RGB 167 255 86, RGB 184 255 105, RGB 201 255 124 and RGB 218 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 239 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 239 72 shade: RGB 145 239 72, RGB 128 221 53, RGB 111 203 34, RGB 94 185 15 and RGB 77 167 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 239 72 shade: RGB 145 239 72, RGB 190 239 72, RGB 235 239 72, RGB 239 198 72 and RGB 239 153 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 239 72 shade: RGB 145 239 72, RGB 100 239 72, RGB 72 239 89, RGB 72 239 134 and RGB 72 239 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 239 72 shade matches the following richer shades: RGB 145 239 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 239 72 shade: RGB 145 239 72, RGB 147 223 88, RGB 149 207 104, RGB 151 191 120 and RGB 153 175 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 239 72 shade: RGB 236 239 72, RGB 192 239 72, RGB 147 239 72, RGB 103 239 72 and RGB 72 239 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 239 72 shade: RGB 102 210 18, RGB 122 236 34, RGB 145 239 72, RGB 168 242 110 and RGB 191 246 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 239 72 shade: RGB 145 239 72, RGB 72 239 197 and RGB 239 72 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 239 72 shade: RGB 145 239 72, RGB 72 147 239 and RGB 239 72 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 239 72 shade: RGB 145 239 72, RGB 72 239 197, RGB 164 72 239 and RGB 239 72 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 239 72 shade: RGB 145 239 72, RGB 72 231 239, RGB 164 72 239 and RGB 239 80 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 70 / 6

HEX #91EF48

RGB 145 239 72

HSL 93.77, 0.84%, 0.61%

LAB 86.12, -54.21, 68.38

 

Complementary color

CMYK 40 / 91 / 0 / 28

HEX #6E10B7

RGB 110 16 183

HSL 273.77, 0.84%, 0.39%

LAB 32.04, 64.09, -66.55

 

CMYK 37 / 0 / 72 / 6

HEX #96EF43

RGB 150 239 67

HSL 91.05, 0.84%, 0.6%

LAB 86.32, -52.9, 70.4

 

CMYK 35 / 0 / 66 / 0

HEX #A7FF56

RGB 167 255 86

HSL 91.24, 1%, 0.67%

LAB 91.87, -52.43, 69.49

 

CMYK 28 / 0 / 59 / 0

HEX #B8FF69

RGB 184 255 105

HSL 88.4, 1%, 0.71%

LAB 92.9, -45.09, 63.24

 

CMYK 21 / 0 / 51 / 0

HEX #C9FF7C

RGB 201 255 124

HSL 84.73, 1%, 0.74%

LAB 94.05, -37.29, 56.49

 

CMYK 15 / 0 / 44 / 0

HEX #DAFF8F

RGB 218 255 143

HSL 79.82, 1%, 0.78%

LAB 95.33, -29.14, 49.46

 

CMYK 39 / 0 / 70 / 6

HEX #91EF48

RGB 145 239 72

HSL 93.77, 0.84%, 0.61%

LAB 86.12, -54.21, 68.38

 

CMYK 42 / 0 / 76 / 13

HEX #80DD35

RGB 128 221 53

HSL 93.21, 0.71%, 0.54%

LAB 79.93, -53.75, 68.4

 

CMYK 45 / 0 / 83 / 20

HEX #6FCB22

RGB 111 203 34

HSL 92.66, 0.71%, 0.46%

LAB 73.68, -53.07, 67.67

 

CMYK 49 / 0 / 92 / 27

HEX #5EB90F

RGB 94 185 15

HSL 92.12, 0.85%, 0.39%

LAB 67.36, -52.08, 65.75

 

CMYK 54 / 0 / 100 / 35

HEX #4DA700

RGB 77 167 0

HSL 92.34, 1%, 0.33%

LAB 60.97, -50.73, 62.31

 

CMYK 39 / 0 / 70 / 6

HEX #91EF48

RGB 145 239 72

HSL 93.77, 0.84%, 0.61%

LAB 86.12, -54.21, 68.38

 

