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Color name
RGB 142 8 151

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 8 151 it is the complementary color RGB 113 247 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 8 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 8 151 shade: RGB 147 8 146, RGB 164 26 165, RGB 181 44 184, RGB 198 62 203 and RGB 215 80 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 8 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 8 151 shade: RGB 142 8 151, RGB 125 0 132, RGB 108 0 113, RGB 91 0 94 and RGB 74 0 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 8 151 shade: RGB 141 8 150, RGB 150 8 121, RGB 150 8 82, RGB 150 8 44 and RGB 150 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 8 151 shade: RGB 141 8 150, RGB 103 8 150, RGB 64 8 150, RGB 26 8 150 and RGB 8 8 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 8 151 shade matches the following richer shades: RGB 141 8 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 8 151 shade: RGB 141 8 150, RGB 130 21 137, RGB 119 33 125, RGB 108 46 112 and RGB 97 59 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 8 151 shade: RGB 65 8 150, RGB 103 8 150, RGB 141 8 150, RGB 150 8 122 and RGB 150 8 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 8 151 shade: RGB 68 4 72, RGB 104 6 111, RGB 141 8 150, RGB 178 10 189 and RGB 215 12 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 8 151 shade: RGB 142 8 151, RGB 150 27 8 and RGB 8 150 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 8 151 shade: RGB 142 8 151, RGB 150 141 8 and RGB 8 150 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 8 151 shade: RGB 142 8 151, RGB 150 27 8, RGB 17 150 8 and RGB 8 131 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 8 151 shade: RGB 142 8 151, RGB 150 70 8, RGB 17 150 8 and RGB 8 89 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 95 / 0 / 41

HEX #8E0897

RGB 142 8 151

HSL 296.22, 0.9%, 0.31%

LAB 34.31, 63.9, -43.35

 

Complementary color

CMYK 54 / 0 / 58 / 3

HEX #71F768

RGB 113 247 104

HSL 116.22, 0.9%, 0.69%

LAB 87.5, -63.57, 56.7

 

CMYK 0 / 95 / 1 / 42

HEX #930892

RGB 147 8 146

HSL 300.43, 0.9%, 0.3%

LAB 34.91, 63.98, -39.28

 

CMYK 1 / 84 / 0 / 35

HEX #A41AA5

RGB 164 26 165

HSL 299.57, 0.73%, 0.37%

LAB 40.16, 67.1, -42.24

 

CMYK 2 / 76 / 0 / 28

HEX #B52CB8

RGB 181 44 184

HSL 298.71, 0.61%, 0.45%

LAB 45.75, 68.92, -44.42

 

CMYK 2 / 69 / 0 / 20

HEX #C63ECB

RGB 198 62 203

HSL 297.87, 0.58%, 0.52%

LAB 51.57, 69.82, -46.03

 

CMYK 3 / 64 / 0 / 13

HEX #D750DE

RGB 215 80 222

HSL 297.04, 0.68%, 0.59%

LAB 57.52, 70.12, -47.24

 

CMYK 6 / 95 / 0 / 41

HEX #8E0897

RGB 142 8 151

HSL 296.22, 0.9%, 0.31%

LAB 34.31, 63.9, -43.35

 

CMYK 5 / 100 / 0 / 48

HEX #7D0084

RGB 125 0 132

HSL 296.82, 1%, 0.26%

LAB 29.48, 59.07, -39.53

 

CMYK 4 / 100 / 0 / 56

HEX #6C0071

RGB 108 0 113

HSL 297.35, 1%, 0.22%

LAB 24.89, 53.03, -35.01

 

CMYK 3 / 100 / 0 / 63

HEX #5B005E

RGB 91 0 94

HSL 298.09, 1%, 0.18%

LAB 20.17, 46.8, -30.33

 

CMYK 1 / 100 / 0 / 71

HEX #4A004B

RGB 74 0 75

HSL 299.2, 1%, 0.15%

LAB 15.3, 40.37, -25.47

 

