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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 240 160 it is the complementary color RGB 112 15 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 240 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 240 160 shade: RGB 148 240 155, RGB 165 255 174, RGB 182 255 193, RGB 199 255 212 and RGB 216 255 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 240 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 240 160 shade: RGB 143 240 160, RGB 126 222 141, RGB 109 204 122, RGB 92 186 103 and RGB 75 168 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 240 160 shade: RGB 143 240 160, RGB 152 240 143, RGB 178 240 143, RGB 204 240 143 and RGB 230 240 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 240 160 shade: RGB 143 240 160, RGB 143 240 186, RGB 143 240 212, RGB 143 240 238 and RGB 143 215 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 240 160 shade matches the following richer shades: RGB 143 240 160 and RGB 132 250 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 240 160 shade: RGB 143 240 160, RGB 153 229 166, RGB 163 219 173, RGB 174 209 180 and RGB 184 198 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 240 160 shade: RGB 178 240 143, RGB 152 240 143, RGB 143 240 159, RGB 143 240 185 and RGB 143 240 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 240 160 shade: RGB 70 230 98, RGB 106 235 129, RGB 143 240 160, RGB 179 245 191 and RGB 215 250 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 240 160 shade: RGB 143 240 160, RGB 143 204 240 and RGB 240 143 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 240 160 shade: RGB 143 240 160, RGB 159 143 240 and RGB 240 159 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 240 160 shade: RGB 143 240 160, RGB 143 204 240, RGB 240 143 224 and RGB 240 178 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 240 160 shade: RGB 143 240 160, RGB 143 175 240, RGB 240 143 224 and RGB 240 207 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 33 / 6

HEX #8FF0A0

RGB 143 240 160

HSL 130.52, 0.76%, 0.75%

LAB 87.34, -44.96, 29.94

 

Complementary color

CMYK 0 / 87 / 15 / 56

HEX #700F5F

RGB 112 15 95

HSL 310.52, 0.76%, 0.25%

LAB 25.6, 47.89, -22.11

 

CMYK 38 / 0 / 35 / 6

HEX #94F09B

RGB 148 240 155

HSL 124.57, 0.75%, 0.76%

LAB 87.48, -44.31, 32.69

 

CMYK 35 / 0 / 32 / 0

HEX #A5FFAE

RGB 165 255 174

HSL 126, 1%, 0.82%

LAB 92.83, -42.77, 30.43

 

CMYK 29 / 0 / 24 / 0

HEX #B6FFC1

RGB 182 255 193

HSL 129.04, 1%, 0.86%

LAB 94.02, -34.43, 22.58

 

CMYK 22 / 0 / 17 / 0

HEX #C7FFD4

RGB 199 255 212

HSL 133.93, 1%, 0.89%

LAB 95.34, -25.8, 14.86

 

CMYK 15 / 0 / 9 / 0

HEX #D8FFE7

RGB 216 255 231

HSL 143.08, 1%, 0.92%

LAB 96.77, -16.98, 7.3

 

CMYK 40 / 0 / 33 / 6

HEX #8FF0A0

RGB 143 240 160

HSL 130.52, 0.76%, 0.75%

LAB 87.34, -44.96, 29.94

 

CMYK 43 / 0 / 36 / 13

HEX #7EDE8D

RGB 126 222 141

HSL 129.38, 0.59%, 0.68%

LAB 81.07, -45.18, 31.11

 

CMYK 47 / 0 / 40 / 20

HEX #6DCC7A

RGB 109 204 122

HSL 128.21, 0.48%, 0.61%

LAB 74.73, -45.36, 32.36

 

CMYK 51 / 0 / 45 / 27

HEX #5CBA67

RGB 92 186 103

HSL 127.02, 0.41%, 0.55%

LAB 68.29, -45.47, 33.67

 

CMYK 55 / 0 / 50 / 34

HEX #4BA854

RGB 75 168 84

HSL 125.81, 0.38%, 0.48%

LAB 61.78, -45.45, 35.04

 

CMYK 40 / 0 / 33 / 6

HEX #8FF0A0

RGB 143 240 160

HSL 130.52, 0.76%, 0.75%

LAB 87.34, -44.96, 29.94

 

