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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 57 248 it is the complementary color RGB 112 198 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 57 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 57 248 shade: RGB 148 57 243, RGB 165 75 255, RGB 182 93 255, RGB 199 111 255 and RGB 216 129 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 57 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 57 248 shade: RGB 143 57 248, RGB 126 39 229, RGB 109 21 210, RGB 92 3 191 and RGB 75 0 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 57 248 shade: RGB 143 58 247, RGB 194 58 247, RGB 245 58 247, RGB 247 58 198 and RGB 247 58 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 57 248 shade: RGB 143 58 247, RGB 92 58 247 and RGB 58 58 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 57 248 shade matches the following richer shades: RGB 143 58 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 57 248 shade: RGB 143 58 247, RGB 145 74 231, RGB 146 91 214, RGB 148 107 198 and RGB 150 124 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 57 248 shade: RGB 58 73 247, RGB 92 58 247, RGB 143 58 247, RGB 194 58 247 and RGB 244 58 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 57 248 shade: RGB 101 7 215, RGB 121 18 246, RGB 143 58 247, RGB 166 97 249 and RGB 188 137 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 57 248 shade: RGB 143 57 248, RGB 247 58 124 and RGB 58 247 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 57 248 shade: RGB 143 57 248, RGB 247 143 58 and RGB 58 247 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 57 248 shade: RGB 143 57 248, RGB 247 58 124, RGB 162 247 58 and RGB 58 247 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 57 248 shade: RGB 143 57 248, RGB 247 58 67, RGB 162 247 58 and RGB 58 247 238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 77 / 0 / 3

HEX #8F39F8

RGB 143 57 248

HSL 267.02, 0.93%, 0.6%

LAB 46.37, 70.59, -80.33

 

Complementary color

CMYK 43 / 0 / 96 / 22

HEX #70C607

RGB 112 198 7

HSL 87.02, 0.93%, 0.4%

LAB 72.13, -51.52, 70.89

 

CMYK 39 / 77 / 0 / 5

HEX #9439F3

RGB 148 57 243

HSL 269.35, 0.89%, 0.59%

LAB 46.57, 70.18, -77.17

 

CMYK 35 / 71 / 0 / 0

HEX #A54BFF

RGB 165 75 255

HSL 270, 1%, 0.65%

LAB 52.12, 68.42, -74.74

 

CMYK 29 / 64 / 0 / 0

HEX #B65DFF

RGB 182 93 255

HSL 272.96, 1%, 0.68%

LAB 57.07, 63.62, -66.63

 

CMYK 22 / 56 / 0 / 0

HEX #C76FFF

RGB 199 111 255

HSL 276.67, 1%, 0.72%

LAB 62.28, 58.78, -58.17

 

CMYK 15 / 49 / 0 / 0

HEX #D881FF

RGB 216 129 255

HSL 281.43, 1%, 0.75%

LAB 67.66, 54.05, -49.5

 

CMYK 42 / 77 / 0 / 3

HEX #8F39F8

RGB 143 57 248

HSL 267.02, 0.93%, 0.6%

LAB 46.37, 70.59, -80.33

 

CMYK 45 / 83 / 0 / 10

HEX #7E27E5

RGB 126 39 229

HSL 267.47, 0.79%, 0.53%

LAB 40.48, 70.24, -79.34

 

CMYK 48 / 90 / 0 / 18

HEX #6D15D2

RGB 109 21 210

HSL 267.94, 0.82%, 0.45%

LAB 34.88, 68.9, -77.72

 

CMYK 52 / 98 / 0 / 25

HEX #5C03BF

RGB 92 3 191

HSL 268.4, 0.97%, 0.38%

LAB 29.67, 66.27, -75.29

 

CMYK 56 / 100 / 0 / 33

HEX #4B00AC

RGB 75 0 172

HSL 266.16, 1%, 0.34%

LAB 25.18, 61.24, -71.45

 

CMYK 42 / 77 / 0 / 3

HEX #8F3AF7

RGB 143 58 247

HSL 266.98, 0.92%, 0.6%

LAB 46.42, 69.97, -79.69

 

CMYK 21 / 77 / 0 / 3

HEX #C23AF7

RGB 194 58 247

HSL 283.17, 0.92%, 0.6%

LAB 53.18, 78.22, -68.39

 

CMYK 1 / 77 / 0 / 3

HEX #F53AF7

RGB 245 58 247

HSL 299.37, 0.92%, 0.6%

LAB 60.92, 87.52, -55.55

 

CMYK 0 / 77 / 20 / 3

HEX #F73AC6

RGB 247 58 198

HSL 315.56, 0.92%, 0.6%

LAB 58.86, 81.12, -31.15

 

CMYK 0 / 77 / 40 / 3

HEX #F73A93

RGB 247 58 147

HSL 331.75, 0.92%, 0.6%

LAB 56.98, 75.51, -4.35

 

CMYK 42 / 77 / 0 / 3

HEX #8F3AF7

RGB 143 58 247

HSL 266.98, 0.92%, 0.6%

LAB 46.42, 69.97, -79.69

 

CMYK 63 / 77 / 0 / 3

HEX #5C3AF7

RGB 92 58 247

HSL 250.79, 0.92%, 0.6%

LAB 41.24, 63.55, -88.39

 

CMYK 77 / 77 / 0 / 3

HEX #3A3AF7

RGB 58 58 247

HSL 240, 0.92%, 0.6%

LAB 38.97, 60.69, -92.22

 

CMYK 42 / 77 / 0 / 3

HEX #8F3AF7

RGB 143 58 247

HSL 266.98, 0.92%, 0.6%

LAB 46.42, 69.97, -79.69

 

CMYK 42 / 77 / 0 / 3

HEX #8F3AF7

RGB 143 58 247

HSL 266.98, 0.92%, 0.6%

LAB 46.42, 69.97, -79.69

 

