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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 164.2 249.6 it is the complementary color RGB 112 90.8 5.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 164.2 249.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 164.2 249.6 shade: RGB 148 164.2 244.6, RGB 165 182.2 255, RGB 182 200.2 255, RGB 199 218.2 255 and RGB 216 236.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 164.2 249.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 164.2 249.6 shade: RGB 143 164.2 249.6, RGB 126 146.2 230.6, RGB 109 128.2 211.6, RGB 92 110.2 192.6 and RGB 75 92.2 173.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 164.2 249.6 shade: RGB 143 164 250, RGB 151 143 250, RGB 179 143 250, RGB 208 143 250 and RGB 237 143 250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 164.2 249.6 shade: RGB 143 164 250 and RGB 143 143 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 164.2 249.6 shade matches the following richer shades: RGB 143 164 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 164.2 249.6 shade: RGB 143 164 250, RGB 152 170 240, RGB 162 176 231, RGB 171 181 221 and RGB 181 187 212

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 164.2 249.6 shade: RGB 143 221 250, RGB 143 193 250, RGB 143 164 250, RGB 150 143 250 and RGB 179 143 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 164.2 249.6 shade: RGB 64 100 246, RGB 104 132 248, RGB 143 164 250, RGB 182 196 252 and RGB 222 228 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 164.2 249.6 shade: RGB 143 164.2 249.6, RGB 250 143 250 and RGB 207 250 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 164.2 249.6 shade: RGB 143 164.2 249.6, RGB 250 143 164 and RGB 164 250 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 164.2 249.6 shade: RGB 143 164.2 249.6, RGB 250 143 250, RGB 250 228 143 and RGB 143 250 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 164.2 249.6 shade: RGB 143 164.2 249.6, RGB 250 143 218, RGB 250 228 143 and RGB 143 250 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 34 / 0 / 2

HEX #8FA4F9

RGB 143 164.2 249.6

HSL 228.07, 0.91%, 0.77%

LAB 69, 13.97, -44.9

 

Complementary color

CMYK 0 / 19 / 95 / 56

HEX #705A05

RGB 112 90.8 5.4

HSL 48.07, 0.91%, 0.23%

LAB 39.42, 0.55, 45.47

 

CMYK 39 / 33 / 0 / 4

HEX #94A4F4

RGB 148 164.2 244.6

HSL 229.94, 0.82%, 0.77%

LAB 69.1, 13.85, -41.99

 

CMYK 35 / 29 / 0 / 0

HEX #A5B6FF

RGB 165 182.2 255

HSL 228.53, 1%, 0.82%

LAB 75.3, 10.99, -37.87

 

CMYK 29 / 21 / 0 / 0

HEX #B6C8FF

RGB 182 200.2 255

HSL 225.04, 1%, 0.86%

LAB 81.05, 5.87, -28.91

 

CMYK 22 / 14 / 0 / 0

HEX #C7DAFF

RGB 199 218.2 255

HSL 219.43, 1%, 0.89%

LAB 86.8, 1.26, -20.05

 

CMYK 15 / 7 / 0 / 0

HEX #D8ECFF

RGB 216 236.2 255

HSL 208.92, 1%, 0.92%

LAB 92.54, -2.91, -11.32

 

CMYK 43 / 34 / 0 / 2

HEX #8FA4F9

RGB 143 164.2 249.6

HSL 228.07, 0.91%, 0.77%

LAB 69, 13.97, -44.9

 

CMYK 45 / 37 / 0 / 10

HEX #7E92E6

RGB 126 146.2 230.6

HSL 228.41, 0.68%, 0.7%

LAB 62.34, 14.74, -45.02

 

CMYK 48 / 39 / 0 / 17

HEX #6D80D3

RGB 109 128.2 211.6

HSL 228.77, 0.54%, 0.63%

LAB 55.56, 15.66, -45.19

 

