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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 181 141 it is the complementary color RGB 111 74 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 181 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 144 181 141 shade: RGB 149 181 136, RGB 166 199 155, RGB 183 217 174, RGB 200 235 193 and RGB 217 253 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 181 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 144 181 141 shade: RGB 144 181 141, RGB 127 163 122, RGB 110 145 103, RGB 93 127 84 and RGB 76 109 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 144 181 141 shade: RGB 144 180 141, RGB 154 180 141, RGB 165 180 141, RGB 176 180 141 and RGB 180 174 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 144 181 141 shade: RGB 144 180 141, RGB 141 180 149, RGB 141 180 159, RGB 141 180 170 and RGB 141 180 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 144 181 141 shade matches the following richer shades: RGB 144 180 141, RGB 131 196 126, RGB 118 211 110, RGB 105 226 95 and RGB 92 242 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 144 181 141 shade: RGB 144 180 141, RGB 157 165 156, RGB 170 150 171, RGB 183 135 187 and RGB 196 119 202

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 144 181 141 shade: RGB 165 180 141, RGB 155 180 141, RGB 144 180 141, RGB 141 180 148 and RGB 141 180 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 144 181 141 shade: RGB 98 144 94, RGB 119 164 116, RGB 144 180 141, RGB 168 197 166 and RGB 192 213 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 144 181 141 shade: RGB 144 181 141, RGB 141 176 180 and RGB 180 141 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 144 181 141 shade: RGB 144 181 141, RGB 141 144 180 and RGB 180 141 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 144 181 141 shade: RGB 144 181 141, RGB 141 176 180, RGB 177 141 180 and RGB 180 145 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 144 181 141 shade: RGB 144 181 141, RGB 141 164 180, RGB 177 141 180 and RGB 180 157 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 22 / 29

HEX #90B58D

RGB 144 181 141

HSL 115.5, 0.21%, 0.63%

LAB 70.11, -20.32, 16.37

 

Complementary color

CMYK 3 / 35 / 0 / 55

HEX #6F4A72

RGB 111 74 114

HSL 295.5, 0.21%, 0.37%

LAB 36.91, 23.04, -16.71

 

CMYK 18 / 0 / 25 / 29

HEX #95B588

RGB 149 181 136

HSL 102.67, 0.23%, 0.62%

LAB 70.33, -19.39, 19.44

 

CMYK 17 / 0 / 22 / 22

HEX #A6C79B

RGB 166 199 155

HSL 105, 0.28%, 0.69%

LAB 76.87, -19.28, 18.46

 

CMYK 16 / 0 / 20 / 15

HEX #B7D9AE

RGB 183 217 174

HSL 107.44, 0.36%, 0.77%

LAB 83.31, -19.17, 17.53

 

CMYK 15 / 0 / 18 / 8

HEX #C8EBC1

RGB 200 235 193

HSL 110, 0.51%, 0.84%

LAB 89.65, -19.08, 16.64

 

CMYK 14 / 0 / 16 / 1

HEX #D9FDD4

RGB 217 253 212

HSL 112.68, 0.91%, 0.91%

LAB 95.9, -18.99, 15.8

 

CMYK 20 / 0 / 22 / 29

HEX #90B58D

RGB 144 181 141

HSL 115.5, 0.21%, 0.63%

LAB 70.11, -20.32, 16.37

 

CMYK 22 / 0 / 25 / 36

HEX #7FA37A

RGB 127 163 122

HSL 112.68, 0.18%, 0.56%

LAB 63.43, -20.49, 17.37

 

CMYK 24 / 0 / 29 / 43

HEX #6E9167

RGB 110 145 103

HSL 110, 0.17%, 0.49%

LAB 56.63, -20.68, 18.45

 

CMYK 27 / 0 / 34 / 50

HEX #5D7F54

RGB 93 127 84

HSL 107.44, 0.2%, 0.41%

LAB 49.67, -20.89, 19.61

 

CMYK 30 / 0 / 40 / 57

HEX #4C6D41

RGB 76 109 65

HSL 105, 0.25%, 0.34%

LAB 42.54, -21.1, 20.87

 

CMYK 20 / 0 / 22 / 29

HEX #90B48D

RGB 144 180 141

HSL 115.38, 0.21%, 0.63%

LAB 69.82, -19.81, 15.98

 

