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Color name
RGB 142 90.8 15.4

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 90.8 15.4 it is the complementary color RGB 113 164.2 239.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 90.8 15.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 90.8 15.4 shade: RGB 147 90.8 10.4, RGB 164 108.8 29.4, RGB 181 126.8 48.4, RGB 198 144.8 67.4 and RGB 215 162.8 86.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 90.8 15.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 90.8 15.4 shade: RGB 142 90.8 15.4, RGB 125 72.8 0, RGB 108 54.8 0, RGB 91 36.8 0 and RGB 74 18.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 90.8 15.4 shade: RGB 142 91 16, RGB 142 57 16, RGB 142 23 16 and RGB 142 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 90.8 15.4 shade: RGB 142 91 16, RGB 142 125 16, RGB 125 142 16, RGB 91 142 16 and RGB 57 142 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 90.8 15.4 shade matches the following richer shades: RGB 142 91 16 and RGB 155 94 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 90.8 15.4 shade: RGB 142 91 16, RGB 129 89 29, RGB 117 86 41, RGB 104 84 54 and RGB 91 81 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 90.8 15.4 shade: RGB 142 22 16, RGB 142 56 16, RGB 142 90 16, RGB 142 123 16 and RGB 128 142 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 90.8 15.4 shade: RGB 68 44 8, RGB 105 67 12, RGB 142 91 16, RGB 179 115 20 and RGB 217 139 24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 90.8 15.4 shade: RGB 142 90.8 15.4, RGB 43 142 16 and RGB 39 16 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 90.8 15.4 shade: RGB 142 90.8 15.4, RGB 16 142 90 and RGB 90 16 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 90.8 15.4 shade: RGB 142 90.8 15.4, RGB 43 142 16, RGB 16 69 142 and RGB 115 16 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 90.8 15.4 shade: RGB 142 90.8 15.4, RGB 16 142 26, RGB 16 69 142 and RGB 142 16 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 89 / 44

HEX #8E5A0F

RGB 142 90.8 15.4

HSL 35.73, 0.8%, 0.31%

LAB 43.11, 15.21, 47.18

 

Complementary color

CMYK 53 / 31 / 0 / 6

HEX #71A4EF

RGB 113 164.2 239.6

HSL 215.73, 0.8%, 0.69%

LAB 66.83, 4.05, -42.98

 

CMYK 0 / 38 / 93 / 42

HEX #935A0A

RGB 147 90.8 10.4

HSL 35.31, 0.87%, 0.31%

LAB 43.76, 17.41, 49.36

 

CMYK 0 / 34 / 82 / 36

HEX #A46C1D

RGB 164 108.8 29.4

HSL 35.39, 0.7%, 0.38%

LAB 50.54, 15.37, 49.8

 

CMYK 0 / 30 / 73 / 29

HEX #B57E30

RGB 181 126.8 48.4

HSL 35.48, 0.58%, 0.45%

LAB 57.24, 13.66, 49.06

 

CMYK 0 / 27 / 66 / 22

HEX #C69043

RGB 198 144.8 67.4

HSL 35.56, 0.53%, 0.52%

LAB 63.84, 12.21, 47.86

 

CMYK 0 / 24 / 60 / 16

HEX #D7A256

RGB 215 162.8 86.4

HSL 35.65, 0.62%, 0.59%

LAB 70.35, 10.99, 46.52

 

CMYK 0 / 36 / 89 / 44

HEX #8E5A0F

RGB 142 90.8 15.4

HSL 35.73, 0.8%, 0.31%

LAB 43.11, 15.21, 47.18

 

CMYK 0 / 42 / 100 / 51

HEX #7D4800

RGB 125 72.8 0

HSL 34.94, 1%, 0.25%

LAB 36.17, 17.49, 45.63

 

CMYK 0 / 49 / 100 / 58

HEX #6C3600

RGB 108 54.8 0

HSL 30.44, 1%, 0.21%

LAB 29.16, 20.18, 39.67

 

CMYK 0 / 60 / 100 / 64

HEX #5B2400

RGB 91 36.8 0

HSL 24.26, 1%, 0.18%

LAB 22.07, 22.87, 32.04

 

