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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 7 136 it is the complementary color RGB 113 248 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 7 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 7 136 shade: RGB 147 7 131, RGB 164 25 150, RGB 181 43 169, RGB 198 61 188 and RGB 215 79 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 7 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 7 136 shade: RGB 142 7 136, RGB 125 0 117, RGB 108 0 98, RGB 91 0 79 and RGB 74 0 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 7 136 shade: RGB 141 6 135, RGB 141 6 98, RGB 141 6 62, RGB 141 6 26 and RGB 141 6 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 7 136 shade: RGB 141 6 135, RGB 110 6 141, RGB 74 6 141, RGB 38 6 141 and RGB 6 6 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 7 136 shade matches the following richer shades: RGB 141 6 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 7 136 shade: RGB 141 6 135, RGB 129 18 124, RGB 117 30 113, RGB 105 42 102 and RGB 93 54 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 7 136 shade: RGB 73 6 141, RGB 109 6 141, RGB 141 6 136, RGB 141 6 100 and RGB 141 6 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 7 136 shade: RGB 62 2 59, RGB 101 4 97, RGB 141 6 135, RGB 180 8 172 and RGB 220 10 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 7 136 shade: RGB 142 7 136, RGB 141 38 6 and RGB 6 141 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 7 136 shade: RGB 142 7 136, RGB 136 141 6 and RGB 6 136 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 7 136 shade: RGB 142 7 136, RGB 141 38 6, RGB 6 141 11 and RGB 6 109 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 7 136 shade: RGB 142 7 136, RGB 141 78 6, RGB 6 141 11 and RGB 6 69 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 4 / 44

HEX #8E0788

RGB 142 7 136

HSL 302.67, 0.91%, 0.29%

LAB 33.31, 61.66, -35.71

 

Complementary color

CMYK 54 / 0 / 52 / 3

HEX #71F877

RGB 113 248 119

HSL 122.67, 0.91%, 0.71%

LAB 87.96, -62.16, 50.5

 

CMYK 0 / 95 / 11 / 42

HEX #930783

RGB 147 7 131

HSL 306.86, 0.91%, 0.3%

LAB 33.97, 61.87, -31.49

 

CMYK 0 / 85 / 9 / 36

HEX #A41996

RGB 164 25 150

HSL 306.04, 0.74%, 0.37%

LAB 39.22, 65.01, -34.67

 

CMYK 0 / 76 / 7 / 29

HEX #B52BA9

RGB 181 43 169

HSL 305.22, 0.62%, 0.44%

LAB 44.82, 66.84, -37.04

 

CMYK 0 / 69 / 5 / 22

HEX #C63DBC

RGB 198 61 188

HSL 304.38, 0.55%, 0.51%

LAB 50.66, 67.74, -38.8

 

CMYK 0 / 63 / 4 / 16

HEX #D74FCF

RGB 215 79 207

HSL 303.53, 0.63%, 0.58%

LAB 56.63, 68.03, -40.15

 

CMYK 0 / 95 / 4 / 44

HEX #8E0788

RGB 142 7 136

HSL 302.67, 0.91%, 0.29%

LAB 33.31, 61.66, -35.71

 

CMYK 0 / 100 / 6 / 51

HEX #7D0075

RGB 125 0 117

HSL 303.84, 1%, 0.25%

LAB 28.5, 56.7, -31.61

 

CMYK 0 / 100 / 9 / 58

HEX #6C0062

RGB 108 0 98

HSL 305.56, 1%, 0.21%

LAB 23.9, 50.63, -26.82

 

CMYK 0 / 100 / 13 / 64

HEX #5B004F

RGB 91 0 79

HSL 307.91, 1%, 0.18%

LAB 19.18, 44.38, -21.82

 

CMYK 0 / 100 / 19 / 71

HEX #4A003C

RGB 74 0 60

HSL 311.35, 1%, 0.15%

LAB 14.3, 37.93, -16.53

 

