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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 171 233 it is the complementary color RGB 111 84 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 171 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 144 171 233: RGB 149 171 228, RGB 166 189 247, RGB 183 207 255, RGB 200 225 255 and RGB 217 243 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 171 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 144 171 233: RGB 144 171 233, RGB 127 153 214, RGB 110 135 195, RGB 93 117 176 and RGB 76 99 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 27 / 0 / 9

HEX #90ABE9

RGB 144 171 233

HSL 221.8, 0.67%, 0.74%

LAB 70.13, 5.83, -34.08

 

Complementary color

CMYK 0 / 24 / 80 / 56

HEX #6F5416

RGB 111 84 22

HSL 41.8, 0.67%, 0.26%

LAB 37.44, 4.67, 38.28

 

CMYK 35 / 25 / 0 / 11

HEX #95ABE4

RGB 149 171 228

HSL 223.29, 0.59%, 0.74%

LAB 70.26, 5.87, -31.13

 

CMYK 33 / 23 / 0 / 3

HEX #A6BDF7

RGB 166 189 247

HSL 222.96, 0.84%, 0.81%

LAB 76.81, 5.49, -31.23

 

CMYK 28 / 19 / 0 / 0

HEX #B7CFFF

RGB 183 207 255

HSL 220, 1%, 0.86%

LAB 82.87, 2.51, -26.13

 

CMYK 22 / 12 / 0 / 0

HEX #C8E1FF

RGB 200 225 255

HSL 212.73, 1%, 0.89%

LAB 88.61, -2, -17.31

 

CMYK 15 / 5 / 0 / 0

HEX #D9F3FF

RGB 217 243 255

HSL 198.95, 1%, 0.93%

LAB 94.34, -6.07, -8.64

 

CMYK 38 / 27 / 0 / 9

HEX #90ABE9

RGB 144 171 233

HSL 221.8, 0.67%, 0.74%

LAB 70.13, 5.83, -34.08

 

CMYK 41 / 29 / 0 / 16

HEX #7F99D6

RGB 127 153 214

HSL 222.07, 0.51%, 0.67%

LAB 63.47, 6.32, -34.05

 

CMYK 44 / 31 / 0 / 24

HEX #6E87C3

RGB 110 135 195

HSL 222.35, 0.41%, 0.6%

LAB 56.67, 6.9, -34.05

 

CMYK 47 / 34 / 0 / 31

HEX #5D75B0

RGB 93 117 176

HSL 222.65, 0.34%, 0.53%

LAB 49.72, 7.6, -34.1

 

CMYK 52 / 37 / 0 / 38

HEX #4C639D

RGB 76 99 157

HSL 222.96, 0.35%, 0.46%

LAB 42.6, 8.45, -34.21

 

CMYK 38 / 27 / 0 / 9

HEX #90ABE9

RGB 144 171 233

HSL 221.8, 0.67%, 0.74%

LAB 70.13, 5.83, -34.08

 

CMYK 38 / 33 / 0 / 9

HEX #909DE9

RGB 144 157 233

HSL 231.24, 0.67%, 0.74%

LAB 66.46, 13.75, -39.79

 

CMYK 38 / 38 / 0 / 9

HEX #9190E9

RGB 145 144 233

HSL 240.67, 0.67%, 0.74%

LAB 63.22, 21.5, -44.88

 

CMYK 31 / 38 / 0 / 9

HEX #A090E9

RGB 160 144 233

HSL 250.79, 0.67%, 0.74%

LAB 64.41, 25.53, -42.93

 

CMYK 25 / 38 / 0 / 9

HEX #AF90E9

RGB 175 144 233

HSL 260.9, 0.67%, 0.74%

LAB 65.7, 29.75, -40.8

 

CMYK 38 / 27 / 0 / 9

HEX #90ABE9

RGB 144 171 233

HSL 221.8, 0.67%, 0.74%

LAB 70.13, 5.83, -34.08

 

CMYK 38 / 28 / 0 / 89

HEX #12151D

RGB 18 21 29

HSL 223.64, 0.23%, 0.09%

LAB 6.81, 0.95, -6.02

 

CMYK 39 / 26 / 0 / 69

HEX #313B50

RGB 49 59 80

HSL 220.65, 0.24%, 0.25%

LAB 24.83, 1.88, -14.09

 

CMYK 38 / 27 / 0 / 49

HEX #516083

RGB 81 96 131

HSL 222, 0.24%, 0.42%

LAB 40.82, 3.61, -21.36

 

CMYK 38 / 26 / 0 / 29

HEX #7086B6

RGB 112 134 182

HSL 221.14, 0.32%, 0.58%

LAB 55.96, 4.32, -27.74

 

CMYK 38 / 27 / 0 / 9

HEX #90ABE9

RGB 144 171 233

HSL 221.8, 0.67%, 0.74%

LAB 70.13, 5.83, -34.08

 

CMYK 5 / 38 / 0 / 9

HEX #DE90E9

RGB 222 144 233

HSL 292.58, 0.67%, 0.74%

LAB 70.43, 43.63, -33.09

 

CMYK 11 / 0 / 38 / 9

HEX #CFE990

RGB 207 233 144

HSL 77.53, 0.67%, 0.74%

LAB 88.71, -22.66, 40.44

 

CMYK 38 / 27 / 0 / 9

HEX #90ABE9

RGB 144 171 233

HSL 221.8, 0.67%, 0.74%

LAB 70.13, 5.83, -34.08

 

CMYK 0 / 38 / 26 / 9

HEX #E990AC

RGB 233 144 172

HSL 341.12, 0.67%, 0.74%

LAB 69.65, 37.2, -0.32

 

CMYK 26 / 0 / 38 / 9

HEX #ACE990

RGB 172 233 144

HSL 101.12, 0.67%, 0.74%

LAB 86.53, -35.17, 37.2

 

CMYK 38 / 27 / 0 / 9

HEX #90ABE9

RGB 144 171 233

HSL 221.8, 0.67%, 0.74%

LAB 70.13, 5.83, -34.08

 

CMYK 5 / 38 / 0 / 9

HEX #DE90E9

RGB 222 144 233

HSL 292.58, 0.67%, 0.74%

LAB 70.43, 43.63, -33.09

 

CMYK 0 / 12 / 38 / 9

HEX #E9CC90

RGB 233 204 144

HSL 40.45, 0.67%, 0.74%

LAB 83.19, 1.92, 33.65

 

CMYK 34 / 0 / 38 / 9

HEX #9AE990

RGB 154 233 144

HSL 113.26, 0.67%, 0.74%

LAB 85.59, -41.09, 35.78

 

CMYK 38 / 27 / 0 / 9

HEX #90ABE9

RGB 144 171 233

HSL 221.8, 0.67%, 0.74%

LAB 70.13, 5.83, -34.08

 

CMYK 0 / 38 / 7 / 9

HEX #E990D8

RGB 233 144 216

HSL 311.46, 0.67%, 0.74%

LAB 71.03, 43.98, -22.7

 

CMYK 0 / 12 / 38 / 9

HEX #E9CC90

RGB 233 204 144

HSL 40.45, 0.67%, 0.74%

LAB 83.19, 1.92, 33.65

 

CMYK 38 / 0 / 31 / 9

HEX #90E9A0

RGB 144 233 160

HSL 130.79, 0.67%, 0.74%

LAB 85.38, -41.61, 27.3

 

Description

Color code: RGB 144 171 233 | qconv.com Color code: RGB 144 171 233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 171 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 171 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 27 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 27% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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