CMYK 37 / 0 / 40 / 6

HEX #98F08F

RGB 152 240 143

HSL 114.43, 0.76%, 0.75%

LAB 87.47, -44.91, 38.71

 

CMYK 26 / 0 / 40 / 6

HEX #B2F08F

RGB 178 240 143

HSL 98.35, 0.76%, 0.75%

LAB 88.81, -36.45, 40.7

 

CMYK 15 / 0 / 40 / 6

HEX #CCF08F

RGB 204 240 143

HSL 82.27, 0.76%, 0.75%

LAB 90.39, -27.23, 43.03

 

CMYK 4 / 0 / 40 / 6

HEX #E6F08F

RGB 230 240 143

HSL 66.19, 0.76%, 0.75%

LAB 92.19, -17.5, 45.69

 

CMYK 40 / 0 / 33 / 6

HEX #8FF0A0

RGB 143 240 160

HSL 130.52, 0.76%, 0.75%

LAB 87.34, -44.96, 29.94

 

CMYK 40 / 0 / 23 / 6

HEX #8FF0BA

RGB 143 240 186

HSL 146.6, 0.76%, 0.75%

LAB 87.83, -40.3, 17.27

 

CMYK 40 / 0 / 12 / 6

HEX #8FF0D4

RGB 143 240 212

HSL 162.68, 0.76%, 0.75%

LAB 88.41, -34.96, 4.57

 

CMYK 40 / 0 / 1 / 6

HEX #8FF0EE

RGB 143 240 238

HSL 178.76, 0.76%, 0.75%

LAB 89.08, -29.02, -8.03

 

CMYK 40 / 10 / 0 / 6

HEX #8FD7F0

RGB 143 215 240

HSL 195.46, 0.76%, 0.75%

LAB 82.23, -16.18, -19.33

 

CMYK 40 / 0 / 33 / 6

HEX #8FF0A0

RGB 143 240 160

HSL 130.52, 0.76%, 0.75%

LAB 87.34, -44.96, 29.94

 

CMYK 47 / 0 / 39 / 2

HEX #84FA99

RGB 132 250 153

HSL 130.68, 0.92%, 0.75%

LAB 89.66, -53.3, 36.45

 

CMYK 40 / 0 / 33 / 6

HEX #8FF0A0

RGB 143 240 160

HSL 130.52, 0.76%, 0.75%

LAB 87.34, -44.96, 29.94

 

CMYK 33 / 0 / 28 / 10

HEX #99E5A6

RGB 153 229 166

HSL 130.26, 0.59%, 0.75%

LAB 84.77, -36.09, 23.46

 

CMYK 26 / 0 / 21 / 14

HEX #A3DBAD

RGB 163 219 173

HSL 130.71, 0.44%, 0.75%

LAB 82.63, -27.01, 16.92

 

CMYK 17 / 0 / 14 / 18

HEX #AED1B4

RGB 174 209 180

HSL 130.29, 0.28%, 0.75%

LAB 80.68, -17.19, 10.56

 

CMYK 7 / 0 / 6 / 22

HEX #B8C6BB

RGB 184 198 187

HSL 132.86, 0.11%, 0.75%

LAB 78.56, -6.85, 3.86

 

CMYK 26 / 0 / 40 / 6

HEX #B2F08F

RGB 178 240 143

HSL 98.35, 0.76%, 0.75%

LAB 88.81, -36.45, 40.7

 

CMYK 37 / 0 / 40 / 6

HEX #98F08F

RGB 152 240 143

HSL 114.43, 0.76%, 0.75%

LAB 87.47, -44.91, 38.71

 

CMYK 40 / 0 / 34 / 6

HEX #8FF09F

RGB 143 240 159

HSL 129.9, 0.76%, 0.75%

LAB 87.32, -45.13, 30.42

 

CMYK 40 / 0 / 23 / 6

HEX #8FF0B9

RGB 143 240 185

HSL 145.98, 0.76%, 0.75%

LAB 87.81, -40.49, 17.76

 