CMYK 0 / 96 / 4 / 45

HEX #8D0687

RGB 141 6 135

HSL 302.67, 0.92%, 0.29%

LAB 33.01, 61.46, -35.58

 

CMYK 0 / 96 / 30 / 45

HEX #8D0662

RGB 141 6 98

HSL 319.11, 0.92%, 0.29%

LAB 31.05, 56.46, -15.15

 

CMYK 0 / 96 / 56 / 45

HEX #8D063E

RGB 141 6 62

HSL 335.11, 0.92%, 0.29%

LAB 29.76, 53.01, 6.74

 

CMYK 0 / 96 / 82 / 45

HEX #8D061A

RGB 141 6 26

HSL 351.11, 0.92%, 0.29%

LAB 29.08, 51.1, 29.59

 

CMYK 0 / 96 / 96 / 45

HEX #8D0606

RGB 141 6 6

HSL 0, 0.92%, 0.29%

LAB 28.92, 50.66, 39.72

 

CMYK 0 / 96 / 4 / 45

HEX #8D0687

RGB 141 6 135

HSL 302.67, 0.92%, 0.29%

LAB 33.01, 61.46, -35.58

 

CMYK 22 / 96 / 0 / 45

HEX #6E068D

RGB 110 6 141

HSL 286.22, 0.92%, 0.29%

LAB 27.76, 57.26, -48.06

 

CMYK 48 / 96 / 0 / 45

HEX #4A068D

RGB 74 6 141

HSL 270.22, 0.92%, 0.29%

LAB 21.98, 52.62, -57.75

 

CMYK 73 / 96 / 0 / 45

HEX #26068D

RGB 38 6 141

HSL 254.22, 0.92%, 0.29%

LAB 17.76, 49.87, -64.87

 

CMYK 96 / 96 / 0 / 45

HEX #06068D

RGB 6 6 141

HSL 240, 0.92%, 0.29%

LAB 15.96, 48.92, -67.92

 

CMYK 0 / 96 / 4 / 45

HEX #8D0687

RGB 141 6 135

HSL 302.67, 0.92%, 0.29%

LAB 33.01, 61.46, -35.58

 

CMYK 0 / 96 / 4 / 45

HEX #8D0687

RGB 141 6 135

HSL 302.67, 0.92%, 0.29%

LAB 33.01, 61.46, -35.58

 

CMYK 0 / 86 / 4 / 49

HEX #81127C

RGB 129 18 124

HSL 302.7, 0.76%, 0.29%

LAB 30.77, 55.4, -32.39

 

CMYK 0 / 74 / 3 / 54

HEX #751E71

RGB 117 30 113

HSL 302.76, 0.59%, 0.29%

LAB 29.17, 47.35, -28.09

 

CMYK 0 / 60 / 3 / 59

HEX #692A66

RGB 105 42 102

HSL 302.86, 0.43%, 0.29%

LAB 28.43, 36.83, -22.33

 

CMYK 0 / 42 / 2 / 64

HEX #5D365B

RGB 93 54 91

HSL 303.08, 0.27%, 0.29%

LAB 28.7, 23.89, -14.93

 

CMYK 48 / 96 / 0 / 45

HEX #49068D

RGB 73 6 141

HSL 269.78, 0.92%, 0.29%

LAB 21.83, 52.52, -57.99

 

CMYK 23 / 96 / 0 / 45

HEX #6D068D

RGB 109 6 141

HSL 285.78, 0.92%, 0.29%

LAB 27.59, 57.11, -48.35

 

CMYK 0 / 96 / 4 / 45

HEX #8D0688

RGB 141 6 136

HSL 302.22, 0.92%, 0.29%

LAB 33.07, 61.62, -36.1

 

CMYK 0 / 96 / 29 / 45

HEX #8D0664

RGB 141 6 100

HSL 318.22, 0.92%, 0.29%

LAB 31.14, 56.7, -16.3

 

