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Color name
RGB 142 60 26

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 60 26 it is the complementary color RGB 113 195 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 60 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 60 26 shade: RGB 147 60 21, RGB 164 78 40, RGB 181 96 59, RGB 198 114 78 and RGB 215 132 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 60 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 60 26 shade: RGB 142 60 26, RGB 125 42 7, RGB 108 24 0, RGB 91 6 0 and RGB 74 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 60 26 shade: RGB 142 60 26, RGB 142 28 26 and RGB 142 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 60 26 shade: RGB 142 60 26, RGB 142 91 26, RGB 142 122 26, RGB 130 142 26 and RGB 99 142 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 60 26 shade matches the following richer shades: RGB 142 60 26 and RGB 155 54 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 60 26 shade: RGB 142 60 26, RGB 128 65 39, RGB 114 71 53, RGB 101 77 66 and RGB 87 82 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 60 26 shade: RGB 142 26 55, RGB 142 28 26, RGB 142 58 26, RGB 142 89 26 and RGB 142 120 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 60 26 shade: RGB 72 30 13, RGB 107 45 19, RGB 142 60 26, RGB 177 74 32 and RGB 211 89 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 60 26 shade: RGB 142 60 26, RGB 86 142 26 and RGB 26 39 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 60 26 shade: RGB 142 60 26, RGB 26 142 58 and RGB 58 26 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 60 26 shade: RGB 142 60 26, RGB 86 142 26, RGB 26 109 142 and RGB 82 26 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 60 26 shade: RGB 142 60 26, RGB 51 142 26, RGB 26 109 142 and RGB 117 26 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 82 / 44

HEX #8E3C1A

RGB 142 60 26

HSL 17.59, 0.69%, 0.33%

LAB 36.09, 32.79, 36.68

 

Complementary color

CMYK 51 / 15 / 0 / 10

HEX #71C3E5

RGB 113 195 229

HSL 197.59, 0.69%, 0.67%

LAB 74.95, -15.87, -24.63

 

CMYK 0 / 59 / 86 / 42

HEX #933C15

RGB 147 60 21

HSL 18.57, 0.75%, 0.33%

LAB 36.91, 34.64, 40.14

 

CMYK 0 / 52 / 76 / 36

HEX #A44E28

RGB 164 78 40

HSL 18.39, 0.61%, 0.4%

LAB 43.5, 32.87, 38.15

 

CMYK 0 / 47 / 67 / 29

HEX #B5603B

RGB 181 96 59

HSL 18.2, 0.51%, 0.47%

LAB 50.1, 31.23, 36.03

 

CMYK 0 / 42 / 61 / 22

HEX #C6724E

RGB 198 114 78

HSL 18, 0.51%, 0.54%

LAB 56.67, 29.74, 34.06

 

CMYK 0 / 39 / 55 / 16

HEX #D78461

RGB 215 132 97

HSL 17.8, 0.6%, 0.61%

LAB 63.19, 28.41, 32.27

 

CMYK 0 / 58 / 82 / 44

HEX #8E3C1A

RGB 142 60 26

HSL 17.59, 0.69%, 0.33%

LAB 36.09, 32.79, 36.68

 

CMYK 0 / 66 / 94 / 51

HEX #7D2A07

RGB 125 42 7

HSL 17.8, 0.89%, 0.26%

LAB 29.49, 34.51, 38.35

 

CMYK 0 / 78 / 100 / 58

HEX #6C1800

RGB 108 24 0

HSL 13.33, 1%, 0.21%

LAB 23.14, 35.88, 34.2

 

CMYK 0 / 93 / 100 / 64

HEX #5B0600

RGB 91 6 0

HSL 3.96, 1%, 0.18%

LAB 17.25, 35.95, 26.54

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 58 / 82 / 44

HEX #8E3C1A

RGB 142 60 26

HSL 17.59, 0.69%, 0.33%

LAB 36.09, 32.79, 36.68

 

CMYK 0 / 80 / 82 / 44

HEX #8E1C1A

RGB 142 28 26

HSL 1.03, 0.69%, 0.33%

LAB 31.01, 46.5, 31.64

 

CMYK 0 / 82 / 82 / 44

HEX #8E1A1A

RGB 142 26 26

HSL 0, 0.69%, 0.33%

LAB 30.79, 47.11, 31.42

 

CMYK 0 / 58 / 82 / 44

HEX #8E3C1A

RGB 142 60 26

HSL 17.59, 0.69%, 0.33%

LAB 36.09, 32.79, 36.68

 

CMYK 0 / 36 / 82 / 44

HEX #8E5B1A

RGB 142 91 26

HSL 33.62, 0.69%, 0.33%

LAB 43.22, 15.43, 43.42

 

CMYK 0 / 14 / 82 / 44

HEX #8E7A1A

RGB 142 122 26

HSL 49.66, 0.69%, 0.33%

LAB 51.55, -2.43, 50.97

 

CMYK 8 / 0 / 82 / 44

HEX #828E1A

RGB 130 142 26

HSL 66.21, 0.69%, 0.33%

LAB 56.25, -18.75, 54.73

 

CMYK 30 / 0 / 82 / 44

HEX #638E1A

RGB 99 142 26

HSL 82.24, 0.69%, 0.33%

LAB 54.1, -31.94, 51.99

 

CMYK 0 / 58 / 82 / 44

HEX #8E3C1A

RGB 142 60 26

HSL 17.59, 0.69%, 0.33%

LAB 36.09, 32.79, 36.68

 

CMYK 0 / 65 / 92 / 39

HEX #9B360C

RGB 155 54 12

HSL 17.62, 0.86%, 0.33%

LAB 37.18, 40.41, 44.59

 