CMYK 52 / 43 / 0 / 24

HEX #5C6EC0

RGB 92 110.2 192.6

HSL 229.15, 0.45%, 0.56%

LAB 48.64, 16.74, -45.41

 

CMYK 57 / 47 / 0 / 32

HEX #4B5CAD

RGB 75 92.2 173.6

HSL 229.53, 0.4%, 0.49%

LAB 41.57, 18.07, -45.68

 

CMYK 43 / 34 / 0 / 2

HEX #8FA4FA

RGB 143 164 250

HSL 228.22, 0.91%, 0.77%

LAB 68.96, 14.19, -45.17

 

CMYK 40 / 43 / 0 / 2

HEX #978FFA

RGB 151 143 250

HSL 244.49, 0.91%, 0.77%

LAB 64.26, 28.23, -52.55

 

CMYK 28 / 43 / 0 / 2

HEX #B38FFA

RGB 179 143 250

HSL 260.19, 0.91%, 0.77%

LAB 66.62, 35.5, -48.67

 

CMYK 17 / 43 / 0 / 2

HEX #D08FFA

RGB 208 143 250

HSL 276.45, 0.91%, 0.77%

LAB 69.44, 43.51, -44.04

 

CMYK 5 / 43 / 0 / 2

HEX #ED8FFA

RGB 237 143 250

HSL 292.71, 0.91%, 0.77%

LAB 72.6, 51.76, -38.88

 

CMYK 43 / 34 / 0 / 2

HEX #8FA4FA

RGB 143 164 250

HSL 228.22, 0.91%, 0.77%

LAB 68.96, 14.19, -45.17

 

CMYK 43 / 43 / 0 / 2

HEX #8F8FFA

RGB 143 143 250

HSL 240, 0.91%, 0.77%

LAB 63.66, 26.28, -53.54

 

CMYK 43 / 34 / 0 / 2

HEX #8FA4FA

RGB 143 164 250

HSL 228.22, 0.91%, 0.77%

LAB 68.96, 14.19, -45.17

 

CMYK 43 / 34 / 0 / 2

HEX #8FA4FA

RGB 143 164 250

HSL 228.22, 0.91%, 0.77%

LAB 68.96, 14.19, -45.17

 

CMYK 37 / 29 / 0 / 6

HEX #98AAF0

RGB 152 170 240

HSL 227.73, 0.75%, 0.77%

LAB 70.67, 10.39, -37.01

 

CMYK 30 / 24 / 0 / 9

HEX #A2B0E7

RGB 162 176 231

HSL 227.83, 0.59%, 0.77%

LAB 72.56, 7.53, -29.14

 

CMYK 23 / 18 / 0 / 13

HEX #ABB5DD

RGB 171 181 221

HSL 228, 0.42%, 0.77%

LAB 74.14, 5.07, -21.23

 

CMYK 15 / 12 / 0 / 17

HEX #B5BBD4

RGB 181 187 212

HSL 228.39, 0.26%, 0.77%

LAB 76.14, 2.96, -13.25

 

CMYK 43 / 12 / 0 / 2

HEX #8FDDFA

RGB 143 221 250

HSL 196.26, 0.91%, 0.77%

LAB 84.2, -16.67, -21.65

 

CMYK 43 / 23 / 0 / 2

HEX #8FC1FA

RGB 143 193 250

HSL 211.96, 0.91%, 0.77%

LAB 76.61, -1.96, -33.27

 

CMYK 43 / 34 / 0 / 2

HEX #8FA4FA

RGB 143 164 250

HSL 228.22, 0.91%, 0.77%

LAB 68.96, 14.19, -45.17

 

CMYK 40 / 43 / 0 / 2

HEX #968FFA

RGB 150 143 250

HSL 243.93, 0.91%, 0.77%

LAB 64.19, 27.99, -52.68

 

CMYK 28 / 43 / 0 / 2

HEX #B38FFA

RGB 179 143 250

HSL 260.19, 0.91%, 0.77%

LAB 66.62, 35.5, -48.67

 