CMYK 14 / 0 / 22 / 29

HEX #9AB48D

RGB 154 180 141

HSL 100, 0.21%, 0.63%

LAB 70.48, -16.25, 16.99

 

CMYK 8 / 0 / 22 / 29

HEX #A5B48D

RGB 165 180 141

HSL 83.08, 0.21%, 0.63%

LAB 71.26, -12.2, 18.19

 

CMYK 2 / 0 / 22 / 29

HEX #B0B48D

RGB 176 180 141

HSL 66.15, 0.21%, 0.63%

LAB 72.09, -8.05, 19.47

 

CMYK 0 / 3 / 22 / 29

HEX #B4AE8D

RGB 180 174 141

HSL 50.77, 0.21%, 0.63%

LAB 70.8, -3.34, 17.74

 

CMYK 20 / 0 / 22 / 29

HEX #90B48D

RGB 144 180 141

HSL 115.38, 0.21%, 0.63%

LAB 69.82, -19.81, 15.98

 

CMYK 22 / 0 / 17 / 29

HEX #8DB495

RGB 141 180 149

HSL 132.31, 0.21%, 0.63%

LAB 69.81, -19.39, 11.57

 

CMYK 22 / 0 / 12 / 29

HEX #8DB49F

RGB 141 180 159

HSL 147.69, 0.21%, 0.63%

LAB 70.04, -17.46, 6.42

 

CMYK 22 / 0 / 6 / 29

HEX #8DB4AA

RGB 141 180 170

HSL 164.62, 0.21%, 0.63%

LAB 70.32, -15.19, 0.78

 

CMYK 22 / 0 / 0 / 29

HEX #8DB4B4

RGB 141 180 180

HSL 180, 0.21%, 0.63%

LAB 70.59, -13.02, -4.31

 

CMYK 20 / 0 / 22 / 29

HEX #90B48D

RGB 144 180 141

HSL 115.38, 0.21%, 0.63%

LAB 69.82, -19.81, 15.98

 

CMYK 33 / 0 / 36 / 23

HEX #83C47E

RGB 131 196 126

HSL 115.71, 0.37%, 0.63%

LAB 73.42, -34.5, 28.76

 

CMYK 44 / 0 / 48 / 17

HEX #76D36E

RGB 118 211 110

HSL 115.25, 0.53%, 0.63%

LAB 77.02, -47.48, 41.38

 

CMYK 54 / 0 / 58 / 11

HEX #69E25F

RGB 105 226 95

HSL 115.42, 0.69%, 0.63%

LAB 80.86, -58.83, 52.91

 

CMYK 62 / 0 / 67 / 5

HEX #5CF250

RGB 92 242 80

HSL 115.56, 0.86%, 0.63%

LAB 85.18, -69.03, 63.84

 

CMYK 20 / 0 / 22 / 29

HEX #90B48D

RGB 144 180 141

HSL 115.38, 0.21%, 0.63%

LAB 69.82, -19.81, 15.98

 

CMYK 5 / 0 / 5 / 35

HEX #9DA59C

RGB 157 165 156

HSL 113.33, 0.05%, 0.63%

LAB 66.88, -4.56, 3.67

 

CMYK 1 / 12 / 0 / 33

HEX #AA96AB

RGB 170 150 171

HSL 297.14, 0.11%, 0.63%

LAB 64.4, 11.26, -8.25

 

CMYK 2 / 28 / 0 / 27

HEX #B787BB

RGB 183 135 187

HSL 295.38, 0.28%, 0.63%

LAB 62.49, 27.28, -20.02

 

CMYK 3 / 41 / 0 / 21

HEX #C477CA

RGB 196 119 202

HSL 295.66, 0.44%, 0.63%

LAB 60.95, 43.07, -30.75

 

CMYK 8 / 0 / 22 / 29

HEX #A5B48D

RGB 165 180 141

HSL 83.08, 0.21%, 0.63%

LAB 71.26, -12.2, 18.19

 

CMYK 14 / 0 / 22 / 29

HEX #9BB48D

RGB 155 180 141

HSL 98.46, 0.21%, 0.63%

LAB 70.55, -15.88, 17.1

 

CMYK 20 / 0 / 22 / 29

HEX #90B48D

RGB 144 180 141

HSL 115.38, 0.21%, 0.63%

LAB 69.82, -19.81, 15.98

 