CMYK 0 / 58 / 82 / 44

HEX #8E3C1A

RGB 142 60 26

HSL 17.59, 0.69%, 0.33%

LAB 36.09, 32.79, 36.68

 

CMYK 0 / 49 / 70 / 50

HEX #804127

RGB 128 65 39

HSL 17.53, 0.53%, 0.33%

LAB 35.04, 24.85, 27.75

 

CMYK 0 / 38 / 54 / 55

HEX #724735

RGB 114 71 53

HSL 17.7, 0.37%, 0.33%

LAB 34.68, 16.28, 18.44

 

CMYK 0 / 24 / 35 / 60

HEX #654D42

RGB 101 77 66

HSL 18.86, 0.21%, 0.33%

LAB 34.94, 8.37, 10.41

 

CMYK 0 / 6 / 8 / 66

HEX #575250

RGB 87 82 80

HSL 17.14, 0.04%, 0.33%

LAB 35.28, 1.64, 1.9

 

CMYK 0 / 82 / 61 / 44

HEX #8E1A37

RGB 142 26 55

HSL 345, 0.69%, 0.33%

LAB 31.27, 48.58, 13.51

 

CMYK 0 / 80 / 82 / 44

HEX #8E1C1A

RGB 142 28 26

HSL 1.03, 0.69%, 0.33%

LAB 31.01, 46.5, 31.64

 

CMYK 0 / 59 / 82 / 44

HEX #8E3A1A

RGB 142 58 26

HSL 16.55, 0.69%, 0.33%

LAB 35.7, 33.82, 36.29

 

CMYK 0 / 37 / 82 / 44

HEX #8E591A

RGB 142 89 26

HSL 32.59, 0.69%, 0.33%

LAB 42.72, 16.59, 42.95

 

CMYK 0 / 15 / 82 / 44

HEX #8E781A

RGB 142 120 26

HSL 48.62, 0.69%, 0.33%

LAB 50.99, -1.3, 50.47

 

CMYK 0 / 58 / 82 / 72

HEX #481E0D

RGB 72 30 13

HSL 17.29, 0.69%, 0.17%

LAB 17.16, 18.69, 20.11

 

CMYK 0 / 58 / 82 / 58

HEX #6B2D13

RGB 107 45 19

HSL 17.73, 0.7%, 0.25%

LAB 26.88, 25.96, 29.22

 

CMYK 0 / 58 / 82 / 44

HEX #8E3C1A

RGB 142 60 26

HSL 17.59, 0.69%, 0.33%

LAB 36.09, 32.79, 36.68

 

CMYK 0 / 58 / 82 / 31

HEX #B14A20

RGB 177 74 32

HSL 17.38, 0.69%, 0.41%

LAB 44.73, 39.74, 44.05

 

CMYK 0 / 58 / 82 / 17

HEX #D35926

RGB 211 89 38

HSL 17.69, 0.69%, 0.49%

LAB 53.1, 45.56, 51.07

 

CMYK 0 / 58 / 82 / 44

HEX #8E3C1A

RGB 142 60 26

HSL 17.59, 0.69%, 0.33%

LAB 36.09, 32.79, 36.68

 

CMYK 39 / 0 / 82 / 44

HEX #568E1A

RGB 86 142 26

HSL 88.97, 0.69%, 0.33%

LAB 53.38, -36.93, 51.07

 

CMYK 82 / 73 / 0 / 44

HEX #1A278E

RGB 26 39 142

HSL 233.28, 0.69%, 0.33%

LAB 22.39, 34, -57.85

 

CMYK 0 / 58 / 82 / 44

HEX #8E3C1A

RGB 142 60 26

HSL 17.59, 0.69%, 0.33%

LAB 36.09, 32.79, 36.68

 

CMYK 82 / 0 / 59 / 44

HEX #1A8E3A

RGB 26 142 58

HSL 136.55, 0.69%, 0.33%

LAB 51.69, -49.13, 35.59

 

CMYK 59 / 82 / 0 / 44

HEX #3A1A8E

RGB 58 26 142

HSL 256.55, 0.69%, 0.33%

LAB 22.27, 44.59, -57.96

 

CMYK 0 / 58 / 82 / 44

HEX #8E3C1A

RGB 142 60 26

HSL 17.59, 0.69%, 0.33%

LAB 36.09, 32.79, 36.68

 

CMYK 39 / 0 / 82 / 44

HEX #568E1A

RGB 86 142 26

HSL 88.97, 0.69%, 0.33%

LAB 53.38, -36.93, 51.07

 

CMYK 82 / 23 / 0 / 44

HEX #1A6D8E

RGB 26 109 142

HSL 197.07, 0.69%, 0.33%

LAB 42.93, -12, -24.9

 

CMYK 42 / 82 / 0 / 44

HEX #521A8E

RGB 82 26 142

HSL 268.97, 0.69%, 0.33%

LAB 25.22, 47.95, -53.01

 

CMYK 0 / 58 / 82 / 44

HEX #8E3C1A

RGB 142 60 26

HSL 17.59, 0.69%, 0.33%

LAB 36.09, 32.79, 36.68

 

CMYK 64 / 0 / 82 / 44

HEX #338E1A

RGB 51 142 26

HSL 107.07, 0.69%, 0.33%

LAB 51.98, -47.7, 49.25

 

CMYK 82 / 23 / 0 / 44

HEX #1A6D8E

RGB 26 109 142

HSL 197.07, 0.69%, 0.33%

LAB 42.93, -12, -24.9

 

CMYK 18 / 82 / 0 / 44

HEX #751A8E

RGB 117 26 142

HSL 287.07, 0.69%, 0.33%

LAB 30.58, 54.1, -44.06

 

Description

Color code: RGB 142 60 26 | qconv.com Color code: RGB 142 60 26 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 60 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 60 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 82 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 82% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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