CMYK 6 / 95 / 0 / 41

HEX #8D0896

RGB 141 8 150

HSL 296.2, 0.9%, 0.31%

LAB 34.06, 63.57, -43.15

 

CMYK 0 / 95 / 19 / 41

HEX #960879

RGB 150 8 121

HSL 312.25, 0.9%, 0.31%

LAB 34.06, 60.96, -25.04

 

CMYK 0 / 95 / 45 / 41

HEX #960852

RGB 150 8 82

HSL 328.73, 0.9%, 0.31%

LAB 32.41, 56.58, -2.48

 

CMYK 0 / 95 / 71 / 41

HEX #96082C

RGB 150 8 44

HSL 344.79, 0.9%, 0.31%

LAB 31.44, 53.92, 21.31

 

CMYK 0 / 95 / 95 / 41

HEX #960808

RGB 150 8 8

HSL 0, 0.9%, 0.31%

LAB 31.06, 52.85, 41.41

 

CMYK 6 / 95 / 0 / 41

HEX #8D0896

RGB 141 8 150

HSL 296.2, 0.9%, 0.31%

LAB 34.06, 63.57, -43.15

 

CMYK 31 / 95 / 0 / 41

HEX #670896

RGB 103 8 150

HSL 280.14, 0.9%, 0.31%

LAB 27.46, 57.69, -54.16

 

CMYK 57 / 95 / 0 / 41

HEX #400896

RGB 64 8 150

HSL 263.66, 0.9%, 0.31%

LAB 21.82, 53.39, -63.65

 

CMYK 83 / 95 / 0 / 41

HEX #1A0896

RGB 26 8 150

HSL 247.61, 0.9%, 0.31%

LAB 18.34, 51.25, -69.52

 

CMYK 95 / 95 / 0 / 41

HEX #080896

RGB 8 8 150

HSL 240, 0.9%, 0.31%

LAB 17.59, 50.85, -70.81

 

CMYK 6 / 95 / 0 / 41

HEX #8D0896

RGB 141 8 150

HSL 296.2, 0.9%, 0.31%

LAB 34.06, 63.57, -43.15

 

CMYK 6 / 95 / 0 / 41

HEX #8D0896

RGB 141 8 150

HSL 296.2, 0.9%, 0.31%

LAB 34.06, 63.57, -43.15

 

CMYK 5 / 85 / 0 / 46

HEX #821589

RGB 130 21 137

HSL 296.38, 0.73%, 0.31%

LAB 32.01, 57.06, -38.54

 

CMYK 5 / 74 / 0 / 51

HEX #77217D

RGB 119 33 125

HSL 296.09, 0.58%, 0.31%

LAB 30.62, 48.87, -33.37

 

CMYK 4 / 59 / 0 / 56

HEX #6C2E70

RGB 108 46 112

HSL 296.36, 0.42%, 0.31%

LAB 30.19, 37.64, -25.94

 

CMYK 2 / 40 / 0 / 61

HEX #613B63

RGB 97 59 99

HSL 297, 0.25%, 0.31%

LAB 30.81, 23.97, -16.79

 

CMYK 57 / 95 / 0 / 41

HEX #410896

RGB 65 8 150

HSL 264.08, 0.9%, 0.31%

LAB 21.94, 53.47, -63.44

 

CMYK 31 / 95 / 0 / 41

HEX #670896

RGB 103 8 150

HSL 280.14, 0.9%, 0.31%

LAB 27.46, 57.69, -54.16

 

CMYK 6 / 95 / 0 / 41

HEX #8D0896

RGB 141 8 150

HSL 296.2, 0.9%, 0.31%

LAB 34.06, 63.57, -43.15

 

CMYK 0 / 95 / 19 / 41

HEX #96087A

RGB 150 8 122

HSL 311.83, 0.9%, 0.31%

LAB 34.11, 61.09, -25.59

 

CMYK 0 / 95 / 44 / 41

HEX #960854

RGB 150 8 84

HSL 327.89, 0.9%, 0.31%

LAB 32.48, 56.77, -3.69

 