CMYK 22 / 0 / 18 / 29

HEX #8DB494

RGB 141 180 148

HSL 130.77, 0.21%, 0.63%

LAB 69.78, -19.58, 12.08

 

CMYK 22 / 0 / 12 / 29

HEX #8DB49F

RGB 141 180 159

HSL 147.69, 0.21%, 0.63%

LAB 70.04, -17.46, 6.42

 

CMYK 32 / 0 / 35 / 44

HEX #62905E

RGB 98 144 94

HSL 115.2, 0.21%, 0.47%

LAB 55.43, -26.02, 21.74

 

CMYK 27 / 0 / 29 / 36

HEX #77A474

RGB 119 164 116

HSL 116.25, 0.21%, 0.55%

LAB 63.12, -24.86, 20.17

 

CMYK 20 / 0 / 22 / 29

HEX #90B48D

RGB 144 180 141

HSL 115.38, 0.21%, 0.63%

LAB 69.82, -19.81, 15.98

 

CMYK 15 / 0 / 16 / 23

HEX #A8C5A6

RGB 168 197 166

HSL 116.13, 0.21%, 0.71%

LAB 76.69, -15.68, 12.33

 

CMYK 10 / 0 / 10 / 16

HEX #C0D5BF

RGB 192 213 191

HSL 117.27, 0.21%, 0.79%

LAB 83.21, -11.13, 8.49

 

CMYK 20 / 0 / 22 / 29

HEX #90B58D

RGB 144 181 141

HSL 115.5, 0.21%, 0.63%

LAB 70.11, -20.32, 16.37

 

CMYK 22 / 2 / 0 / 29

HEX #8DB0B4

RGB 141 176 180

HSL 186.15, 0.21%, 0.63%

LAB 69.48, -10.91, -5.97

 

CMYK 0 / 22 / 11 / 29

HEX #B48DA0

RGB 180 141 160

HSL 330.77, 0.21%, 0.63%

LAB 62.75, 17.88, -4.37

 

CMYK 20 / 0 / 22 / 29

HEX #90B58D

RGB 144 181 141

HSL 115.5, 0.21%, 0.63%

LAB 70.11, -20.32, 16.37

 

CMYK 22 / 20 / 0 / 29

HEX #8D90B4

RGB 141 144 180

HSL 235.38, 0.21%, 0.63%

LAB 60.7, 6.77, -19.15

 

CMYK 0 / 22 / 20 / 29

HEX #B48D90

RGB 180 141 144

HSL 355.38, 0.21%, 0.63%

LAB 62.31, 15.23, 4.06

 

CMYK 20 / 0 / 22 / 29

HEX #90B58D

RGB 144 181 141

HSL 115.5, 0.21%, 0.63%

LAB 70.11, -20.32, 16.37

 

CMYK 22 / 2 / 0 / 29

HEX #8DB0B4

RGB 141 176 180

HSL 186.15, 0.21%, 0.63%

LAB 69.48, -10.91, -5.97

 

CMYK 2 / 22 / 0 / 29

HEX #B18DB4

RGB 177 141 180

HSL 295.38, 0.21%, 0.63%

LAB 63.09, 20.51, -15.23

 

CMYK 0 / 19 / 22 / 29

HEX #B4918D

RGB 180 145 141

HSL 6.15, 0.21%, 0.63%

LAB 63.24, 12.53, 7.1

 

CMYK 20 / 0 / 22 / 29

HEX #90B58D

RGB 144 181 141

HSL 115.5, 0.21%, 0.63%

LAB 70.11, -20.32, 16.37

 

CMYK 22 / 9 / 0 / 29

HEX #8DA4B4

RGB 141 164 180

HSL 204.62, 0.21%, 0.63%

LAB 66.14, -4.43, -10.93

 

CMYK 2 / 22 / 0 / 29

HEX #B18DB4

RGB 177 141 180

HSL 295.38, 0.21%, 0.63%

LAB 63.09, 20.51, -15.23

 

CMYK 0 / 13 / 22 / 29

HEX #B49D8D

RGB 180 157 141

HSL 24.62, 0.21%, 0.63%

LAB 66.32, 5.88, 11.48

 

Description

Color code: RGB 144 181 141 | qconv.com Color code: RGB 144 181 141 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 181 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 181 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 22 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 22% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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