CMYK 0 / 75 / 100 / 71

HEX #4A1200

RGB 74 18.8 0

HSL 15.24, 1%, 0.15%

LAB 15.03, 25.18, 22.94

 

CMYK 0 / 36 / 89 / 44

HEX #8E5B10

RGB 142 91 16

HSL 35.71, 0.8%, 0.31%

LAB 43.17, 15.11, 47.04

 

CMYK 0 / 60 / 89 / 44

HEX #8E3910

RGB 142 57 16

HSL 19.52, 0.8%, 0.31%

LAB 35.43, 34.02, 40.7

 

CMYK 0 / 84 / 89 / 44

HEX #8E1710

RGB 142 23 16

HSL 3.33, 0.8%, 0.31%

LAB 30.4, 47.68, 36.55

 

CMYK 0 / 89 / 89 / 44

HEX #8E1010

RGB 142 16 16

HSL 0, 0.8%, 0.31%

LAB 29.81, 49.37, 36.06

 

CMYK 0 / 36 / 89 / 44

HEX #8E5B10

RGB 142 91 16

HSL 35.71, 0.8%, 0.31%

LAB 43.17, 15.11, 47.04

 

CMYK 0 / 12 / 89 / 44

HEX #8E7D10

RGB 142 125 16

HSL 51.9, 0.8%, 0.31%

LAB 52.35, -4.41, 54.5

 

CMYK 12 / 0 / 89 / 44

HEX #7D8E10

RGB 125 142 16

HSL 68.1, 0.8%, 0.31%

LAB 55.83, -21.29, 56.74

 

CMYK 36 / 0 / 89 / 44

HEX #5B8E10

RGB 91 142 16

HSL 84.29, 0.8%, 0.31%

LAB 53.61, -35.47, 53.98

 

CMYK 60 / 0 / 89 / 44

HEX #398E10

RGB 57 142 16

HSL 100.48, 0.8%, 0.31%

LAB 52.12, -46.66, 52.12

 

CMYK 0 / 36 / 89 / 44

HEX #8E5B10

RGB 142 91 16

HSL 35.71, 0.8%, 0.31%

LAB 43.17, 15.11, 47.04

 

CMYK 0 / 39 / 98 / 39

HEX #9B5E03

RGB 155 94 3

HSL 35.92, 0.96%, 0.31%

LAB 45.61, 19.1, 52.98

 

CMYK 0 / 36 / 89 / 44

HEX #8E5B10

RGB 142 91 16

HSL 35.71, 0.8%, 0.31%

LAB 43.17, 15.11, 47.04

 

CMYK 0 / 31 / 78 / 49

HEX #81591D

RGB 129 89 29

HSL 36, 0.63%, 0.31%

LAB 41.06, 10.67, 39.47

 

CMYK 0 / 26 / 65 / 54

HEX #755629

RGB 117 86 41

HSL 35.53, 0.48%, 0.31%

LAB 38.89, 7.52, 30.69

 

CMYK 0 / 19 / 48 / 59

HEX #685436

RGB 104 84 54

HSL 36, 0.32%, 0.31%

LAB 37.02, 3.86, 20.62

 

CMYK 0 / 11 / 26 / 64

HEX #5B5143

RGB 91 81 67

HSL 35, 0.15%, 0.31%

LAB 35.03, 1.6, 9.75

 

CMYK 0 / 85 / 89 / 44

HEX #8E1610

RGB 142 22 16

HSL 2.86, 0.8%, 0.31%

LAB 30.31, 47.95, 36.47

 

CMYK 0 / 61 / 89 / 44

HEX #8E3810

RGB 142 56 16

HSL 19.05, 0.8%, 0.31%

LAB 35.24, 34.53, 40.54

 

CMYK 0 / 37 / 89 / 44

HEX #8E5A10

RGB 142 90 16

HSL 35.24, 0.8%, 0.31%

LAB 42.91, 15.69, 46.83

 

CMYK 0 / 13 / 89 / 44

HEX #8E7B10

RGB 142 123 16

HSL 50.95, 0.8%, 0.31%

LAB 51.79, -3.29, 54.04

 