CMYK 0 / 96 / 55 / 45

HEX #8D0640

RGB 141 6 64

HSL 334.22, 0.92%, 0.29%

LAB 29.82, 53.16, 5.48

 

CMYK 0 / 97 / 5 / 76

HEX #3E023B

RGB 62 2 59

HSL 303, 0.94%, 0.13%

LAB 11.85, 34.35, -19.87

 

CMYK 0 / 96 / 4 / 60

HEX #650461

RGB 101 4 97

HSL 302.47, 0.92%, 0.21%

LAB 22.71, 48.24, -28.14

 

CMYK 0 / 96 / 4 / 45

HEX #8D0687

RGB 141 6 135

HSL 302.67, 0.92%, 0.29%

LAB 33.01, 61.46, -35.58

 

CMYK 0 / 96 / 4 / 29

HEX #B408AC

RGB 180 8 172

HSL 302.79, 0.91%, 0.37%

LAB 42.54, 73.7, -42.45

 

CMYK 0 / 95 / 5 / 14

HEX #DC0AD2

RGB 220 10 210

HSL 302.86, 0.91%, 0.45%

LAB 51.93, 85.76, -49.24

 

CMYK 0 / 95 / 4 / 44

HEX #8E0788

RGB 142 7 136

HSL 302.67, 0.91%, 0.29%

LAB 33.31, 61.66, -35.71

 

CMYK 0 / 73 / 96 / 45

HEX #8D2606

RGB 141 38 6

HSL 14.22, 0.92%, 0.29%

LAB 31.95, 42.13, 41.95

 

CMYK 96 / 0 / 35 / 45

HEX #068D5B

RGB 6 141 91

HSL 157.78, 0.92%, 0.29%

LAB 51.66, -44.42, 17.87

 

CMYK 0 / 95 / 4 / 44

HEX #8E0788

RGB 142 7 136

HSL 302.67, 0.91%, 0.29%

LAB 33.31, 61.66, -35.71

 

CMYK 4 / 0 / 96 / 45

HEX #888D06

RGB 136 141 6

HSL 62.22, 0.92%, 0.29%

LAB 56.38, -16.04, 59.31

 

CMYK 96 / 4 / 0 / 45

HEX #06888D

RGB 6 136 141

HSL 182.22, 0.92%, 0.29%

LAB 51.35, -28.22, -11.45

 

CMYK 0 / 95 / 4 / 44

HEX #8E0788

RGB 142 7 136

HSL 302.67, 0.91%, 0.29%

LAB 33.31, 61.66, -35.71

 

CMYK 0 / 73 / 96 / 45

HEX #8D2606

RGB 141 38 6

HSL 14.22, 0.92%, 0.29%

LAB 31.95, 42.13, 41.95

 

CMYK 96 / 0 / 92 / 45

HEX #068D0B

RGB 6 141 11

HSL 122.22, 0.92%, 0.29%

LAB 50.82, -54.67, 51.63

 

CMYK 96 / 23 / 0 / 45

HEX #066D8D

RGB 6 109 141

HSL 194.22, 0.92%, 0.29%

LAB 42.61, -13.86, -24.82

 

CMYK 0 / 95 / 4 / 44

HEX #8E0788

RGB 142 7 136

HSL 302.67, 0.91%, 0.29%

LAB 33.31, 61.66, -35.71

 

CMYK 0 / 45 / 96 / 45

HEX #8D4E06

RGB 141 78 6

HSL 32, 0.92%, 0.29%

LAB 39.79, 21.95, 47.25

 

CMYK 96 / 0 / 92 / 45

HEX #068D0B

RGB 6 141 11

HSL 122.22, 0.92%, 0.29%

LAB 50.82, -54.67, 51.63

 

CMYK 96 / 51 / 0 / 45

HEX #06458D

RGB 6 69 141

HSL 212, 0.92%, 0.29%

LAB 29.96, 11.61, -44.89

 

Description

Color code: RGB 142 7 136 | qconv.com Color code: RGB 142 7 136 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 7 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 7 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 4 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 4% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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