CMYK 6 / 94 / 0 / 72

HEX #440448

RGB 68 4 72

HSL 296.47, 0.89%, 0.15%

LAB 14.31, 37.23, -25.04

 

CMYK 6 / 95 / 0 / 56

HEX #68066F

RGB 104 6 111

HSL 296, 0.9%, 0.23%

LAB 24.39, 50.75, -34.56

 

CMYK 6 / 95 / 0 / 41

HEX #8D0896

RGB 141 8 150

HSL 296.2, 0.9%, 0.31%

LAB 34.06, 63.57, -43.15

 

CMYK 6 / 95 / 0 / 26

HEX #B20ABD

RGB 178 10 189

HSL 296.31, 0.9%, 0.39%

LAB 43.3, 75.73, -51.31

 

CMYK 6 / 95 / 0 / 10

HEX #D70CE5

RGB 215 12 229

HSL 296.13, 0.9%, 0.47%

LAB 52.25, 87.56, -59.61

 

CMYK 6 / 95 / 0 / 41

HEX #8E0897

RGB 142 8 151

HSL 296.22, 0.9%, 0.31%

LAB 34.31, 63.9, -43.35

 

CMYK 0 / 82 / 95 / 41

HEX #961B08

RGB 150 27 8

HSL 8.03, 0.9%, 0.31%

LAB 32.45, 48.88, 42.36

 

CMYK 95 / 0 / 44 / 41

HEX #089654

RGB 8 150 84

HSL 152.11, 0.9%, 0.31%

LAB 54.56, -49.14, 25.58

 

CMYK 6 / 95 / 0 / 41

HEX #8E0897

RGB 142 8 151

HSL 296.22, 0.9%, 0.31%

LAB 34.31, 63.9, -43.35

 

CMYK 0 / 6 / 95 / 41

HEX #968D08

RGB 150 141 8

HSL 56.2, 0.9%, 0.31%

LAB 57.61, -9.6, 60.46

 

CMYK 95 / 0 / 6 / 41

HEX #08968D

RGB 8 150 141

HSL 176.2, 0.9%, 0.31%

LAB 55.87, -34.8, -4.69

 

CMYK 6 / 95 / 0 / 41

HEX #8E0897

RGB 142 8 151

HSL 296.22, 0.9%, 0.31%

LAB 34.31, 63.9, -43.35

 

CMYK 0 / 82 / 95 / 41

HEX #961B08

RGB 150 27 8

HSL 8.03, 0.9%, 0.31%

LAB 32.45, 48.88, 42.36

 

CMYK 89 / 0 / 95 / 41

HEX #119608

RGB 17 150 8

HSL 116.2, 0.9%, 0.31%

LAB 53.97, -56.62, 54.85

 

CMYK 95 / 13 / 0 / 41

HEX #088396

RGB 8 131 150

HSL 188.03, 0.9%, 0.31%

LAB 50.08, -22.53, -18.62

 

CMYK 6 / 95 / 0 / 41

HEX #8E0897

RGB 142 8 151

HSL 296.22, 0.9%, 0.31%

LAB 34.31, 63.9, -43.35

 

CMYK 0 / 53 / 95 / 41

HEX #964608

RGB 150 70 8

HSL 26.2, 0.9%, 0.31%

LAB 39.38, 30.36, 47.02

 

CMYK 89 / 0 / 95 / 41

HEX #119608

RGB 17 150 8

HSL 116.2, 0.9%, 0.31%

LAB 53.97, -56.62, 54.85

 

CMYK 95 / 41 / 0 / 41

HEX #085996

RGB 8 89 150

HSL 205.77, 0.9%, 0.31%

LAB 36.74, 2.06, -39.48

 

Description

Color code: RGB 142 8 151 | qconv.com Color code: RGB 142 8 151 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 8 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 8 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 95 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 95% 0% 41% C M Y K

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Provide designers and agencies with accurate color values.

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