CMYK 10 / 0 / 89 / 44

HEX #808E10

RGB 128 142 16

HSL 66.67, 0.8%, 0.31%

LAB 56.06, -19.96, 57.02

 

CMYK 0 / 35 / 88 / 73

HEX #442C08

RGB 68 44 8

HSL 36, 0.79%, 0.15%

LAB 20.23, 7.4, 25.7

 

CMYK 0 / 36 / 89 / 59

HEX #69430C

RGB 105 67 12

HSL 35.48, 0.79%, 0.23%

LAB 31.91, 11.7, 36.99

 

CMYK 0 / 36 / 89 / 44

HEX #8E5B10

RGB 142 91 16

HSL 35.71, 0.8%, 0.31%

LAB 43.17, 15.11, 47.04

 

CMYK 0 / 36 / 89 / 30

HEX #B37314

RGB 179 115 20

HSL 35.85, 0.8%, 0.39%

LAB 53.92, 18.34, 56.48

 

CMYK 0 / 36 / 89 / 15

HEX #D98B18

RGB 217 139 24

HSL 35.75, 0.8%, 0.47%

LAB 64.39, 21.88, 65.65

 

CMYK 0 / 36 / 89 / 44

HEX #8E5A0F

RGB 142 90.8 15.4

HSL 35.73, 0.8%, 0.31%

LAB 43.11, 15.21, 47.18

 

CMYK 70 / 0 / 89 / 44

HEX #2B8E10

RGB 43 142 16

HSL 107.14, 0.8%, 0.31%

LAB 51.72, -50, 51.61

 

CMYK 73 / 89 / 0 / 44

HEX #27108E

RGB 39 16 142

HSL 250.95, 0.8%, 0.31%

LAB 19.03, 47.01, -63.38

 

CMYK 0 / 36 / 89 / 44

HEX #8E5A0F

RGB 142 90.8 15.4

HSL 35.73, 0.8%, 0.31%

LAB 43.11, 15.21, 47.18

 

CMYK 89 / 0 / 37 / 44

HEX #108E5A

RGB 16 142 90

HSL 155.24, 0.8%, 0.31%

LAB 52.06, -44.39, 18.98

 

CMYK 37 / 89 / 0 / 44

HEX #5A108E

RGB 90 16 142

HSL 275.24, 0.8%, 0.31%

LAB 25.25, 52.46, -52.91

 

CMYK 0 / 36 / 89 / 44

HEX #8E5A0F

RGB 142 90.8 15.4

HSL 35.73, 0.8%, 0.31%

LAB 43.11, 15.21, 47.18

 

CMYK 70 / 0 / 89 / 44

HEX #2B8E10

RGB 43 142 16

HSL 107.14, 0.8%, 0.31%

LAB 51.72, -50, 51.61

 

CMYK 89 / 51 / 0 / 44

HEX #10458E

RGB 16 69 142

HSL 214.76, 0.8%, 0.31%

LAB 30.2, 12.64, -45.1

 

CMYK 19 / 89 / 0 / 44

HEX #73108E

RGB 115 16 142

HSL 287.14, 0.8%, 0.31%

LAB 29.33, 56.39, -46.08

 

CMYK 0 / 36 / 89 / 44

HEX #8E5A0F

RGB 142 90.8 15.4

HSL 35.73, 0.8%, 0.31%

LAB 43.11, 15.21, 47.18

 

CMYK 89 / 0 / 82 / 44

HEX #108E1A

RGB 16 142 26

HSL 124.76, 0.8%, 0.31%

LAB 51.3, -53.48, 48.38

 

CMYK 89 / 51 / 0 / 44

HEX #10458E

RGB 16 69 142

HSL 214.76, 0.8%, 0.31%

LAB 30.2, 12.64, -45.1

 

CMYK 0 / 89 / 7 / 44

HEX #8E1084

RGB 142 16 132

HSL 304.76, 0.8%, 0.31%

LAB 33.54, 59.69, -32.86

 

Description

Color code: RGB 142 90.8 15.4 | qconv.com Color code: RGB 142 90.8 15.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 90.8 green and 15.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 90.8 15.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 89 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 89% 44% C M Y K

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