CMYK 21 / 0 / 70 / 6

HEX #BEEF48

RGB 190 239 72

HSL 77.6, 0.84%, 0.61%

LAB 88.52, -38.26, 71.58

 

CMYK 2 / 0 / 70 / 6

HEX #EBEF48

RGB 235 239 72

HSL 61.44, 0.84%, 0.61%

LAB 91.62, -20.47, 75.69

 

CMYK 0 / 17 / 70 / 6

HEX #EFC648

RGB 239 198 72

HSL 45.27, 0.84%, 0.61%

LAB 81.41, 1.7, 65.67

 

CMYK 0 / 36 / 70 / 6

HEX #EF9948

RGB 239 153 72

HSL 29.1, 0.84%, 0.61%

LAB 70.59, 25.35, 54.43

 

CMYK 39 / 0 / 70 / 6

HEX #91EF48

RGB 145 239 72

HSL 93.77, 0.84%, 0.61%

LAB 86.12, -54.21, 68.38

 

CMYK 58 / 0 / 70 / 6

HEX #64EF48

RGB 100 239 72

HSL 109.94, 0.84%, 0.61%

LAB 84.44, -66.88, 66.12

 

CMYK 70 / 0 / 63 / 6

HEX #48EF59

RGB 72 239 89

HSL 126.11, 0.84%, 0.61%

LAB 83.88, -70.96, 58.69

 

CMYK 70 / 0 / 44 / 6

HEX #48EF86

RGB 72 239 134

HSL 142.28, 0.84%, 0.61%

LAB 84.4, -64.91, 38.66

 

CMYK 70 / 0 / 25 / 6

HEX #48EFB3

RGB 72 239 179

HSL 158.44, 0.84%, 0.61%

LAB 85.18, -56.28, 16.87

 

CMYK 39 / 0 / 70 / 6

HEX #91EF48

RGB 145 239 72

HSL 93.77, 0.84%, 0.61%

LAB 86.12, -54.21, 68.38

 

CMYK 39 / 0 / 70 / 6

HEX #91EF48

RGB 145 239 72

HSL 93.77, 0.84%, 0.61%

LAB 86.12, -54.21, 68.38

 

CMYK 34 / 0 / 61 / 13

HEX #93DF58

RGB 147 223 88

HSL 93.78, 0.68%, 0.61%

LAB 81.67, -45.71, 57.35

 

CMYK 28 / 0 / 50 / 19

HEX #95CF68

RGB 149 207 104

HSL 93.79, 0.52%, 0.61%

LAB 77.29, -36.35, 44.97

 

CMYK 21 / 0 / 37 / 25

HEX #97BF78

RGB 151 191 120

HSL 93.8, 0.36%, 0.61%

LAB 73.02, -26.07, 31.57

 

CMYK 13 / 0 / 22 / 31

HEX #99AF88

RGB 153 175 136

HSL 93.85, 0.2%, 0.61%

LAB 68.9, -14.86, 17.52

 

CMYK 1 / 0 / 70 / 6

HEX #ECEF48

RGB 236 239 72

HSL 61.08, 0.84%, 0.61%

LAB 91.7, -20.06, 75.79

 

CMYK 20 / 0 / 70 / 6

HEX #C0EF48

RGB 192 239 72

HSL 76.89, 0.84%, 0.61%

LAB 88.64, -37.5, 71.75

 

CMYK 38 / 0 / 70 / 6

HEX #93EF48

RGB 147 239 72

HSL 93.05, 0.84%, 0.61%

LAB 86.21, -53.56, 68.5

 

CMYK 57 / 0 / 70 / 6

HEX #67EF48

RGB 103 239 72

HSL 108.86, 0.84%, 0.61%

LAB 84.53, -66.16, 66.24

 

CMYK 70 / 0 / 64 / 6

HEX #48EF56

RGB 72 239 86

HSL 125.03, 0.84%, 0.61%

LAB 83.85, -71.27, 59.89

 