CMYK 74 / 59 / 0 / 4

HEX #4064F6

RGB 64 100 246

HSL 228.13, 0.91%, 0.61%

LAB 48.08, 36.74, -76.67

 

CMYK 58 / 47 / 0 / 3

HEX #6884F8

RGB 104 132 248

HSL 228.33, 0.91%, 0.69%

LAB 58.25, 23.78, -61.23

 

CMYK 43 / 34 / 0 / 2

HEX #8FA4FA

RGB 143 164 250

HSL 228.22, 0.91%, 0.77%

LAB 68.96, 14.19, -45.17

 

CMYK 28 / 22 / 0 / 1

HEX #B6C4FC

RGB 182 196 252

HSL 228, 0.92%, 0.85%

LAB 79.87, 7.43, -29.12

 

CMYK 12 / 10 / 0 / 1

HEX #DEE4FD

RGB 222 228 253

HSL 228.39, 0.89%, 0.93%

LAB 90.83, 2.79, -12.79

 

CMYK 43 / 34 / 0 / 2

HEX #8FA4F9

RGB 143 164.2 249.6

HSL 228.07, 0.91%, 0.77%

LAB 69, 13.97, -44.9

 

CMYK 0 / 43 / 0 / 2

HEX #FA8FFA

RGB 250 143 250

HSL 300, 0.91%, 0.77%

LAB 74.11, 55.49, -36.41

 

CMYK 17 / 0 / 43 / 2

HEX #CFFA8F

RGB 207 250 143

HSL 84.11, 0.91%, 0.77%

LAB 93.29, -30.82, 46.74

 

CMYK 43 / 34 / 0 / 2

HEX #8FA4F9

RGB 143 164.2 249.6

HSL 228.07, 0.91%, 0.77%

LAB 69, 13.97, -44.9

 

CMYK 0 / 43 / 34 / 2

HEX #FA8FA4

RGB 250 143 164

HSL 348.22, 0.91%, 0.77%

LAB 71.32, 42.67, 6.82

 

CMYK 34 / 0 / 43 / 2

HEX #A4FA8F

RGB 164 250 143

HSL 108.22, 0.91%, 0.77%

LAB 90.89, -45.47, 43.21

 

CMYK 43 / 34 / 0 / 2

HEX #8FA4F9

RGB 143 164.2 249.6

HSL 228.07, 0.91%, 0.77%

LAB 69, 13.97, -44.9

 

CMYK 0 / 43 / 0 / 2

HEX #FA8FFA

RGB 250 143 250

HSL 300, 0.91%, 0.77%

LAB 74.11, 55.49, -36.41

 

CMYK 0 / 9 / 43 / 2

HEX #FAE48F

RGB 250 228 143

HSL 47.66, 0.91%, 0.77%

LAB 90.69, -3.79, 44.12

 

CMYK 43 / 0 / 43 / 2

HEX #8FFA8F

RGB 143 250 143

HSL 120, 0.91%, 0.77%

LAB 89.95, -51.79, 41.82

 

CMYK 43 / 34 / 0 / 2

HEX #8FA4F9

RGB 143 164.2 249.6

HSL 228.07, 0.91%, 0.77%

LAB 69, 13.97, -44.9

 

CMYK 0 / 43 / 13 / 2

HEX #FA8FDA

RGB 250 143 218

HSL 317.94, 0.91%, 0.77%

LAB 72.91, 50.16, -20.75

 

CMYK 0 / 9 / 43 / 2

HEX #FAE48F

RGB 250 228 143

HSL 47.66, 0.91%, 0.77%

LAB 90.69, -3.79, 44.12

 

CMYK 43 / 0 / 30 / 2

HEX #8FFAAF

RGB 143 250 175

HSL 137.94, 0.91%, 0.77%

LAB 90.46, -46.7, 26.55

 

Description

Color code: RGB 143 164.2 249.6 | qconv.com Color code: RGB 143 164.2 249.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 164.2 green and 249.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 164.2 249.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 34 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 34% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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