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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 76 233 it is the complementary color RGB 112 179 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 76 233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 143 76 233: RGB 148 76 228, RGB 165 94 247, RGB 182 112 255, RGB 199 130 255 and RGB 216 148 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 76 233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 143 76 233: RGB 143 76 233, RGB 126 58 214, RGB 109 40 195, RGB 92 22 176 and RGB 75 4 157

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 67 / 0 / 9

HEX #8F4CE9

RGB 143 76 233

HSL 265.61, 0.78%, 0.61%

LAB 48.12, 58.74, -69.04

 

Complementary color

CMYK 37 / 0 / 88 / 30

HEX #70B316

RGB 112 179 22

HSL 85.61, 0.78%, 0.39%

LAB 66.32, -43.5, 63.98

 

CMYK 35 / 67 / 0 / 11

HEX #944CE4

RGB 148 76 228

HSL 268.42, 0.74%, 0.6%

LAB 48.34, 58.49, -65.83

 

CMYK 33 / 62 / 0 / 3

HEX #A55EF7

RGB 165 94 247

HSL 267.84, 0.91%, 0.67%

LAB 54.78, 57.69, -65.98

 

CMYK 29 / 56 / 0 / 0

HEX #B670FF

RGB 182 112 255

HSL 269.37, 1%, 0.72%

LAB 60.56, 54.23, -61.02

 

CMYK 22 / 49 / 0 / 0

HEX #C782FF

RGB 199 130 255

HSL 273.12, 1%, 0.75%

LAB 66, 49.05, -52.25

 

CMYK 15 / 42 / 0 / 0

HEX #D894FF

RGB 216 148 255

HSL 278.13, 1%, 0.79%

LAB 71.55, 44.16, -43.39

 

CMYK 39 / 67 / 0 / 9

HEX #8F4CE9

RGB 143 76 233

HSL 265.61, 0.78%, 0.61%

LAB 48.12, 58.74, -69.04

 

CMYK 41 / 73 / 0 / 16

HEX #7E3AD6

RGB 126 58 214

HSL 266.15, 0.66%, 0.53%

LAB 41.72, 59.4, -68.74

 

CMYK 44 / 79 / 0 / 24

HEX #6D28C3

RGB 109 40 195

HSL 266.71, 0.66%, 0.46%

LAB 35.42, 59.62, -68.1

 

CMYK 48 / 88 / 0 / 31

HEX #5C16B0

RGB 92 22 176

HSL 267.27, 0.78%, 0.39%

LAB 29.37, 58.95, -66.86

 

CMYK 52 / 97 / 0 / 38

HEX #4B049D

RGB 75 4 157

HSL 267.84, 0.95%, 0.32%

LAB 23.73, 56.92, -64.75

 

CMYK 39 / 67 / 0 / 9

HEX #8F4CE9

RGB 143 76 233

HSL 265.61, 0.78%, 0.61%

LAB 48.12, 58.74, -69.04

 

CMYK 28 / 67 / 0 / 9

HEX #A84DE9

RGB 168 77 233

HSL 275, 0.78%, 0.61%

LAB 51.29, 63.2, -63.78

 

CMYK 17 / 67 / 0 / 9

HEX #C24DE9

RGB 194 77 233

HSL 285, 0.78%, 0.61%

LAB 54.72, 68.64, -58.07

 

CMYK 6 / 67 / 0 / 9

HEX #DC4DE9

RGB 220 77 233

HSL 295, 0.78%, 0.61%

LAB 58.42, 74.26, -51.95

 

CMYK 0 / 67 / 6 / 9

HEX #E94DDC

RGB 233 77 220

HSL 305, 0.78%, 0.61%

LAB 59.71, 75.08, -42.48

 

CMYK 39 / 67 / 0 / 9

HEX #8F4CE9

RGB 143 76 233

HSL 265.61, 0.78%, 0.61%

LAB 48.12, 58.74, -69.04

 

CMYK 38 / 69 / 0 / 89

HEX #12091D

RGB 18 9 29

HSL 267, 0.53%, 0.07%

LAB 3.73, 7.24, -10.64

 

CMYK 39 / 68 / 0 / 69

HEX #311A50

RGB 49 26 80

HSL 265.56, 0.51%, 0.21%

LAB 15.33, 24.42, -29.06

 

CMYK 39 / 67 / 0 / 49

HEX #502B83

RGB 80 43 131

HSL 265.23, 0.51%, 0.34%

LAB 26.94, 36.47, -43.36

 

CMYK 38 / 68 / 0 / 29

HEX #703BB6

RGB 112 59 182

HSL 265.85, 0.51%, 0.47%

LAB 37.75, 48.3, -56.63

 

CMYK 39 / 67 / 0 / 9

HEX #8F4CE9

RGB 143 76 233

HSL 265.61, 0.78%, 0.61%

LAB 48.12, 58.74, -69.04

 

CMYK 0 / 67 / 41 / 9

HEX #E94D89

RGB 233 77 137

HSL 336.92, 0.78%, 0.61%

LAB 56.52, 64.49, 0.59

 

CMYK 67 / 0 / 66 / 9

HEX #4DE950

RGB 77 233 80

HSL 121.15, 0.78%, 0.61%

LAB 82.07, -69.03, 60.39

 

CMYK 39 / 67 / 0 / 9

HEX #8F4CE9

RGB 143 76 233

HSL 265.61, 0.78%, 0.61%

LAB 48.12, 58.74, -69.04

 

CMYK 0 / 39 / 67 / 9

HEX #E98E4D

RGB 233 142 77

HSL 25, 0.78%, 0.61%

LAB 67.43, 28.97, 48.36

 

CMYK 67 / 0 / 39 / 9

HEX #4DE98E

RGB 77 233 142

HSL 145, 0.78%, 0.61%

LAB 82.81, -60.56, 32.63

 

CMYK 39 / 67 / 0 / 9

HEX #8F4CE9

RGB 143 76 233

HSL 265.61, 0.78%, 0.61%

LAB 48.12, 58.74, -69.04

 

CMYK 0 / 67 / 41 / 9

HEX #E94D89

RGB 233 77 137

HSL 336.92, 0.78%, 0.61%

LAB 56.52, 64.49, 0.59

 

CMYK 28 / 0 / 67 / 9

HEX #A8E94D

RGB 168 233 77

HSL 85, 0.78%, 0.61%

LAB 85.57, -43.48, 66.34

 

CMYK 67 / 0 / 26 / 9

HEX #4DE9AD

RGB 77 233 173

HSL 156.92, 0.78%, 0.61%

LAB 83.38, -54.45, 17.47

 

CMYK 39 / 67 / 0 / 9

HEX #8F4CE9

RGB 143 76 233

HSL 265.61, 0.78%, 0.61%

LAB 48.12, 58.74, -69.04

 

CMYK 0 / 67 / 61 / 9

HEX #E94D5A

RGB 233 77 90

HSL 355, 0.78%, 0.61%

LAB 55.45, 60.7, 26.84

 

CMYK 28 / 0 / 67 / 9

HEX #A8E94D

RGB 168 233 77

HSL 85, 0.78%, 0.61%

LAB 85.57, -43.48, 66.34

 

CMYK 67 / 0 / 6 / 9

HEX #4DE9DC

RGB 77 233 220

HSL 175, 0.78%, 0.61%

LAB 84.5, -43.13, -5.6

 

Description

Color code: RGB 143 76 233 | qconv.com Color code: RGB 143 76 233 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 76 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 76 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 67 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 67% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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