CMYK 37 / 68 / 0 / 9

HEX #914AE7

RGB 145 74 231

HSL 267.13, 0.77%, 0.6%

LAB 47.86, 59.58, -68.32

 

CMYK 32 / 57 / 0 / 16

HEX #925BD6

RGB 146 91 214

HSL 266.83, 0.6%, 0.6%

LAB 50.04, 47, -55.17

 

CMYK 25 / 46 / 0 / 22

HEX #946BC6

RGB 148 107 198

HSL 267.03, 0.44%, 0.6%

LAB 52.83, 34.69, -41.57

 

CMYK 17 / 31 / 0 / 29

HEX #967CB5

RGB 150 124 181

HSL 267.37, 0.28%, 0.6%

LAB 56.32, 21.45, -26.36

 

CMYK 77 / 70 / 0 / 3

HEX #3A49F7

RGB 58 73 247

HSL 235.24, 0.92%, 0.6%

LAB 41.81, 52.67, -87.52

 

CMYK 63 / 77 / 0 / 3

HEX #5C3AF7

RGB 92 58 247

HSL 250.79, 0.92%, 0.6%

LAB 41.24, 63.55, -88.39

 

CMYK 42 / 77 / 0 / 3

HEX #8F3AF7

RGB 143 58 247

HSL 266.98, 0.92%, 0.6%

LAB 46.42, 69.97, -79.69

 

CMYK 21 / 77 / 0 / 3

HEX #C23AF7

RGB 194 58 247

HSL 283.17, 0.92%, 0.6%

LAB 53.18, 78.22, -68.39

 

CMYK 1 / 77 / 0 / 3

HEX #F43AF7

RGB 244 58 247

HSL 299.05, 0.92%, 0.6%

LAB 60.76, 87.33, -55.81

 

CMYK 53 / 97 / 0 / 16

HEX #6507D7

RGB 101 7 215

HSL 267.12, 0.94%, 0.44%

LAB 33.62, 71.71, -82.74

 

CMYK 51 / 93 / 0 / 4

HEX #7912F6

RGB 121 18 246

HSL 267.11, 0.93%, 0.52%

LAB 39.83, 78.56, -90.06

 

CMYK 42 / 77 / 0 / 3

HEX #8F3AF7

RGB 143 58 247

HSL 266.98, 0.92%, 0.6%

LAB 46.42, 69.97, -79.69

 

CMYK 33 / 61 / 0 / 2

HEX #A661F9

RGB 166 97 249

HSL 267.24, 0.93%, 0.68%

LAB 55.58, 56.88, -65.8

 

CMYK 25 / 45 / 0 / 2

HEX #BC89FA

RGB 188 137 250

HSL 267.08, 0.92%, 0.76%

LAB 66.12, 41.23, -49.39

 

CMYK 42 / 77 / 0 / 3

HEX #8F39F8

RGB 143 57 248

HSL 267.02, 0.93%, 0.6%

LAB 46.37, 70.59, -80.33

 

CMYK 0 / 77 / 50 / 3

HEX #F73A7C

RGB 247 58 124

HSL 339.05, 0.92%, 0.6%

LAB 56.34, 73.52, 8.34

 

CMYK 77 / 0 / 73 / 3

HEX #3AF743

RGB 58 247 67

HSL 122.86, 0.92%, 0.6%

LAB 85.92, -77.48, 69.09

 

CMYK 42 / 77 / 0 / 3

HEX #8F39F8

RGB 143 57 248

HSL 267.02, 0.93%, 0.6%

LAB 46.37, 70.59, -80.33

 

CMYK 0 / 42 / 77 / 3

HEX #F78F3A

RGB 247 143 58

HSL 26.98, 0.92%, 0.6%

LAB 69.27, 33.21, 59.61

 

CMYK 77 / 0 / 42 / 3

HEX #3AF78F

RGB 58 247 143

HSL 146.98, 0.92%, 0.6%

LAB 86.7, -68.11, 37.16

 

CMYK 42 / 77 / 0 / 3

HEX #8F39F8

RGB 143 57 248

HSL 267.02, 0.93%, 0.6%

LAB 46.37, 70.59, -80.33

 

CMYK 0 / 77 / 50 / 3

HEX #F73A7C

RGB 247 58 124

HSL 339.05, 0.92%, 0.6%

LAB 56.34, 73.52, 8.34

 

CMYK 34 / 0 / 77 / 3

HEX #A2F73A

RGB 162 247 58

HSL 86.98, 0.92%, 0.6%

LAB 89.16, -52.57, 76.2

 

CMYK 77 / 0 / 27 / 3

HEX #3AF7B5

RGB 58 247 181

HSL 159.05, 0.92%, 0.6%

LAB 87.37, -60.68, 18.85

 

CMYK 42 / 77 / 0 / 3

HEX #8F39F8

RGB 143 57 248

HSL 267.02, 0.93%, 0.6%

LAB 46.37, 70.59, -80.33

 

CMYK 0 / 77 / 73 / 3

HEX #F73A43

RGB 247 58 67

HSL 357.14, 0.92%, 0.6%

LAB 55.28, 70.18, 40.43

 

CMYK 34 / 0 / 77 / 3

HEX #A2F73A

RGB 162 247 58

HSL 86.98, 0.92%, 0.6%

LAB 89.16, -52.57, 76.2

 

CMYK 77 / 0 / 4 / 3

HEX #3AF7EE

RGB 58 247 238

HSL 177.14, 0.92%, 0.6%

LAB 88.73, -46.62, -8.81

 

Description

Color code: RGB 143 57 248 | qconv.com Color code: RGB 143 57 248 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 57 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 57 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 77 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 77% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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