CMYK 40 / 0 / 12 / 6

HEX #8FF0D3

RGB 143 240 211

HSL 162.06, 0.76%, 0.75%

LAB 88.38, -35.18, 5.06

 

CMYK 70 / 0 / 57 / 10

HEX #46E662

RGB 70 230 98

HSL 130.5, 0.76%, 0.59%

LAB 81.17, -67.31, 51.69

 

CMYK 55 / 0 / 45 / 8

HEX #6AEB81

RGB 106 235 129

HSL 130.7, 0.76%, 0.67%

LAB 84, -57.55, 40.78

 

CMYK 40 / 0 / 33 / 6

HEX #8FF0A0

RGB 143 240 160

HSL 130.52, 0.76%, 0.75%

LAB 87.34, -44.96, 29.94

 

CMYK 27 / 0 / 22 / 4

HEX #B3F5BF

RGB 179 245 191

HSL 130.91, 0.77%, 0.83%

LAB 91.08, -31.08, 19.49

 

CMYK 14 / 0 / 12 / 2

HEX #D7FADD

RGB 215 250 221

HSL 130.29, 0.78%, 0.91%

LAB 95.18, -16.64, 10.14

 

CMYK 40 / 0 / 33 / 6

HEX #8FF0A0

RGB 143 240 160

HSL 130.52, 0.76%, 0.75%

LAB 87.34, -44.96, 29.94

 

CMYK 40 / 15 / 0 / 6

HEX #8FCCF0

RGB 143 204 240

HSL 202.27, 0.76%, 0.75%

LAB 79.22, -10.49, -23.9

 

CMYK 0 / 40 / 31 / 6

HEX #F08FA5

RGB 240 143 165

HSL 346.39, 0.76%, 0.75%

LAB 70.1, 39.27, 4.35

 

CMYK 40 / 0 / 33 / 6

HEX #8FF0A0

RGB 143 240 160

HSL 130.52, 0.76%, 0.75%

LAB 87.34, -44.96, 29.94

 

CMYK 34 / 40 / 0 / 6

HEX #9F8FF0

RGB 159 143 240

HSL 249.9, 0.76%, 0.75%

LAB 64.41, 27.63, -46.79

 

CMYK 0 / 34 / 40 / 6

HEX #F09F8F

RGB 240 159 143

HSL 9.9, 0.76%, 0.75%

LAB 73.09, 28.28, 20.74

 

CMYK 40 / 0 / 33 / 6

HEX #8FF0A0

RGB 143 240 160

HSL 130.52, 0.76%, 0.75%

LAB 87.34, -44.96, 29.94

 

CMYK 40 / 15 / 0 / 6

HEX #8FCCF0

RGB 143 204 240

HSL 202.27, 0.76%, 0.75%

LAB 79.22, -10.49, -23.9

 

CMYK 0 / 40 / 7 / 6

HEX #F08FE0

RGB 240 143 224

HSL 309.9, 0.76%, 0.75%

LAB 71.93, 48.03, -25.66

 

CMYK 0 / 26 / 40 / 6

HEX #F0B28F

RGB 240 178 143

HSL 21.65, 0.76%, 0.75%

LAB 77.49, 18.22, 26.71

 

CMYK 40 / 0 / 33 / 6

HEX #8FF0A0

RGB 143 240 160

HSL 130.52, 0.76%, 0.75%

LAB 87.34, -44.96, 29.94

 

CMYK 40 / 27 / 0 / 6

HEX #8FAFF0

RGB 143 175 240

HSL 220.21, 0.76%, 0.75%

LAB 71.41, 5.22, -35.91

 

CMYK 0 / 40 / 7 / 6

HEX #F08FE0

RGB 240 143 224

HSL 309.9, 0.76%, 0.75%

LAB 71.93, 48.03, -25.66

 

CMYK 0 / 14 / 40 / 6

HEX #F0CF8F

RGB 240 207 143

HSL 39.59, 0.76%, 0.75%

LAB 84.55, 3.01, 36.07

 

Description

Color code: RGB 143 240 160 | qconv.com Color code: RGB 143 240 160 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 240 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 240 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 33 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 33% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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