CMYK 51 / 0 / 91 / 18

HEX #66D212

RGB 102 210 18

HSL 93.75, 0.84%, 0.45%

LAB 75.43, -58.89, 72.11

 

CMYK 48 / 0 / 86 / 7

HEX #7AEC22

RGB 122 236 34

HSL 93.86, 0.84%, 0.53%

LAB 84.09, -62.09, 76.97

 

CMYK 39 / 0 / 70 / 6

HEX #91EF48

RGB 145 239 72

HSL 93.77, 0.84%, 0.61%

LAB 86.12, -54.21, 68.38

 

CMYK 31 / 0 / 55 / 5

HEX #A8F26E

RGB 168 242 110

HSL 93.64, 0.84%, 0.69%

LAB 88.43, -44.57, 55.71

 

CMYK 22 / 0 / 40 / 4

HEX #BFF694

RGB 191 246 148

HSL 93.67, 0.84%, 0.77%

LAB 91.29, -34.05, 41.58

 

CMYK 39 / 0 / 70 / 6

HEX #91EF48

RGB 145 239 72

HSL 93.77, 0.84%, 0.61%

LAB 86.12, -54.21, 68.38

 

CMYK 70 / 0 / 18 / 6

HEX #48EFC5

RGB 72 239 197

HSL 164.91, 0.84%, 0.61%

LAB 85.58, -52.16, 8.05

 

CMYK 0 / 70 / 10 / 6

HEX #EF48D6

RGB 239 72 214

HSL 308.98, 0.84%, 0.61%

LAB 59.74, 77.28, -38.97

 

CMYK 39 / 0 / 70 / 6

HEX #91EF48

RGB 145 239 72

HSL 93.77, 0.84%, 0.61%

LAB 86.12, -54.21, 68.38

 

CMYK 70 / 38 / 0 / 6

HEX #4893EF

RGB 72 147 239

HSL 213.05, 0.84%, 0.61%

LAB 60.32, 6.43, -53.04

 

CMYK 0 / 70 / 38 / 6

HEX #EF4893

RGB 239 72 147

HSL 333.05, 0.84%, 0.61%

LAB 57.16, 69.01, -4.24

 

CMYK 39 / 0 / 70 / 6

HEX #91EF48

RGB 145 239 72

HSL 93.77, 0.84%, 0.61%

LAB 86.12, -54.21, 68.38

 

CMYK 70 / 0 / 18 / 6

HEX #48EFC5

RGB 72 239 197

HSL 164.91, 0.84%, 0.61%

LAB 85.58, -52.16, 8.05

 

CMYK 31 / 70 / 0 / 6

HEX #A448EF

RGB 164 72 239

HSL 273.05, 0.84%, 0.61%

LAB 50.4, 65.93, -68.6

 

CMYK 0 / 70 / 52 / 6

HEX #EF4872

RGB 239 72 114

HSL 344.91, 0.84%, 0.61%

LAB 56.29, 66.06, 14

 

CMYK 39 / 0 / 70 / 6

HEX #91EF48

RGB 145 239 72

HSL 93.77, 0.84%, 0.61%

LAB 86.12, -54.21, 68.38

 

CMYK 70 / 3 / 0 / 6

HEX #48E7EF

RGB 72 231 239

HSL 182.87, 0.84%, 0.61%

LAB 84.36, -37.68, -15.83

 

CMYK 31 / 70 / 0 / 6

HEX #A448EF

RGB 164 72 239

HSL 273.05, 0.84%, 0.61%

LAB 50.4, 65.93, -68.6

 

CMYK 0 / 67 / 70 / 6

HEX #EF5048

RGB 239 80 72

HSL 2.87, 0.84%, 0.61%

LAB 56.64, 60.45, 38.83

 

Description

Color code: RGB 145 239 72 | qconv.com Color code: RGB 145 239 72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 239 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 239 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 70 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 70% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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